Relevant bibliographies by topics / Architectural creation

Academic literature on the topic 'Architectural creation'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Architectural creation"

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Jia, Jiao Jiao, Song Fu Liu, and Xiao Juan He. "Peter Zumthor Ideas of Architectural Creation." Applied Mechanics and Materials 423-426 (September 2013): 1183–86. http://dx.doi.org/10.4028/www.scientific.net/amm.423-426.1183.

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The paper studies the theories of Peter Zumthor, one of the most important architect in contemporary Swiss. In the context of the arts, the phenomenology of architecture and the development of modern architecture, the paper relies on Zumthors architectural works, tries to explore the origin of Zumthors architectural creation, revisit and reconstruct the trajectory of his theories and practice.
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Mark, Earl. "Reconstructing architectural geometry." Architectural Research Quarterly 3, no. 1 (March 1999): 65–76. http://dx.doi.org/10.1017/s1359135500001767.

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CAD systems provide convenient tools for the creation of simple geometry by direct manipulation on the computer screen. They work well enough for two-dimensional construction, but are often inadequate for creating doubly-curved three-dimensional surfaces. The solution proposed here is to use the in-built programming language provided in most CAD systems for direct creation of geometry. Developed for didactic purposes, the stunning reconstructions of Gothic vaults suggest a method of working likely to be of great value to the geometrically adventurous architect.
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Wang, Ke Qi. "Thinking Framework and Practice of Solving Architectural Creation’s Value Problems Base on Rational Thinking Modes." Applied Mechanics and Materials 368-370 (August 2013): 146–49. http://dx.doi.org/10.4028/www.scientific.net/amm.368-370.146.

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Solving Problems is the ultimate task of architectural creation. From the point of problem types being Solved, it can boil down to three kinds which are condition problems, contradiction problems and value problems. Architectural creation thinking is systemic thinking which unifies the rational thinking and irrational thinking together. Rational thinking is the dominant thinking mode that solve many kinds of problems of architectural creation, and there are some keys to solve the architectural creation’s value problems base on rational thinking, Such as to develop the function, technology and form of intrinsical creation objects through exhuming the potential properties and expanding possibilities of creation interrelated elements . The basic goal of architectural creation that solving the value problems base on rational thinking is exalting the value of creation objects. It can improve the systematicness, efficiency and stabilization effectively to architectural creation.
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Yin, Zhang, and Hong Yu Yuan. "Discussion on the Regional Cultural Creation in Modern Chinese Architecture." Applied Mechanics and Materials 638-640 (September 2014): 2204–8. http://dx.doi.org/10.4028/www.scientific.net/amm.638-640.2204.

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In this article, through the analysis on the dilemma, the development and the outstanding cases regarding the regional cultural creation in the modern Chinese architecture, we shall make a conclusion on the ideas about the regional architectural creation characterized by a typical architect. And then through the proper interpretation, we shall provide theoretical support for the further development of the regional architectural creation with Chinese characteristics to explore the methods of architectural creation with Chinese characteristics.
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Li, Jun Huan, and Hong Yuan Bao. "Thoughts on Vernacular Architecture Research and Contemporary Regional Architectural Creation." Applied Mechanics and Materials 174-177 (May 2012): 1656–59. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.1656.

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The article begins by inspecting the absence of architectural characteristics under the background of globalization. The brief situation of Chinese traditional architecture research and regional architectural creation are organized. Points are made about the significance of research in the construction of urban and rural living environment. It is also important that the local building wisdom and culture be explored and the precious heritage of vernacular architectural culture be passed on. The simple building idea and ecological view should also be succeeded. And that is the route we must take to undertake contemporary regional architectural creation.
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Ma, Ting, Nong Wu, Zhi Xiong Yang, and Yue Xi Ai. "A Study on the Colors of the New Tang Dynasty Architectural Style." Applied Mechanics and Materials 438-439 (October 2013): 1786–90. http://dx.doi.org/10.4028/www.scientific.net/amm.438-439.1786.

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As the outerwear of a building, its color is one of the most significant features of a city. During thousands years of development the colors not only served for protection and decoration, but have been endowed with many intensions in the field of philosophy, politics, religion, culture and so on. Hence there has been formed a unique and integrated culture of colors. As many other cities, Xian is faced with the problem of maintaining its feature in the course of its development. On the basis of protecting the original style and features of the old town, delivering the profound cultural deposits, exploring the connection between traditional culture and modern architectural creation has become a common starting point for the architects in Xian. Based on the culture of Tang dynasty, the new Tang dynasty architecture is a bold attempt to shape a modern city and is also a direct reflection of the architects feeling about Chinese traditional architecture. In this paper, the writer studied the relationship between the colors of the new Tang dynasty architectural style and the creation of the modern Xian architecture from the point of architectural history and architectural design. Also, the paper explored its impact and inspiration on the modern architectural creation of Xian from the perspective of time feature. Moreover, it disclosed the value of the new Tang dynasty architectural style in a modern way and provided references, enlightenments and new ideas for the modern architectural creation in a historic city.
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Voyatzaki, Maria. "HANDLING TRADITION FOR A SYSTEMIC INNOVATION." JOURNAL OF ARCHITECTURE AND URBANISM 37, no. 4 (December 24, 2013): 231–38. http://dx.doi.org/10.3846/20297955.2013.869887.

