Relevant bibliographies by topics / Archetypal

Academic literature on the topic 'Archetypal'

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Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Archetypal"

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Rozik, Eli. "Deconstruction of archetypal characterization: the case of Nina in Chekhov's The seagull." International Journal of Jungian Studies 3, no. 1 (March 1, 2011): 53–68. http://dx.doi.org/10.1080/19409052.2011.542372.

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This study explores the Jungian notions of ‘archetype’, ‘projection’ and ‘imago’, and suggests the distinction between ‘archetypal’ and ‘cognitive’ characterization on the level of intention, and its implications regarding dramatic creativity. Whereas archetypal characterization aims at matching archetypes in the spectators’ minds, cognitive characterization aims at saying something true on the nature of real people, in the spirit of naturalism. Archetypal characterization thus offers the opportunity for the spectators to confront suppressed contents of their psyches. This study also suggests a model for the transition from the archetypal mode of characterization to the cognitive one through a process of deconstruction, and applies this model to Nina's process of individuation from adolescence to maturity in Chekhov's The seagull.
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Baykova, Ekaterina V., and Marina A. Svetlichnaya. "Archetypes of Artistic Form Making in the Context of Architecture — the House and the Temple." Observatory of Culture 17, no. 1 (February 27, 2020): 36–46. http://dx.doi.org/10.25281/2072-3156-2020-17-1-36-46.

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The article explores the patterns of form making in architecture through the prism of archetypes and archetypal images. Ancient civilizations’ spatial form making is considered in the context of the general system of archetypal images that are the source of meaning formation in an artificial environment. The main advantage of the article is the delimitation of the architectural archetype and the archetypal images in architecture. In this context, the article studies various options for spatial archetypes of the urban environment at the macro and micro levels. The House and the Temple are considered as the fundamental archetypes in architecture. The authors determine the role and place of form making in the contemporary cultural situation.However, there is noted that the spatial archetypes are a broader concept than just the application field of the architectural archetype. Thus, the article reveals the hierarchy of this cultural phenomenon in the spatial arts. As is often the case in the field of art, it is difficult to draw a clear line between the archetypal and spatial images. The tower, being a perfect example of the architectural archetype, is simultaneously considered by us as a spatial archetype.The article notes the possibility of a new archetypal image emergence in modern Russia, the general cultural situation of which can be characterized as extremely volatile and ambiguous. Does this suggest creating other archetypal images or just abandoning the traditional ones replacing them with pro-Western patterns? In any case, there is a possibility of creating new mo­dels and images that determine the emergence and development of a new paradigm in the period of global transformations. When creating a new image in culture and art, the archetypes of artistic form making, as well as in its traditional version, leave their imprint on the appearance of the material and spatial environment. The emergence of a new dominant image in the space of Russian architecture and environmental design is determined not only by its creative potential, but also by economic and political reasons, as, for example, in the case of creating a comfortable environment of buildings’ yards. Meanwhile, the yards in Russian culture, in our opinion, can claim the status of an archetype.We can assume that everyone will remain keeping some ideal space of their own interpretation, associated with their childhood memories, and that is why it is so important for us to preserve the paternal house with its adjacent territory for gaining some psychological comfort. The House and the Temple in this context are almost equal.
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Bakhshayesh, Elnaz Valaei, and Seyed Reza Ebrahimi. "THE QUEST FOR INDIVIDUALITY IN FARIBA VAFI’S MY BIRD." vol 5 issue 15 5, no. 15 (December 29, 2019): 1511–16. http://dx.doi.org/10.18769/ijasos.592125.

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One of the common themes in contemporary Persian literature in Iran is the psychological development of women and their challenges to find their path towards individuality. By applying Jungian “process of individuation,” Fariba Vafi’s novel My bird is analyzed to uncover the self- development of the female character. The motion of self-archetype is studied in relation to Jung’s theory of individuality to study how the female protagonist experiences this process of personality development. The motif of re-birth emerges at the end of the novel when the female heroine reaches a level of recognition of the changes occurring within her. Other archetypal motifs that appear in the novel are the house archetype, the shadow archetype, and the individuation archetype which are discussed as they are the main structuring elements in the formation of the theme of the novel. This research aims to study how the psychological development of the female protagonist, based on Jung’s archetypal theories, occurs. Keywords: Jung’s archetypes, shadow archetype, house archetype, individuation archetype.
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Caldwell, Marylouise, Paul Henry, and Ariell Alman. "Constructing audio‐visual representations of consumer archetypes." Qualitative Market Research: An International Journal 13, no. 1 (January 19, 2010): 84–96. http://dx.doi.org/10.1108/13522751011013990.

