Dissertations / Theses: 'Archetype'

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You, Xiao. "Archetype and archetypal image in Chinese myths, legends and tales." Thesis, University of Essex, 2018. http://repository.essex.ac.uk/23484/.

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This research aims to examine Chinese myths, legends and tales from the perspective of analytical psychology. Considering that analytical psychologists have paid little attention to Chinese myths and that previous studies on Chinese myths from the standpoint of analytical psychology are lacking, this thesis investigates the universal archetype and its cultural carrier, or archetypal image, in Chinese mythical texts. First, this study examines both Jung’s engagement with Chinese culture, in order to see the function and significance of Chinese thought in analytical psychology, and the reception of Jungian thought in China, in order to demonstrate the lack of research on Chinese myths from the perspective of the theory of analytical psychology. Second, the study defines the concepts of archetype and archetypal image, and adopts the method of myth analysis from Jung and his followers to interpret Chinese motifs and symbols. Third, interpretations from the perspective of analytical psychology are applied to three motifs in Chinese culture: creation myths, flood myths and erotic anima figures. These provide materials for exploring similarities and differences in the mechanism and development of the human psyche between East and West. Fourth, this research concentrates on discussing two important Chinese symbols – Long (dragon) and Qi lin (unicorn) and their counterparts in western culture – by analysing these symbols at both the archetypal and cultural levels. The final part of this study explores the possible therapeutic value of Chinese myths in helping analysts to comprehend the human psyche and analysands to understand themselves in greater depth. This thesis fills a gap in the understanding of Chinese myth by means of Jungian psychology with the hope also of applying analytical psychology to Chinese culture more thoroughly and insightfully in both theoretical and practical contexts.

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Herting, Nora J. "Wallet sized archetype." The Ohio State University, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=osu1302798074.

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Ulman, Taylor. "Archetype and brand congruency in advertising." [Gainesville, Fla.] : University of Florida, 2009. http://purl.fcla.edu/fcla/etd/UFE0041325.

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Šlechta, Martin. "Módní značka jako forma sebepojetí." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-150378.

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Robert, Neal Anthony. "Cortile| World Building & the Traveler Archetype." Thesis, University of Louisiana at Lafayette, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10616444.

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The goal of this thesis is to elucidate the nature of character perspective in regard to worldbuilding for a setting. My research involved delving into writing journal articles, examining the formatting of stories in how they introduced their settings, and general reading. My main focus was on fictional tales, especially those that used the traveler archetype. Also, I examined how the reader’s view of the given world changes depending on the character whose eyes they are looking at the environment through. In my critical introduction, I address the issues and structure related to use of the traveler archetype in stories. In my own stories, I exemplify these characteristics by showing worlds from different perspectives. I conclude that the traveler archetype works well toward building a setting for the reader to explore due to the perspective it offers, because both the character’s and the reader’s eyes are fresh when making contact with the foreign.

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Gates, Kellynn. "Harry Potter and the evolving hero archetype." [Denver, Colo.] : Regis University, 2009. http://165.236.235.140/lib/KGates2009.pdf.

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Atalag, Koray. "Archetype Based Domain Modeling For Health Information Systems." Phd thesis, METU, 2007. http://etd.lib.metu.edu.tr/upload/12608671/index.pdf.

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A major problem to be solved in health informatics is high quality, structured and timely data collection. Standard terminologies and uniform domain conceptual models are important steps to alleviate this problem which are also proposed to enable interoperability among systems. With the aim of contributing to the solution of this problem, this study proposes novel features for the Archetypes and multi-level modeling technique in health information and knowledge modeling. The study consists of the development of a research prototype for endoscopic data management, and based on that experience, the extension of Minimal Standard Terminology in Digestive Endoscopy (MST). A major contribution of the study consists of significant extensions to the modeling formalism. The proposed modeling approach may be used in the design and development of health information systems based on archetypes for structured data collection, validation and dynamic user interface creation. The thesis work is aimed to make considerable contribution to the emerging Electronic Health Records (EHR) standards and specifications.

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Laubser, Liza-Marie. "La femme fatale : une reconsideration d'un archetype negatif." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/71718.

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Thesis (MA)--Stellenbosch University, 2012.
ENGLISH ABSTRACT: The stereotypical figure of the femme fatale as irresistible seductress, who inevitably brings about death, is well known. This figure is nevertheless strangely absent from Afrikaans literature. This is what makes the appearance of the character of Nicolette in André Brink’s novel, The Ambassador (1963), so remarkable. Not only is she a complex femme fatale, she also adds a new dimension to the cliché. The striking similarities between Nicolette and Kathe, the female protagonist in Henri-Pierre Roché’s novel Jules et Jim (1953), justify a comparative study between these two novels. Although both of them bring about death, it seems that the presence of these femme fatale characters has positive rather than negative consequences. Contrary to the stereotypical evil temptress, Nicolette and Kathe are more natural, spontaneous and unpredictable – apparently free from the constricting qualities of the bloodthirsty femme fatale. In this comparative study, the image of the femme fatale is investigated through the close examination of its role and function in Jules et Jim and The Ambassador. By examining the philosopher René Girard’s theories on mimetic desire, violence and sacrifice as well as Georges Bataille’s ideas on eroticism and death, the nature of the femme fatale in these two novels is analysed in order to determine to what extent the image of the femme fatale as negative archetype could be reconsidered.
AFRIKAANSE OPSOMMING: Die stereotipiese figuur van die femme fatale as onweerstaanbare verleidster wat noodwendig die dood teweegbring, is alombekend. Tog blyk daar 'n opvallende afwesigheid van dié gevaarlike karakter in die Afrikaanse letterkunde te wees. Dit is waarom die verskyning van die karakter van Nicolette in André P. Brink se roman, Die Ambassadeur (1963), so merkwaardig is. Nie net is Nicolette 'n komplekse femme fatale karakter nie, maar bring sy ook 'n nuwe dimensie tot die geykte stereotipe. Dit is dan veral die treffende ooreenkoms tussen Nicolette en Kathe, die vroulike protagonis in Henri-Pierre Roché se roman Jules et Jim (1953), wat 'n vergelykende studie tussen hierdie twee romans regverdig. Alhoewel albei die dood teweegbring, blyk dit dat die teenwoordigheid van hierdie femme fatale karakters eerder positiewe as negatiewe gevolge het. Anders as die stereotipiese bose verleidster, is Nicolette en Kathe meer natuurlik, spontaan en onvoorspelbaar – oënskynlik vry van die beperkende eienskappe van die bloeddorstige femme fatale. In hierdie vergelykende studie word die beeld van die femme fatale ondersoek deur die rol en funksie daarvan in Jules et Jim en Die Ambassadeur in diepte te bestudeer. Deur die filosoof René Girard se teorieë oor mimetiese begeerte, geweld en offergawe asook Georges Bataille se idees oor erotisme en die dood te ondersoek, word die aard van die femme fatale in hierdie twee romans vergelykend ontleed om sodoende te bepaal tot watter mate die beeld van die femme fatale as negatiewe argetipe heroorweeg kan word.
RESUME: La figure stéréotypée de la femme fatale comme séductrice irrésistible et malfaisante qui entraîne inévitablement la mort, est bien connue. Néanmoins, nous constatons une absence frappante de cette figure dans la littérature de langue afrikaans. Voilà ce qui rend d’autant plus remarquable et surprenante l’apparence du personnage de Nicolette dans le roman L’Ambassadeur d’André Brink (1963). Non seulement est-elle une femme fatale complexe, mais Nicolette apporte aussi une nouvelle dimension à la figure rebattue. Ce sont surtout les similarités évidentes entre Nicolette et Kathe, la protagoniste féminine du roman Jules et Jim d’Henri-Pierre Roché (1953), qui justifient une étude comparée de ces deux romans. Bien que ces deux personnages féminins provoquent la mort d’un homme, il semblerait que la présence de ces femmes fatales ait des conséquences positives plutôt que négatives. Contrairement au stéréotype de la séductrice maléfique, les personnages de Kathe et de Nicolette sont plus naturels, spontanés et imprévisibles – apparemment libres de toute étiquette restrictive attribuée à la femme fatale assoiffée de sang. Dans cette étude comparée nous nous pencherons sur l’image de la femme fatale en examinant son rôle et sa fonction dans les romans Jules et Jim d’Henri-Pierre Roché et L’Ambassadeur d’André Brink. En considérant les théories sur le désir mimétique, la violence et le sacrifice que propose René Girard ainsi que les idées de Georges Bataille sur l’érotisme, nous essayons enfin d’établir dans quelle mesure on pourrait reconsidérer la définition étriquée de la femme fatale comme archétype négatif.