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There is always something from the past embedded in the new, establishing a synergetic and sympathetic relationship which gives meaning and value to this new creation. Innovation is about creating new values. Contemporary trends in architectural contemplation and creation are looking into a redefinition of innovation as an inventive systemic synergy of multiple parameters, the dynamic modeling of which, with the aid of new digital technologies, can suggest the appropriate form and materiality of architectural design. Sympathy and synergy are not mere situations, but primarily values that nurture architectural design and open up new challenges for architectural education. Materialised architecture is the expression of worldviews and values. Its form and materiality constitute the meaningful platform on which the relationship between tradition and innovation are represented. Tradition and innovation have always been in a binary opposition. Through the act of creation, invention, innovation, change and transformation are introduced. However, there has always been something in the new that comes from the existent. This condition can become the foundation for a new conception of innovation to emerge, a systemic innovation in which tradition is reflected upon and exploited as a constraint that will leverage and foster it.
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Papapostolu, A., and D. Birov. "Architecture Evolution through Dynamic Reconfiguration in jADL." Information Technologies and Control 15, no. 1 (March 1, 2017): 23–32. http://dx.doi.org/10.1515/itc-2017-0019.

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Abstract In software architecture the dynamic structure of a software system can be described in terms of components and connectors and expressed through the use of Architectural Description Languages (ADLs). We present jADL, a new ADL, designed for the creation and validation of dynamic and mobile architectures. It, also, aims to help towards the process of “unifying” the definition and implementation of an architecture in a way that the final result is consistent with the architecture in terms of both functional requirements and quality attributes. In this paper, we examine into details the definition and expression of jADL’s architectural elements; components, connectors, ports, roles and behaviour describing statements – attach, detach, config, bind. The attributes of synchronicity and multiplicity concerning the connections between architectural elements are presented. A special case of connections is presented – the bind statement and the construction of composite architectural elements. Also, a case study of the client-server dynamic model in jADL is presented and the possibilities of jADL for dynamic reconfiguration are explored.
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Nash, Joshua. "Architectural Pilgrimage." Transfers 5, no. 2 (June 1, 2015): 121–28. http://dx.doi.org/10.3167/trans.2015.050208.

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Architectural pilgrimage is implicitly appreciated in architecture and design circles, especially by students who are encouraged to “travel to architecture,” with the focus on the Grand Tour as a means of architectural exploration. However, the expression has not been made explicit in the fields of architectural history, pilgrimage studies, tourism research, and mobility studies. I explore how pilgrimage to locations of modern architectural interest affects and informs pilgrims' and architects' conceptions of buildings and the pilgrimage journey itself. Drawing initially on a European architectural pilgrimage, the personal narrative highlights the importance of self-reflection and introspection when observing the built environment and the role of language in mediating processes of movement through and creation of architectural place-space.
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Wang, Xue Yong, Bo Zhou, Wen Dong, and Jing Wei Gong. "Modern Representation of Traditional Architectural Style." Applied Mechanics and Materials 584-586 (July 2014): 272–75. http://dx.doi.org/10.4028/www.scientific.net/amm.584-586.272.

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Based on the architectural design practice of Peach Blossom Valley Traffic Control and Training Center, this paper probes into several key points of modern architecture creation from the aspects of local cultural context, adaptation to local conditions, traditional signs and architectural style, etc., emphasizing that traditional local architectural culture should be inherited and developed in the modern architecture design.
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Dissertations / Theses on the topic "Architectural creation"

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Pinheiro, Cavalcante Maciel A. "Interaction in architectural review meetings : seeking models of collective concept creation." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1464267/.

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This research examines in detail the concept stage of architectural design, giving emphasis on the strategic behaviour in collaborative concept design activity, exploring how this can inform digital tools and workflows in the architectural digital prototyping process. To attain this, this research has been developed in four complementary stages: a survey investigating some aspects of common knowledge in design practice, an ethnography of design review meetings; experiments measuring specific aspects found in this ethnography; and finally an investigation of the findings as game theoretical model, proposing variations of strategic behaviour within this workflow. To start with, the survey was conducted to identify views on collaborative work. This informed an ethnography, using a series of video-reflection interviews of the documented social situations. This empirical data, including focus interview, eye tracking and qualitative questionnaires were then coded for semantic analyses to identify meaningful patterns of behaviour and a number of selected themes related to this value seeking behaviour, composing an ethnographic monograph. Focusing on one aspect of the ethnography, ‘the adaptive behaviour of designers’, two controlled experiments were conducted to observe the designers response to changes. For this, hardware and software were developed to register the interaction between designers. The data collected, including before and after questionnaires, were explored to give insights into how architects articulate knowledge to realise value in design. A series of game-theoretical models were developed as a unifying framework for these observations. They vary from simpler, strategic games with a conservative equilibrium, to extensive, incomplete and imperfect games. Although here the initial ambition was to test mechanism designs to yield desirable outcomes, the study is limited to modelling observations and reflecting on alternative design workflows. For the study conclusion, we reflect on these interaction models as a mechanism to promote cohesion on knowledge management in the production of building information models, whereby architects would be able to explore, retrieve and transform designs in an unobtrusive collaborative workflow by recycling assets in a non-destructive fashion. The scope of this research hopes to characterise negotiations and problematisation in the architectural design process, examining dynamics of decision making between architects unfolds to identify and create value in the early design process.
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Chernysheva, M. O., and М. О. Чернишева. "Space component of the city architectural environment." Thesis, Національний авіаційний університет, 2020. http://er.nau.edu.ua/handle/NAU/42097.

