Journal articles on the topic 'Archetypal'
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1
Rozik, Eli. "Deconstruction of archetypal characterization: the case of Nina in Chekhov's The seagull." International Journal of Jungian Studies 3, no. 1 (March 1, 2011): 53–68. http://dx.doi.org/10.1080/19409052.2011.542372.
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This study explores the Jungian notions of ‘archetype’, ‘projection’ and ‘imago’, and suggests the distinction between ‘archetypal’ and ‘cognitive’ characterization on the level of intention, and its implications regarding dramatic creativity. Whereas archetypal characterization aims at matching archetypes in the spectators’ minds, cognitive characterization aims at saying something true on the nature of real people, in the spirit of naturalism. Archetypal characterization thus offers the opportunity for the spectators to confront suppressed contents of their psyches. This study also suggests a model for the transition from the archetypal mode of characterization to the cognitive one through a process of deconstruction, and applies this model to Nina's process of individuation from adolescence to maturity in Chekhov's The seagull.
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Baykova, Ekaterina V., and Marina A. Svetlichnaya. "Archetypes of Artistic Form Making in the Context of Architecture — the House and the Temple." Observatory of Culture 17, no. 1 (February 27, 2020): 36–46. http://dx.doi.org/10.25281/2072-3156-2020-17-1-36-46.
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The article explores the patterns of form making in architecture through the prism of archetypes and archetypal images. Ancient civilizations’ spatial form making is considered in the context of the general system of archetypal images that are the source of meaning formation in an artificial environment. The main advantage of the article is the delimitation of the architectural archetype and the archetypal images in architecture. In this context, the article studies various options for spatial archetypes of the urban environment at the macro and micro levels. The House and the Temple are considered as the fundamental archetypes in architecture. The authors determine the role and place of form making in the contemporary cultural situation.However, there is noted that the spatial archetypes are a broader concept than just the application field of the architectural archetype. Thus, the article reveals the hierarchy of this cultural phenomenon in the spatial arts. As is often the case in the field of art, it is difficult to draw a clear line between the archetypal and spatial images. The tower, being a perfect example of the architectural archetype, is simultaneously considered by us as a spatial archetype.The article notes the possibility of a new archetypal image emergence in modern Russia, the general cultural situation of which can be characterized as extremely volatile and ambiguous. Does this suggest creating other archetypal images or just abandoning the traditional ones replacing them with pro-Western patterns? In any case, there is a possibility of creating new models and images that determine the emergence and development of a new paradigm in the period of global transformations. When creating a new image in culture and art, the archetypes of artistic form making, as well as in its traditional version, leave their imprint on the appearance of the material and spatial environment. The emergence of a new dominant image in the space of Russian architecture and environmental design is determined not only by its creative potential, but also by economic and political reasons, as, for example, in the case of creating a comfortable environment of buildings’ yards. Meanwhile, the yards in Russian culture, in our opinion, can claim the status of an archetype.We can assume that everyone will remain keeping some ideal space of their own interpretation, associated with their childhood memories, and that is why it is so important for us to preserve the paternal house with its adjacent territory for gaining some psychological comfort. The House and the Temple in this context are almost equal.
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Bakhshayesh, Elnaz Valaei, and Seyed Reza Ebrahimi. "THE QUEST FOR INDIVIDUALITY IN FARIBA VAFI’S MY BIRD." vol 5 issue 15 5, no. 15 (December 29, 2019): 1511–16. http://dx.doi.org/10.18769/ijasos.592125.
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One of the common themes in contemporary Persian literature in Iran is the psychological development of women and their challenges to find their path towards individuality. By applying Jungian “process of individuation,” Fariba Vafi’s novel My bird is analyzed to uncover the self- development of the female character. The motion of self-archetype is studied in relation to Jung’s theory of individuality to study how the female protagonist experiences this process of personality development. The motif of re-birth emerges at the end of the novel when the female heroine reaches a level of recognition of the changes occurring within her. Other archetypal motifs that appear in the novel are the house archetype, the shadow archetype, and the individuation archetype which are discussed as they are the main structuring elements in the formation of the theme of the novel. This research aims to study how the psychological development of the female protagonist, based on Jung’s archetypal theories, occurs. Keywords: Jung’s archetypes, shadow archetype, house archetype, individuation archetype.
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Caldwell, Marylouise, Paul Henry, and Ariell Alman. "Constructing audio‐visual representations of consumer archetypes." Qualitative Market Research: An International Journal 13, no. 1 (January 19, 2010): 84–96. http://dx.doi.org/10.1108/13522751011013990.
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PurposeThe purpose of this paper is to explain how audio‐visual archetypal representations likely to engender emotional identification and consumer‐inquisitiveness by marketing professionals can be constructed.Design/methodology/approachThe paper employs video‐ethnography involving the following steps: development of a typology of consumer archetypes based on a priori theory, screening for and identifying informants to exemplify each archetype, filming interviews in and around their homes, developing realistic audio‐visual representations of each archetype and assessing marketing practitioners reactions to the audio‐visual representations.FindingsIn response to the audio‐visual archetypal representations, marketing practitioners displayed a high degree of interest and emotional relatedness. The interest generated in the screenings motivated animated discussion and often a desire to better understand the consumers represented by each archetype. These heightened reactions contrast strongly with the relatively emotionally flat responses to traditional marketing research reports.Originality/valueThe paper demonstrates that carefully crafted audio‐visual representations of consumer archetypes are likely to engender a consumer orientation in marketing professionals and hence associate with improved marketing decision‐making. It explains that this situation is likely explained by audio‐visual media's superior capacity to foster experiential, emotional knowledge of others, and, the origins of consumer archetypes in the collective un/consciousness and/or widespread strongly embedded cultural beliefs, norms, and values.
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Bankauskaitė-Sereikienė, Gabija, and Eglė Keturakienė. "Eternal Contemporaneity in Advertisements of „Naujoji Romuva“ (1931–1940)." Respectus Philologicus 26, no. 31 (October 25, 2014): 177–89. http://dx.doi.org/10.15388/respectus.2014.26.31.14.
