Journal articles on the topic 'Architectural creation'
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1
Jia, Jiao Jiao, Song Fu Liu, and Xiao Juan He. "Peter Zumthor Ideas of Architectural Creation." Applied Mechanics and Materials 423-426 (September 2013): 1183–86. http://dx.doi.org/10.4028/www.scientific.net/amm.423-426.1183.
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The paper studies the theories of Peter Zumthor, one of the most important architect in contemporary Swiss. In the context of the arts, the phenomenology of architecture and the development of modern architecture, the paper relies on Zumthors architectural works, tries to explore the origin of Zumthors architectural creation, revisit and reconstruct the trajectory of his theories and practice.
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Mark, Earl. "Reconstructing architectural geometry." Architectural Research Quarterly 3, no. 1 (March 1999): 65–76. http://dx.doi.org/10.1017/s1359135500001767.
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CAD systems provide convenient tools for the creation of simple geometry by direct manipulation on the computer screen. They work well enough for two-dimensional construction, but are often inadequate for creating doubly-curved three-dimensional surfaces. The solution proposed here is to use the in-built programming language provided in most CAD systems for direct creation of geometry. Developed for didactic purposes, the stunning reconstructions of Gothic vaults suggest a method of working likely to be of great value to the geometrically adventurous architect.
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Wang, Ke Qi. "Thinking Framework and Practice of Solving Architectural Creation’s Value Problems Base on Rational Thinking Modes." Applied Mechanics and Materials 368-370 (August 2013): 146–49. http://dx.doi.org/10.4028/www.scientific.net/amm.368-370.146.
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Solving Problems is the ultimate task of architectural creation. From the point of problem types being Solved, it can boil down to three kinds which are condition problems, contradiction problems and value problems. Architectural creation thinking is systemic thinking which unifies the rational thinking and irrational thinking together. Rational thinking is the dominant thinking mode that solve many kinds of problems of architectural creation, and there are some keys to solve the architectural creation’s value problems base on rational thinking, Such as to develop the function, technology and form of intrinsical creation objects through exhuming the potential properties and expanding possibilities of creation interrelated elements . The basic goal of architectural creation that solving the value problems base on rational thinking is exalting the value of creation objects. It can improve the systematicness, efficiency and stabilization effectively to architectural creation.
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Yin, Zhang, and Hong Yu Yuan. "Discussion on the Regional Cultural Creation in Modern Chinese Architecture." Applied Mechanics and Materials 638-640 (September 2014): 2204–8. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2204.
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In this article, through the analysis on the dilemma, the development and the outstanding cases regarding the regional cultural creation in the modern Chinese architecture, we shall make a conclusion on the ideas about the regional architectural creation characterized by a typical architect. And then through the proper interpretation, we shall provide theoretical support for the further development of the regional architectural creation with Chinese characteristics to explore the methods of architectural creation with Chinese characteristics.
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Li, Jun Huan, and Hong Yuan Bao. "Thoughts on Vernacular Architecture Research and Contemporary Regional Architectural Creation." Applied Mechanics and Materials 174-177 (May 2012): 1656–59. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.1656.
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The article begins by inspecting the absence of architectural characteristics under the background of globalization. The brief situation of Chinese traditional architecture research and regional architectural creation are organized. Points are made about the significance of research in the construction of urban and rural living environment. It is also important that the local building wisdom and culture be explored and the precious heritage of vernacular architectural culture be passed on. The simple building idea and ecological view should also be succeeded. And that is the route we must take to undertake contemporary regional architectural creation.
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Ma, Ting, Nong Wu, Zhi Xiong Yang, and Yue Xi Ai. "A Study on the Colors of the New Tang Dynasty Architectural Style." Applied Mechanics and Materials 438-439 (October 2013): 1786–90. http://dx.doi.org/10.4028/www.scientific.net/amm.438-439.1786.
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As the outerwear of a building, its color is one of the most significant features of a city. During thousands years of development the colors not only served for protection and decoration, but have been endowed with many intensions in the field of philosophy, politics, religion, culture and so on. Hence there has been formed a unique and integrated culture of colors. As many other cities, Xian is faced with the problem of maintaining its feature in the course of its development. On the basis of protecting the original style and features of the old town, delivering the profound cultural deposits, exploring the connection between traditional culture and modern architectural creation has become a common starting point for the architects in Xian. Based on the culture of Tang dynasty, the new Tang dynasty architecture is a bold attempt to shape a modern city and is also a direct reflection of the architects feeling about Chinese traditional architecture. In this paper, the writer studied the relationship between the colors of the new Tang dynasty architectural style and the creation of the modern Xian architecture from the point of architectural history and architectural design. Also, the paper explored its impact and inspiration on the modern architectural creation of Xian from the perspective of time feature. Moreover, it disclosed the value of the new Tang dynasty architectural style in a modern way and provided references, enlightenments and new ideas for the modern architectural creation in a historic city.
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Voyatzaki, Maria. "HANDLING TRADITION FOR A SYSTEMIC INNOVATION." JOURNAL OF ARCHITECTURE AND URBANISM 37, no. 4 (December 24, 2013): 231–38. http://dx.doi.org/10.3846/20297955.2013.869887.
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There is always something from the past embedded in the new, establishing a synergetic and sympathetic relationship which gives meaning and value to this new creation. Innovation is about creating new values. Contemporary trends in architectural contemplation and creation are looking into a redefinition of innovation as an inventive systemic synergy of multiple parameters, the dynamic modeling of which, with the aid of new digital technologies, can suggest the appropriate form and materiality of architectural design. Sympathy and synergy are not mere situations, but primarily values that nurture architectural design and open up new challenges for architectural education. Materialised architecture is the expression of worldviews and values. Its form and materiality constitute the meaningful platform on which the relationship between tradition and innovation are represented. Tradition and innovation have always been in a binary opposition. Through the act of creation, invention, innovation, change and transformation are introduced. However, there has always been something in the new that comes from the existent. This condition can become the foundation for a new conception of innovation to emerge, a systemic innovation in which tradition is reflected upon and exploited as a constraint that will leverage and foster it.
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Papapostolu, A., and D. Birov. "Architecture Evolution through Dynamic Reconfiguration in jADL." Information Technologies and Control 15, no. 1 (March 1, 2017): 23–32. http://dx.doi.org/10.1515/itc-2017-0019.
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Abstract In software architecture the dynamic structure of a software system can be described in terms of components and connectors and expressed through the use of Architectural Description Languages (ADLs). We present jADL, a new ADL, designed for the creation and validation of dynamic and mobile architectures. It, also, aims to help towards the process of “unifying” the definition and implementation of an architecture in a way that the final result is consistent with the architecture in terms of both functional requirements and quality attributes. In this paper, we examine into details the definition and expression of jADL’s architectural elements; components, connectors, ports, roles and behaviour describing statements – attach, detach, config, bind. The attributes of synchronicity and multiplicity concerning the connections between architectural elements are presented. A special case of connections is presented – the bind statement and the construction of composite architectural elements. Also, a case study of the client-server dynamic model in jADL is presented and the possibilities of jADL for dynamic reconfiguration are explored.