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PurposeThe purpose of this paper is to explain how audio‐visual archetypal representations likely to engender emotional identification and consumer‐inquisitiveness by marketing professionals can be constructed.Design/methodology/approachThe paper employs video‐ethnography involving the following steps: development of a typology of consumer archetypes based on a priori theory, screening for and identifying informants to exemplify each archetype, filming interviews in and around their homes, developing realistic audio‐visual representations of each archetype and assessing marketing practitioners reactions to the audio‐visual representations.FindingsIn response to the audio‐visual archetypal representations, marketing practitioners displayed a high degree of interest and emotional relatedness. The interest generated in the screenings motivated animated discussion and often a desire to better understand the consumers represented by each archetype. These heightened reactions contrast strongly with the relatively emotionally flat responses to traditional marketing research reports.Originality/valueThe paper demonstrates that carefully crafted audio‐visual representations of consumer archetypes are likely to engender a consumer orientation in marketing professionals and hence associate with improved marketing decision‐making. It explains that this situation is likely explained by audio‐visual media's superior capacity to foster experiential, emotional knowledge of others, and, the origins of consumer archetypes in the collective un/consciousness and/or widespread strongly embedded cultural beliefs, norms, and values.
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Bankauskaitė-Sereikienė, Gabija, and Eglė Keturakienė. "Eternal Contemporaneity in Advertisements of „Naujoji Romuva“ (1931–1940)." Respectus Philologicus 26, no. 31 (October 25, 2014): 177–89. http://dx.doi.org/10.15388/respectus.2014.26.31.14.

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Advertising appealing to senses is satiated with the dream of immortality. The society striving for an eternal state of mythical youth lives in the reality of theatre and manipulations. On the one hand, advertising offers certain society life models through myth, archetypical symbols. On the other hand, culture of global observation, watching changes life into an illusion and life simulation. The more a person succumbs to abstractedness of life in advertisements, the greater demand for mythical time, eternal moment and harmony arises. Advertising which has categorically prohibited for a society to get older, gives an individual an illusion of eternal contemporaneity through archetypes. Modern man sees himself as a creator of history, hence, he feels great temptation to take part in an imaginary act of creation. The article provides the analysis of archetypac imagery in interwar advertisements on the basis of insights of R. Barthes, G. Debord and M. McLuhan on mythological structures of thinking, advertisements and modern society of a performance as well as thoughts of M. Eliade on repetition of time. For the analysis publication Naujoji Romuva (1931-1940) has been chosen. The expression of archetypes has been discussed after they have been categorized into three groups under character and general context of archetypal structures: archetypes of world creation, prototypes of man and woman, and mythical, folklore. Prototypes of man as a hero and woman as having a mystic role to continue the cycle of life, as well as mythical, folklore symbols (mirror, horseshoe, spruce, flower) also play the said role. Archetypal imagery is often found in advertisements of cosmetics, chemicals and sealants.
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Yerzhanova, S. B., and K. K. Baidetova. "PSYCHOLOGICAL AND PHILOLOGICAL ASPECTS OF THE ARCHETYPE." BULLETIN Series Psychology 64, no. 3 (September 20, 2020): 85–89. http://dx.doi.org/10.51889/2020-3.1728-7847.15.