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Advertising appealing to senses is satiated with the dream of immortality. The society striving for an eternal state of mythical youth lives in the reality of theatre and manipulations. On the one hand, advertising offers certain society life models through myth, archetypical symbols. On the other hand, culture of global observation, watching changes life into an illusion and life simulation. The more a person succumbs to abstractedness of life in advertisements, the greater demand for mythical time, eternal moment and harmony arises. Advertising which has categorically prohibited for a society to get older, gives an individual an illusion of eternal contemporaneity through archetypes. Modern man sees himself as a creator of history, hence, he feels great temptation to take part in an imaginary act of creation. The article provides the analysis of archetypac imagery in interwar advertisements on the basis of insights of R. Barthes, G. Debord and M. McLuhan on mythological structures of thinking, advertisements and modern society of a performance as well as thoughts of M. Eliade on repetition of time. For the analysis publication Naujoji Romuva (1931-1940) has been chosen. The expression of archetypes has been discussed after they have been categorized into three groups under character and general context of archetypal structures: archetypes of world creation, prototypes of man and woman, and mythical, folklore. Prototypes of man as a hero and woman as having a mystic role to continue the cycle of life, as well as mythical, folklore symbols (mirror, horseshoe, spruce, flower) also play the said role. Archetypal imagery is often found in advertisements of cosmetics, chemicals and sealants.
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Yerzhanova, S. B., and K. K. Baidetova. "PSYCHOLOGICAL AND PHILOLOGICAL ASPECTS OF THE ARCHETYPE." BULLETIN Series Psychology 64, no. 3 (September 20, 2020): 85–89. http://dx.doi.org/10.51889/2020-3.1728-7847.15.
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In our article, we paid attention to the history of the concept of archetype, studied and analyzed the concepts of archetypal plot, motive, and stopped at its place in literature, mythology, psychology, and culture. We paid special attention to the work of the Swiss scientist-psychologist C. G. Jung, who introduced the term archetype into science and studied it in psychological, philosophical, and cultural aspects. Having identified the first archetypal images shown by Jung, we made an analysis, giving importance to the role of the concept of" collective unconscious " in the archetype. In addition, we determined the scientific significance of philological research. The concepts of archetypal plot and archetypal motif introduced by the Russian scientist Meletensky were defined, and examples of archetypal motifs and plots in mythology were given. We have analyzed the concepts of myth and archetype, citing the scientific justifications in the literature. The development of the mythical motif in the works of modern Kazakh writers requires a detailed study of the concept of archetype. At all times, literature cannot separate itself from its original source –myth. Since the Archetype is closely related to mythology, we believe that the importance of this topic is very high today
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Dovgan’, Aleksej Valentinovich. "PUBLIC ADMINISTRATION FROM THE STANDPOINT OF DETERMINISTIC SOCIAL SENSE (ARCHETYPAL APPROACH)." UKRAINIAN ASSEMBLY OF DOCTORS OF SCIENCES IN PUBLIC ADMINISTRATION 1, no. 14 (June 16, 2018): 124–31. http://dx.doi.org/10.31618/vadnd.v1i14.105.
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The features and the role of deterministic social sense in the context of the archetypical approach are considered in the article; the specifics of the existence of the above-mentioned phenomenon in relation to public administration are presented. The nature, principles of the functioning of archetypes as a direct, pragmatic decision-making factor of the personality are represented. It is argued that archetypes are significantly different from those historically established or transformed by human characters, whose senses are not mentally inherited, but transmitted from generation to generation. The emphasis is placed on the relevance of the archetypal approach for research in the management sector in general and deterministic social sense — in particular. The author emphasizes that the archetype is a direct pragmatic factor in personal decision-making, acting as a created internal complication that ensures the course of certain socially deter mined processes in the human brain. Attention is focused on the continuity of the concepts of “sense” and “culture”: from the moment of alienation of a person from the surrounding natural world, all thoughts, created things, found and used means and methods of actions are given meanings. Thus, the decision, that is, the choice, appears to be the natural basis for an individual’s being in ontological reality, acting as a necessary precondition for structuring his administrative, legal and so on needs in modern society. Further investigation of the archetypal approach to the study of the phenomenon of deterministic social sense is seen in the study of the features of citizens’ reflection on the images and symbols created by the government in order to achieve some behavioral manifestations in the latter, allowing more deeply and clearly understand the needs of the people, and also to update the relevant role of public administration in his life. At the same time, from the standpoint of social, psychological, culturological pragmatics etc., the archetype is the primary form of sense stratified according to the types described by Jung. This differentiation of this phenomenon is natural, due to its universalism, which allows us to speak about the degree of social adaptability of the latter.
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Gaydos,, H. Lea. "On Calling and Character: Caring as Archetypal Act." International Journal of Human Caring 5, no. 1 (February 2001): 8–13. http://dx.doi.org/10.20467/1091-5710.5.1.8.
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This paper explores caring as an archetypal act. The great archetypal myth of the hero’s journey, considered in light of the great stories of feminine archetypes, provides a framework for understanding the relationship between calling, character, and caring. Excerpts from the personal narratives of contemporary female healers, as explored in a qualitative research study, reveal how caring can be understood as an enactment of an archetypal reality.
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Yano, Jun-Ichi, and Mitchell W. Moncrieff. "Numerical Archetypal Parameterization for Mesoscale Convective Systems." Journal of the Atmospheric Sciences 73, no. 7 (June 24, 2016): 2585–602. http://dx.doi.org/10.1175/jas-d-15-0207.1.