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1. Лосинская С. В. Музеи авиации и космонавтики в Украине на современном этапе. Научные ведомости Белгородского государственного университета. Серия: История. Политология. 2013. №8(151). Вып.26. С.68-73. 2. Агєєва, Г. М. Авіаційна складова урбанізованого ландшафту Києва. Архітектура історичного Києва. Феномен урбанізованих ландшафтів: матеріали IV Міжнар. наук.-практ. конф., 23-24 листопада 2018 р. К. : КНУБА, 2018. С. 4-5. URL: https://er.nau.edu.ua/handle/NAU/37025
The urgency of the problem. Nowadays the topic of space exploration has proved to be very relevant for the world as a whole and for Ukraine. Almost all spheres of science are developing rather methodically and gradually. At the same time, space exploration is heterogeneous due to a number of factors, including economic, social and political factors. The sharp decline of Ukrainian space activity in the first years of independence and in times of crisis, of course, had a certain impact on the further progress of this field. However, our country is still a leader in space exploration. And our country provides space products, services and technologies in the world market. This year it has begun a development a plan of the integration of Ukraine into the European Space Agency. This work is mainly done on initiative of the scientists and not indifferent people who emphasize the importance of the development of astronautics and aviation, in particular by means of architecture. The problem is that the development of the Ukrainian space industry needs a constant focus on itself. Otherwise, the more "squat" problems of the domestic economy are pushing it out of the list of priority tasks. An important goal of our generation is to keep the space industry at a desirable level to develop it in the sequel. Unfortunately, this issue is not currently being promoted by potential specialists, and the interest in this field is gradually disappearing. In most cases, the people are not aware of the country's achievements in space and do not consider it important. It can be used an architectural environment to promote cosmonautics. Firstly, it involves all ages of citizens. Secondly, the information from the environment is unobtrusively delayed in the subconscious. Thirdly, it forms the correct and true idea of the cosmos. Every town or city of Uktaine that is connected with cosmonautics reflects the space theme in its own territory. These are 65 museums dedicated to space exploration, urban names (names of the streets, avenues and squares), small architectural forms, scenery and etc. . The goal of the work – to analyze the means that have been used (and continue to be used) in the territory of the town of Druzhkovka, Donetsk region, to promote the theme of Space.
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Kori, Sa'id. "BIM business value creation for SME architectural firms in Nigeria using intellectual capital development." Thesis, University of Liverpool, 2017. http://livrepository.liverpool.ac.uk/3018494/.

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BIM has solidified its position in bringing efficiency to the Architecture, Engineering and Construction (AEC) industry. However, the shift to its adoption and implementation in the emerging markets has brought distortion in both the business processes and environment for Small and Medium Enterprises (SME architectural) in the industry. This is due to their limited resources to absorb the initial costs associated with such a shift. The starting point for this study was based on exploring the potentials in the development of Intellectual Capital (IC) of the SME architectural firms. This is because, even if the ability of these firms to mobilise the resources is small, the strategic decisions regarding their orientation towards a higher level of intensity in IC elements are under their control, and that can be a major catalyst for the BIM success. As a result, the study is built on Lu and Sexton’s (2009) Theory of Innovation in Small Professional Firms. Based on this theory, BIM adoption process is approached as a Knowledge-based Innovation which occurs with the development of four IC elements; Human Capital (HC), Relationship Capital (RC) and Structure Capital (SC) through Knowledge Capital (KC) to achieve BIM Business Value Creation (BBVC). This study investigates the theoretical link between the development of these four IC elements and BBVC in SME architectural firms in emerging markets; in this case Nigeria. The aim of the research is to use this evaluation framework to develop a viable business model for management and evaluation of the IC in SME architectural firms towards BBVC. The study is designed in three stages, namely through empirical enquiry, analysis, and synthesis. The empirical enquiry comprises theory formulation and fieldwork data collection; theory formulation is achieved through proposing an evaluation framework using a systematic literature review on the four elements of IC. The evaluation framework constitutes a set of independent variables comprising thirteen components categorised under the four IC elements. Each component is defined by a set of indicators, and the proposition aims to find the relationship between these indicators and components of the IC and a dependent variable concerning the BBVC capability of SME architectural firms. The evaluation framework is used to guide the collection of fieldwork data, which involves a questionnaire survey and case study interviews with a sample of SME architectural firms in Nigeria. Using multiple regression analysis on the survey data enables an evaluation of the framework. Each component and its sets of indicators represent an independent model of regression. The outcome provides statistical evidence of the relationship between the two main variables; it also gives the Relative Weighting Value (RWV) for each indicator on the components it represents and their effects on the BBVC. The case study analysis, involving six SME architectural firms identified from the survey sample as they have relatively significant BIM capabilities, is used to triangulate the data with the survey results and provide the RWV for the components and the fours ICs. The case study analysis uses two approaches: firstly, through an exploratory study of the semi-structured interviews, which is based on themes from the 13 IC components and helps to identify the different indicators employed by firms during the BBVC. Secondly, the Eigenvector method is applied to analyse a pairwise comparison judgement where each of the components discussed in the interview is compared and their relative importance weighted. The outcome helps to establish the reliability and validity of the survey data and provide the RWV of the 13 components and four elements of the ICs. The findings indicate that there is a significant relationship between the BBVC and the development of the ICs of SME architectural firms. This development occurs through fostering the motivation and capability of Human Capital, which is the most important aspect driving BBVC. The second ranked factor is the development of the support and capability of the Structure Capital, and the motivation and network resources resulting from the Relationship Capital. The least important aspect of the development is the resource management of the Knowledge Capital. The findings also involve the identification of the different RWV of each of the 13 components under the four Capitals, and the RWV of the various sets of indicators that define the 13 components. The findings enable the synthesis of a Strategic Business Model (SBM) using the Analytical Hierarchy Process (AHP) concept. The SBM depicts the prioritisation of the IC elements, based on the following four levels; Indicator, Component, Capital and Organisation Goal. The SBM enables the practitioners to manage, prioritise and optimise their IC amidst limited resources through identification and evaluation of the focus area of development. Through a focus group with experts from the industry, the SBM is further validated practically on three criteria, namely; implementability, usefulness and generality. The feedback is used to refine the model and describe its practical implications.
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Bilsel, Selami Mesut Can. "From scientific framing to architectural reconstruction : the creation of an ideal image at Didyma." Thesis, Massachusetts Institute of Technology, 1996. http://hdl.handle.net/1721.1/64534.