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In our article, we paid attention to the history of the concept of archetype, studied and analyzed the concepts of archetypal plot, motive, and stopped at its place in literature, mythology, psychology, and culture. We paid special attention to the work of the Swiss scientist-psychologist C. G. Jung, who introduced the term archetype into science and studied it in psychological, philosophical, and cultural aspects. Having identified the first archetypal images shown by Jung, we made an analysis, giving importance to the role of the concept of" collective unconscious " in the archetype. In addition, we determined the scientific significance of philological research. The concepts of archetypal plot and archetypal motif introduced by the Russian scientist Meletensky were defined, and examples of archetypal motifs and plots in mythology were given. We have analyzed the concepts of myth and archetype, citing the scientific justifications in the literature. The development of the mythical motif in the works of modern Kazakh writers requires a detailed study of the concept of archetype. At all times, literature cannot separate itself from its original source –myth. Since the Archetype is closely related to mythology, we believe that the importance of this topic is very high today
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Dovgan’, Aleksej Valentinovich. "PUBLIC ADMINISTRATION FROM THE STANDPOINT OF DETERMINISTIC SOCIAL SENSE (ARCHETYPAL APPROACH)." UKRAINIAN ASSEMBLY OF DOCTORS OF SCIENCES IN PUBLIC ADMINISTRATION 1, no. 14 (June 16, 2018): 124–31. http://dx.doi.org/10.31618/vadnd.v1i14.105.

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The features and the role of deterministic social sense in the context of the archetypical approach are considered in the article; the specifics of the existence of the above-mentioned phenomenon in relation to public administration are presented. The nature, principles of the functioning of archetypes as a direct, pragmatic decision-making factor of the personality are represented. It is argued that archetypes are significantly different from those historically established or transformed by human characters, whose senses are not mentally inherited, but transmitted from generation to generation. The emphasis is placed on the relevance of the archetypal approach for research in the management sector in general and deterministic social sense — in particular. The author emphasizes that the archetype is a direct pragmatic factor in personal decision-making, acting as a created internal complication that ensures the course of certain socially deter mined processes in the human brain. Attention is focused on the continuity of the concepts of “sense” and “culture”: from the moment of alienation of a person from the surrounding natural world, all thoughts, created things, found and used means and methods of actions are given meanings. Thus, the decision, that is, the choice, appears to be the natural basis for an individual’s being in ontological reality, acting as a necessary precondition for structuring his administrative, legal and so on needs in modern society. Further investigation of the archetypal approach to the study of the phenomenon of deterministic social sense is seen in the study of the features of citizens’ reflection on the images and symbols created by the government in order to achieve some behavioral manifestations in the latter, allowing more deeply and clearly understand the needs of the people, and also to update the relevant role of public administration in his life. At the same time, from the standpoint of social, psychological, culturological pragmatics etc., the archetype is the primary form of sense stratified according to the types described by Jung. This differentiation of this phenomenon is natural, due to its universalism, which allows us to speak about the degree of social adaptability of the latter.
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Gaydos,, H. Lea. "On Calling and Character: Caring as Archetypal Act." International Journal of Human Caring 5, no. 1 (February 2001): 8–13. http://dx.doi.org/10.20467/1091-5710.5.1.8.

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This paper explores caring as an archetypal act. The great archetypal myth of the hero’s journey, considered in light of the great stories of feminine archetypes, provides a framework for understanding the relationship between calling, character, and caring. Excerpts from the personal narratives of contemporary female healers, as explored in a qualitative research study, reveal how caring can be understood as an enactment of an archetypal reality.
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Yano, Jun-Ichi, and Mitchell W. Moncrieff. "Numerical Archetypal Parameterization for Mesoscale Convective Systems." Journal of the Atmospheric Sciences 73, no. 7 (June 24, 2016): 2585–602. http://dx.doi.org/10.1175/jas-d-15-0207.1.

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Abstract Vertical shear commonly organizes atmospheric convection into coherent multiscale structures. The associated countergradient vertical transport of horizontal momentum by organized convection can enhance the wind shear and transport kinetic energy upscale. However, organized convection and its upscale effects are not represented by traditional mass-flux-based parameterizations. The present paper sets the archetypal dynamical models, originally formulated by the second author, into a parameterization context by utilizing a nonhydrostatic anelastic model with segmentally constant approximation (NAM–SCA). Using a two-dimensional framework as a starting point, NAM–SCA spontaneously generates propagating tropical squall lines in a sheared environment. High numerical efficiency is achieved through a novel compression methodology. The numerically generated archetypes produce vertical profiles of convective momentum transport that are consistent with the analytic archetype.
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Yogo, Yoshiaki, Shan Zhong, Yawei Xu, Mengyun Zhu, Yuegen Chao, Chie Sugimoto, Hiroshi Ikegaya, Ayako Shibuya, and Tadaichi Kitamura. "Conserved archetypal configuration of the transcriptional control region during the course of BK polyomavirus evolution." Journal of General Virology 89, no. 8 (August 1, 2008): 1849–56. http://dx.doi.org/10.1099/vir.0.2008/000836-0.