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Nash, Joshua. "Architectural Pilgrimage." Transfers 5, no. 2 (June 1, 2015): 121–28. http://dx.doi.org/10.3167/trans.2015.050208.
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Architectural pilgrimage is implicitly appreciated in architecture and design circles, especially by students who are encouraged to “travel to architecture,” with the focus on the Grand Tour as a means of architectural exploration. However, the expression has not been made explicit in the fields of architectural history, pilgrimage studies, tourism research, and mobility studies. I explore how pilgrimage to locations of modern architectural interest affects and informs pilgrims' and architects' conceptions of buildings and the pilgrimage journey itself. Drawing initially on a European architectural pilgrimage, the personal narrative highlights the importance of self-reflection and introspection when observing the built environment and the role of language in mediating processes of movement through and creation of architectural place-space.
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Wang, Xue Yong, Bo Zhou, Wen Dong, and Jing Wei Gong. "Modern Representation of Traditional Architectural Style." Applied Mechanics and Materials 584-586 (July 2014): 272–75. http://dx.doi.org/10.4028/www.scientific.net/amm.584-586.272.
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Based on the architectural design practice of Peach Blossom Valley Traffic Control and Training Center, this paper probes into several key points of modern architecture creation from the aspects of local cultural context, adaptation to local conditions, traditional signs and architectural style, etc., emphasizing that traditional local architectural culture should be inherited and developed in the modern architecture design.
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Shan, Linlin. "A Gene for Maintaining Sustainable Cultural Specificity of Contemporary Architecture—National Deep-Rooted Nature." Sustainability 14, no. 3 (January 25, 2022): 1330. http://dx.doi.org/10.3390/su14031330.
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Due to the differences in locality, ethnicity, environment and culture, architecture has an obvious and sustainable cultural specificity. Even in the era when modernism swept the world, this specificity still exists, and its sustainability stems from the gene of architectural cultural specificity—the national deep-rooted nature. This paper puts forward the concept of the national deep-rooted nature of architecture with the cultural specificity of contemporary architecture as the starting point. Then, the connotation of cultural specificity and national deep-rooted nature of architecture is explained in detail, and the relationship between contemporary architectural creative thinking and national deep-rooted nature is widely explored and discussed in depth. A theoretical research framework of contemporary architectural creation is constructed in which the national deep-rooted nature is regarded as the main line, and the architectural form, space, aesthetic creation consciousness are regarded as the basis.
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Wang, Rui, and Hang He. "The Application of Parametric Design in Landmark Building Creation." Advanced Materials Research 446-449 (January 2012): 3381–84. http://dx.doi.org/10.4028/www.scientific.net/amr.446-449.3381.
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As a new approach of the sustainable design, parametric design, which is also known as computational design, has become the new focus in architecture digital design. Parametric design which mostly applied in architectural design of landmark building is a special architectural type. Instead of ignoring social attribute and environmental characteristics of building, more architects are attracted to the amazing form of building from the result of parametric design. We should pay more attention to context, environmental factors and social influence in parametric design process, and give landmark building more social significance.
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Wang, Shao Rui, Ke Cheng Liu, Mei Chen Li, and Han Yi. "Humble Opinion about the Chinese Medicine and Local Architecture Creation." Advanced Materials Research 368-373 (October 2011): 3481–85. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.3481.
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Local architecture is a complex system with historical and dynamic evolution, having formed in the superposed action of regional natural, social environment and the other more factors. The evolution of its development is a dynamic symbiosis process restricted by many factors mentioned above. Facing to the complex phenomenon of regional architecture, local architecture creation is always to be fettered which confining to the architecture body analysis and solving. Thus, it’s hard to break through it in most cases. This paper attempts to merges the traditional Chinese medicine theory into the theoretical study of the local architecture. From the concept of traditional Chinese medicine such as the whole system balance philosophy, harmony between human being and nature idea, this paper analyses and discusses the concept and consciousness of local architecture through the review of the origins of local architectural and characteristics. Then, it also put forward some methods of the local architectural creation by the inspiration of traditional Chinese medicine diagnosis concept.
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Михайлова, Людмила Гавриловна. "TO THE QUESTION ON CREATION OF THE CLOSED CITIES." Академический вестник УралНИИпроект РААСН, no. 2(41) (July 1, 2019): 76–79. http://dx.doi.org/10.25628/uniip.2019.41.2.014.
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В статье представлен анализ архитектуры закрытых городов Урала, обладающих исторической и архитектурной ценностью. Рассмотрена ансамблевая архитектура сталинской эпохи и ее особенности в отдельных городах. Выявлены основные тенденции, положенные в основу строительства закрытых городов на Урале, строившихся по единому генплану, своеобразие их архитектурного облика. Работа выполнена по плану ФНИ на 2019 г. при поддержке РААСН и Минстроя России в соответствии с Государственной программой Российской Федерации «Развитие науки и технологий» на 2013-2020 гг., Программой фундаментальных научных исследований государственных академий наук на 2013-2020 гг. The article presents an analysis of the architecture of the closed cities of the Urals, which have historical and architectural value. The ensemble architecture of the «Stalin era» and its peculiarity in some cities are considered. The main trends underlying the construction of closed cities in the Urals, built on a single master plan, the originality of their architectural appearance.
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Vesnić, Snežana. "The philosophical platform of the architect: Why philosophers make such good drawings?" SAJ - Serbian Architectural Journal 9, no. 3 (2017): 201–16. http://dx.doi.org/10.5937/saj1703201v.
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Theoretical interpretations and attempts at instrumentalisation of the ties and exchanges between philosophy and architecture have mostly been directed at questions of language or the institutionalisation of the discipline of architecture. In this text, I suggest a different approach to philosophical engagement in architecture: a simultaneous use in the methodology of the architectural project and constitution of a philosophy of architecture, not only as a question of interdisciplinary exchange, but as an integral part of comprehensive architectural processes, with philosophy still maintaining its original authenticity. My approach is twofold: explain the methodology and delineate its framework, but also raise the question what is an architect's philosophical platform. To that end, I will attempt to elaborate three models: 1) the first delves partially into the fields of fiction and illusion, and in it the architect adopts the role (position) of the philosopher, 2) the second model is the architectural engagement of philosophical notions, and 3) the third is the use of philosophical concepts in the creation of architectural ones. Corresponding to each, I will suggest the activity of "repetition of difference" as a possibility of creation of the authentic architectural concept.
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Papasterevski, Dimitar. "Architectural Term: Self – Similarity." South East European Journal of Architecture and Design 2020 (June 12, 2020): 1–4. http://dx.doi.org/10.3889/seejad.2020.10054.