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Thesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1996.
Includes bibliographical references (leaves 75-79).
The incomplete Temple of Didyma appeared in modern times as a constructed image, as an affirmation of the representative Greek temple. By the turn of the century the remains of the classical Didyma were rediscovered, the temple was redrawn and the site was literally and metaphorically "enframed." Reconstruction of the remains of classical antiquity provided beholders with the physical and aesthetic immediacy of a far distant past. Hence, the immediacy and tangibility of reconstructed images helped to differentiate between the world of the "original" configuration of the remains and that of their later existence. Given that the construction of architectural knowledge has rarely been questioned at Didyma, this study inquires into the codification of the remains of antiquity into the domain of the discipline of architecture, which ultimately differentiated the architectural product of a certain "golden age" from the historical processes in which it accumulated its meaning. The 1895-1896 "Beaux Arts" excavations and reconstruction seem to be the most representative example of such a codification. By the end of the 19th century reconstruction drawings represented the "unfinished" temple of Didyma in a complete form that has never been "achieved" in antiquity, while the excavations physically demolished the contemporary village surrounding the temple. Culminating with Hausoullier's and Pontremoli's representations, the reconstruction work metaphorically restarted the building at the point where it was interrupted in the late 4th century AD and transformed it into a finished, framed picture. Therefore, central to this study is a questioning of a 19th century scientific methodology in the uncovering and reassembling of architectural fragments which would ultimately take their place in the construction of an a priori image. But the study equally raises a more general question about the "framing" of the historical sites for "understanding" architecture and how this understanding might obscure the impetus of other historical and contextual concerns. In terms of historical interpretation, we have to clarify that the "modern" temple of Didyma exists today in the way it is represented. Just as the construction of the ideal image of Didyma has its historicity, the interpretation undertaken by this study is also bound by our own temporal world and takes a position vis-a.-vis the Beaux-Arts reconstruction. Beyond the aim of an "objective" reconstruction, this study intends to put the fragments of historical evidence together with later representations. Its aim, in other words, is to contribute to a "fusion" of discourses and interpretations in Western Anatolia. It is an attempt to claim the importance of site-specific concerns as opposed to all-encompassing, culture deterministic theories; an attempt for specificity without closure and inclusiveness without dispersion.
by Selami Mesut Can Bilsel.
M.S.
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Orth, Michael D. "Mirages Solidified: Myth, Beautification, and Tourism In The Creation of Santa Barbara’s El Pueblo Viejo Landmark District." DigitalCommons@CalPoly, 2011. https://digitalcommons.calpoly.edu/theses/615.

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A number of books and articles have been written on the social movement to reimagine Southern California’s past in the nineteenth and early twentieth centuries. While many of the pageants, parades, and public displays that defined this regional movement now reside in the pages of history, some architectural examples from this period are still visible today. In many cities, these examples are scattered throughout the community; while in others like Santa Barbara, they represent the centerpiece of the city’s architectural distinctiveness. Santa Barbara’s architecture challenges urban scholars to successfully garner an accurate sense of the past. More importantly, such historic spaces divert attention away from the social efforts that led to their inception. This thesis charts the history of Santa Barbara’s architectural reinvention and how the stylistic proliferation influenced the way various generations would think about the city’s past. The renaissance in a uniform Spanish style not only inspired local beautification efforts but also historic preservation, which ultimately resulted in the creation of the El Pueblo Viejo Landmark District in 1960. Additionally, this narrative critically examines the area’s history prior to the district’s establishment to show how economic profitability guided city planning, beautification, tourism, and preservation toward the ultimate solidification of the town’s Spanish image.
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Whitmire, Derrick. "Architecture as Theater; Creating a Vital Architectural Narrative." University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337950009.

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Anderson, Charles Nicholas, and charles anderson@rmit edu au. "Ephemeral Architectures: towards a process architecture." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091104.143239.