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Ritter, Beth Lynne. "Breaking old ground exploring a new American archetype /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1997. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 1997. Thesis introduces "American Woman" archetype.
Source: Masters Abstracts International, Volume: 45-06, page: 2836. Typescript. Abstract precedes thesis as preliminary leaf [i]. Includes bibliographical references (leaves 90-95).

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Viklund, Herman, and Hanna Karlsson. "Clinical Decision Support Rules in an Archetype-Based Health Record System : Combining Archetype Query Language (AQL) and Semantic Web Rule Language (SWRL)." Thesis, Linköping University, Department of Biomedical Engineering, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-51851.

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By using archetypes, it is possible to define how data are stored in the EHR,which facilitates querying for data.

The objective of this thesis is to investigate the possibility of connecting a decisionsupport system to archetype-based medical records by using the ArchetypeQuery Language (AQL) and the Semantic Web Rule Language (SWRL).

The result shows that, since SWRL is a logic language rather than a programminglanguage, built-ins are necessary to allow SWRL rules to function as programmingrules. Built-ins are SWRL modules that can be written in e.g. Java,which allows complex functions to be created.

The conclusion is that built-ins can be used to connect archetypes and SWRLrules by querying the archetype path with AQL. There are however several ruledesign factors to consider when using SWRL e.g. data location problems.

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Hayes, Ryan C. "Branding buildings creating an archetype derived from product xxperience /." Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1116015205.

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Mohammed, Khaleelul Iqbal. "Development of an archetype : studies in the Shurayḥ traditions." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37906.

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Shurayh&dotbelow; b. al-H&dotbelow;arith al-Kindi, the Successor and qad&dotbelow;i is, without a doubt, the most famous Kufan jurist prior to Ibrahim al-Nakha`i (d. 95/713). But neither Shurayh&dotbelow; nor his Kufan contemporaries left any books or written records. All information about the qad&dotbelow;i comes in the form of traditions provided by the later generations of Muslim chroniclers. These traditions do not satisfy any standard of historical verifiability; they tell us primarily and reliably only about what those later generations thought important to say about, or in the name of, Shurayh&dotbelow;. This is, nonetheless, vital information, and its importance is defined in the thesis question: what can we, by examining the traditions about Shurayh&dotbelow;, learn about the development of Islamic law?
The traditions are categorized into the following typologies, each of which is analyzed in a separate chapter: (a) biographical traditions, (b) legal theory, (c) legal ethics and procedure, (d) substantive law, (e) Shi`a juridical traditions. The analysis of the biographical traditions reveals that quite early after Shurayh&dotbelow;'s death---estimated at sometime between 76/695 and 99/718, he had evolved into a hazy figure.
In addition to providing a response to the thesis question, the conclusion seeks to answer some other questions, among them: why did Shurayh&dotbelow;, who was not the legal reasoner par excellence of his time, metamorphose into an aretological figure? Why did the Kufans seek to back-project his appointment to the time of `Umar? Based on the evidence, it is concluded that in Kufan imagery, Shurayh&dotbelow;'s legal opinions were deemed as valid as those of a Companion, and he personified the Kufan authority of "pastness."

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Irving, Margaret J. "Toward a female clown practice : transgression, archetype and myth." Thesis, University of Plymouth, 2013. http://hdl.handle.net/10026.1/1583.

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Women who learn to clown within Western contemporary theatre and performance training lack recognizably female exemplars of this popular art form. This practice-as-research thesis analyses my past and present clowning experiences in order to create an understanding of a woman-centered clown practice which allows for the expression of material bodies and lived experiences. It offers a feminist perspective on Jacques Lecoq’s pedagogy, which revolves around a notion of an ‘inner clown’ and is prevalent in contemporary UK clown training and practice. The thesis draws on both the avant-garde and numerous clown types and archetypes, in order to understand clowning as a genre revealed through a range of unsocialised behaviours. It does not differentiate necessarily between clowning by men and women but suggests a re-think and reconfiguration to incorporate a wide range of values and thought processes as a means of introduction to a wider audience. Specific concerns with the terms clown and clowning initiate this investigation, resulting in the creation of a ‘clowning continuum’, which offers a practical way of understanding various modes of clowning and various types of clowns. I examine my experiences, including those of ‘failure’, while working with renowned performer trainers, as well my negotiation of gender and sexuality through both my clowning in character and my creation of clowns. The twentieth century avant-garde artist Baroness Elsa von Freytag-Loringhoven, who inspired me to create ‘Clown Elsa’ and take her to art galleries and onto the street, is identified as a ‘radical female proto-clown’. My practical investigations into the potential interrelatedness of the masquerade of femininity and the mask of the clown are also shaped by discourses of hysteria and the carnivalesque. Drawing on Bakhtin’s concepts of carnival, dialogic practice and heteroglossia, as well as the transgressive potential of classical myth and archetypes for women, this thesis reconfigures clown practice and discourse by both challenging and developing upon Lecoq’s outmoded pedagogic practice. Its goal is to open it up for more types and modes of clown, in particular an ‘inner clown’ that can operate in a number of masks. It culminates in my creation of a feminist clown, Sedusa, who is inspired by Hélène Cixous’s writing on l’écriture feminine, myth and laughter in ‘The Laugh of the Medusa’ (1976). Sedusa expands clown models and masks for women by exploiting the ‘masquerade’ of femininity, a term originally coined by Joan Riviere in 1929. The thesis includes a performance as Sedusa as an embodiment of my research findings.