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BK polyomavirus (BKV) is widespread among humans, asymptomatically infecting children and then persisting in renal tissue. The transcriptional control region (TCR) of the BKV genome is variable among clinical isolates. Thus, archetypal TCRs with a common basic configuration generally occur in BKV isolates from the urine of immunocompromised patients, but rearranged TCRs that possibly arise from the archetypal configuration have also been detected in clinical specimens. To examine the hypothesis that archetypal strains represent wild-type strains circulating in the human population (the archetype hypothesis), we analysed 145 complete viral genomes amplified directly from the urine of non-immunocompromised individuals worldwide. These genomes included 82, three, two and 58 sequences classified as belonging to subtypes I, II, III and IV, respectively. Rearranged TCRs with long duplications or deletions were detected from two subtype I and two subtype IV genomes, but not from the other 141 genomes (thus, the TCRs of these genomes were judged to be archetypal). The variations in the archetypal TCRs were nucleotide substitutions and single-nucleotide deletions, most of which were unique to particular subtypes or subgroups. We confirmed that the four complete BKV genomes with rearranged TCRs did not form a unique lineage on a phylogenetic tree. Collectively, the findings demonstrate that the archetypal TCR configuration has been conserved during the evolution of BKV, providing support for the archetype hypothesis. Additionally, we suggest that ‘archetype’ should be used as a conceptual term that denotes a prototypical structure that can generate various rearranged TCRs during viral growth in vivo and in vitro.
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Dissertations / Theses on the topic "Archetypal"

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You, Xiao. "Archetype and archetypal image in Chinese myths, legends and tales." Thesis, University of Essex, 2018. http://repository.essex.ac.uk/23484/.

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This research aims to examine Chinese myths, legends and tales from the perspective of analytical psychology. Considering that analytical psychologists have paid little attention to Chinese myths and that previous studies on Chinese myths from the standpoint of analytical psychology are lacking, this thesis investigates the universal archetype and its cultural carrier, or archetypal image, in Chinese mythical texts. First, this study examines both Jung’s engagement with Chinese culture, in order to see the function and significance of Chinese thought in analytical psychology, and the reception of Jungian thought in China, in order to demonstrate the lack of research on Chinese myths from the perspective of the theory of analytical psychology. Second, the study defines the concepts of archetype and archetypal image, and adopts the method of myth analysis from Jung and his followers to interpret Chinese motifs and symbols. Third, interpretations from the perspective of analytical psychology are applied to three motifs in Chinese culture: creation myths, flood myths and erotic anima figures. These provide materials for exploring similarities and differences in the mechanism and development of the human psyche between East and West. Fourth, this research concentrates on discussing two important Chinese symbols – Long (dragon) and Qi lin (unicorn) and their counterparts in western culture – by analysing these symbols at both the archetypal and cultural levels. The final part of this study explores the possible therapeutic value of Chinese myths in helping analysts to comprehend the human psyche and analysands to understand themselves in greater depth. This thesis fills a gap in the understanding of Chinese myth by means of Jungian psychology with the hope also of applying analytical psychology to Chinese culture more thoroughly and insightfully in both theoretical and practical contexts.
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Hanson, Dan L. "Archetypal Dreams." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc332222/.

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In the composition Archetypal Dreams, musical imagery is created through motifs and ideas that represent the symbolic messages of the unconscious. These motifs are introduced, developed, transformed, and overlapped in contrapuntal dialogue. This unfolding of material grows in significance and complexity building to a resolution of tension. The relationship of motifs to the row is re-established and the row is reconstructed. In this manner the conscious and unconscious elements of the personality are symbolically reconciled. The four movements of the work are entitled: I. Primordial Images; II. Archaic Remnants; III. Mythological Motifs; IV. The Process of Individuation
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Chang, Huang-Ming. "Emotions in archetypal media content." Doctoral thesis, Universitat Politècnica de Catalunya, 2014. http://hdl.handle.net/10803/668913.