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This PhD responds to a two fold problem with the philosophy of design and the practice of design. The philosophical problem is stated as the discrepancy between a dominant philosophical framework that orders the world according to eternal essences and the actual conditions of the world in which we exist: the conditions of becoming and of flux. Commencing with a critique of the western metaphysical tradition of statics this research project proposes that we need to find a way of describing an evolutionary model of practice, and by so doing to provide a revitalised narration of process. Consequently, the PhD explores the meanings of process through a critical examination of an ensemble of projects created by the author. Within this framework, a number of questions are posed in order to explore the proposition of a process practice. These questions are: What is process? How does one think process? Indeed, how do we get to grasp change? What are the consequences of process thinking on the practices of design, their fields of operation, and their productions? And, how can the thematising of process contribute to the design of the constructed environment, as well as reconfigure the practices of design? This thematising of process is argued to involve a necessary address to the constitutive and interrelated characteristics of process: space/time, movement, change, form and matter. Such an address is also seen to problematise the status of the object, the paradigms of representation, the modes of creation, the economies of exchange, and the structures of community, and to offer a modality of practice which would re-imagine the forms of social exchange to offer an ethical alternative to the tyranny of supply and demand, and thereby reconfigure the potential for dwelling. Making an overview of the discourses and practices engaging with theories of becoming, this thesis argues that almost all of these re-inscribe statics and that consequently the practice of design seems to drag behind our understanding of the world. Through a meditation on dis/appearance, in which the dynamics of being and becoming and the restless ambiguity of the gap are examined, the work establishes a process vocabulary, and makes clear through a material practice, the domains of process thinking, its inclinations, and the kinds of operations and procedures that flourish there. Foregrounding the fertile character of process practice, the PhD then proceeds to introduce notions of the movement-form, the duration-form, the transformational-form, the geometry of encounter, and to argue for physical form as an in-movement poise. Advocating new modes of approach and of attentiveness, and demonstrating new generative methods, this PhD argues that process thinking is not simply an operational stance, but an ethical position that identifies a field of care, and that consequently the design practices be expanded by taking seriously the relationship between process thinking and place making. Thus, this thesis concludes by advocating a mode of place making which, rather than reproduce planned environments as systems of control, configures place as the discursive contested place of encounter and exchange.
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Kato, Volia Regina Costa. "Reflexões sobre o fazer arquitetônico." Universidade Presbiteriana Mackenzie, 2012. http://tede.mackenzie.br/jspui/handle/tede/471.

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Made available in DSpace on 2016-03-15T19:24:05Z (GMT). No. of bitstreams: 1 Volia Regina Costa Kato.pdf: 16602119 bytes, checksum: cd2b6fe2c11695196e875cf66fc8df5f (MD5) Previous issue date: 2012-08-23
Fundo Mackenzie de Pesquisa
This thesis seeks to present, from a sociological standpoint, the unique characteristics of architectural work and, through them, to question both the modern notion of work and the mystifications that surround creative activities. In comparison with the social imaginary where work is associated with mechanical, repetitive practices, subject to a discipline distant to the individual and confused with employment, work in architecture is interpreted here in its qualitative dimension as a form of craftsmanship creation. Its craftsmanship characteristics are expressed in the collective processes of preparing an architectural design, passing by the modern society, containing a know-how that articulates both knowledge and practice, reflection and accomplishment. Adopting the methodological point of view of analytical approach to architecture in its actual conduct in order to identify who does the work and how the work is done , three architectural projects are presented based on the works of architect Luciano Margotto Soares. Further, indicating that the practices of project design and development of the architectural work imagined several creative acts emerge from repetitive movements that involve discipline and effort, therefore hard work, it brings elements that demystify the idealizations made around the architect, as bearer of hidden genius attributes.
Esta tese busca apresentar, de uma perspectiva sociológica, as características singulares do trabalho arquitetônico e, através delas, problematizar simultaneamente a noção moderna de trabalho e as mistificações que circundam as atividades criativas, No confronto com o imaginário social onde trabalho é associado às práticas mecânicas e repetitivas, sujeitas a uma disciplina alheia ao indivíduo e confundidas com emprego, o trabalho no fazer arquitetônico é aqui interpretado em sua dimensão qualitativa como uma modalidade artesanal de criação. Suas caraterísticas artesanais que se expressam nos processos coletivos de elaboração do projeto arquitetônico, perpassam a sociedade moderna, contendo um saber-fazer que articula simultaneamente conhecimento e prática, reflexão e realização. Adotando o viés metodológico de aproximação analítica com o fazer arquitetônico em seu efetivo desenrolar, visando identificar quem faz o trabalho e como o trabalho é feito, três projetos arquitetônicos são apresentados à partir de um regate reflexivo do arquiteto Luciano Margotto Soares. Ainda, ao assinalar que nas práticas de concepção e desenvolvimento do projeto da obra arquitetônica imaginada, os múltiplos atos criativos emergem à partir de movimentos repetitivos que envolvem, disciplina e esforço e, portanto muito labor, traz elementos que desmistificam as idealizações feitas em torno do arquiteto, como sendo portador de atributos ocultos de genialidade
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Watson-Smith, Adam Graham. "Imagining a new public space in the foreshore by re-creating the city-sea relationship." Master's thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/24372.

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Aim: Reconnect the City to the Sea through investment in the pedestrian and public space, supported by activity generating and accommodating architecture. Theory question: What architectural methods are being employed in global port-side cities to reinvent and make use of large tracts of de-valued inner city land? Technology question: What is the nature of the physical condition that the foreshore area presents and what impact has this had on the haphazard development of this inner city space? Sub Questions: What are the key factors in global cities' development and fabric which have resulted in large inner city tracts of undervalued land, and their condition? What are the implications of different modes of mobility within urban space, and particularly their effects on the resulting urban form, and utilization of this space? What negative effects of mobility in a global society are universal to all contemporary cities and societies, and what are some of the contextually derived typological solutions? What are the primary opportunities and technical challenges presented by the unique conditions of the foreshore to development?
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ECKERT, GREGORY WINDSOR. "THE CREATION OF HYBRID SPACE ARCHITECTURE." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1148064161.