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Architecture, as one of the oldest areas of human activity, describes several categories that seem to be effective today: firmitas, utilities, venustas. But on the other hand, almost every period re-examines and reinterprets these terms. What is happening today? Are there old provisions still? Can we create new ones or expand, modify or re-create them? This paper evaluates the term of the architectural theme to contribute to the creation of a kind of critical vocabulary of contemporary architecture in the context of understanding architectural thought. Different ways of understanding/interpreting an architectural term can lead us to a new and different way of understanding and comprehending architecture itself in a modern changing world. This paper considers the relationship between fractal geometry and architecture as they respond to complexity and order, through the architectural term “self-similarity”.
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Grunskis, Tomas. "KŪRYBINIO EKSPERIMENTO SAMPRATOS ARCHITEKTŪROJE." JOURNAL OF ARCHITECTURE AND URBANISM 35, no. 1 (March 31, 2011): 21–27. http://dx.doi.org/10.3846/tpa.2011.03.
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While analysing creative experiments in architecture, one finds a number of different phenomena and examples, not so easy to discuss in a more or less systematic way. These phenomena and results, in one or another way related to experimental architecture, can hardly be defined by a single category and, as shown by the history of architecture, have become one of its driving forces contributing to the development of architecture in the course of time. The issue of the concepts of architectural experimentation on the whole is important and urgent in two aspects. First of all, such concepts are used in attempting to formulate basic architectural and cultural declarations, consequentially applied in forming and proclaiming different political creeds (usual practice of international architectural biennales and expo exhibitions). Secondly, their cultural value is of key importance too, as the ideas and thoughts expressed through the experimental creation often convey social aspects and states, also the idea, how architecture is understood during a specific period of time and the role given to it by society. Finally, as architecture is a language used by society to convey its socio-cultural status and values, the experimental architectural creation can be significant, although often ignored, in architectural practice. The most outstanding examples of architectural experiments confirm that architecture as artistic creation has long ago gained certain features of a cultural phenomenon, which eventually has become closely connected to society. Thus the area of culture and forms of its expression has becoming more and more relevant and significant to architectural experimentation. Although artistic and scientific experiments have certain similarities within contemporary discourse of architectural practices, they still differ a lot in the aspects of their backgrounds, processes and even results. But still, the interdisciplinary aspect, common to contemporary artistic experimentation, draws art and science closer together. Fairly often, peculiar new forms of art borrow scientific data or ideas interpreting, expressing and using them effectively to make pure art. The concept of architectural experimentation still does not exist as an integral concept. Only a few general features and attributes can be named as helping to define the architectural phenomenon as an experimental one. These are: (a) the idealistic trend and (b) very active element of motivation. It is also noteworthy that looking retrospectively, within different epochs the architectural experimentation had different relationship with other arts. The discussed in the article experimental practices of architecture in the 1950-ies – 1970-ies accumulated and effectively operated the languages of other visual – and not only – arts. Although, at the same time it should be admitted that they did not have the same close relationship to traditional, fundamental arts, such as sculpture and painting. So does the contemporary, the 21st century, architectural experimentation – it no longer has closer connection to traditional arts. Although it has to be admitted that the most recent, media-related arts influence experimental architecture on the levels of its forms as well as concepts. In general, the architectural creation at the beginning of the 21st century (both building architecture and urban planning) is getting more and more social. The experiment in such creation is less artistic or valuable as pure art in the traditional sense. Fewer experiments are made on the form only, but rather on the process itself and then – the form. Although the most innovative architectural images being developed and declared are getting more abstract and universal, they are easier to implement than before (due to the most advanced technologies). So, it is not so simple to draw a dividing line between purely idealistic and realistic experimental architecture, because what was just a vision not so long ago, today can be easily realized. Does it mean that experiments have become more social and less creative? Probably, not. Most likely, it’s because creativity has become transformable and gained new ways of expression. Santrauka Straipsnyje analizuojamos esminės kūrybinio eksperimento sampratos architektūroje. Apžvelgiami pagrindiniai mokslinio ir meninio eksperimento principai, konceptai juos charakterizuojant bei lyginant tarpinternatvyje, detalizuojant tiek esminius skirtumus, tiek ir logines sąsajas tarp vienų ir kitų. Taip pat tekste plačiai analizuojamas kūrybinio eksperimento reiškinys architektūroje, aptariant ir mokslinės, ir meninės sričių įtakas jam, jo specifikas ir ypatumus.
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Guo, Chun Yan, Da Ke Wei, and Chun Ying Guo. "Study on Relation between Architectural Form and Structure." Advanced Materials Research 374-377 (October 2011): 2114–17. http://dx.doi.org/10.4028/www.scientific.net/amr.374-377.2114.
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Multiple longitudinal unified times are spread out laterally by this paper through analysis on ancient Greek temples, ancient Romanesque arched architecture, Gothic churches, domed architecture and other western classical architectural forms in various historical periods, and five types of relations between architectural forms and structures are found out through summarization in combination with contemporary technological characteristics. The conclusion is that harmonic coexistence of technology and art can be truly achieved through architectural form creation on basis of respect to the laws of structural science and through active cooperation between architects and structural engineers.
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Lai, Kong Seng, Nor’Aini Yusof, and Ernawati Mustafa Kamal. "Innovation orientation in architectural firms." Construction Innovation 16, no. 4 (October 3, 2016): 425–45. http://dx.doi.org/10.1108/ci-05-2015-0030.
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Purpose Innovation is defined as the creation and adoption of changes that are new to an organisation or industry. The high probability of failure and the lack of innovation in the construction industry have highlighted the importance of innovation (both creation and adoption) as a business orientation. Although they are related to the construction industry, architectural firms receive little attention from an innovation perspective despite being perceived as important drivers of innovation. Thus, this paper aims to examine the distinctive characteristics of various innovation orientations and determine the state of innovation among architectural firms. Design/methodology/approach A postal survey was sent to 1,004 registered architectural firms in Malaysia. The data were processed using descriptive analysis. A factor analysis was conducted to categorise innovation creation and adoption, and a paired samples t-test was performed to examine the innovation orientations of architectural firms. Findings Innovation creation and innovation adoption are two distinct orientations with different characteristics. Architectural firms in Malaysia are oriented towards innovation creation, which intersects with innovation adoption. Research limitations/implications This study used a questionnaire survey that generated only statistical results. Future research should conduct interviews or focus group discussions to obtain comprehensive findings. Practical implications The innovation concept is expanded in terms of its orientations. Originality/value This study illustrates significant differences between innovation creation and innovation adoption in the architectural firms of a developing country, i.e. Malaysia.
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Bertels, Inge. "Expressing Local Specificity: The Flemish Renaissance Revival in Belgium and the Antwerp City Architect Pieter Jan Auguste Dens." Architectural History 50 (2007): 149–70. http://dx.doi.org/10.1017/s0066622x00002914.