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Griffin, Ruth Ellen. "The eternal outsider : the western hero as existential archetype." Thesis, Nottingham Trent University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431903.

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Cerezo, Davila Carlos. "Building archetype calibration for effective urban building energy modeling." Thesis, Massachusetts Institute of Technology, 2017. http://hdl.handle.net/1721.1/111487.

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Thesis: Ph. D. in Building Technology, Massachusetts Institute of Technology, Department of Architecture, 2017.
Cataloged from PDF version of thesis. Page 156 blank.
Includes bibliographical references (pages 143-152).
In response to the current environmental challenges, city governments worldwide are developing action plans to both reduce GHG emissions and increase the resilience of their built environment. Given the relevance of energy use in buildings, such plans introduce a variety of efficiency and supply planning strategies ranging from the scale of buildings, to full districts. Their implementation requires information about current building energy demands, and how these demands, and the city's energy ecosystem at large, may change as a result of a specific urban intervention. Unfortunately, metered data is not available at a sufficient level of detail, and cities face an "information gap" between the aggregate scale of their emission targets, and the scale of implementation of energy strategies. To close it, municipalities and other interested stakeholders require modeling tools that provide accurate spatially and temporally defined energy demands by building. Urban Building Energy Models (UBEMs) have been proposed in research as a bottom-up, physics based, urban modeling technique, to estimate energy demands by building for current conditions and future scenarios. Given the large number of data inputs required in their generation, UBEMs have relied on their characterization through "building archetypes". Yet, in the absence of detailed building and energy data, this process has remained somewhat arbitrary, relying on deterministic assumptions and the subjective judgement of the modeler. The resulting simplification can potentially lead to predictions that misrepresent urban demands and misinform decision makers. In order to address these limitations and enable the large scale application of UBEMs, this dissertation introduces a set of modeling and calibration techniques. First, in order to demonstrate the feasibility of citywide municipal UBEMs, an 80,000 buildings model is generated and simulated for the city of Boston, based exclusively on currently available and maintained municipal datasets. An automated modeling workflow and a new library file format for archetypes are developed for that purpose, and current limitations of municipal datasets and practices are identified. To improve the reliability of UBEMs in reproducing metered demands, a new calibration approach is proposed, which applies principles of Bayesian statistics to reduce the uncertainty in archetype parameters defined stochastically based on a sample of metered buildings. The method is demonstrated and validated in the model of a residential district in Kuwait with 323 annually metered buildings, showing errors below 5% in the mean and 15% in the variance when compared with the measured EUI distribution. The accuracy of the resulting UBEM when reproducing EUI distributions is also compared with typical deterministic approaches, resulting in an error improvement of 30-40%. The method is expanded for its application when monthly energy data is available, and applied for the calibration of a sample including 2,662 residential buildings in Cambridge, MA. Finally, the relevance of calibrated archetype-based UBEMs in urban decisions is discussed from the perspectives of policy makers, energy providers, urban designers and real estate owners in two application cases in neighborhoods of Kuwait City and Boston.
by Carlos Cerezo Davila.
Ph. D. in Building Technology

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HAYES, RYAN C. "BRANDING BUILDINGS: CREATING AN ARCHETYPE DERIVED FROM PRODUCT EXPERIENCE." University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1116015205.

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Hong, Jihak. "Walling political conflicts : an urban archetype for the Demilitarized Zone." Thesis, Massachusetts Institute of Technology, 2014. http://hdl.handle.net/1721.1/91403.

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Thesis: S.M., Massachusetts Institute of Technology, Department of Architecture, 2014.
Cataloged from PDF version of thesis.
Includes bibliographical references (pages 127-131).
Polarity in political ideologies within the Korea Peninsula has left a heavily militarized infrastructure, called the Korean Demilitarized Zone (DMZ). The no man's land is a thickly belted corridor on the Korean peninsula that demarcates North Korea from South Korea, incorporating territory on both sides of the cease-fire line and being created by retreating 2km along each side of the line. For these political reasons, it has remained almost untouched for some six decades since the cessation of warfare in 1953, which has made it one of the most pristine undeveloped areas in Asia. While recent efforts to develop the DMZ into an ecology park are on the rise, this thesis is intended to seek a strategy for initiating a buffer city between the two Koreas. As is well known in the case of the Kaesong Industrial Park near the DMZ, operated as a collaborative economic development between South and North Korea, this territory has oscillated between shutdowns and reopenings because of political fluctuations. This thesis asks, what if a city in the DMZ confronts a political situation where it is impossible to secure permanent settlements? The thesis aims to propose a new urban archetype in which political ideologies are able to coexist along with their inevitable conflicts. The strategy of the proposition is two-fold. First, the DMZ city needs to accommodate two different political systems, communism and capitalism.This implies that the city should not be made of one consistent system. The second is that because of its extremely unstable military situation, the DMZ city needs to have a different city structure according to the change of political risks, repeatedly alternating between abandonment and reoccupation. Through the exploration of the DMZ, entangled with political issues under the pressure of uncertainty, this study has tried to explore a new archetype for the political city, the wall and enclave, where different ideologies are co-existing through revealing their conflicts.
by Jihak Hong.
S.M.

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Moner, Cano David. "Archetype development and governance methodologies for the electronic health record." Doctoral thesis, Universitat Politècnica de València, 2021. http://hdl.handle.net/10251/164916.