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Books on the topic "Architectural creation"

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Righini, Paul. Thinking architecturally: An introduction to the creation of form and place. Cape Town: University of Cape Town Press, 1999.

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Bin, Long, ed. Zhongguo jian zhu chuang zuo gai lun: The generality of creation of architecture in China. Wuhan Shi: Hubei jiao yu chu ban she, 2002.

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The geometry of creation: Architectural drawing and the dynamics of gothic design. Farnham: Ashgate, 2011.

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1940-, Wilson Richard Guy, Sherwood Patricia C, and University of Virginia. Art Museum., eds. Thomas Jefferson's academical village: The creation of an architectural masterpiece. Charlottesville: Bayly Art Museum of the University of Virginia, 1993.

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Schaik, Leon Van. Procuring innovative architecture. Oxon [England]: Routledge, 2010.

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Geoffrey, London, and George Beth, eds. Procuring innovative architecture. Oxon [England]: Routledge, 2010.

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Mertens, Hans Norbert. The creation of balance in architectural competition: Methods of strategic practice control. Hamburg: Kovac, 2002.

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Schriefers, Thomas. Wechselwirkungen: Anschauliches Denken, vergleichendes Sehen. Bramsche: Rasch, 2009.

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Schoon, Ingrid. Creative achievement in architecture: A psychological study. Leiden, the Netherlands: DSWO Press, 1992.

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Mastering architecture: Becoming a creative innovator in practice. Chichester: Wiley-Academy, 2005.

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Book chapters on the topic "Architectural creation"

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Raposo Grau, Javier F., María Asunción Salgado de la Rosa, and Belén Butragueño Díaz-Guerra. "The Creative Experience. Reflections on a New Model of Education in the Field of Architectural Graphic Creation." In Architectural Draughtsmanship, 645–59. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_51.

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Rezaei, Mahmud. "Paradigms in Form and Space Creation." In SpringerBriefs in Architectural Design and Technology, 47–58. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-61916-9_6.

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Almusaed, Amjad. "Interaction between Architectural Creation and Environmental Impact." In Biophilic and Bioclimatic Architecture, 219–27. London: Springer London, 2010. http://dx.doi.org/10.1007/978-1-84996-534-7_17.

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Niebling, Florian, Ferdinand Maiwald, Kristina Barthel, and Marc Erich Latoschik. "4D Augmented City Models, Photogrammetric Creation and Dissemination." In Digital Research and Education in Architectural Heritage, 196–212. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76992-9_12.

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Sangari, Arash, Hasti Mirkia, and Amir H. Assadi. "Perception of Motion and Architectural Form: Computational Relationships between Optical Flow and Perspective." In Technological Innovation for Value Creation, 219–28. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-28255-3_24.

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Čavić, Ljiljana, and Soraia Noorali. "Urban-architectural perception as creation between mind and emotion." In Creating Through Mind and Emotions, 251–55. London: CRC Press, 2022. http://dx.doi.org/10.1201/9780429299070-32.

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Streitz, Norbert, Thorsten Prante, Carsten Röcker, Daniel Alphen, Carsten Magerkurth, Richard Stenzel, and Daniela A. Plewe. "Ambient Displays and Mobile Devices for the Creation of Social Architectural Spaces." In Public and Situated Displays, 387–409. Dordrecht: Springer Netherlands, 2003. http://dx.doi.org/10.1007/978-94-017-2813-3_16.

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Wetzel, Jean-Paul. "Proposition of a Model Using Parametric Operations to Assist the Creation of Architectural Forms." In Lecture Notes in Computer Science, 190–97. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-23734-8_32.

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Mikkilineni, Rao. "Designing Distributed Services Creation, Service Delivery and Service Assurance with the Architectural Resilience of Cellular Organisms." In Designing a New Class of Distributed Systems, 47–57. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4614-1924-2_4.

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Quintilla Castán, Marta. "Methodological Proposal for the Creation of an Information System of the Mudejar Architectural Heritage in Aragon." In Graphical Heritage, 437–47. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47979-4_38.

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Conference papers on the topic "Architectural creation"

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Bourdakis, Vassilis. "On Developing Standards for the Creation of VR City Models." In eCAADe 2001: Architectural information management. eCAADe, 2001. http://dx.doi.org/10.52842/conf.ecaade.2001.404.

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Butelski, Kazimierz. "On Similarities between the Conventions of Computer Modelling and the Creation of Architectural Form." In eCAADe 1995: Multimedia and Architectural Disciplines. eCAADe, 1995. http://dx.doi.org/10.52842/conf.ecaade.1995.071.

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Butelski, Kazimierz. "On Similarities between the Conventions of Computer Modelling and the Creation of Architectural Form." In eCAADe 1995: Multimedia and Architectural Disciplines. eCAADe, 1995. http://dx.doi.org/10.52842/conf.ecaade.1995.071.

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Duan, Yucong. "Creation Ontology with Completeness for Identification of 3D Architectural Objects." In 2009 International Conference on Computer Technology and Development. IEEE, 2009. http://dx.doi.org/10.1109/icctd.2009.11.

