Academic literature on the topic 'Architectural Body'

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Journal articles on the topic "Architectural Body"

1

Petcu, Elizabeth J. "Amorphous Ornament:." Journal of the Society of Architectural Historians 77, no. 1 (March 1, 2018): 29–55. http://dx.doi.org/10.1525/jsah.2018.77.1.29.

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Leon Battista Alberti famously likened the relationship between architectural structure and superstructure to the dualism of skeleton and skin. In Amorphous Ornament: Wendel Dietterlin and the Dissection of Architecture, Elizabeth J. Petcu scrutinizes how the Architectura treatise (1593–98) of Strasbourg artist Wendel Dietterlin the Elder (ca. 1550–99) subverted Alberti's theory and the aesthetic of stability it promoted by popularizing a style of amorphous architectural motifs that recall bone, cartilage, muscle, and flesh, melding built framework with decorative surface. Drawing these corporeal conceits from contemporary anatomical publications, Dietterlin inspired buildings, architectural prints, and objects that challenged tectonic conventions, upset the traditional split between exterior and interior, and emulated the figural arts’ involvement in representing interior human forms. In assessing how Dietterlin's Architectura turned the proverbial body of architecture inside out, Petcu demonstrates that Renaissance comparisons between body and building did not always project ideals of architectural beauty and reveals overlooked origins of baroque-era fusions of architecture and the figural arts.
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2

Karaičić, Danica. "[In]Corporeal Architecture: On the Clothed Body and Architectural Space." AM Journal of Art and Media Studies, no. 18 (April 15, 2019): 89. http://dx.doi.org/10.25038/am.v0i18.302.

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In this paper, I will discuss the clothed architectural body and how it simultaneously experiences and constructs architectural space. For this purpose, I will analyse [In]Corporeal Architecture, an art experiment that I conducted at an outdoor exhibition space called Testing Grounds in February 2018 as part of my current PhD studies in Melbourne, Australia. [In]Corporeal Architecture challenges relationships between the body, cloth and architecture. To address this complexity, I draw on Gins and Arakawa’s book Architectural Body. Article received: December 18, 2018; Article accepted: January 23, 2019; Published online: April 15, 2019; Original scholarly paperHow to cite this article: Karaičić, Danica. "[In]Corporeal Architecture: On the Clothed Body and Architectural Space." AM Journal of Art and Media Studies 18 (2019): 89–105. doi: 10.25038/am.v0i18.302
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COUTO DUARTE, JOÃO MIGUEL. "Body Challenges – Between Architectural Scale Models and Architectural Objects." ATHENS JOURNAL OF ARCHITECTURE 5, no. 4 (September 18, 2019): 391–408. http://dx.doi.org/10.30958/aja.5-4-4.

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Carroll, Timothy. "Architectural Renovations of Body-As-Temple." New Bioethics 22, no. 2 (May 3, 2016): 119–32. http://dx.doi.org/10.1080/20502877.2016.1194657.

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Hu, Tian, and Ya Rui Wu. "Initial Analysis on the Chinese Traditional Symbol and the Contemporary Regional Architecture." Advanced Materials Research 368-373 (October 2011): 3459–64. http://dx.doi.org/10.4028/www.scientific.net/amr.368-373.3459.

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The Chinese traditional architectural symbols are on behalf of Chinese outstanding traditional culture and inheritance of value.Chinese traditional architectural symbol's refine and expression should be combined with some metropolitan aspects, such as landscape, environmental design, space shape design and architectural single body design.On the analysis of Chinese traditional architectural symbols and the comparison between the modern creating techniques and the characteristics of modern building material,five principles were creatived through the harmonious symbiosis view between modern architecture and Chinese traditional architecture. Meanwhile,taking the design of office area of Xi'an city administrative center as example, it was discussed how to embodying Chinese traditional cultural and regional culture connotation in a deep level in the design methods of architectural components.
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Xue, Ming Hui, Hong Zhe Zhang, and Nan Liu. "The Extenics Design Analysis of Abstract Architectural Form Factor." Advanced Materials Research 926-930 (May 2014): 681–86. http://dx.doi.org/10.4028/www.scientific.net/amr.926-930.681.