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[ES] La interoperabilidad semántica de la información sanitaria es un requisito imprescindible para la sostenibilidad de la atención sanitaria, y es fundamental para afrontar los nuevos retos sanitarios de un mundo globalizado. Esta tesis aporta nuevas metodologías para abordar algunos de los aspectos fundamentales de la interoperabilidad semántica, específicamente aquellos relacionados con la definición y gobernanza de modelos de información clínica expresados en forma de arquetipo. Las aportaciones de la tesis son: - Estudio de las metodologías de modelado existentes de componentes de interoperabilidad semántica que influirán en la definición de una metodología de modelado de arquetipos. - Análisis comparativo de los sistemas e iniciativas existentes para la gobernanza de modelos de información clínica. - Una propuesta de Metodología de Modelado de Arquetipos unificada que formalice las fases de desarrollo del arquetipo, los participantes requeridos y las buenas prácticas a seguir. - Identificación y definición de principios y características de gobernanza de arquetipos. - Diseño y desarrollo de herramientas que brinden soporte al modelado y la gobernanza de arquetipos. Las aportaciones de esta tesis se han puesto en práctica en múltiples proyectos y experiencias de desarrollo. Estas experiencias varían desde un proyecto local dentro de una sola organización que requirió la reutilización de datos clínicos basados en principios de interoperabilidad semántica, hasta el desarrollo de proyectos de historia clínica electrónica de alcance nacional.
[CA] La interoperabilitat semàntica de la informació sanitària és un requisit imprescindible per a la sostenibilitat de l'atenció sanitària, i és fonamental per a afrontar els nous reptes sanitaris d'un món globalitzat. Aquesta tesi aporta noves metodologies per a abordar alguns dels aspectes fonamentals de la interoperabilitat semàntica, específicament aquells relacionats amb la definició i govern de models d'informació clínica expressats en forma d'arquetip. Les aportacions de la tesi són: - Estudi de les metodologies de modelatge existents de components d'interoperabilitat semàntica que influiran en la definició d'una metodologia de modelatge d'arquetips. - Anàlisi comparativa dels sistemes i iniciatives existents per al govern de models d'informació clínica. - Una proposta de Metodologia de Modelatge d'Arquetips unificada que formalitza les fases de desenvolupament de l'arquetip, els participants requerits i les bones pràctiques a seguir. - Identificació i definició de principis i característiques de govern d'arquetips. - Disseny i desenvolupament d'eines que brinden suport al modelatge i al govern d'arquetips. Les aportacions d'aquesta tesi s'han posat en pràctica en múltiples projectes i experiències de desenvolupament. Aquestes experiències varien des d'un projecte local dins d'una sola organització que va requerir la reutilització de dades clíniques basades en principis d'interoperabilitat semàntica, fins al desenvolupament de projectes d'història clínica electrònica d'abast nacional.
[EN] Semantic interoperability of health information is an essential requirement for the sustainability of healthcare, and it is essential to face the new health challenges of a globalized world. This thesis provides new methodologies to tackle some of the fundamental aspects of semantic interoperability, specifically those aspects related to the definition and governance of clinical information models expressed in the form of archetypes. The contributions of the thesis are: - Study of existing modeling methodologies of semantic interoperability components that will influence in the definition of an archetype modeling methodology. - Comparative analysis of existing clinical information model governance systems and initiatives. - A proposal of a unified Archetype Modeling Methodology that formalizes the phases of archetype development, the required participants, and the good practices to be followed. - Identification and definition of archetype governance principles and characteristics. - Design and development of tools that provide support to archetype modeling and governance. The contributions of this thesis have been put into practice in multiple projects and development experiences. These experiences vary from a local project inside a single organization that required a reuse on clinical data based on semantic interoperability principles, to the development of national electronic health record projects.
This thesis was partially funded by the Ministerio de Economía y Competitividad, ayudas para contratos para la formación de doctores en empresas “Doctorados Industriales”, grant DI-14-06564 and by the Agencia Valenciana de la Innovación, ayudas del Programa de Promoción del Talento – Doctorados empresariales (INNODOCTO), grant INNTA3/2020/12.
Moner Cano, D. (2021). Archetype development and governance methodologies for the electronic health record [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/164916
TESIS

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Stypczynski, Brent. "Evolution of the Werewolf Archetype from Ovid to J.K. Rowling." Kent State University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=kent1222706628.

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DeLong, Anne M. "Medea and Medusa the archetype of the witch in literature /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 2001. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 2001.
Source: Masters Abstracts International, Volume: 45-06, page: 2822. Typescript. Abstract precedes thesis as preliminary leaf. Includes bibliographical references (leaves 121-126).

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Bodisch, Anja Maria. "Tracking spoor of the wild woman archetype during a university merger." Thesis, Nelson Mandela Metropolitan University, 2006. http://hdl.handle.net/10948/477.

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Universities in South Africa are currently undergoing mergers. Intended for commercial gain, mergers rarely accommodate the psychological milieu of staff. Similarly, the majority of studies conducted with respect to university mergers adopt a quantitative approach. This study adopts a qualitative approach and locates the researcher within the epicentre of the research, using a case study, with the researcher as unit of analysis. The lack of merger studies that focus on the experiences of minority groups, including women, prompted me, as researcher, to adopt a feminist approach to conduct this study in the context of the Nelson Mandela Metropolitan University merger. A Jungian gendered view, which endorses the personal experiences of minority groups, explored the connection between organisational change and concomitant opportunities for psychic growth. The primary purpose of this study was to explore the presence of the Wild Woman archetype during a university merger. The data that made up this study were contained in my field notes, research journal and a wall montage. An analysis of the qualitative data and a comparison of Jung’s archetypal theory and Pinkola Estés’ theory of the Wild Woman archetype, enabled the researcher to find evidence of the presence of the Wild Woman archetype during the university merger. The secondary purpose of the study was to document the findings which could act as a spoor which other women could follow on their journey towards connecting with their own Wild Woman archetype. The limitations of this study, and recommendations for future research are also offered.

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Hobbs, Michelle. "Reshaping the archetype, mythmaking and matriarchy in Anne Rice's Vampire chronicles." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq23144.pdf.

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Wilt, Brian David. "Geofon Deathe Hweop| Poetic Sea Imagery as Anglo-Saxon Cultural Archetype." Thesis, Truman State University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1564553.

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The oceans and seas play a fascinating role in human culture and literature. This thesis examines the sea imagery in several Anglo-Saxon poems in order to gain a deeper understanding of the function the sea plays in the Anglo-Saxon literary psyche. These texts include Beowulf, Andreas, Exodus, as well as the shorter "Seafarer" and "Whale" poems. The first part of this thesis focuses on sea imagery at the word level, analyzing Anglo-Saxon morphology and lexical compounding as a key to the metaphorical content of sea-kennings. The second part expands this focus to a textual level, examining the symbolism of sea imagery in Anglo-Saxon literature as an anthropomorphic will-power, a habitat of the monstrous, and a place of heroic action. Finally, the last part will argue for an underlying cultural archetype of the sea, based on parallel passages and common themes involving the sea in Anglo-Saxon poetry.