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While globalizing trends stimulate the creation of entirely new regions, established regional and local identities remain. Architectural historians, among others, explore the ways in which regionalism has been — and continues to be — defined and redefined. Current issues in this debate include what regional architectural traditions might be; whether regions can be defined by architecture; and how regional traditions of architecture have been defined and interpreted by artists, authors and scholars. Nineteenth-century Belgian architecture is particularly relevant in this context. The formation of Belgian Art Nouveau’s style and identity have both been the object of numerous studies, but while Art Nouveau is probably the best-known creation of Belgian nineteenth-century architecture, it is hardly the only one, nor indeed the only interesting one. One of the sources identified for Belgian Art Nouveau has been the milieu of the so-called Flemish Renaissance Revival, which produced such architectural gems as Emile Janlet’s (1839–1919) Belgian pavilion at the World Exhibition in Paris (1878) and Jean Winders’ (1849–1936) own house and studio (1882–83) in Antwerp (Fig. 1).
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Chen, Yan, Jian Tang, Shen Jian Hu, and Fei Guo. "The Mode Study on Digital Network Technology and Interior Design." Advanced Materials Research 224 (April 2011): 60–64. http://dx.doi.org/10.4028/www.scientific.net/amr.224.60.
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By analyzing the process of interior design creation, the authors formulate a new mode of the digital network design. Moreover, they study the profound change of architectural theory and practice, from fuzzy border sketch to present digital network architecture creation, disclosing the renovation of interior design with digital network technology.
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Chen, Xiao Jie. "Sports Architecture Structure Stress Characteristics Analysis." Advanced Materials Research 919-921 (April 2014): 1553–56. http://dx.doi.org/10.4028/www.scientific.net/amr.919-921.1553.
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In the sports architectural form creation, structure technology plays an important role, it is the ideal form of guarantee, elements and form, structure and technology as a method of design, is the factor most architects consider first in sports in architectural creation. Technology of building structure technology as the field of material production, the aesthetic features of its shape becomes the main expression of sports architecture aesthetics, aesthetic psychological effects caused by the people. Especially in large span structure system because of its giant scale and exaggerated shapes, people will lose their normal in the presence of mental judgment scale, often by its magnificent momentum of admiration, moved by the building architectural image and space atmosphere. In the sports building design, construction technical support on architectural forms and form depends on the structure technology is beyond doubt, shaping the spatial image mainly depends on the correct expression of shape.
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Yu, Dzhyhil. "ZAERA-POLO’S ARCHITECTURAL COMPASS AS A RESEARCH TOOL FOR MODERN CONCEPTS OF ARCHITECTURAL ENVIRONMENT DESIGN." Architectural Studies 7, no. 1 (April 30, 2021): 17–23. http://dx.doi.org/10.23939/as2021.01.017.
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The article examines the trends in modern architecture, outlined in the studies of architectural critic Alejandro Zaera-Polo and his team. The tool they’ve created was named ‘Interactive Map of Modern Architecture’. Charles Jencks’s ‘Evolutionary Tree’ (diagram of 20th-century architecture) had a significant influence on this tool. The functionality of Zaera-Polo’s map has been examined for five years by the author of this article while tutoring future architects at the Department of Architectural Environment Design at Lviv Polytechnic National University. These examinations allowed us to formulate a number of proposals to improve both - the structure of this map and the methodology of its creation.
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Horayangkura, Vimolsiddhi. "The Creation of Cultural Heritage: Towards Creating a Modern Thai Architectural Identity." MANUSYA 13, no. 1 (2010): 60–80. http://dx.doi.org/10.1163/26659077-01301005.
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The Thai Pavilion at the 2010 Shanghai World Expo was basically similar to that of the 1992 World Expo in Spain; both exhibited traditional elements of Thai architecture without any modern transformation.
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Grover, Robert, Stephen Emmitt, and Alex Copping. "The language of typology." Architectural Research Quarterly 23, no. 2 (June 2019): 149–56. http://dx.doi.org/10.1017/s1359135519000198.
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The concept of typology has recurred in architectural discourse since the term’s conception in the early nineteenth century. To describe an architectural object usually involves an act of typifying; a generalisation of built form to common characteristics. Both the analysis of architecture and its creation require this abstraction, which offers the potential to form types and expose initially unapparent relationships. Typology’s Enlightenment origins sought to link architecture to a natural order, but its terminology has subsequently been adopted in modernist rejections of mass culture and Neo-Rationalist pursuits of continua and meaning. Despite widespread use of the term, the role typology plays in the process of design remains unclear. Attempts to link its academic origins to the creation of architectural form (notably by Gottfried Semper in the nineteenth century, and Guilio Carlo Argan and Aldo Rossi in the twentieth century) have done little to synthesise the two and merely succeeded in alienating it from practice.
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Urenev, V., and D. Bakhtin. "CREATION PRINCIPLES OF SUSTAINABLE PUBLIC ARCHITECTURE BUILDING ON THE WORLD PRACTICE EXAMPLE." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 8–18. http://dx.doi.org/10.31650/2519-4208-2020-20-8-18.
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In the last decade, including in relation to architecture, it is widely used the concept of "sustainability". This term correlates with the Sustainable Concep development), adopted by the UN as a strategic direction since the 1980s. The UN Commission on Environment and Development "Our Common Future" is sustainable development is defined as the way in which ―the needs of the present generation are met without limiting the ability of the next generation to meet its needs. " In the article, the authors consider the concept of sustainable architecture, which has been developing in recent years and offers solutions to urban planning and architecture through sustainable development in the field of construction and architecture. Technical opportunities for the development of architecture of the XXI century. are impressive in scale. At the same time, more and more architects have to take into account the significant impact that their projects have on the development of urban and natural environments. Urban architecture is still going by creating high-rise projects and compacting urban development. Modern metropolitan cities, being held hostage to the past path of their development and still little changed approaches to them buildings are gradually becoming a multi-factor problem, threatening the peace and security of residents. One of the ways to solve this problem is the concept of sustainable architecture that has emerged in the last decade. Its use by experts proves thatArchitecture of the XXI century. not only can maximize comfort and safety space for people, but also able to change the appearance of cities and improve their true state. Sustainable architecture allows you to create projects that meet the needs of people and at the same time, they not only take care of the conservation of natural resources, but also improve their condition environment. Well-known British architect N. Foster metaphorically defines the stand architecture as "a way to reach the maximum with minimal means". In the context of these processes, it must be acknowledged that architects can have a significant impact on restoration ecological balance and ensuring a high quality of life for people, creating architectural an environment that satisfies human needs while preserving or even improving the state of nature. Such an architectural environment is sustainable. It should be noted at the outset that the term in the scientific literature is clearly defined missing. This article aims to clarify the definition of sustainable architecture and to specify its basic principles in the analysis of both theoretical works and existing architectural solutions. Because sustainable architecture focuses primarily on technology characteristics of objects, their aesthetic expressiveness and style qualities become certain a problem that is not addressed in this text but is clearly understood by the authors. The term "sustainable architecture" has become widespread, leading to some leveling its value. The absence of clear boundaries in the definition may make it possible to overlook a sustainable architecture that in reality is only indirectly related to resilience. Not only consumers and users can be misled by this definition architectural objects, but investors and participants in the construction process. Along with the term "sustainable architecture" is often used by such concepts as "green architecture", "eco-sustainable construction", "ecological architecture", "low-cost architecture", "high technology architecture", "bioclimatic architecture", "Energy efficient and smart construction". All of these concepts are related in various ways to the technology of construction and operation of buildings, which aims to reduce consumption energy and material resources while maintaining or improving quality buildings and the comfort of their indoor environment. However, not all of them indicate qualitative, generic features of architecture as an aesthetic kind of project activity. The authors show the evolution in the field of construction from energy efficient architecture - to green architecture and further to sustainable architecture. Refine definitions of sustainable architecture, explore principles and criteria for evaluating sustainable architecture of public buildings and structures. The main purpose of the article is to find out the essence of the concept of sustainable architecture, its necessity and perspective in modern urban planning. To accomplish this, some problems need to be solved. Expand the concept of sustainable architecture, explore the principles and criteria for evaluating sustainable architecture, analyze the world experience of creating sustainable architecture in concrete examples, and show the prospects for the development and implementation of the concept of sustainable architecture in the world and in Ukraine. Sustainable architecture is a must for the functional (utility), technical (durability) and aesthetic (beauty) properties. The article provides examples of world-class sustainable architecture projects that create sustainable architectural environments and clearly demonstrate their superiority over traditional objects. The concept of sustainable architecture is very relevant for Ukraine.