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Emotion is an intriguing and mysterious psychological phenomenon. While everyone seems to know what it is, researchers have not yet come to consensus on its definition, and many questions still remain unanswered. While the nature of emotion is yet to discover, the design community has noticed is importance, and poses the challenge of how emotion could inform design. We see the necessity to follow the state of the art in psychology and initiate the undertaking by exploring the emotional qualities in various types of media content. The first part of this thesis aims at constructing a theoretical framework. Recent years have seen empirical studies suggest that emotion could be unconscious. While this is to be further justified, scientists are motivated to reconsider current theories of emotion to account for this phenomenon. In light of this, we integrate these studies about unconscious emotion into our literature review. An overview from theory to practice is illustrated to provide a reference for viewing the current states in application domains, such as affective computing and emotional design. This review offers a holistic understanding about emotion from various perspectives, which allow us to look for new directions in future studies. Based on our review, we see a promising direction by applying psychoanalysis methods to analyze the media content as affective stimuli, and these stimuli can be evaluated by using quantitative measures to investigate the connection between the content and the corresponding emotions. The analysis on the media content is based on a psychoanalysis theory¿the theory of archetypes¿proposed by Carl Jung. He argues that there exists a universal pattern in humans¿ unconscious thoughts, which can be manifested as symbolic content in various forms of narratives, such as myth and fairy tales. Today, this archetypal symbolic content can be seen in modern media, particularly in movies. By applying the Jungian approach, we analyzed the symbolic meaning in movie scenes and edit these feature scenes into a collection of archetypal media content, which serve as the experimental materials for later explorations. In the second part of this thesis, we present three experimental studies that aim at determining if archetypal media content can be differentiated based on emotional responses. We adopted the psychoanalytical approach described earlier to collect feature scenes in movies as archetypal media content. Meanwhile, affective stimuli of explicit emotions are also included as benchmarks for comparison, such as sadness and joy. Self-reports and physiological signals are both adopted for measuring emotional responses. These three studies follow similar experimental design: presenting stimuli and measuring emotion concurrently. The results of these studies confirm that emotions induced by archetypal content are different from explicit emotions, and the statistical analysis further indicate that the predictive model obtained from physiological signals outperforms the model generated from self-reports while viewing archetypal media content. These results, however, are opposite to the results gained from affective stimuli of explicit emotions, leading us to the conclusion that archetypal media content might induce unconscious emotions, and physiological signals are more effective than self-reports for recognizing emotions induced by archetypal media content.
La emoción es un fenómeno psicológico intrigante y misterioso. Aunque todo el mundo parece saber lo que es, los investigadores aún no han llegado a un consenso sobre su definición, y todavía quedan muchas preguntas sin respuesta. Si bien la naturaleza de las emociones está aún por descubrir, la comunidad de profesionales del diseño ha entendido su importancia, y se plantea el desafío de interrelacionar ambos mundos, explorando de las cualidades emocionales en diversos tipos de contenido en medios de comunicación. La primera parte de esta tesis tiene como objetivo la construcción de un marco teórico. Recientemente se han realizado estudios empíricos que sugieren que las emociones puede ser inconscientes. Si bien esto debe justificarse mejor, los científicos están motivados a reconsiderar las teorías actuales de la emoción para explicar este fenómeno. En vista de ello, integramos estos estudios sobre las emociones inconscientes en nuestra revisión de referencias bibliográficas incluyendo dominios de aplicación recientes, tales como la Computación Afectiva y el Diseño Emocional. Una dirección prometedora de investigación se basa en la aplicación de métodos del psicoanálisis para analizar contenidos multimedia como estímulos afectivos, y estos estímulos pueden ser evaluados mediante el uso de medidas cuantitativas para investigar la conexión entre el contenido y las emociones correspondientes. Este análisis se basa en la teoría de los arquetipos propuesto por el psicólogo Carl Jung. El autor sostiene que existe una patrón universal en los pensamientos inconscientes de los personas, que puede manifestarse como un símbolo contenido en las diversas formas de narrativas, como en los mitos y los cuentos de hadas. Hoy en día, estos arquetipos de contenido simbólico se puede ver frecuentemente en los contenidos multimedia modernos, sobre todo en las películas. Mediante la aplicación del enfoque de Jung, analizamos el significado simbólico en escenas de películas seleccionando las correspondientes a diversos arquetipos, que servirá como material experimental para exploraciones posteriores. En la segunda parte de esta tesis, se presentan tres estudios experimentales que apuntan a determinar si el contenido multimedia arquetípico puede diferenciarse en base a respuestas emocionales. Con el enfoque psicoanalítico descrito anteriormente para los arquetipos, también se incluye los estímulos afectivos de emociones explícitas son como puntos de referencia para la comparación, como la tristeza y la alegría. Se realizan auto-informes y se miden señales fisiológicas para la determinación de las respuestas emocionales en todos los experimentos realizados. Los resultados de estos estudios confirman que las emociones inducidas por arquetipos son diferentes de las emociones explícitas, y el análisis estadístico indica además que el modelo predictivo obtenido a partir de señales fisiológicas supera el modelo generado por los auto-informes durante la visualización de contenidos multimedia arquetípicos. Estos resultados, sin embargo, son opuestos a los resultados obtenidos a partir de los estímulos afectivos de emociones explícitas, llevándonos a la conclusión de que los contenidos de los medios arquetípicos podría inducir emociones inconscientes, y que las señales fisiológicas son más eficaces que los auto informes para el reconocimiento de las emociones inducidas por el contenido de medios arquetípico. En la tercera parte de esta tesis, exploramos cómo los contenidos arquetípicos podrían utilizarse para diseñar contenido multimedia mediante "mood boards". Se realizaron dos estudios con diseñadores para responder a la pregunta de investigación de si es posible generar contenido emocionalmente rico a través de la generación automática de contenido arquetípico por "mood boards" en comparación con el contenido multimedia no arquetípico.
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Eckerd, K. Richard. "Glass : beyond the archetypal vessel /." Online version of thesis, 1996. http://hdl.handle.net/1850/12204.