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Epley, Veronica H. "MYTH, METAPHOR, AND IMAGINATION: FRAMING HOMELAND SECURITY AS ART AND ARCHETYPE." Monterey California. Naval Postgraduate School, 2013. http://hdl.handle.net/10945/32814.

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CHDS State/Local
Art, myth, metaphors and archetypes can foster divergent thinking and serve as channels for integrating imagination and evocative ambiguity into traditional analysis and problem solving. New ways of representing ideas about homeland security not only provide vehicles for communication, but also expand and improve our ability to contemplate and understand this complex, emerging discipline. Through this paper and three original artworks, I argue for admitting art, imagination and the searching attitude of humanism into the domain of homeland security. I use the myth of Perseus and Medusa to focus on the mirrored shield as a metaphor for seeing ourselves as part of the predicament and for regarding the response not simply as solution, but as creative evolution. The metaphors we choose, consciously or unconsciously, to tell the story of homeland security will frame not only what we think but how we act and how we are perceived. Art is not frivolous. It is both mirror and shield, and allows us to move, stretch, and reach to transform reality. Art is forward leaning and operates in a non-linear or supra-linear process whose edges, mass, margins, and shadows expand the universe of possibilities and pre-suppose the existence of new forms.

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Gutierrez, Gerald Andrew. "Tracing the Elusive Archetype: The Design of the Central Virginian Winery." Thesis, Virginia Tech, 1988. http://hdl.handle.net/10919/42861.

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Throughout history, and even today, it appears that architecture is obligated to develop its principles from nature, purely on the fact that nature "came into the world" first. Thus, by following these principles, architecture is supposedly justified because it adheres to the natural order of the universe. However, in traversing the historic processes of art, the legitimacy of nature as a prescriptive model is thrown into doubt when such a model becomes elusive and indeterminate. It is the purpose of this book to show that rather than seek universal harmony by imitating that which occurs in nature, architecture actually demonstrates the human desire to harness and cultivate the natural environment, thereby embracing the primal conflict between nature art. By acknowledging this dialectical relationship, the book chooses to stay clear of delving into any existential thought derived from this conflict's more romantic notions; it also wishes to avoid any random speculations about issue that has been debated and interpreted centuries. Instead, by recognizing the specific epistemological value inherent in this opposition, it hopes to establish useful and tangible criteria for making aesthetic decisions in any architectural project.
Master of Architecture

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Chen, Rong. "Towards interoperable and knowledge-based electronic health records using archetype methodology /." Linköping : Department of Biomedical Engineering, Linköpings universitet, 2009. http://www.bibl.liu.se/liupubl/disp/disp2009/tek1280s.htm.

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Needham, Rosemary. "Archaeology archetype and symbol : a Jungian psychological perspective on the Neolithic archaeology of the British Isles." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/archaeology-archetype-and-symbol-a-jungian-psychological-perspective-on-the-neolithic-archaeology-of-the-british-isles(09f4d0eb-6d08-48d0-b097-76bb063f285f).html.

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While the advent of modern technologies has increased our understanding of the physicality of prehistoric artefacts for instance their place and method of manufacture and has helped to establish more precise chronologies, the actual meanings tend to elude us. It is in this connection that the insights derived from the work of C. G, Jung could help to shed light on the significance of some of these objects and the practices with which they are associated. One worthwhile line of enquiry entails a more personal approach based on some psychological perspectives from the work of C.G. Jung. It was Jung who emphasised that the scientific rationalist perspective of modernity is just another paradigm and by no means the only way of understanding the world. Another of his important insights was to search for meaning in all human behaviour no matter how bizarre or senseless it might appear. As well as being a modern discipline, Jung’s work can I believe be extrapolated back to the past as he himself stated that some of his insights could be usefully applied to past objects and situations (Jung 1986:5).The problems involved in attempting an analysis of meaning from a period from which no literary evidence survives was one rejected as impossible, (Renfrew & Zubrow 2000) but this problem can be redressed by the application of Jung’s collective unconscious a concept concerned with recurrent patterns in human behaviour. In his view, studies based on an isolated individual are inadequate. Moreover, with regard to the Neolithic period where no written records are extant, it is virtually impossible to reconstruct such detailed information at this level. The following quotation underlines the importance Jung attached to this interpretation:-“Therapy stands or falls with the question. “What sort of world does our patient come from and to what sort of world does he have to adapt? The world is a supra-personal fact, which only deals with the personal element in man. Man is also a part of the world, inextricably involved, he carried the world in himself, something at the same time, impersonal and supra-personal (Jung 1946:30).

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Caps, Annie. "Fuzzy robots utopian ideals, immortalization of youth, and the innocence of childhood /." Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002543.

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Smith, Vanessa N. "The Archetype of Initiation| A Physical Manifestation Through Psychically Co-created Trauma." Thesis, Pacifica Graduate Institute, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10748084.

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Ritualized initiations are explored as having an important role in the breakdown of ego that is necessary for the growth and integration of components of the self once hidden in the shadows of the unconscious. In the modern world, the drive for linear growth and financial conquest has broken connection to archetypal, spiritual, and mythical guidance as well as to the numinous experiences that allow transformation. Through heuristic methodology, both depth psychological literature as well as broader media are considered to determine the importance of initiation for psychic growth and how a lost connection affects recent generations. This work shows that through the psychotherapeutic process, the therapist can provide the stage needed for a client in a transitional phase of life to safely break down and rebuild the ego structure necessary to move toward individuation.

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Beckwith, Andrew Darcy. "One between worlds, the Sibyl archetype in the works of George MacDonald." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ45363.pdf.

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Hamilton, H. Dawn. "Myth and Archetype in the Studio| An Artist's Encounter with a Goddess." Thesis, Prescott College, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1573604.

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This thesis is based upon my artistic interaction and response to the 5,000-year-old myth of the Sumerian deity, Inanna. The main element of this thesis consists of a body of artwork that evolved out of the interweaving of textual, psychological, and artistic research. The artwork is an artist's response to a particular juncture in the descent portion of Inanna's myth . . . the moment of her transformation. This amalgamation of artistic and textual artifacts documents the power of an ancient story, from a long-dead culture, to reach through time and touch an individual life. The written documentation draws from diverse areas of study such as alchemy, mythology, depth psychology, women's spirituality, and women's studies. Through readings, conferences, workshops, one-on-one conversations, active imagination, and art-making I have woven together a glimpse, perhaps a momentary perspective, of an encounter with a divine feminine archetype. I am a visual artist and my lens is that of a 21^st century woman and a maker-of-things. I gather, experience, and express my knowingness from this point of view and my thesis reflects my perspective.

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Robinson, Gregory K. "The Trickster Archetype: Tracing the Trickster Myths to Their Proto-Trickster Roots." University of Toledo / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1300928452.