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Architectural Form Factor Xue Minghui1, a, Zhang Hongzhe2,b, Liu Nan3,c1 Harbin Institute of Technology School of Architecture, China 2 Harbin University of Science And Technology, China 3 Northeast Forestry University, China aminghui1220@126.com, bzhanghongzhe126@126.com,c5484913@qq.com Keywords: Architectural Form ,Abstract Factor, Extenics Design Analysis Abstract. Architectural form factor is the reflection of architectural surface and decide its forms. This paper use extenics design analysis and make analysis on architectural design examples from four basic elements including point, line, surface, body. It is aimed at making better and clear relationship of abstract elements and finding the content in architectural design forms.
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7

Bangalore Lokanatha, Sujaya, and Sompura Basavaraju Bhanu Prashanth. "Design and performance analysis of human body communication digital transceiver for wireless body area network applications." International Journal of Electrical and Computer Engineering (IJECE) 12, no. 3 (June 1, 2022): 2206. http://dx.doi.org/10.11591/ijece.v12i3.pp2206-2213.

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Wireless body area network (WBAN) is a prominent technology for resolving health-care concerns and providing high-speed continuous monitoring and real-time help. Human body communication (HBC) is an IEEE 802.15.6 physical layer standard for short-range communications that is not reliant on radio frequency (RF). Most WBAN applications can benefit from the HBC's low-latency and low-power architectural features. In this manuscript, an efficient digital HBC transceiver (TR) hardware architecture is designed as per IEEE 802.15.6 standard to overcome the drawbacks of the RF-wireless communication standards like signal leakage, on body antenna and power consumption. The design is created using a frequency selective digital transmission scheme for transmitter and receiver modules. The design resources are analyzed using different field programmable gate array (FPGA) families. The HBC TR utilizes <1% slices, consumes 101 mW power, and provides a throughput of 24.31 Mbps on Artix-7 FPGA with a latency of 10.5 clock cycles. In addition, the less than 10-4bit error rate of HBC is achieved with a 9.52 Mbps data rate. The proposed work is compared with existing architectures with significant improvement in performance parameters like chip area, power, and data rate.
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Yamazaki, Tomohiro, Shinichi Nakagawa, and Tetsuro Hirose. "Architectural RNAs for Membraneless Nuclear Body Formation." Cold Spring Harbor Symposia on Quantitative Biology 84 (2019): 227–37. http://dx.doi.org/10.1101/sqb.2019.84.039404.

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Voigt, Katharina, and Virginie Roy. "Seeking Experience in Architecture: Corporeal Attempts at Perception and Conception." Dimensions 1, no. 2 (May 1, 2021): 115–62. http://dx.doi.org/10.14361/dak-2021-0211.

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Abstract This contribution presents the proceedings from a series of transversal university projects, addressing bodily forms of knowledge concerning the perception, inquiry, and conception of architecture. It retraces the phases of different manners of investigation over a threesemester teaching cycle, addressing perceptions and experiences of architectural spaces. The proceedings of, and results from the seminar cycle are documented and framed with an introduction to the applied methods and ways of working as well as their reflection and evaluation. These varying approaches all center around the questions of how to bring body-based and incorporated knowledge concerning architectural space to awareness and how attention to sensual and corporeal ways of perception can be increased. Thus, it investigates how the spectrum of design methods in architecture can be extended in order to actively include bodily forms of knowledge in the anticipation of spatial experience in the design process. The article introduces a concept of »Architecture Imagery« as a way to include bodily ways of knowing and body-based practices in the perception and memory of lived experience and the process of architectural design.
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Castán, Marina, and Daniel Suárez. "Choreographed Soft Morphologies: exploring new ways of ideating soft architecture through material elasticity." Temes de Disseny, no. 34 (November 26, 2018): 60–73. http://dx.doi.org/10.46467/tdd34.2018.60-73.