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Abstract Vertical shear commonly organizes atmospheric convection into coherent multiscale structures. The associated countergradient vertical transport of horizontal momentum by organized convection can enhance the wind shear and transport kinetic energy upscale. However, organized convection and its upscale effects are not represented by traditional mass-flux-based parameterizations. The present paper sets the archetypal dynamical models, originally formulated by the second author, into a parameterization context by utilizing a nonhydrostatic anelastic model with segmentally constant approximation (NAM–SCA). Using a two-dimensional framework as a starting point, NAM–SCA spontaneously generates propagating tropical squall lines in a sheared environment. High numerical efficiency is achieved through a novel compression methodology. The numerically generated archetypes produce vertical profiles of convective momentum transport that are consistent with the analytic archetype.
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Yogo, Yoshiaki, Shan Zhong, Yawei Xu, Mengyun Zhu, Yuegen Chao, Chie Sugimoto, Hiroshi Ikegaya, Ayako Shibuya, and Tadaichi Kitamura. "Conserved archetypal configuration of the transcriptional control region during the course of BK polyomavirus evolution." Journal of General Virology 89, no. 8 (August 1, 2008): 1849–56. http://dx.doi.org/10.1099/vir.0.2008/000836-0.
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BK polyomavirus (BKV) is widespread among humans, asymptomatically infecting children and then persisting in renal tissue. The transcriptional control region (TCR) of the BKV genome is variable among clinical isolates. Thus, archetypal TCRs with a common basic configuration generally occur in BKV isolates from the urine of immunocompromised patients, but rearranged TCRs that possibly arise from the archetypal configuration have also been detected in clinical specimens. To examine the hypothesis that archetypal strains represent wild-type strains circulating in the human population (the archetype hypothesis), we analysed 145 complete viral genomes amplified directly from the urine of non-immunocompromised individuals worldwide. These genomes included 82, three, two and 58 sequences classified as belonging to subtypes I, II, III and IV, respectively. Rearranged TCRs with long duplications or deletions were detected from two subtype I and two subtype IV genomes, but not from the other 141 genomes (thus, the TCRs of these genomes were judged to be archetypal). The variations in the archetypal TCRs were nucleotide substitutions and single-nucleotide deletions, most of which were unique to particular subtypes or subgroups. We confirmed that the four complete BKV genomes with rearranged TCRs did not form a unique lineage on a phylogenetic tree. Collectively, the findings demonstrate that the archetypal TCR configuration has been conserved during the evolution of BKV, providing support for the archetype hypothesis. Additionally, we suggest that ‘archetype’ should be used as a conceptual term that denotes a prototypical structure that can generate various rearranged TCRs during viral growth in vivo and in vitro.
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Hart, David W., and F. Neil Brady. "Spirituality and Archetype in Organizational Life." Business Ethics Quarterly 15, no. 3 (July 2005): 409–28. http://dx.doi.org/10.5840/beq200515327.
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Abstract:Spirituality is an undeniable human need and is thus the subject of increasing interest among management scholars and practitioners. In this article, we propose using archetypal psychology as a framework for understanding the human need for spirituality more clearly because it provides important insights into spirituality and organizational life. Because most spiritual needs reside in the deepest aspects of the self, an archetypal approach helps us recognize not only that we have spiritual needs but alsowhywe have them. We present three common archetypes and their implications in a management context. That is followed by an application of the archetypal approach to some of the more spiritually corrosive aspects of organizational life and a discussion of the implications of archetypes as a source of motivation.
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Makarova, Alla. "The archetypal character of the educational activity of person: social and philosophical analysis." Filosofiya osvity. Philosophy of Education 27, no. 1 (August 11, 2021): 80–97. http://dx.doi.org/10.31874/2309-1606-2021-27-1-5.
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The article analyzes the problems of modern educational activities in the context of the socio-philosophical analysis of the specifics of the information society. The problems of “self-development” and “self-presentation” of a personality are raised in the context of their interpretation in the context of the current situation of social transitivity. The position of eliminating educational institutions from educational processes, the threat of creating the phenomenon of education without a pedagogical component is considered as problematic. The "traditional" and "innovative" accents in the socio-philosophical discourse of education are compared, their semantic connotations are presented. The necessity of maintaining the balance of archetypal-educational functionality is substantiated, which consists in the formation of a system of socialization actions through a complex of educational levels, which have archetypal meaning expressed by special functions. The scientific novelty of the research is the schematic comparison of the functional characteristics of the archetype with the tasks of different levels of education as an orientation towards different potencies of the personality. In particular, the social functions of archetypes (in the author's three-component concept), the archetypal typology and schematics of E. Berne, C.-G. Jung and M. Mark and M. Pearson were compared with the tasks and meanings of the levels of education (primary, secondary and secondary special, higher), there are three functions of education, closely determined by the archetypal meanings of pedagogical activity. At the same time, a scheme is proposed in which the orientational-coordinating, stereotyping-normative and integrative-systematizing archetypal components form the tasks and functions of education: correlation, correctional and compensatory. The purpose of the article is to identify stable functions, principles, elements that, in any reform of the educational sphere, in particular, pedagogical, should be preserved, since they constitute the semantic foundations of its existence as a social institution of personality development. These are recognized as the unity of training and education, the unity of the past, present and future as organic links in the transfer of social experience and the preservation of social memory. Accordingly, six archetypes of educational activities are identified.
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Potash, Jordan S. "Archetypal aesthetics: viewing art through states of consciousness." International Journal of Jungian Studies 7, no. 2 (May 4, 2015): 139–53. http://dx.doi.org/10.1080/19409052.2014.924984.
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A Jungian and archetypal psychology approach to aesthetics includes noticing which archetypes are activated when viewing or engaging with art. Archetypes provide vitality to art and can be accessed by viewers through attention to bodily responses and emotional awareness enhanced by imagination. Connecting these personal experiences to the collective requires framing viewers' responses within comprehensible patterns. Joan Kellogg's theory ‘The Archetypal Stages of the Great Round of Mandala’ offers a system for identifying archetypes as states of consciousness and making them accessible to a wide audience in order to aid understanding of one's responses to art.
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Manzoor, Fahmida, Hina Naz, and Shamim Ara Shams. "Challenging the Archetypes: Re-visitation of Fairy Tales." Global Language Review V, no. III (September 30, 2020): 232–43. http://dx.doi.org/10.31703/glr.2020(v-iii).24.