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Di, Gennaro Paola. "Wandering through Guilt. Cain’s Archetype in the Twentieth-Century Novel (1940-1960)." Doctoral thesis, Universita degli studi di Salerno, 2011. http://hdl.handle.net/10556/195.

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2009 - 2010
“The literary fortune of the Cain-Abel couple seems to prove that the divine mark has worked”. It is around this quotation by Cécile Hussherr that my thesis revolves; that is, how a story that in the original text is just a few pages long – although we are talking about that Text, the Bible – has been able to give origin not only to a tradition, but also to a real literary myth whose germination in Western literatures is almost endless. However, what is particularly urgent in this study is to demonstrate how this myth did not originate from biblical sources, or rather, not only; but how it is actually just one of the most influent forms taken by what is, in my opinion, a virtually universal archetype. This research aims, therefore, to go beyond the “explicit” rewriting of the myth of Cain; I aspire instead to uncover the myth where it has penetrated more or less secretly and consciously. In my opinion, Cain’s story can be considered, together with that of Ulysses or Faust, a kind of monomyth. It is this consideration that moves the predilection for the archetypal criticism, as it was principally theorized by Northrop Frye in the second half of the last century. As it is rooted in psychoanalysis and cultural anthropology, this method can be considered “middle distanced” – not exclusively structured on close reading nor on a socio-historical or psychoanalytical analysis, but using all these instruments in concert. This dissertation is divided into three parts. The first part is dedicated to the definition of the fundamental characteristics of the paradigm I am analysing, guilt and wandering, from a socio-historical, religious, and psychoanalytical point of view. In the second part the examination of the texts under review begins; they are all novels written between 1940 and 1960. Here I take into consideration two English works of the ’40s, Graham Greene’s The Power and the Glory (1940) and Malcolm Lowry’s Under the Volcano (1947), both characterized by the incarnation in the two protagonists of historical but also universal guilt; both of them are drunken outcasts, burdened by a sense of guilt and metaphysical and existential uncertainty, and they are destined to death. The third and last part is centred instead on novels written in the two countries which are perhaps the most “marked” by the Second World War: the German Der Tod in Rom (Death in Rome, 1954) by Wolfgang Koeppen, and Nobi (Fires on the Plain, 1951), a novel by the Japanese Ōoka Shōhei. In these works the paradox that can arise between guilt and sense of guilt is brought to its extreme manifestations, as it is between history and personal experience. [edited by author]
IX n.s.

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Conradie, Catharina Maria. "Mythology – archaic relics or an archetypal and universal source of constant renewal? : an exploration of the relationship between myth and archetype in the myth of Demeter and Persephone." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/2611.

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Thesis (MPhil (Ancient Studies)--University of Stellenbosch, 2007.
This thesis deals with the connection between mythology and psychagogy, and a structured way of reading and using myth for personal development is suggested. The myth of Demeter and Persephone is used for this purpose, and the text of the Homeric Hymn to Demeter is analysed as the basic (but not exclusive) text. In the modern world the psychagogic component relies on the work of Jung, which is seen as the most appropriate template available. His concept of the archetype is particularly useful, and the archetype of the mother goddess is analysed as a representation of the personal and spiritual development of modern women.

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Resende, Marques Da Silva Rafaël. "Développement d’une pédagogie du jeu clownesque : un parcours entre Brésil et Europe." Thesis, Montpellier 3, 2018. http://www.theses.fr/2018MON30082/document.

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Le dialogue entre la pratique et la théorie est la base de cette étude. Le défi est la réflexion à trois niveaux: la création de numéros et de spectacles par le jeu du clown; la recherche de sa théorie; et les expérimentations pédagogiques. L'interrogation sur le clown a commencé au Brésil et s'est déroulée dans quatre pays européens à travers des spectacles, des résidences artistiques, des ateliers et des rencontres avec des artistes à partir de la Cia da Bobagem. Le clown est une figure populaire et banale à la fois, mais il y a des traces primitives de son jeu. Cette étude met l'accent sur cet art sous de nombreux aspects: ses principes, son histoire, ses artistes, sa pratique interculturelle, sa liberté, sa poésie, son incompréhension et ses métamorphoses au fil du temps. C'est une invitation à voyager ensemble dans un monde paradoxalement très proche mais toujours mystérieux. La première partie aborde le parcours artistique du chercheur influencé par la recherche e sa curiosité théorique. Ce sont 15 ans de vie clownesque vécu au Brésil et intensifié en Europe avec la création de quatre spectacles et la réalisation de plusieurs cours de clowns à Bruxelles. La rentrée au Brésil est étudiée à partir des projets subventionés. La deuxième partie montre un esquisse théorique sur le clown du XVIe jusqu’aujourd’hui : dès les moralités aux clowns actuels. L’etymologie du mot clown ouvre ce chapitre qui fait une possible relation du trickster et du clown. La troisième partie fait une réflexion sur le jeu comme un outil d’apprentissage du clown. Il y a la tentative de met en lumière les principes du jeu clownesque et les élements pédagogiques appliqué dans la Cia da Bobagem. Pour conclure, la thèse essaye de montrer que la pratique du clown permet une intégration professionnelle et que la théorie peut amplifier la conception du clown à travers la psychologie, l’anthropologie et l’histoire. La transmission du jeu clownesque par la pédagogie du plaisir peut être l’autre façon de jouer et de transmettre le clown au-delà de la souffrance
The dialogue between practice and theory is the basis of this study. The challenge is the reflection in three levels: the creation of numbers and shows by the play of clown; the investigation of clown theory; and the pedagogy experimentations. The interrogation about clown began in Brazil and came to four European countries through performances, artistic residences, workshops and meetings with artists by Cia da Bobagem group. The clown is a popular and a banal figure at the same time, but there are primitive traces of his play. This work explores this art by many aspects: his principles, his history, his artists, his intercultural practice, his freedom, his poetry, his incomprehension, and his metamorphoses over time. It is an invitation to travel together in a world paradoxically very near, but still mysterious. The first part shows the artistc journey of the researcher influenced by the research and theoretical curiosity. These are fifteen years of clown lived in Brazil and intensified in Europe with the creation of four shows and the realization of several clown classes in Brussels. The return to Brazil is studied from funded projects. The second part opens on the etymology of the word clown opens this chapter which makes a possible relation of the trickster and the clown, than indicates a theoretical sketch about the clown from the sixteen century to the present day: from morality to actual clowns. The third part is about the game as a learning tool of the clown. There is the attempt to highlight the principles of the clown game and the pedagogical elements applied in Cia da Bobagem. The thesis shows that the practice of clowning allows a professional integration, that the theory amplifies the conception of clown through psychology, anthropology and history, and that the transmission of the clown game by the pedagogy of pleasure can be the other way to play and transmit the clown beyond suffering

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Hunt, John Jung C. G. "Jung and his archetypes : an extrapolation on polarity /." [Richmond, N.S.W.] : University of Western Sydney, Hawkesbury, Faculty of Social Inquiry, 1999. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030519.100731/index.html.