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Bahauddin, A. "The ‘sense of place’ and the environmental context of Ar-Rahman Mosque architecture." IOP Conference Series: Earth and Environmental Science 881, no. 1 (November 1, 2021): 012010. http://dx.doi.org/10.1088/1755-1315/881/1/012010.
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Abstract This paper main factors are mosque architecture, the theoretical framework of the ‘Sense of Place’, the creation of ‘Sacred Places’, the architectural and cultural heritage of Masjid Ar-Rahman, Kelantan, Malaysia. These factors are based on the Islamic religious understanding, and they are interrelated. The mosque is a sacred important symbol in Islam. The Malay Mosque is medium scale architecture, a humble typology but demonstrates strong cultural and architectural heritage. However, the current mosque architecture is dominated by the monumental domes and towers, the two foreign elements that replace native parts and alter the archipelago official mosque appearances. Hence the lack of local ‘Sense of Place’ and connection to the environment. The conceptual framework capitalizes the research gap found in mosque architecture by further delving into the creation of ‘Sacred Places’ through the ‘Sense of Place’. The Masjid Ar-Rahman of Pulau Gajah, constructed in 2016, demonstrates simplicity both in its traditional image and architectural scale with the Hindu-Buddhist syncretism. It is the value of hybrid assimilation and tolerance and coined as the Nusantara hybridised Malay and Javanese architectural styles and cultural heritage. This research employs qualitative methods of phenomenological and case study propositions supported by architectural evidence in emphasizing the symbolic and semiotic aesthetics aspects in constructing the ‘Sacred Spaces’ through the ‘Sense of Place’. The findings demonstrated that the ‘Sense of Place’ of Masjid Ar-Rahman is created by the simplicity of the mosque design reflected by the Sufistic beliefs and its connection to the environment.
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Grazuleviciute-Vileniske, Indre, Aurelija Daugelaite, and Gediminas Viliunas. "Classification of Biophilic Buildings as Sustainable Environments." Buildings 12, no. 10 (September 27, 2022): 1542. http://dx.doi.org/10.3390/buildings12101542.
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Biophilic design approach aims at creating favorable conditions for humans in various types of anthropogenic environments, while at the same time restoring broken human–nature connection. The biophilic design guidelines and principles are general and flexible and allow wide array of architectural expressions. In order to better understand the architectural expression possibilities provided by biophilic design approach, the existing classifications of biophilic architecture and biophilic design examples were analyzed with the aim to develop the classification that would reflect the links between a building’s architectural expression and biophilic qualities. Three categories of biophilic architecture were distinguished in the developed classification: mimetic, applied, and organic. The distinguished categories were illustrated with the characteristic building examples and the evaluation of biophilic qualities and human-nature collaboration potential of these example buildings was carried out using comprehensive system of criteria. The analysis has demonstrated that all three distinguished categories—mimetic, applied, organic—allow for the creation of biophilic environments and hold the potential for human–nature collaboration, although organic biophilic design would be currently considered as the least developed, although most promising category.
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Smirnova, O. "PERSPECTIVE TRENDS OF INFRASTRUCTURE OF LIVING ENVIRONMENT ERGODESIGN FORMATION." Municipal economy of cities 3, no. 163 (June 29, 2021): 103–8. http://dx.doi.org/10.33042/2522-1809-2021-3-163-103-108.
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The article provides definitions of the concepts of "residential infrastructure" and "ergodesign of living environment". It was determined that residential infrastructure is a set of residential units designed for household activities with a system of appropriate services. The article describes the features of architectural and design formation of the modern living environment. Perspective tendencies of ergodesign infrastructure of living environment creation for the purpose of methodological bases of its formation development are revealed. It is established that the infrastructure of the living environment in the future will be improved taking into account the peculiarities of the determining factors, but the architectural environment of local residential units will be more developed. The directions of the architectural environment development of local residential formations are connected. It was determined that they are connected with application of innovative technologies and new building materials, functional intensification of living environment infrastructure, creation of multifunctional residential complexes, development of scale characteristics of buildings and emergence of vertical megastructures. Concepts and directions of architectural designing objects of residential environment infrastructure with use of means of ergodesign are revealed. The methods of forming the ergodesign residential infrastructure formations, which are aimed at creating a humane psychologically and aesthetically comfortable environment of human life, are determined. It is revealed that the main perspective methods of local residential formation include creation of multifunctional residential buildings and structures, maximum usage the natural (water, relief, vegetation) and artificial elements in the structure of residential formations to achieve stylistic unity, creation of universal spaces with the possibility of changing them in time, creation living environment as a single energy system, the usage of advanced technologies, architectural and artistic and engineering achievements to create its unique artistic image, the introduction of automatic "intelligent" systems in the infrastructure of living environment, etc.
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Abyzov, V. A., K. K. Pushkarova, M. O. Kochevykh, O. A. Honchar, and N. L. Bazeliuk. "Innovative building materials in creation an architectural environment." IOP Conference Series: Materials Science and Engineering 907 (August 26, 2020): 012035. http://dx.doi.org/10.1088/1757-899x/907/1/012035.