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This study aims to highlight how the revisited American fairytale movies shun the archetypal symbols, characters and situations of the previous fairy tales. The researcher analyzes the new set of norms that are proposed by the postmodernists, which are positioned to shun the metanarratives and work against totality by waging war against it (Lyotard 71-82). The perspective in doing so is to find out the changes in the original stories which have challenged the collective unconsciousness. Collective Unconscious, according to Jung, are the unconscious feelings present among human beings as species. They are universally present in every man's psyche, and the unconscious of man has some primal images, which are depicted through symbols. These symbols are not limited to any particular culture or history (Four Archetypes 4). Jung calls the contents of the collective unconscious the "archetypes" (4). Postmodernists have challenged the archetypal patterns stated by the philosophers of archetypes, and they have attempted to break these archetypal patterns, or according to the postmodernists, the "metanarratives".
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Venaik, Sunil, and David F. Midgley. "Archetypes of marketing mix standardization-adaptation in MNC subsidiaries." European Journal of Marketing 53, no. 2 (February 11, 2019): 366–99. http://dx.doi.org/10.1108/ejm-11-2017-0861.
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Purpose This paper aims to identify the archetypes of marketing mix standardization-adaptation in MNC subsidiaries and to examine the relationships between MNC subsidiary strategy, environment and performance through the theoretical lenses of fit and equifinality. Design/methodology/approach The authors use a mail survey to collect data from MNC subsidiary business units located in multiple countries. They apply a novel archetypal analysis method to identify the diverse archetypes of marketing mix standardization-adaptation in MNC subsidiaries. Finally, through cross-tabulation and regression analysis, they examine the relationships between MNC strategy, environment and performance. Findings They identify four archetypes of MNC subsidiary standardization-adaptation including a new archetype that is not recognized in the literature. This analysis finds partial support for both fit and equifinality, suggesting complementarity between the two theories. Research limitations/implications The study could be extended with longitudinal data to examine the dynamics in MNC marketing mix strategy and performance in response to the changing business environment. Practical implications The findings suggest that MNC subsidiary managers could deploy a broader set of international marketing strategy configurations than those currently prescribed to enhance performance. Originality/value The authors use a novel configuration-based archetypal analysis method and extend the theoretical typology of international marketing strategies pursued by MNC subsidiaries. The partial support for both fit and equifinality expands the theoretical lens through which we can examine the relationships between MNC marketing strategy, environment and performance.
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Bakula, Viktoriya B. "The archetype of the Sun in the novel by the Saami writer Nadezhda Bol'shakova." Vestnik of Kostroma State University, no. 2 (2019): 181–86. http://dx.doi.org/10.34216/1998-0817-2019-25-2-181-186.
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Russian Saami literature is one of the least known and studied among the Saami literatures, which determines the relevance of this work. The aim of the study is to analyse the actualisation of the archetype of the Sun in the novel by the Saami writer Nadezhda Bol'shakova "Alkhalalalay" and the associated archetypal motifs. The novelty of the study is that the archetypal content of the work is revealed for the fi rst time. To achieve this goal, the author uses the methods of hermeneutics and comparative history, which allow to fi nd archetypal subjects, images and motifs in the text, as well as to reveal the deep fundamental principles of literary heroes. The actualisation of the Sun archetype at all levels of the novel's architectonics is analysed. The archetype of the Sun in the novel is presented as a polysemic image that defi nes a number of semantic loads and performs a structure-forming function. The motifs of infi nite cyclicity, repetition, immortality, travel, the motif of getting the bride, which receives a certain transformation in the work, are revealed.
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Afsari, Nasim, and Elham Omrani. "Demon Lovers versus Damsels in Distress: An Archetypal Reading of Robert Browning’s My Last Duchess and Porphyria’s Lover." International Letters of Social and Humanistic Sciences 64 (November 2015): 10–16. http://dx.doi.org/10.18052/www.scipress.com/ilshs.64.10.
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Each literary work has a world of its own and discovering this world may seem undemanding and straightforward. By contrast, the realm of a literary work might be loaded with hints for a reader who has established a harmonious relationship with that world. The world depicted by the work may well encourage this reader to pass from the surface meaning toward the heart of the idea. This paper tries to reveal the secondary layer of meaning in two poems by Robert Browning, My Last Duchess and Porphyria’s Lover, by focusing on the archetypal elements implemented in them. The recent study explores the archetypal characters playing their roles in the poem by focusing on old archetypes such as the Soul Mate, Damsel in Distress, Innocent youth and Demon Lover. Then it elaborates on the archetypal motifs or patterns such as immortality and scapegoat. Furthermore, the last part of discussion elaborates on Jung’s principal archetypes (shadow, persona, and anima) and his theory of individuation.
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Ibatullina, G. M., and M. V. Alekseenko. "THE SOPHIAN MYTH IN THE NOVEL BY V.P. ASTAFYEV “THE SHEPHERD AND THE COWGIRL”." Bulletin of Udmurt University. Series History and Philology 29, no. 5 (October 25, 2019): 839–47. http://dx.doi.org/10.35634/2412-9534-2019-29-5-839-847.
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The article discusses the figurative and semantic paradigms of the sophiological myth in the story by V.P. Astafyev “The Shepherd and the Cowgirl”. The image of the main character of the story Lucy is endowed with a number of symbolic connotations and has a complex archetypal structure. The Sophian archetype is represented here in its two invariants: the Christian and the Gnostic; the keys to understand the heroine are also the Theotokos archetype, the archetypes of the Virgin, the Beloved, the Mistress, Psyche, and the Kabbalistic archetype Shekhinah, which is closely related to the original image of Sophia. The Sophian model of a feminine principle is reflected both in the personality-psychological, spiritual and moral characteristics of the heroine, and in the logic of the image of her fate. The study leads to the conclusion that the mythologeme of Sophia in its different modes (Sophia the Wisdom of God, Sophia the Gnostic, Eternal Femininity) in the paradigm of Lucy's image is one of the semantic dominants; in addition, in the mythopoetic sign system of the work, the Sophian archetype, along with the archetypes of Theotokos and Shekhinah, can be considered the cultural representative of the “feminine” archetype - the archetype of a Woman in its specific gender-existential aspect.