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This research aims to contribute to the current field of architectural design by offering evidence of how a collaborative and embodied approach to soft architecture can inform a new physical-digital design process. Current design technologies (e.g. sensors, 3D scanners, procedural modelling software), together with the use of the body as a source for designing a space, offer new methods and tools for designing architecture (Hirschberg, Sayegh, Frühwirth and Zedlacher 2006). However, the potential for experiencing and digitally capturing a soft and elastic material interaction through the body as a dynamic system capable of informing soft architectural design has not yet been widely explored. By using the felt experience as a tool for design, we allow the material to express its qualities when activated by the body, revealing its form instead of it being imposed from outside (DeLanda 2015). Taking an embodied approach used in interaction design and fashion design (Loke and Robertson 2011; Wilde, Vallgårda, and Tomico 2017), this research proposes a hybrid method to explore a textile-body ontology as an entity that has the potential to design a space, along with the use of motion capture technology in an effort to re-connect the experiential (the body) with the architecture (the space). Through a custom-made interface, made of soft and hard materials, we explored the dynamic and spatial qualities of material elasticity through choreographed body movements. The interface acts as a deformable space that can be shaped by the body, producing a collection of form expressions, ranging from subtle surface modifications to more prominent deformations. Such form-giving processes were captured in real time by three Kinect sensors, offering a distinct digital raw material that can be conveniently manipulated and translated into architectural simulations, validating the method as a new way to inform soft architectural design processes. The findings showed that: 1) the direct experience of collaboratively interacting with a soft and elastic interface allows the identification of the dynamic qualities of the material in relation to oneself and others, facilitating an immediate spatial meaning-making process; 2) exploring the design of a soft and elastic space through choreography and motion capture technology contributes to the creation of augmented relational scales across physical and digital realms, proposing a new hybrid design method; 3) the soft and elastic interface becomes a new entity when shaped by the body (textile-body ontology) giving the opportunity for a variety of formal expressions and offering a source of digital raw material for architectural design.
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Dissertations / Theses on the topic "Architectural Body"

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Leyburn, Boyd Harlan III. "The body in fantasy : how the human body informs science fiction set design." Thesis, Georgia Institute of Technology, 1988. http://hdl.handle.net/1853/22980.

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Almousa, Sukaina. "Temporary architecture : an architectural mirage tracing mind/body journey in installation art." Thesis, University of Sheffield, 2015. http://etheses.whiterose.ac.uk/14281/.

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Architecture and arts practices were arguably kept apart during the first half of the 20th century, resisting an emerging overlap that was conducted by both artists and architects. Installation art has subsequently emerged as an art practice but has shared many qualities with architecture because of its creation of spatial territory. Thus, in contemporary art, installation art has been moving in the fluxes between art and architecture. In the case of installation art, a temporary space is created along with a new kind of engagement and perception of the places around us. It motivates the spectator’s imagination when they are inside, experiencing a shelter that is new to the context. At the same time, it motivates memories of that experience after the installation space is removed. Mediating architecture with a spatial medium like an installation invites a new reading of the space to be applied. This reading opposes the interpretation of architecture as still signs, objects or still images, mainly because of the continuous unfolding of the art installation and the close involvement of the viewer in the spectating journey. Consequently, mediating the exhibition space through an installation creates narratives that are subjective and context-specific, while their transition through other mediums continues to alter the original narrative after the work is dismantled. Driven from the proposition that the event of a temporary installation can be articulated by the ‘event’; a concept that French philosopher Gilles Delleuze addresses in his study: The Fold, which considers the accumulated influence of a number of perceptions of space, the thesis discusses the alternative scenarios of reading the temporary architectural space while focusing on the narrative of these architectural happenings by referring mainly to Mieke Bal’s ‘narratology’ as an approach to this new understanding. Before experiencing examples of installation art, a methodological technique; collage- de-collage-re-collage, is presented as a tool to negotiate the narratives collected from the case studies. It is formulated after a theoretical structure is set to investigate the case studies where a need to develop tools of analysis and representation becomes obvious to the work. The study then tests the proposed theoretical framework on three examples, each of which represents a level of temporality in space. As they unfold, the study tracks the encounters that may be further used as instruments to extend the understanding of installation art in particular and temporary spaces in general.
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Kersey, David Nathaniel. "Improving landscape architectural problem solving : integrating giscience and technology educational objectives in landscape architecture curricula." Thesis, Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/1078.

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Ergun, Eser. "Rethinking The Architectural Design Process Through Its Computable Body Of Knowledge." Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12609577/index.pdf.