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Díaz, Gina. "PEDAGOGY OF THE ARCHITECTURAL TALE: NARRATE AND CREATION OF SPACES." In 12th annual International Conference of Education, Research and Innovation. IATED, 2019. http://dx.doi.org/10.21125/iceri.2019.0293.

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De Vries, Bauke, and Joran Jessurun. "Features and Constraints in Architectural Design." In ASME 1998 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/detc98/cie-5537.

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Abstract The concepts of the experimental design system that are discussed are feature modeling and geometrical constraints. The main technique for creating the user environment is Virtual Reality. Feature modeling forms the basis for managing the design data. To start with, data storage is implemented in a Relational Data Base Management System. Along with this a (traditional) interface is developed for managing the data. Data management consists of feature type creation and feature type instancing. Features are used to define building elements, their relationships and additional constraints. Apart from the design data, geometrical data are stored. The system contains a library of parameterized geometrical objects which format is in coherence with the geometrical modeling environment (VR). Possible design solutions can be limited using geometrical constraints. Specifying connection types between building elements result in a set of solutions for the position of the bounding boxes of the building elements in space.
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Jiaojiao, Jia, Liu Songfu, and Liubin. "Study on Exquisite Methods of Architectural Creation in Peter Zumthor's Works." In 2013 Fourth International Conference on Intelligent Systems Design and Engineering Applications (ISDEA). IEEE, 2013. http://dx.doi.org/10.1109/isdea.2013.537.

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Jiaojiao, Jia, Liu Songfu, and Liubin. "Study on Methods of Architectural Creation Based on the Numerical Simulation Technology." In 2014 Sixth International Conference on Measuring Technology and Mechatronics Automation (ICMTMA). IEEE, 2014. http://dx.doi.org/10.1109/icmtma.2014.151.

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Day, Kristen, and Erin Campbell. "Four Melbourne Architects (1979): The Creation of Contemporary Perceptions for Australian Architecture." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a3994pszy5.

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In 1979, Peter Corrigan conceived the idea for the ‘Four Melbourne Architects’ exhibition to be held at South Yarra’s Powell Street Gallery. Corrigan led the charge to draw a line between a new generation of architectural practitioners with a fresh design agenda and the conservative practices represented by the Royal Australian Institute of Architects (RAIA). This exhibition, along with the establishment of the Half Time Club and the launch of Transition Magazine, provided platforms for a lively and vigorous profession. The ‘Four Melbourne Architects’—Greg Burgess, Peter Crone, Norman Day and Edmond and Corrigan—were diverse in their approach to architectural design yet shared common concerns of the post-Whitlam generation. The research for this paper examines the documentation between the four architects as they prepared their exhibition, recording the projects exhibited, along with critical reviews of the exhibition. Interviews have been undertaken with the surviving architects involved and people who attended the exhibition. Four Melbourne Architects was the first of many exhibitions during that period, which became one of many vehicles for public engagement with early postmodernism and those creating it, where collaboration, inclusion, and connectivity informed designers. That process activated a search for a contemporary Australian identity leading to the development of the ‘Melbourne School’.
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Tien Chong, Alecs Kak, John Chen, Mike Tapley, and Kristof Crolla. "Creating parametric design workflows for rapid conceptual design and optioneering." In IABSE Congress, Christchurch 2021: Resilient technologies for sustainable infrastructure. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/christchurch.2021.0912.

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<p>Complex, large span structures including roofs and footbridges are functional structures and are often presented as works of art or sculpture to complement the surrounding landscape. The design process of architectural large span structures or footbridges require architects and engineers to collaborate closely to co-create visually appealing and structurally efficient forms that serve the aesthetic, functional and economical objectives. In the co-creation process, a rapid turnaround is often expected. However, a tool that links form exploration and engineering is lacking; a tool that allows exploration of parametric forms quickly with instantaneous engineering and physical feedback to assess feasibility of the concept.</p><p>This paper presents a journey of exploration in developing workflows and associated tools in the digital virtual space that allows collaboration, co-creation between architects and engineers so as to work seamlessly in creating structurally efficient, functional yet architectural pleasing structures.</p>
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Reports on the topic "Architectural creation"

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Michelson, Brenda. Creating a Blended Architectural Portfolio. Boston, MA: Patricia Seybold Group, October 2004. http://dx.doi.org/10.1571/bda10-14-04cc.

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Brinson, L. C. Novel Processing for Creating 3D Architectured Porous Shape Memory Alloy. Fort Belvoir, VA: Defense Technical Information Center, March 2013. http://dx.doi.org/10.21236/ada586593.

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McCurdy, C. William, Rick Stevens, Horst Simon, William Kramer, David Bailey, William Johnston, Charlie Catlett, et al. Creating science-driven computer architecture: A new path to scientific leadership. Office of Scientific and Technical Information (OSTI), October 2002. http://dx.doi.org/10.2172/806195.

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Simon, Horst D., C. William McCurdy, T. C. Kramer, Rick Stevens, Mike McCoy, Mark Seager, Thomas Zacharia, et al. Creating science-driven computer architecture: A new patch to scientific leadership. Office of Scientific and Technical Information (OSTI), May 2003. http://dx.doi.org/10.2172/813387.