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Butler, Jason A. "Imagining an archetypal approach to psychotherapy." Thesis, Pacifica Graduate Institute, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3560879.

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One of the primary pursuits of archetypal psychology has been to "unpack the backpack" of psychology—relying heavily on a methodological stance of via negativa, or description through negation, and deconstruction. This position has resulted in a wealth of critique that, while often controversial and even heretical, has had a significant impact on the field of psychology. It is important to note, however, that this deconstructive approach is also one fantasy amongst many. A move towards seeing through this methodology invokes an immediate encounter with the dismembering influence of Dionysus. It is the Dionysian presence that facilitates the radical re-visioning and tearing apart of stale, violently fixated, and dogmatic theory and practice. Through the work of archetypal psychology, Dionysus has presented as a dialectic partner to the abhorrent one-sidedness of Apollonian natural science psychology. As necessary as this deconstruction has been, James Hillman (2005) himself has noted, every archetypal image has its own excess and intensity. Without an explicitly constructive element, the clinical implications of archetypal psychology will remain largely dormant. Archetypal psychology has yet to produce a work that effectively encapsulates an archetypal approach to psychotherapy (Hillman, 2004). True to its Dionysian form, dismembered pieces of therapeutic method are strewn throughout the literature (Berry, 1982, 2008; Guggenbühl-Craig, 1971; Hartman, 1980; Hillman, 1972, 1975a, 1977a, 1978, 1979b, 1980b; Newman, 1980; Schenk, 2001a; Watkins, 1981, 1984). This study will attempt to gather the disparate pieces of archetypal method and weave them together with dreams, fantasy images, and clinical vignettes in an effort to depict the particular style taken up by archetypal psychotherapy. While respecting the importance of deconstruction and via negativa, the aim of this research is to re-construct and clearly describe the primary elements of a therapeutic method derived from the literature of archetypal psychology using a theoretical design complemented by the alchemical hermeneutic method resulting in a depiction of an archetypal approach to psychotherapy. The face of archetypal psychotherapy that has taken form throughout this study is one in which the phenomenal presentation of psychic image is given radical autonomy and privilege.

Keywords: Archetypal, Dream, Image, Myth, Psychotherapy.

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Cabero, Fayos Ismael. "Some contributions to archetypal analysis with applications." Doctoral thesis, Universitat Jaume I, 2019. http://hdl.handle.net/10803/668127.