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This thesis assumes the architectural design process as a systematic study, in which knowledge is stored, organized and operated on by computational methods. From this perspective, the study explores the efforts for systemizing the architectural design process. Firstly, the focus is on the early approaches of systemizing design in the Design Methods Movement. The thesis identifies and evaluates the use of a number of critical concepts in this movement and in recent architecture practice, in order to see the development and transformation of design methods in terms of computing knowledge in a systematic way. The thesis evaluates the features that make design systematic within the Design Methods Movement and inquires whether such features like complexity, hierarchy, feedback loops and selection are influential in recent computational design methods of architecture. The thesis looks into two generative design methods, namely evolutionary design and shape grammars, which have been studied by designers since the 1960s, the start of the Design Methods Movement. These two methods exemplify current systematic approaches to design and according to the thesis these are the instances of how recent architecture employs the features discussed as characteristic in the Design Methods Movement.
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Politakis, Charalampos. "The human body as a building architectural colossi and their metaphors." Thesis, Manchester Metropolitan University, 2013. http://e-space.mmu.ac.uk/855/.

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The human reception of architecture is interpreted through the human body. The form of the human body has therefore been used as a model and metaphor for architecture since antiquity. The research will be based on the relation of the human body and architectural structures and especially how the human body has been the inspiration for the exterior form of architectural colossi and buildings. The investigation examines the human body in architectural history and theory, the role of Platonic and Cartesian philosophy and how through phenomenological approach philosophers such as Heidegger, Merleau-Ponty and theoreticians such as Frascari and Pallasmaa have seen, described and analysed the human body and the role of architecture and perception. The references and the literature review were considered important for the researcher in order to investigate the role of human body and its relation to colossal architecture and sculpture. The research employs theoretical ideas of Venturi and others to consider the examples of anthropomorphic colossal monuments of Claes Oldenburg, the architecture of Frank O. Gehry and the skeletal forms of Santiago Calatrava. Therefore, the paradigms of the architectural and artistic practice of the selected case studies were chosen based on the use of the human body to shape the exterior form of the structures. The analysis focuses on the contemporary practice of the phenomenon of anthropomorphism in architecture and also identifies the contemporary application in society of the metaphor and imitation of the human body through the artistic, architectural and philosophical practice and perspective.
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Sinnamon, Catherine. "How body awareness interventions can enhance the architectural digital design process." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/209146/1/Catherine_Sinnamon_Thesis.pdf.

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This thesis investigates the potential for the architectural design process to be positively impacted using a simple intervention designed to reinstate through conscious awareness, the advantages of the once traditionally physical components of the design process, that are less activated in the digital design process of architecture. This study explores the impact of increasing architects’ conscious awareness of their own movement and body function so as to individually maximise and improve their cognitive, emotional and physical function, including motor skills, to support their architectural decision-making.
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Volz, Kirsty. "Architecture, the body and authority in performance." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/89742/1/Kirsty_Volz_Thesis.pdf.

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This is a theoretical investigation seeking to learn more about architecture by looking at architectural practice through another discipline. In this research architecture is investigated by examining its relationship with bodies through performance and theatre set design. This thesis aims to build on existing architectural theory, in which an absence of discourse on the body has been identified, by analysing representations of architecture and the body in performance. The research specifically examines the relationship between the body, architecture and authority in performance through the analysis of several performance works.
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LeBaron, Curtis Dale. "Building communication : architectural gestures and the embodiment of new ideas /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Horuz, Semra. "The Book, The Body And Architectural History In Peter Greenaway&#039." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612644/index.pdf.

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This thesis is an attempt to explore the &ldquo
axis of innumerable relationships&rdquo
of the book which Jorge Luis Borges touches upon. In doing this, it deals with the questions of &ldquo
whats&rdquo
, &ldquo
whos&rdquo
, &ldquo
whens&rdquo
and &ldquo
wheres&rdquo
of the reading activity. While scrutinizing these aspects of reading, the main concern is to reach the &ldquo
whys&rdquo
and &ldquo
hows&rdquo
of it. Referring to Roger Chartier&rsquo
s definition of reading, there are three main components of this activity, as the content of the book, the material form of the book and the practice itself and they are aimed to be analyzed in detail. In this context, the questions of &ldquo
wheres&rdquo
and &ldquo
whens&rdquo
and their various answers create an intertwined area of history of reading and history of architecture. Within this theoretical framework, the scope of the thesis is shaped by Peter Greenaway&rsquo
s cinematography. The questions of &ldquo
who reads/writes what book&rdquo
, &ldquo
where and when&rdquo
are searched in the director&rsquo
s three films
The Cook, the Thief, his Wife and her Lover (1989), Prospero'
s Books (1991) and The Pillow Book (1996) by devoting one chapter to each film. Accordingly, the question of &ldquo
who&rdquo
orients the study to the bodies of the books/readers/writers, and those of &ldquo
where&rdquo
and &ldquo
when&rdquo
to architectural history. In connection to the director&rsquo
s multidisciplinary interests, the thesis seeks to trace how this topic is intertwined not only with history of architecture but also with the history of art and literature. Hence, it is an attempt to utilize Greenaway&rsquo
s cinematography as a tool to juxtapose the two/three dimensional representations of the book, the body and the spaces onto each other.
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Williams, Tamara Lynn. "Dance/movement therapy and architecture : an investigation of modern dance as an informative discipline and theories of the body in architectural design." Thesis, Georgia Institute of Technology, 2000. http://hdl.handle.net/1853/21612.