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Riggs, William, Vipul Vyas, and Menka Sethi. Blockchain and Distributed Autonomous Community Ecosystems: Opportunities to Democratize Finance and Delivery of Transport, Housing, Urban Greening and Community Infrastructure. Mineta Transportation Institute, July 2022. http://dx.doi.org/10.31979/mti.2022.2165.

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This report investigates and develops specifications for using blockchain and distributed organizations to enable decentralized delivery and finance of urban infrastructure. The project explores use cases, including: providing urban greening, street or transit infrastructure; services for street beautification, cleaning and weed or graffiti abatement; potential ways of resource allocation ADU; permitting and land allocation; and homeless housing. It establishes a general process flow for this blockchain architecture, which involves: 1) the creation of blocks (transactions); 2) sending these blocks to nodes (users) on the network for an action (mining) and then validation that that action has taken place; and 3) then adding the block to the blockchain. These processes involve the potential for creating new economic value for cities and neighborhoods through proof-of-work, which can be issued through a token (possibly a graphic non-fungible token), certificate, or possible financial reward. We find that encouraging trading of assets at the local level can enable the creation of value that could be translated into sustainable “mining actions” that could eventually provide the economic backstop and basis for new local investment mechanisms or currencies (e.g., local cryptocurrency). These processes also provide an innovative local, distributed funding mechanism for transportation, housing and other civic infrastructure.
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Green, John Bruce. Scanning probe microscopies for the creation and characterization of interfacial architectures: Studies of alkyl thiolate monolayers at gold. Office of Scientific and Technical Information (OSTI), January 1997. http://dx.doi.org/10.2172/453774.

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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.

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Description Ballarat sits on Wathaurong land and is located at the crossroads of four main Victorian highways. A number of State agencies are located here to support and build entrepreneurial activity in the region. The Ballarat Technology Park, located some way out of the heart of the city at the Mount Helen campus of Federation University, is an attempt to expand and diversify the technology and innovation sector in the region. This university also has a high profile presence in the city occupying part of a historically endowed precinct in the city centre. Because of the wise preservation and maintenance of its heritage listed buildings by the local council, Ballarat has been used as the location for a significant set of feature films, documentaries and television series bringing work to local crews and suppliers. With numerous festivals playing to the cities strengths many creative embeddeds and performing artists take advantage of employment in facilities such as the Museum of Australian Democracy at Eureka. The city has its share of start-ups, as well as advertising, design and architectural firms. The city is noted for its museums, its many theatres and art galleries. All major national networks service the TV and radio sector here while community radio is strong and growing.
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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Many festivals keep the city culturally active and are supported by organisations such as Bendigo Bank. The Bendigo Writers Festival, the Bendigo Queer Film Festival, The Bendigo Invention & Innovation Festival, Groovin the Moo and the Bendigo Blues and Roots Music Festival are well established within the community. A regional accelerator and Tech School at La Trobe University are touted as models for other regional Victorian cities. The city has a range of high quality design agencies, while the software and digital content sector is growing with embeddeds working in agriculture and information management systems. Employment in Film, TV and Radio and Visual Arts has remained steady in Bendigo for a decade while the Music and Performing Arts sector grew quite well over the same period.
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Emmert, John M., Luis Concha, Keith Pedersen, and Diane Starkey. Creating Resource Agents for Collaborative Engineering Environment (CEE) Research Using the Common Object Request Broker Architecture (CORBA) Framework. Fort Belvoir, VA: Defense Technical Information Center, March 2001. http://dx.doi.org/10.21236/ada387599.

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Cunningham, Stuart, Marion McCutcheon, Greg Hearn, Mark Ryan, and Christy Collis. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Sunshine Coast. Queensland University of Technology, December 2020. http://dx.doi.org/10.5204/rep.eprints.136822.

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The Sunshine Coast (unless otherwise specified, Sunshine Coast refers to the region which includes both Sunshine Coast and Noosa council areas) is a classic regional hotspot. In many respects, the Sunshine Coast has assets that make it the “Goldilocks” of Queensland hotspots: “the agility of the region and our collaborative nature is facilitated by the fact that we're not too big, not too small - 330,000 people” (Paddenburg, 2019); “We are in that perfect little bubble of just right of about everything” (Erbacher 2019). The Sunshine Coast has one of the fastest-growing economies in Australia. Its population is booming and its local governments are working together to establish world-class communications, transport and health infrastructure, while maintaining the integrity of the region’s much-lauded environment and lifestyle. As a result, the Sunshine Coast Council is regarded as a pioneer on smart city initiatives, while Noosa Shire Council has built a reputation for prioritising sustainable development. The region’s creative economy is growing at a faster rate that of the rest of the economy—in terms of job growth, earnings, incomes and business registrations. These gains, however, are not spread uniformly. Creative Services (that is, the advertising and marketing, architecture and design, and software and digital content sectors) are flourishing, while Cultural Production (music and performing arts, publishing and visual arts) is variable, with visual and performing arts growing while film, television and radio and publishing have low or no growth. The spirit of entrepreneurialism amongst many creatives in the Sunshine Coast was similar to what we witnessed in other hotspots: a spirit of not necessarily relying on institutions, seeking out alternative income sources, and leveraging networks. How public agencies can better harness that energy and entrepreneurialism could be a focus for ongoing strategy. There does seem to be a lower level of arts and culture funding going into the Sunshine Coast from governments than its population base and cultural and creative energy might suggest. Federal and state arts funding programs are under-delivering to the Sunshine Coast.
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