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Nash, Ronald J. "Archetypal Landscapes and the Interpretation of Meaning." Cambridge Archaeological Journal 7, no. 1 (April 1997): 57–69. http://dx.doi.org/10.1017/s0959774300001475.
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Carl Jung's analytic ideas on archetypes offer an approach to interpreting ancient meanings in the absence of historic records. The archetypes of the collective unconscious are said to maintain a uniformitarian consistency over time in form and meaning. Their recurrent expression in the vernacular arts, dreams, even film of recent times permits exploration of these same archetypes in ancient contexts. The theory is discussed and applied to three landscapes, archetypal landscapes of glacial wasteland, primordial sea and forest labyrinth.
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Hannachi, A., and N. Trendafilov. "Archetypal Analysis: Mining Weather and Climate Extremes." Journal of Climate 30, no. 17 (September 2017): 6927–44. http://dx.doi.org/10.1175/jcli-d-16-0798.1.
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Conventional analysis methods in weather and climate science (e.g., EOF analysis) exhibit a number of drawbacks including scaling and mixing. These methods focus mostly on the bulk of the probability distribution of the system in state space and overlook its tail. This paper explores a different method, the archetypal analysis (AA), which focuses precisely on the extremes. AA seeks to approximate the convex hull of the data in state space by finding “corners” that represent “pure” types or archetypes through computing mixture weight matrices. The method is quite new in climate science, although it has been around for about two decades in pattern recognition. It encompasses, in particular, the virtues of EOFs and clustering. The method is presented along with a new manifold-based optimization algorithm that optimizes for the weights simultaneously, unlike the conventional multistep algorithm based on the alternating constrained least squares. The paper discusses the numerical solution and then applies it to the monthly sea surface temperature (SST) from HadISST and to the Asian summer monsoon (ASM) using sea level pressure (SLP) from ERA-40 over the Asian monsoon region. The application to SST reveals, in particular, three archetypes, namely, El Niño, La Niña, and a third pattern representing the western boundary currents. The latter archetype shows a particular trend in the last few decades. The application to the ASM SLP anomalies yields archetypes that are consistent with the ASM regimes found in the literature. Merits and weaknesses of the method along with possible future development are also discussed.
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Gerasimova, Svetlana V. "ARCHETYPE AND LOGOS OF FURNACE AND FIREPLACE." RUDN Journal of Language Studies, Semiotics and Semantics 10, no. 2 (December 15, 2019): 353–72. http://dx.doi.org/10.22363/2313-2299-2019-10-2-353-372.
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The article is literary in nature: the example of the furnace shows the difference between the logos and the archetype, as well as the principles of modifying the logos into an archetype. The aim of the work is to systematize a wide range of values of the archetypal symbol of the furnace, finding the sacred logos to which they ascend. The article is written on the material of ancient mythology and literature of the New Time: the archetypical images, related to the archetype of the furnace, such as the affected heel, fire, serpent, are analyzed - their relevance to world culture and literature, related to their repeatability and stability, is proved. So it is concluded that there is a close relationship between all the elements of the semiotic system: as a result of the disappearance of one of the furnaces, the archetype of the furnace, from everyday culture, the attitude and principles of human behavior changed, which radically affected the course of history.
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Pearson, Carol S. "Heroic Organizations and Institutions as Secular Temples: A Personal Outlook." Journal of Genius and Eminence 2, Volume 2, Issue 2: Winter 2017 (December 1, 2017): 126–32. http://dx.doi.org/10.18536/jge.2017.02.2.2.13.
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This personal reflection is an outgrowth of Campbell’s work that applies an archetypal analysis to the United States that has been piloted in organizational development efforts. An application of the author’s theories and models, the article identifies the founding archetype for the US as the Explorer and argues that other archetypes are currently obscuring it, resulting in what is being described as a culture war. This martial archetype, then, further obscures the Explorer and makes it difficult to restore a sense of healthy and authentic patriotism to America, patriotism founded on what is special about the country, rather than on pretentions to greatness in comparison to other nations. Returning attention to the Explorer archetype is necessary to restore unity and fellow feeling within the US and with its allies, so that we can work together to solve the looming problems before us, such as terrorism, income inequality, and climate change.
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Miernik, Agnieszka. "Transfiguracja symboli archetypowych w utworach Marty Tomaszewskiej." Studia Europaea Gnesnensia, no. 14 (December 15, 2016): 69–81. http://dx.doi.org/10.14746/seg.2016.14.4.
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An analysis of the process concerning transfer of archetypal symbols in fairy-tale plots, conducted firom the perspective of depth psychology (C.G. Jung), reveals the human being to be a culture creator (homo culturalis), who uses vivid language and aims at abstracting a multidimensional sense of existence. The paradigm of archetypal literary criticism (N. Frye) offers multidimensional insights into a work of literature and demonstrates the shifts of the arche, a constant adjustment of archetypes to the demands of the present. When attempting to determine the archetypal order in the works of Marta Tomaszewska, one should be aware of the fact that it is one of many possible efforts to read multi-perspective symbolic contents and it validates the thesis presuming an endless source of the collective unconscious.
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Chen, Haihui. "An Archetypal Study on William Faulkner’s Absalom, Absalom!" Theory and Practice in Language Studies 7, no. 3 (March 1, 2017): 187. http://dx.doi.org/10.17507/tpls.0703.04.
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This paper attempts to analyze Faulkner’s novel from archetypal perspective with a focus on Biblical allusions in the novel Absalom, Absalom. My purpose is to induce a kind of pattern in Faulkner’s writings which reveals the artist’s capability to assimilate archetypes as well as displace them. His unique method of using archetypes remarkably foregrounds the themes of his fictions and marks him as an innovative and talented writer.