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Berg, Wayne Carl Jr. "Images in the labyrinth a reading of symbol and archetype in four quartets /." Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/berg/BergW0507.pdf.

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Ethelontis, Chloe. "The process of post-merger and acquisition integration : an application of archetype theory." Thesis, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540116.

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Tran, Minh. "Toward a Theo Psychology| Theotherapy and the Poeticdynamics of the Archetype of Opposites." Thesis, Pacifica Graduate Institute, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10257436.

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Archetypal psychology relativized the notion of ego and brought the notion of psyche as soul to the fore by highlighting Soul’s distinction from Spirit. Psychotherapy became a soul-making process, but Soul’s longing for union with Spirit and the ego’s longing for relationship with the Self was neglected. Using alchemical hermeneutics, this thesis investigates the bringing into consciousness of the repressed Spirit in depth psychology by reviewing literature in the broader field of psychotherapy and the personal experience of the writer that points to a love relationship between the opposites of Soul and Spirit, ego and Self. This thesis also puts forth a call for action within post-Jungian thinking toward an awareness of the dynamically poetic tension of opposites, and posits that the divine archetype of the Opposites is the primary animator of the production of the human mind, reintroducing Jung’s archetype of the transpersonal Self in a more relational manner.

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Kizilcik, Hale Hatice. "Jungian Archetypes In Samuel Beckett&#039." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606397/index.pdf.

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This thesis analyses the Jungian archetypes employed in Beckett'
s trilogy. It begins with an overview of Jungian archetypes and the relation of these archetypes to the fundamental themes dealt with in Beckett'
s work. The thesis then asserts that some archetypal features occur almost obsessively and are further clearly implicated in the main themes of the trilogy. The central archetypal patterns that frequently appear in the novel are the hero'
s quest, return to paradise and rebirth. This dissertation is therefore primarily organised around these archetypes, and Beckett'
s use of these archetypal motifs to reinforce his black philosophy will be illustrated and exemplified in the study.

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Carpenter, Lynn Sewell. "Archetypal stages and figures in the Abrahamic narrative according to the model compiled by Christopher Vogler." Theological Research Exchange Network (TREN) Access this title online, 2004. http://www.tren.com.

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Smith, Gregory Vance. "The faceless mountain and the Key West route : interdisciplinary study of the pilgrimage archetype." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001573.

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Sokol, Julia A. (Julia Alexandrovna). "Deriving archetype templates for urban building energy models based on measured monthly energy use." Thesis, Massachusetts Institute of Technology, 2015. http://hdl.handle.net/1721.1/100355.

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Thesis: S.M., Massachusetts Institute of Technology, Department of Mechanical Engineering, 2015.
Cataloged from PDF version of thesis.
Includes bibliographical references (pages 74-78).
Interest in urban energy modeling has grown among planners and policy-makers as more and more municipalities set targets for reduction of greenhouse gas emissions. Urban-scale building energy models can help evaluate the efficiency of proposed district designs, consequences of building retrofit interventions, or energy supply options. Bottom-up models based on physical descriptions and engineering calculations are the most versatile for modeling scenarios and evaluating results at high spatial and temporal resolutions. Such urban building energy models (UBEMs) are typically created by grouping buildings with similar properties into archetypes, which standardize many properties that are not uniform in reality, such as occupancy-driven parameters. Since most UBEMs are validated using aggregated, annual measured data, this standardization is usually adequate; however, for a more accurate model that considers end-use differentiation or seasonal variation, neither this standardization nor this validation method are sufficient. This work proposes a new methodology for archetype definition and customization using metered monthly energy data. Customization is done by inferring certain parameters from the energy data and estimating others probabilistically from parametric analysis. The methodology is developed and tested on a case study of 453 low-rise residential buildings in Cambridge, Massachusetts. Four model iterations are compared: single template, eight archetype templates, eight archetypes with individual building customization, and the latter with the addition of parametric analysis and generation of frequency distributions for unknown parameters. The results show an improvement in mean goodness of fit from 46% with one template and 37% with eight templates to 18% for the final iteration. The distribution of energy use intensities, as well as monthly electricity and gas profiles, approach observed values closer with each iteration. The results also demonstrate that error metrics based on aggregated annual consumption, commonly used for urban model validation, are not necessarily representative of the model's fit on a monthly basis.
by Julia A. Sokol.
S.M.

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Saner, Goze. "From tyrant to clown and back an actor's practical study of archetype in performance." Thesis, Royal Holloway, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.537517.

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My research explores how the presence, emergence, and collective experience of archetype can be sought in performance. While words such as essence and truth designate an aim and consequently a sense of direction for the actor, they run short of providing a concrete vocabulary or a precise methodology. Archetypal psychology's conception of archetype offers a framework which facilitates addressing these evasive concerns and indicates certain methodological principles with which they can be explored in training, acting and performance. I employ the process-oriented approach of 'archetypally' engaging with mythology and dreams while investigating questions pertinent to performance; archetypal figures like Sisyphus and Odysseus illuminate various aspects of training and performance, such as, the dynamics of repetition and difference in physical action, the momentary and processual nature of agency, and the composition of performance score within a temporal-spatial context that includes the spectator. The inherent critique of representation allows the performing psychophysical body to appear as the locus of an immediate relationship between actors and spectators; hence, archetype is conceived in the form of a rhizome, emergent and evergrowing through archetypal moments which can be composed, experienced and shared in performance. My work on the tyrant provides a point of focus to explore practically elements which can be traced across a range of traditions. The generic relationship with myth and the multiplied body ofthe actor in ancient pantomime, the relational mode of agency and the active memory of Renerici and lazzi in commedia dell 'arte, and the aporia of the clown can be interlinked with the dynamics of discipline and spontaneity and the actor's 'passive readiness' in the work of Grotowski. Distinguishing from the cross-sections of these traditions various containers for the work of the actor to generate archetypal material as well as to perform archetypally, and by incorporating them into my 'work on myself.' I aim to unveil language pertinent to archetype and perhaps to challenge the notion of the archetypal actor as sacrificial lamb by suggesting another: the clown/tyrant.

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Alfaro, Pumarino Manuel Lautaro. "Traces of a tyger: the literary archetype of madness in Virginia Woolf's Mrs. Dalloway." Tesis, Universidad de Chile, 2010. http://repositorio.uchile.cl/handle/2250/109954.