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Books on the topic "Architectural Body"

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Gins, Madeline. Architectural body. Tuscaloosa: University of Alabama Press, 2002.

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Bianca, Lepori R., and Franck Karen A, eds. Architecture from the inside out: From the body, the senses, the site, and the community. 2nd ed. Chichester, England: Wiley-Academy, 2007.

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The dissolution of place: Architecture, identity, and the body. Burlington: Ashgate, 2012.

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Deno, William R. Body & soul: Architectural style at the University of Colorado at Boulder. Boulder (Box 584, Boulder 80309-0584): Publications Service, University of Colorado at Boulder, 1994.

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Leon Battista Alberti's Hypnerotomachia Poliphili: Recognizing the architectural body in the early Italian Renaissance. Cambridge, Mass: MIT Press, 1997.

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Lefaivre, Liane. Leon Battista Alberti's Hypnerotomachia Poliphili: Re-cognizing the architectural body in the early Italian Renaissance. Cambridge, Mass: MIT Press, 1997.

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Architekten, AFF, and Architektur Galerie Berlin, eds. Teile zum Ganzen: Schloss Freudenstein = An aggregate body : Freudenstein Castle. Tübingen: E. Wasmuth, 2009.

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McEwen, Indra Kagis. Vitruvius: Writing the body of architecture. Cambridge, Mass: MIT Press, 2003.

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McEwen, Indra Kagis. Vitruvius: Writing the body of architecture. Cambridge, Mass: MIT Press, 2003.

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Dodds, George, and Robert Tavernor. Body and building: Essays on the changing relation of body and architecture. Cambridge, Mass: MIT Press, 2002.

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Book chapters on the topic "Architectural Body"

1

Franceschini, Silvia. "The body as an ultimate form of architecture." In Architectural Education Through Materiality, 149–63. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003201205-12.

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Politakis, Charalampos. "Skeletal apotheosis of the human body." In Architectural Colossi and the Human Body, 119–49. New York : Routledge, 2018. | Series: Routledge research in architecture: Routledge, 2017. http://dx.doi.org/10.4324/9781315512938-5.

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Politakis, Charalampos. "Towards a first syllogism." In Architectural Colossi and the Human Body, 1–33. New York : Routledge, 2018. | Series: Routledge research in architecture: Routledge, 2017. http://dx.doi.org/10.4324/9781315512938-1.

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Politakis, Charalampos. "Towards a second syllogism." In Architectural Colossi and the Human Body, 35–56. New York : Routledge, 2018. | Series: Routledge research in architecture: Routledge, 2017. http://dx.doi.org/10.4324/9781315512938-2.

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Politakis, Charalampos. "Fashionable illusions." In Architectural Colossi and the Human Body, 57–87. New York : Routledge, 2018. | Series: Routledge research in architecture: Routledge, 2017. http://dx.doi.org/10.4324/9781315512938-3.

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Politakis, Charalampos. "The object as subject: these are not binoculars 1." In Architectural Colossi and the Human Body, 89–118. New York : Routledge, 2018. | Series: Routledge research in architecture: Routledge, 2017. http://dx.doi.org/10.4324/9781315512938-4.

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Politakis, Charalampos. "Complexities and developments." In Architectural Colossi and the Human Body, 151–58. New York : Routledge, 2018. | Series: Routledge research in architecture: Routledge, 2017. http://dx.doi.org/10.4324/9781315512938-6.

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Fatima, Madiha, Adnan K. Kiani, and Adeel Baig. "Medical Body Area Network, Architectural Design and Challenges: A Survey." In Communications in Computer and Information Science, 60–72. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-41054-3_6.