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Xu, Wei Qi, Qiu Run Guo, and Hai Jin Tong. "Study of Structural Morphological Design during the Stage of Architecture Composition." Advanced Materials Research 919-921 (April 2014): 1537–40. http://dx.doi.org/10.4028/www.scientific.net/amr.919-921.1537.
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Structural morphological design makes a breakthrough at traditional concept that structural is regarded only as the technological means in architecture composition.Starting from the concrete and abstract cognition on the structural morphological design,this paper analyses the influence of structure technology on architectural forms,discusses its application principle and the main distinction of the traditional structure design.By exploring the mechanics laws with typical cases,the paper summarizes the structural expression method and propounds new ideas for architectural form with structural morphology, in order to enlighten the thoughts of innovative application on structural morphological design in architectural creation.
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Platt, Christopher. "Sticks, stones and the bones of a concept." Architectural Research Quarterly 4, no. 1 (March 2000): 40–54. http://dx.doi.org/10.1017/s1359135500002414.
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The relationship between the creation and experience of architecture is a little discussed topic. If architectural ideas are only fully understood with the illumination of construction, what are the implications of teaching architectural design in the academic studio? Linked to this is the issue of time: how do materials weather and age and how in this youth-obsessed era (in both architectural society as well as society generally) can we rediscover the importance (and beauty) of building buildings which are enhanced as they grow old. Three small (in one case tiny) built projects are examined to consider these relationships.
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Bujor, Adriana, and Silvia Avasilcai. "Innovative architectural design development: the Arcbazar creative crowdsourcing contests perspective." MATEC Web of Conferences 184 (2018): 04002. http://dx.doi.org/10.1051/matecconf/201818404002.
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Growth and value creation have become the dominant preoccupations for today's managers/companies. That is why they have increasingly embraced crowdsourcing and co-creation as business practices, especially online. If most of them aim to increase their performance with the help of these practices, there have been cases where they have been approached in critical moments, when various businesses have found themselves on the verge of collapse, as is the case with Legos. If crowdsourcing is about getting the services, ideas or content needed, by asking for contributions from a large group of people and especially from an online community rather than from traditional employees or suppliers, co-creation is considered to be the strongest business strategy, at the moment, to involve consumers in co-creating products, services, and experiences with a unique value for both parties. In this paper, architectural design crowdsourcing will be presented as an alternative method to the acquisition of traditional design, which can overcome the potential deficiencies, faced by this sector of the creative industries, and may bring smaller projects in the field of architectural practices.
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Hu, Xiao Ming, and Qiang Liu. "The Complex Network of Architectural Design." Applied Mechanics and Materials 357-360 (August 2013): 349–53. http://dx.doi.org/10.4028/www.scientific.net/amm.357-360.349.
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We all know that the design thinking in architecture design is quite complex. However, the most existing studies on design thinking have been based upon reductionism. By introducing complex network theory, complexity perspective is used to re-interpret the architectural design in this paper. Moreover, the characteristics, rules and thinking characteristics of architectural creation are revealed by the characteristics of complex network. The paper advocates combining holism and reductionism to guide the architectural design, and pointed out that synesthesia exists among different factors of complex network. Based upon the scientific analysis on several famous cases, the author pointed out the great importance of synesthesia in architects' design thinking.
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Stankovic, Danica, Milan Tanic, and Aleksandra Cvetanovic. "The impact of intelligent systems on architectural aesthetics." E3S Web of Conferences 110 (2019): 01044. http://dx.doi.org/10.1051/e3sconf/201911001044.
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During its historical development, materials and architecture have always been inextricably linked. More recently, the application of modern materials and new achievements in architecture around the world have actualized the issue of the relation between architectural aesthetics and technology. Technological advancement allows the creation of new forms and a new way of shaping materials. Therefore, smart and nanotechnology have a significant impact not only on modern buildings, but also on the emergence of new architectural expression and style. Using analytical descriptive methodology and research literature, this paper focuses on the analysis of selected case studies in order to determine the impact of new intelligent technologies and modern materials on the ecological and aesthetic needs of today's architecture.
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Chiabrando, F., M. Lo Turco, and C. Santagati. "DIGITAL INVASIONS: FROM POINT CLOUDS TO HISTORICAL BUILDING OBJECT MODELING (H-BOM) OF A UNESCO WHL SITE." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W3 (February 23, 2017): 171–78. http://dx.doi.org/10.5194/isprs-archives-xlii-2-w3-171-2017.
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The paper here presented shows the outcomes of a research/didactic activity carried out within a workshop titled "Digital Invasions. From point cloud to Heritage Building Information Modeling" held at Politecnico di Torino (29<sup>th</sup> September&ndash;5<sup>th</sup> October 2016). The term digital invasions refers to an Italian bottom up project born in the 2013 with the aim of promoting innovative digital ways for the enhancement of Cultural Heritage by the co-creation of cultural contents and its sharing through social media platforms. At this regard, we have worked with students of Architectural Master of Science degree, training them with a multidisciplinary teaching team (Architectural Representation, History of Architecture, Restoration, Digital Communication and Geomatics). The aim was also to test if our students could be involved in a sort of niche crowdsourcing for the creation of a library of H-BOMS (Historical-Building Object Modeling) of architectural elements.
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Folic, Branislav. "The contribution to the research into the role of Bogdan Bogdanovic in the creation of the New School of architecture in Belgrade." Spatium, no. 27 (2012): 19–25. http://dx.doi.org/10.2298/spat1227019f.
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Following student protests in 1968, the reform of universities began in Yugoslavia. The idea of the humanization of architectural profession and the reform of Belgrade Faculty of Architecture towards the environmental studies was launched. The article examines the impact of the New School on the humanization of the architectural profession as part of a general movement to humanize the society of the sixties, as well as the significant role of Bogdan Bogdanovic in the realisation of such an endeavour. First steps towards creating a New School could be foreseen in Bogdan Bogdanovic's text Arhitektura je nauka (The Architecture is a Science) in 1969, which suggests the introduction of the humanistic disciplines in architectural education as well as in the analytical texts of Professor Branislav Milenkovic ?O nastavi na arhitekstonskom fakultetu? (About Teaching at the Faculty of Architecture, 1945-1968) and assistant lecturer Ranko Radovic ?Ucenje neimarstva? published in the magazine Arhitektura-urbanizam (Architecture-Town Planning) No.52 in 1968. During his stay in America, Bogdanovic gained some experience visiting multidisciplinary schools of environmental design. Analyzing the school curriculum and current trends in the education of architects, he set the basis for the application of environmental design. The reform was carried out transparently with equal participation of students, teachers and former students of the Faculty of Architecture. The team for the creation of the New School, led by Bogdan Bogdanovic, after each meeting published announcements that contained conclusions on the implementation of reforms. These announcements and processed materials represented the content basis of the New School of architecture.
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Pinheiro, Ana Paula. "Architectural Rehabilitation and Sustainability of Green Buildings in Historic Preservation." HighTech and Innovation Journal 1, no. 4 (December 1, 2020): 172–78. http://dx.doi.org/10.28991/hij-2020-01-04-04.