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Lopez, S. R., T. S. Hogue, and E. D. Stein. "A framework for evaluating regional hydrologic sensitivity to climate change using archetypal watershed modeling." Hydrology and Earth System Sciences Discussions 9, no. 12 (December 14, 2012): 13729–71. http://dx.doi.org/10.5194/hessd-9-13729-2012.
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Abstract. The current study focuses on the development of a regional framework to evaluate hydrologic and sediment sensitivity due to predicted future climate variability using developed archetypal watersheds. The developed archetypes are quasi-synthetic watersheds that integrate observed regional physiographic features (i.e., geomorphology, land cover patterns, etc.) with synthetic derivation of basin and reach networks. Each of the three regional archetypes (urban, vegetated and mixed land covers) simulates satisfactory hydrologic and sediment behavior compared to historical observations (flow and sediment) prior to the climate sensitivity analysis. Climate scenarios considered increasing temperature estimated from the IPCC and precipitation variability based on historical observations and expectations. Archetypal watersheds are modeled using the Environmental Protection Agency's Hydrologic Simulation Program–Fortran model (EPA HSPF) and relative changes to streamflow and sediment flux are evaluated. Results indicate that the variability and extent of vegetation play a key role in watershed sensitivity to predicted climate change. Temperature increase alone causes a decrease in annual flow and an increase in sediment flux within the vegetated archetypal watershed only, and these effects are partially mitigated by the presence of impervious surfaces within the urban and mixed archetypal watersheds. Depending on extent of precipitation variability, urban and moderately urban systems can expect the largest alteration to flow regimes where high flow events are expected to become more frequent. As a result, enhanced wash-off of suspended-sediments from available pervious surfaces is expected.
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Tran, Tuoi Thi. "Dreams as an archetype in contemporary Vietnamese short stories." Science and Technology Development Journal 18, no. 2 (June 30, 2015): 161–67. http://dx.doi.org/10.32508/stdj.v18i2.1202.
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Archetypes are understood as ‘great symbols’ deriving from ancient times and arising from the collective unconsciousness. Through my studies, I realize that, in contemporary Vietnamese short stories, dreams can be considered as an archetype. Dreams are coded in conceptual metaphors, in allegorical expressions, and they appear everywhere in the works of many contemporary authors. On the one hand, this trend is the continuation of a traditional source of inspiration in folk and medieval literature; on the other hand, it is characterized by modern senses. Authors experimentally introduce a philosophy in dreams, and expand their creative range through dreams. This study provides a new insight into contemporary Vietnamese short stories under the archetypal lens.
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Caglayan, Günhan. "Archetypal Mathematics." Mathematics Teacher 106, no. 8 (April 2013): 574–78. http://dx.doi.org/10.5951/mathteacher.106.8.0574.
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Pace, Ian. "Archetypal Experiments." Musical Times 138, no. 1856 (October 1997): 9. http://dx.doi.org/10.2307/1003807.
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Seiler, Christian, and Klaus Wohlrabe. "Archetypal scientists." Journal of Informetrics 7, no. 2 (April 2013): 345–56. http://dx.doi.org/10.1016/j.joi.2012.11.013.
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Sink, S. "Archetypal Light." Interdisciplinary Studies in Literature and Environment 10, no. 2 (July 1, 2003): 288–89. http://dx.doi.org/10.1093/isle/10.2.288.
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SAAYMAN, G. S., P. A. FABER, and R. V. SAAYMAN. "Archetypal Factors." Journal of Analytical Psychology 33, no. 3 (July 1988): 253–76. http://dx.doi.org/10.1111/j.1465-5922.1988.00253.x.
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Cutler, Adele, and Leo Breiman. "Archetypal Analysis." Technometrics 36, no. 4 (November 1994): 338–47. http://dx.doi.org/10.1080/00401706.1994.10485840.
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Jones, Devilen, and John E. Churchill. "Archetypal healing." American Journal of Hospice and Palliative Medicine® 11, no. 1 (January 1994): 26–33. http://dx.doi.org/10.1177/104990919401100105.
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Galipeau, Steven. "Archetypal Typology." Jung Journal 3, no. 2 (April 2009): 89–94. http://dx.doi.org/10.1525/jung.2009.3.2.89.
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Snyder, Daniel O. "Archetypal Process." Process Studies 31, no. 1 (2002): 187–90. http://dx.doi.org/10.5840/process200231132.
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Chesebro, James W., Dale A. Bertelsen, and Thomas F. Gencarelli. "Archetypal criticism." Communication Education 39, no. 4 (October 1990): 257–74. http://dx.doi.org/10.1080/03634529009378808.
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Slattery, Karen, and Ana C. Garner. "Mother as mother and mother as citizen: Mothers of combat soldiers on national network news." Journalism 13, no. 1 (September 26, 2011): 87–102. http://dx.doi.org/10.1177/1464884911420778.
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This study examines national television news images of mothers of US combat soldiers during the first seven years of the Iraq War. News stories presented mothers as archetypal good mothers engaged in maternal work long after their children’s deployment. Some mothers were depicted as vocal vis-à-vis their position on the Iraq War, a contrast to the historical depiction of the archetypal patriotic mother who is stoic and silent. The resulting image is more complex, suggesting the boundaries of the archetype may be changing.
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Et. al., Hema R,. "Analysis of Archetypal Characters in Anita Nair’s Mistress and Lessons in Forgetting." Turkish Journal of Computer and Mathematics Education (TURCOMAT) 12, no. 2 (April 11, 2021): 1236–38. http://dx.doi.org/10.17762/turcomat.v12i2.1163.