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Genta, Giancarlo, Lorenzo Morello, Francesco Cavallino, and Luigi Filtri. "Body and Car Architecture." In The Motor Car, 13–36. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-8552-6_2.

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Chang, Lian Chikako. "Architecture before the body?" In Architecture and the Body, Science and Culture, 8–26. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315642055-2.

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Conference papers on the topic "Architectural Body"

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Allen, Patrick. "Framing the media architectural body." In the 4th Media Architecture Biennale Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2421076.2421079.

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Liu Yang and Lin Jianqun. "Deleuze's “body” theory and architectural innovation." In 2011 International Conference on Electric Technology and Civil Engineering (ICETCE). IEEE, 2011. http://dx.doi.org/10.1109/icetce.2011.5774434.

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Feng, Yongyu, and Xi Mao. "Research on 3D Model of Coal-Bed Geologic Body." In 2015 International Conference on Architectural, Civil and Hydraulics Engineering. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icache-15.2015.76.

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Kuo, E. Y., P. R. Mehta, G. Prater, and A. M. Shahhosseini. "Analytical Benchmarking of Body Architectural Efficiency of Competitive Vehicles." In SAE World Congress & Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2007. http://dx.doi.org/10.4271/2007-01-0357.

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Ortega-Arjona, Jorge L. "Applying architectural patterns for parallel programming an N-body simulation." In the 2nd Asian Conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2524629.2524634.

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Lana, Luca. "Queer Terrain: Architecture of Queer Ecology." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4016p5dw3.

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This paper seeks to ally the interdisciplinary frameworks offered by ‘Queer Ecology’ with an architectural inquiry to expand both fields. Queer theory alone offers scant discussions of material and architectural practices, while environmental discourse in architecture fails to address its role in ecological and social-political violence. A clothing-optional / cruising beach in rural Victoria, Sandy Beach also known as Somers Beach, exemplifies how the queer body’s navigation of space responds to complex ecological, urban, and social conditions. A queering of architectural definitions allows this site to be researched as a historically significant urban/architectural site of social and environmental value. It is suggested that the subtle yet complex practices of site transformations enacted through occupation are an architecture of environmental connective possibility. ‘Queered’ corporeality orientates the body and material practices towards assemblages where boundaries between humans and nature are transgressed, ultimately constituting a ‘queer ecological architecture’
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Vermisso, Emmanouil. "A case-study in cross-disciplinary student work: a CNC-manufactured body for FSAE racing." In 2011 ACSA Teachers Conference. ACSA Press, 2011. http://dx.doi.org/10.35483/acsa.teach.2011.10.

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The project discussed here involves the contribution of architecture students towards the design and fabrication of the body for an open wheel race-car for the annual SAE competition (Society of Automotive Engineers). The development of this body constitutes only a portion of a wider project that involves engineering a fully functional car within the time-span of one academic year, within the school of Mechanical Engineering. Naturally, the overall project involves a wide range of skills that exceed architectural training and the author is interested in this collaborative effort between two distinct departments and the logistics involved in its materialization.
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Zhao, Yang, Qizheng Zhou, and Pengfei Yue. "Research on Selection of Shape Function in Flexible Multi-body System Dynamics." In 2016 2nd International Conference on Architectural, Civil and Hydraulics Engineering (ICACHE 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icache-16.2016.6.

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Fauquet, Regis S., and Jun Okushi. "Architectural Ideas Relating to the Question of Human Body Motion in Microgravity." In International Conference On Environmental Systems. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1991. http://dx.doi.org/10.4271/911498.

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Fauquet, Regis S., and Jun Okushi. "Architectural Studies Relating to the Nature of Human Body Motion in Microgravity." In International Pacific Air & Space Technolgy Conference. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 1991. http://dx.doi.org/10.4271/912076.

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Reports on the topic "Architectural Body"

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Fallon, Maurice, Scott Kuindersma, Sisir Karumanchi, Matthew Antone, Toby Schneider, Hongkai Dai, Claudia P. D'Arpino, Robin Deits, Matt DiCicco, and Dehann Fourie. An Architecture for Online Affordance-based Perception and Whole-body Planning. Fort Belvoir, VA: Defense Technical Information Center, March 2014. http://dx.doi.org/10.21236/ada602904.

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