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The aim of the article is to alert to the fact that architecture must comprehend Nature and bring it back again to the daily life of Man, increasing his physical and psychological comfort. The "Green" in Architectural Rehabilitation can have several meanings and approximations. In this article we address "Green" as Color and Attitude. This paper has been developed through deepening the hypothesis of the color green in living coatings. The creation of an ecological skin in architecture accentuates the dilution of the presence of interventions in heritage contexts with an attitude of knowing how to add, involving Nature. These allow creating solutions that avoid the formalisms of architectural language, being of special relevance their application in the Architectural Rehabilitation of the Heritage. Examples of green roofs and green facades are presented and it is shown that rainwater management improves the sustainability of the historic place. Complementary, as a Green Attitude, it is essential to use renewable energy in buildings to achieve NZEB – Nearly Zero Energy Building. As a case study we have selected the Rehabilitation of the Cathedral of Portalegre in Portugal. Doi: 10.28991/HIJ-2020-01-04-04 Full Text: PDF
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Liu, Xiao Ping. "The Urban Design Logic and its Application in Architectural Design." Applied Mechanics and Materials 638-640 (September 2014): 2278–85. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2278.
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This paper expounds the urban design logic in architectural design, introduced the related analytic methods of urban design. In the end the author's introduced the practice cases which the analytic methods were applied in architecture creation. These cases show how the analytic methods are used to deal with architectural design problems, so that the building design and urban environment is harmonious and creative. These methods also make urban building generation and evaluation more rational, more scientific.
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Obynochna, Zoriana, and Kateryna Holubchak. "IMPLEMENTATION OF THE METHOD OF CREATING A «SER PROFILE» AS AN IMPORTANT STATE OF WORKING ON AN ARCHITECTURAL PROJECT." Current problems of architecture and urban planning, no. 63 (April 14, 2022): 280–89. http://dx.doi.org/10.32347/2077-3455.2022.63.280-289.
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The creation of the architectural environment depends on the activities of the architect and certain stages of project development, one of which is the pre-project analysis, which is preparatory in nature and is important for further work.
The article considers the method of creating a «user profile» as one of the important stages of work on an architectural project in architectural education. Some recommendations and techniques for creating a «user profile» have been developed. A review of domestic and foreign research, raising the issue of pre-project analysis, based on the study of the needs of future users of architectural space has been conducted. Several stages of creating such a profile and a clear example of its application in the educational processare presented as well as the impact on the further development of the architectural project.
When working on an architectural project, the architect must subconsciously «reincarnate» in the future visitor, feel his mood, lifestyle, needs when using the designed space. Therefore, such a «reincarnation» is important when working on a «user profile».
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Zedníčková, Zdeňka Němcová. "On the Edge - future adaptation challenges: The role of futurology, scenario planning methodology and off grid design in architectural and urban teaching." Architecture Papers of the Faculty of Architecture and Design STU 27, no. 3 (September 1, 2022): 8–16. http://dx.doi.org/10.2478/alfa-2022-0015.
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Abstract The article describes the role of thinking about the future and its importance in architectural and urban education. The first part deals with the scientific discipline of futurology and the possibilities of its use in architectural and urban practice. It covers topics that futurology makes available to architecture and their influence on the urbanized environment. It relates the creation of strategic visions for urban development with the UN 2030 Agenda for Sustainable Development and the UN Habitat III initiative. The second part is dedicated to introducing the futurological method of scenario planning, and its origin and use. It mentions so-called megatrends as the driving forces of future scenarios, effecting future challenges and threats that cities will have to deal with. Further, it provides insight into how this method can benefit architectural and urban work and represents the way it was used during architectural teaching. It reflects on the advantages of creating visions in the educational process. In the last part, it shows the off-grid design as a suitable simulator of structural and system thinking, leading to a better understanding of how complex architectural and urban systems function. It highlights the contribution of space architecture projects as a source of innovative thinking. It anticipates that working on space projects where self-sufficiency is a necessity can also benefit thinking about ecology, self-sufficiency, and the sustainability of settlements on Earth.
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Mcheick, Hamid. "Applying ADD Model to Enhance Quality of SOA Applications." International Journal of Business Data Communications and Networking 8, no. 4 (October 2012): 67–83. http://dx.doi.org/10.4018/jbdcn.2012100105.
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SOA enables integration of applications and resources flexibly, representing every application or resource as a service. Its purpose is to facilitate reuse and interoperability of applications, which are regarded as quality attributes of a system. It is very easy to talk about the benefits of SOA (reuse, etc.). But, there are no precise specifications to define this concept as the architectural style. SOA has another shortcoming; it is a problem of performance related to the creation of services that affect the total processing time of the system. This paper provides a basic specification of SOA and identifies architectural tactics to improve performance. The tactics adopted for the performance are then validated by a case study. A solution for the development of tactics is to use the ADD method. This is a method to meet the architectural requirements or qualities expected from a system. Three architectural models have been well integrated into SOA. Validation of the case study determined that the tactics are working and it is interesting to use in SOA architecture. However, an interesting point that arises from the test is that the decomposition model of service can be used with caution. Two contributions emerge from this paper: a basic specification and a design of SOA-based integration models (architectural) to improve performance. The main recommendation arising from this test is the addition of tactical or creating tools to automate the architecture chosen and thus improve performance.
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Романова, С. С. "ДІЯЛЬНІСТЬ МАЙСТРІВ АРХІТЕКТУРИ ХАРКОВА ПЕРШОГО ПІСЛЯВОЄННОГО ДЕСЯТИРІЧЧЯ 1945-1955 рр." SCIENTIFIC BULLETIN OF CIVIL ENGINEERING 108, no. 2 (2022): 18–25. http://dx.doi.org/10.29295/2311-7257-2022-108-2-18-25.
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The article is devoted to the activities of the architects of the Kharkiv architectural school in the second floor. 40's - mid-1950s of the 20th century. This period largely determined the appearance of modern Ukrainian cities, including Kharkiv Masters of architecture of several generations took part in the restoration of war-damaged buildings, in the reconstruction, design and construction of buildings in Kharkiv, making a huge contribution to the creation of a distinct architectural face of the city. The article contains specific examples of the authorship of "iconic" buildings, which appeared due to the work of outstanding masters of architecture in Kharkiv.
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Gao, Yu. "The Study of Composition in Sustainable Architectural Metaphor Interesting Design." Applied Mechanics and Materials 174-177 (May 2012): 3157–60. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.3157.
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Based on the analysis of a exhibition building and the study of design patterns, this paper will probe the forms and rules of compositon contained in architecture, and propose the idea of establishing the sustainable architectural metaphor which is suitable for modern design and creation and full of individuality and interestingness.