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The present paper analyses the archetypal elements present in the select women characters in the novels Mistress and Lessons in Forgetting. The archetypal presence is in the form of Indian mythological characters. This presence resides in the unconscious psyche of the characters Radha and Akhila. Radha identifies herself with mythological Radha and Ahalya. Akhila identifies herself with goddess Kanyakumari. The paper also analyses how these archetypal presence make them subjugated women and also how they help them to move beyond their stereotypical roles they play in the family and society. The characters Radha and Meera are ordinary women who emerge as potential, emancipated women at a later stage. They struggle in the process of transition from tradition to modernity. In their quest for identity, they emerge as strong and independent women. The paper is analyzed from Jungian perspective of archetypes.
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Mercean-Țârc, Mirela. "Archetypal Discursive Typologies in Hetero(sym)phony by Cornel Țăranu." Studia Universitatis Babeş-Bolyai Musica 66, no. 1 (June 30, 2021): 179–92. http://dx.doi.org/10.24193/subbmusica.2021.1.12.
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"As syntactic typologies, monody and heterophony are detectable in modern and contemporary music as states and manifestations of primordial impulses of sound communication, detectable in the ancient folklore of all peoples. Their filtering through the sieve of contemporary cerebralism cannot elude their force of penetration into the sphere of affect and of the archetypal representations. The paper proposes to fathom and bring to light some principles and ways of archetypal discursive organization in Hetero(sym)phony, by Cornel Țăranu. Keywords: musical archetype, Cornel Țăranu, Hetero(sym)phony, heterophony, sound organization, contemporary music. "
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Zelykovsky, Alexey. "Structure, Properties and Functions of Political Myth." Logos et Praxis, no. 3 (December 2019): 18–24. http://dx.doi.org/10.15688/lp.jvolsu.2019.3.2.
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The paper reveals the structure, properties and main functions of modern political myth, in addition, it analyzes the relationship between modern and archaic myths. The basis of modern political myths is rationalized and expressed in symbolic form mythological archetype. Despite the fact that archaic mythology as an integral system of worldview is rationalized, desacralized and destroyed, mythological archetypes retain their social significance. That is, political myths are the result of rationalization and symbolic interpretation of mythological archetypes. The article describes the main symbols-archetypes being invariably present in political discourse. For example, the hero archetype symbol is used to create heroic political myths. This group of myths is necessary for the formation of the image of a political leader. The representation of a political leader in accordance with the symbol-archetype of the hero significantly increases his capabilities and powers. The symbol-archetype of the Golden age is used to construct the image of the ideal social and political system. This archetype is especially actively exploited in various utopian and revolutionary projects. The symbol-archetype of the Great Mother, also actively used by modern mythology, forms ideas about their native land and country creating a sense of unity and cohesion. Since archetypal symbols retain their social significance, political myths, by reproducing them, perform important social functions. Shaping a special symbolic and semantic reality modern myths perform the main function – meaning making. Modern political myths carry out their functions by acting on the unconscious level, thereby causing certain emotional experiences and pushing the masses to the required actions. Thus, it can be concluded that political myths are an integral component of modern social and political practice.
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Mills, Jon. "The Essence of Archetypes." International Journal of Jungian Studies 10, no. 3 (February 8, 2018): 199–220. http://dx.doi.org/10.1080/19409052.2018.1503808.
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Jung’s notion of the archetype remains an equivocal concept, so much so that Jungians and post-Jungians have failed to agree on its essential nature. In this essay, I wish to argue that an archetype may be understood as an unconscious schema that is self-constitutive and emerges into consciousness from its own a priori ground, hence an autonomous self-determinative act derived from archaic ontology. After offering an analysis of the archetype debate, I set out to philosophically investigate the essence of an archetype by examining its origins and dialectical reflections as a process system arising from its own autochthonous parameters. I offer a descriptive explication of the inner constitution and birth of an archetype based on internal rupture and the desire to project its universality, form, and patternings into psychic reality as self-instantiating replicators. Archetypal content is the appearance of essence as the products of self-manifestation, for an archetype must appear in order to be made actual. Here we must seriously question that, in the beginning, if an archetype is self-constituted and self-generative, the notion and validity of a collective unconscious becomes rather dubious, if not superfluous. I conclude by sketching out an archetypal theory of alterity based on dialectical logic.
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Pigulevskiy, Viktor, and Liudmila Mirskaya. "Archetypes and design." SHS Web of Conferences 72 (2019): 03017. http://dx.doi.org/10.1051/shsconf/20197203017.
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Identification of basic archetypes and their remote structure in the context of civilization design, industrial and communicative design makes it possible to specify age-long stability of certain patterns and instruments. This contributes to design of effective models and necessary things. Archetypes as constantly recurring patterns of actions reflected in the mind in the form of unconscious schemes, patterns of thinking, behaviour and perception. Archetypes are a level of connection between being and thinking in the process of work, an area of contact of human corporeality and material side of the world. In the context of technical progress, miniaturization of gadgets and integration of functions, archetypal items remain highly-demanded. The clock with a round dial symbolizes the archetype of “eternal return”. Instruments and lever control systems, a lamp with the mechanism of “lever balance”, which simulates levels of human arm freedom, express the archetype of action. A jar made by a master on a potter’s wheel symbolizes a “vessel of life”, embodies the archetype of rotation, “wheel of life”. Symbolic figures of visual communication – circle, spiral, swastika and concentric circles – also present the archetype of rotation. Mandala, a special symbol that can be noticed in the design of visual communications, as well as in city plans in ancient civilizations, expresses the archetype of selfness. The design of civilizations has constants established by the contact of human corporeality and material side of the world. However, most of contemporary things that have a symbolic meaning lack being universal, since they are made within the structure of civilization, beyond incrustation of human corporeality in the world. Acting in the world, a person constantly repeats life patterns; this archetype of “eternal return” remains a basic attitude of the design.
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Mayoralas, Jose. "Sinonimia Semántica — en Estructura Profunda — de algunos Clichés Españoles y Franceses." Babel. Revue internationale de la traduction / International Journal of Translation 46, no. 2 (December 31, 2000): 125–53. http://dx.doi.org/10.1075/babel.46.2.04may.