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Virginia Woolf in Mrs Dalloway, through Clarissa Dalloway’s and other parallel stories, presents us with the situation of Septimus Warren Smith, a war hero who suffers shell-shock and that due to his apparent madness is victim of constant threats from two physicians who want to put him away because of his mental crises. He, in an attempt to preserve his soul from the terrible embrace of human nature, decides to kill himself before he is arrested. Taking into account this information, the topic of this thesis will be the treatment of madness in Mrs Dalloway, understanding the figure of the mad person as a literary archetype which is repeated with some consistency in English Literature, from classical to contemporary texts. The main focus will be the development of the figure of Septimus as a visionary poet, a modernist figure analogous to William Blake who, with his visionary poetic/pictorial work, drew the paths to the following romantic company. A comparison will be drawn between the two poets taking into account the evolution of the visionary poet from its pre-romantic sphere to the modernist shadow of a mad person, showing that madness suffers transformations from the ancient Greece to modernist times. One of the sub-topics will be the conception of nature in contrast to human nature, and how they seem to be components of a dichotomy that cannot be dissolved. My intention is to work on madness as a literary archetype, along with an examination of the mad person within the context of a modernist novel where it is manifest in the figure of the visionary poet. I will try to see how this has changed from the Platonic perspective of divine madness to the segregation and punishment of the Classic Epoch, and finally to our modern(ist) sensibility. Tentatively, the social apprehension towards the mad person would affect its characterisation in Mrs Dalloway, in which a post-war fragmented society is presented.

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Krejčová, Andrea. "Úloha značky v brandingu mistrovství světa v ledním hokeji." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-379231.

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Title: Role of brand in branding activities of Ice Hockey World Championship Objectives: The aim of this thesis is to create a new archetype of brand of Ice Hockey World Championship. This archetype is based on results of qualitative research which is focused on perception of brand of Ice Hockey World Championship from last 11 years (2007-2017). Methods: Written and electronic questioning was used in research focused on the perception of brand of Ice Hockey World Championship. This research is very important part of the thesis. The theoretical part is based on the analysis of documents (theoretical reflection). Descriptive analysis was used in the analytical part. Results: Archetype of brand of Ice Hockey World Championship was created in the thesis. This archetype was named The Fair Guy and contains some basic values typical of ice hockey (e.g. fair play, friendship or respect). Keywords: archetype, logo, mascot

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Karasová, Teresa. "Analýza genderových archetypů v knize Women Who Run With the Wolves." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-435412.

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In this thesis, I focus on the gender analysis of a book called Women Who Run with the Wolves by Clarissa Pincola Estes. In my opinion, this book can be used both as study material and in one's personal life since it's a interpretative essayist which is in between a scientific text and fiction. In my thesis, I expand theories of Annis Pratt, Pam Morris, and Judith Fetterley. Since Estes puts a lot of focus onto the importance of archetypes I interpret them in the theoretical part and afterward, I put my full focus onto them in the analytical part of the thesis. Estes is strongly influenced by the analytical psychology of Carl Gustav Jung, because of this I focus on the subject, about which Jung's classical texts are about and which concepts can be taken subversive. At the same time, I am trying to point out in what sense was the Estés approach similar or vice versa is different from the other authors dealing with the archetypal issue. While working on the other topics mentioned above I am working on identifying other concepts, mainly feminist based theories, which influenced the discourse of the text. The main goal of this thesis is not a literary analysis of every single story, but a critical evaluation of how the author interprets the stories and what is the meaning of each archetype. While...

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古義宗. "The Disappearing Archetype of Life." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/78712673976489141657.

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碩士
國立新竹教育大學
人資處造形藝術碩士專班
98
Abstract The Disappearing Archetype of Life --The Analysis of Oil Paintings by Yi-Zhong Gu The thesis reflects on the meanings of humanity, life value, and self existence; discusses the perception of life cycle and value transformation. Through the shapes of loofahs and citruses, he expresses the views of life and obtains the salvation by means of finding his own feelings of creative art works. The characteristic of the art works is to portray his feelings through the ways of concrete representation. The inspiration originates from the metaphysics, surrealism, besides the modern artists to contemporaries, As regards the form of the paintings, he endeavors to use the conception of the Orient “Chan”, meditation, to reinforce the loneliness and to expound the new explanation of still life paintings. The achievement of this is to discover the subconscious and to create distinctive vocabulary, by means of facing his past; to cull, define and frame from the objects, he develops his creative style, through the diversities of hues and the fun of skin textures; attempts to refine his own oil painting skills and to manifest his speciality so as to create his self style. Key words: Chan, symbol, surrealism, self existence

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Piro, Andrew Jason. "The American hobo as archetype /." 2009. http://149.152.10.1/record=b3075324~S16.

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Thesis (M.A.) -- Central Connecticut State University, 2009.
Thesis advisor: Robert M. Dowling. "... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 84-86). Also available via the World Wide Web.

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吳怡螢. "Perspective of female''s Archetype." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/50029685585469684048.

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碩士
臺北市立師範學院
視覺藝術研究所
93
This research originated from the archetype theory of the author’s favorite feminist, psychologist, Ms. Carl Gustav Jung. According to the use of visual graphic language by the creation of art, this research is intending to combine two different theories one another to trace the most primary and profound part of a female life generated unconsciously. The contents of humans’ creations can be divided into two major categories: fingerprint series and reproduction series. Both of them are the original impulse of creativity through a female’s point of view. Furthermore, the female’s individualism will be another important topic to study. Instead of the description of a human’s body and appearance, the usage of the “fingerprint” is capable to mark the female’s life which is considered the representative of a code of creations. Simulating the laparoscopy to women’s reproductive system including womb, menses, vagina, pregnancy, delivery, etc, this research has transferred the picture of a real image into the expression of the abstract emotion in order to describe women’s experience of life, feelings, desire, and ideal. In addition, it has been also discussed about the physical, mental (as motherhood) and lived influence by the function of “reproduction” in this research. This thesis comprises four major parts. In chapter one, it has been introduced that the author’s development of her research method and structure in art is affected by feminism. The following chapter consists of the literature review about women’s life, characteristics, and the concept of the “archetype”. Moreover, the description of personal ideal, background and graphic language has been added in chapter three. At last, the author attempts to illustrate her unique opinion on modern life and living environment with her perspective, creations, formal analysis and comparison of personal works. It is also proposed in chapter four that to question and reconsider the restriction of fatherhood and to get beyond the limitation of the conflict between genders is the fundamental of reaching the ideal of trust, respect and love for both men and women.

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Dissertations / Theses on the topic 'Archetype'

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