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Salman, Abdullah S. "Architecture between Islamic thought and the phenomenon of deconstruct." Muthanna Journal of Engineering and Technology 7, no. 1 (October 6, 2019): 44–56. http://dx.doi.org/10.52113/3/mjet/2019-7-1/44-56.
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"What inspires the learner or scholar in the field of architecture, as a need to satisfy, is the ability of the architect to deal with many of the architectural trends at the same time through the identification and investment in the creation of architectural configurations acceptable or have the balance among many architects. This approach has united the idea that architecture originated from a single source connected to man and his continuous quest to create an acceptable and acceptable environment. What interested the research is dealing with the Islamization of deconstruct architecture. The research found the emerged from the architecture of deconstruct has achieved disjointed products of interpretation has been struck with the intention of the concept of unification in the architecture of Islam by abolishing the social concept and the impact of this in the creation of a unified architecture. While dealing with the texts shown in the Quran has achieved deconstruct as a purification of information by dealing with the phenomenon of production, it maintains its composition and do not deal with the deconstructive vision common to them. Or the circumference of the phenomenon as manipulated by the deconstruction through a distortion of the apparent configurations."
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Huhemanda and Xiao Hu Jia. "Modern Architecture under Nomadic Ecological View." Applied Mechanics and Materials 638-640 (September 2014): 2226–30. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2226.
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Economic growth and urban expansion results in the depletion of non-renewable resources and environment pollution and ecological destruction, thus the world faces with the contradiction between development and the environment at present. In this context, sustainable development is discussed widely and frequently in the field of architectural design. This paper seeks for the starting point of sustainable development-based architectural creation from the perspective of nomadic ecology view; and works out the three design philosophies including architectural lightweight, climate strategy and architectural landscape by virtue of analysis on Mongolian yurt, to provide new perspective for the architects that are engaged in architectural creation of sustainable development.
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Kudryavtsev, Vladimir Gennadyevich. "CULT PLACES OF MARI AS A SYMBOL OF CULTURAL IDENTITY." Yearbook of Finno-Ugric Studies 13, no. 4 (December 25, 2019): 678–87. http://dx.doi.org/10.35634/2224-9443-2019-13-4-678-687.
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The article is devoted to the study of places of worship in traditional Mari culture, which are in varying degrees of sacredness. They have so far preserved artifacts and symbols that form the cultural identity of the people. The Mari religion in the most complete local traditions preserves the system of pagan cults and rites. The trend towards the revival of pagan religion and the creation of religious organizations and communities is associated with a general upsurge in national identity. This became necessary in the context of national movements as a means of ethnic self-defense and a factor of ethnocultural revival. Original ethnocultural traditions and formative elements of folk architecture are relevant and important in the design of modern architectural complexes and the creation of small architectural forms in folk architecture, landscape design, and the formation of an ethnocultural environment. Further sacralization of places of worship will contribute to the preservation of natural monuments and the manifestation of artifacts and symbols of cultural identity.
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Babenko, V., and K. Davydenko. "COPYRIGHT FOR THE PROJECT IN ARCHITECTURAL COMPETITIONS." Ukrainian Journal of Civil Engineering and Architecture, no. 1 (June 24, 2021): 26–35. http://dx.doi.org/10.30838/j.bpsacea.2312.230221.26.714.
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Problem statement. Works of architecture, as objects of copyright, is one of the key industries on which the economies of the countries of the modern world are based. The importance of architectural activity for the harmonious development of society is unquestioning, both from the point of view of the development of projects and the creation of structures, the cultural value of which is of a spiritual nature, and due to the functional value of architecture, includes aesthetic, social and everyday components. Copyright in architectural works is an important form of protecting and enforcing the rights of architects and neglect of this right usually leads to litigation. There is a problem of awareness of copyright issues in Ukraine, both in architectural projects and in many aspects of architectural activities, in particular, the observance of the copyright of architects when their architectural projects participate in architectural competitions.
The main objective. Research of architectural works submitted to competitions as objects of intellectual property rights, study and generalization of existing rules of participation of architectural projects in architectural competitions, legality of their use by competition customers and observance of copyrights of architects, including students and masters of architecture.
Conclusions. The participation of architects in architectural competitions is an extremely important issue due to the copyright of both experienced and young architects, especially if the participants in the competition are students of architectural and construction universities. The complex of copyright on the result of his creative activity in the field of architecture arises from the moment of creation of the work (including the project), regardless of whether it was completed and published or not. After the implementation of the project, the author's rights to constructed buildings, structures and other works as objects of copyright also belong to the author, if they were not transferred under the contract, as well as taking into account the law on rights to objects created by the employment contract and to order. The copyright for the project belongs exclusively to the author (authors) and is protected in accordance with the Laws of Ukraine. As we can see, the judicial and legislative systems of Ukraine allow an architect (or other copyright owner) to protect his project and rights to it, to punish those who encroach on someone else's intellectual property and to bring violators to justice. Legal protection is equal for all participants of the competition and can help young architects not only to gain experience in project development, at different stages of the competition, but also in case of victory, to further participate in its implementation, subject to compliance with the rules and conditions.
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Казакова, Светлана, and Svetlana Kazakova. "The architecture sphere: The tourism attraction issues." Services in Russia and abroad 8, no. 6 (December 2, 2014): 3–13. http://dx.doi.org/10.12737/6683.
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The article is devoted to the architectural sphere development key idea as one of the main tourist interest components. The article tells us that today it is increasing the importance of the visual urban environment perception and impressions, tourist social experience forming. These conditions provoke a significant meaning of architecture as an attractor. Modern requirements dictate the introduction of modern marketing management mechanism architectural forms need, including their optimal using in the tourism industry. It contents a lot of world and domestic practice examples. It mentions a special interest to the architectural forms creation processes and modification on the purposes of it integration in tourism. These processes could be realized through the urban environment museumification, remake-building constructing, the unrealized architectural projects implementation, architectural reset", as well as through the design of new attractions.
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Kyselov, Volodymyr, and Ganna Kyselovа. "PUBLIC SPACES AS A TOOL FOR URBAN ENVIRONMENT RECONSTRUCTION." Urban development and spatial planning, no. 78 (October 29, 2021): 266–75. http://dx.doi.org/10.32347/2076-815x.2021.78.266-275.
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The article is devoted to the study of public urban spaces as a catalyst for the reconstruction of the urban environment. The article analyzes scientific works devoted to the study of sustainable development of the urban environment, the reconstruction of urban areas and the creation of public spaces. The examples from the world experience of creating public spaces during the reconstruction of the urban environment are given and analyzed. Creation and humanization of public spaces as objects of social and communication activity of the population using new technologies in architecture, landscape and light-color design, necessary to create an architectural environment that is comfortable in terms of ecological, functional and aesthetic characteristics.
The creation of public spaces during the reconstruction of urban areas contributes to the economic process of updating the subject-spatial environment, taking into account new social and urban planning requirements and the formation of a comfortable urban environment.