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The growing importance that present-day translatology affords the study of linguistic cliché has made it essential to reconstitute their archetypal status and reconsider their paradigmatic function. This will allow us to detect better how and why its transcoding corresponds perfectly whether in both superficial and profound structure, or merely in profound structure and at the expense of its phrasal realization: semantic, not morpho-syntactic synonymy. Indeed, while ‘díselo con flores’ demands, in English and French, an automatic transcoding from the archetype and the fixed syntagma that it represents, the translation of C. J. Cela ‘nos ha merengao’ demands a translatological performance not only of the code, but also of the register. So a common archetypal base determines an automatic translation of clichés only where the codes of the two languages have stigmatised the archetype with the help of the cliché itself. Otherwise, one has to search for how each language has recodified the said archetype. How? Why? This is, precisely, what we have attempted not only to resolve but to demonstrate.
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KHRABAN, Tetyana. "ARCHETYPICAL ASPECTS OF HERO IMAGE IN MODERN UKRAINIAN NON-INSTITUTIONAL MILITARY DISCOURSE." Social Communications: Theory and Practice 12, no. 1 (July 20, 2021): 83–97. http://dx.doi.org/10.51423/2524-0471-2020-12-1-2.
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The aim of the article is to study the specifics of the archetypal aspects of the Hero image in modern Ukrainian non-institutional military discourse. Materials & methods. Discourse analysis was used to identify the characteristics of archetypal images and motifs. The application of psychoanalytic interpretation, the most characteristic feature of which is the accentuation of senses and the assumption of the self-sufficiency of experience, has directed attention to the symbolism of the unconscious, universal meanings and psychological mechanisms inherent in the text. The material for the article was text fragments, photos and comments to them with a total volume of 912 units, which were posted during 2020 on the pages of the social network groups Facebook "Military service - Military Service", "Armed Forces of Ukraine". Results & discussions. Hero-rescuer mythological archetype is at the heart of the Ukrainian non-institutional military discourse. Permanent mythological plot can be traced in the military discourse. Thus, the typical stages of the mythological Hero odyssey were observed: the beginning of the mythological Hero’s adventures is provoked by a catastrophe, which is caused by criminal actions of his enemies; the Hero sets off for a journey to restore the broken harmony; the villains prevent but the Hero passes the trials and wins his reward. His triumph can be represented as the liberation of his country from tyrant. Addressing the mythological plot carries a pragmatic purpose to overcome stress: the military needs unshakable faith in happy end of the problem situation (military conflict in eastern Ukraine) and the idea of mythological Hero helps soldiers to increase self-confidence. Thus, the Ukrainian non-institutional military discourse shows a relationship between the call to the mythological consciousness and coping strategies. Then, there is tendency observed in the military discourse that Hero archetypal image deviates from the archaic archetype framework and the Hero model with an emphasis on the Christian eschatological paradigm dominates. The motif of sacrifice accompanying the Hero image forms the archetypal image of the Hero-holy man. Conclusion. Two Hero models dominate in the Ukrainian non-institutional military discourse. The first model is distinguished by exaggeration. It is a Hero-superman image defined by similarity to mythological heroes, gods, titans. However, this Hero model is not only always accepted by the Ukrainian military but can sometimes arise rejection and protest against Hero-superman image. The second model is a collective image of Ukrainian culture. The People’s Hero model actualizes the features of a toiler who is not a professional soldier, he is a peaceful man. This archetypal image is distinguished by realism and contrast to the Hero-superman image. Key words: Hero archetype, archetypal image, non-institutional military discourse.
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Sveshnikov, Alexander Vyacheslavovich. "C.G. Jung on the Nature of Artistic Image." Journal of Flm Arts and Film Studies 5, no. 4 (December 15, 2013): 66–77. http://dx.doi.org/10.17816/vgik5466-77.
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The article analyses C. Jung’s approaches to the problem of the symbol and the archetype, reviews the relationship between the compositional integrity of an artwork and an archetypal image as the two phenomena firmly rooted in the depths of the unconscious mental processes.
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Bojanović, Kristina. "From aesthetical towards ethical: Myth and metaphor as mode of narrative in Levinas." SAJ - Serbian Architectural Journal 9, no. 2 (2017): 171–78. http://dx.doi.org/10.5937/saj1702171b.
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In this paper, I will try to show that Levinas's ethics contains the aesthetics of mythological narrative that has metaphorical ("as if" meaning) and archetypal dimension, while the relation between ethics and aesthetics will be explained by Levinas's perception of eros. These goals are based on the assumption that myth represents uroboric foundation of Levinas's philosophy by which he succeeded in getting rid of the egology of Western thought, but also from the experience of his own imagination. The myth speaks about universals through various representations, relations, characters, etc. Taking into account that universals are archetypes, and that all archetypes in history of mankind have aesthetic dimension, Levinas's philosophy "offers" this archetypal structure of myth through its operational concepts such as eros, infinity, feminine, trauma, maternity, fecundity etc. I will try to show that Levinasian establishing of ethics as philosophia prima is based on language of metaphors and imagination as material and unknowable foundation of psyche.
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Chiwengo, Ngwarsungu, Estella Lauter, and Carol Rupprecht. "Feminist Archetypal Theory." South Atlantic Review 51, no. 2 (May 1986): 113. http://dx.doi.org/10.2307/3199354.
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Hubbell, Larry. "Four Archetypal Shadows." Administration & Society 24, no. 2 (August 1992): 205–23. http://dx.doi.org/10.1177/009539979202400206.
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Jones, Kevin A. "Whence Archetypal Psychology?" Contemporary Psychology: A Journal of Reviews 34, no. 5 (May 1989): 506. http://dx.doi.org/10.1037/028066.
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Mishlove, Jeffrey, and Brendan C. Engen. "Archetypal Synchronistic Resonance." Journal of Humanistic Psychology 47, no. 2 (April 2007): 223–42. http://dx.doi.org/10.1177/0022167806293006.
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