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Aquesta Tesi desenvolupa l’Anàlisi d’Arquetipus (AA) i demostra la seua viabilitat i rigor. Amplia la tipologia de dades amb les quals pot treballar utilitzant, a banda de les dades multivariants contínues, dades binàries i dades funcionals. Aquesta amalgama de dades l’hem treballat implementant AA en diferents bases de dades, donant com a fruit tres investigacions independents. En la primera aportació treballem resultats d’exàmens utilitzant una variant d’AA, l’Anàlisi d’Arquetipoids (ADA) amb dades binàries i funcionals, en la segona aportació presentem un algorisme basat en AA per a treballar la segmentació de textures i en la darrera presentem un altre algorisme per a la cerca de dades atípiques (outliers). En totes aquestes investigacions, s’han utilitzat dades reals i s’ha fet un estudi comparatiu amb altres anàlisis i algorismes més reconeguts. Els resultats obtinguts han demostrat amb escreix la viabilitat i la competència d’AA.
This Thesis develops the Archetype Analysis (AA) and demonstrates its viability and rigor. Expands the type of data which can work with, in addition to continuous multivariate data, it will manage binary data and functional data too. This amalgam of data will be used by implementing AA in different databases, resulting in three independent investigations. In the first contribution we work out exam results using a variant of AA, Archetypoids Analysis (ADA) with binary and functional data, in the second contribution we present an AA-based algorithm to work on texture segmentation and in the last one we present another algorithm for the search outliers. In all these investigations, real data have been used and a comparative study has been done with other more recognized analyzes and algorithms. The results obtained have demonstrated the AA feasibility and competence.
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Zarei, Rouhollah. "Archetypal Patterns Underlying Edgar Allan Poe's Works." Thesis, University of Essex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496505.

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Gainsford, Peter Joel. "Homer's archetypal family : a pattern of relations." Thesis, University of Cambridge, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.624392.

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Joyner, Catherine. "Dreams, desire and addiction : an archetypal analysis." Master's thesis, University of Cape Town, 1998. http://hdl.handle.net/11427/14651.

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Bibliography: leaves 239-280.
This thesis suggests that dream analysis is a crucial theoretical tool, not simply to assist the individuation process, but also to gain understanding of the severing of body from soul that is so linked to addiction. Thus the thesis proposes that dream analysis is a key means to access one's spirituality, not, simply a psychoanalytic technique. It draws on a range of disciplines and discourses, located in a Jungian and ecofeminist framework, to suggest that a growing crisis of ill health - at both individual and ecological levels - is attributable, in essence, to a loss of soul. It focuses on addiction as a reflection of this loss, attempting to show that the relentless craving of the addict is best understood as spiritual hunger. The deep desire which underlies this hunger is expressed in multiple ways in our dreams. A major aspect of the thesis is an attempt to explicate the nature of the loss, and of the hunger which points to it. I suggest that both have their roots in the patriarchal conquest and denigration of women and the feminine, which may be seen inscribed on the ravaged bodies of women and Mother Earth. The first four chapters lay the groundwork for the case study of a woman whose experience illustrates much of the complexity of this theoretical discussion. The value of dream analysis as a theoretical tool which actively assists the individuation process is presented in Chapter 1 within a multi-disciplinary framework. In Chapter 2, the focus details and analyses the Jungian model and approach to dream interpretation in preparation for the concluding 9ase study. Parallels between relevant aspects of the Buddhist and Hindu traditions and Jungian models are also explored. Chapter 3 examines archetypal patterns of addiction seeking to understand the dynamic of wounded desire and displaced spiritual hunger. Postmodern links are made. Chapter 4 suggests that the devaluation and violation of the female body has its roots in the elevation of the patriarchal sky god of the Abrahamic tradition. The need for a rigorous application of a hermeneutic of suspicion towards androcentric constructions of meaning is highlighted and related to the vulnerabilities females experience in relation to embodiment. Foreshadowing key issues of the case study and linked clearly to the thematic of addiction, the impact of sexual abuse on the child's experience of embodiment becomes a theoretical focus. The case study conducted with a 31-year-old bulimic after her release from hospital, attempts to demonstrate the practical relevance of these ideas. A series of dreams recorded by her are analysed thematically and interpreted to support the claim that dreams offer a window on the transformative process of soul recovery. Thus major theoretical issues explored include the nature of the feminine, in various notions of "soul", themes of embodiment in relation to the disembodiment characteristic of the addict, the contemporary relevance of the archetypal imagery contained in myth and folk tales, and convergences between Jungian, ecofeminist, New Age, Eastern and postmodern discourses. Dream work, I suggest, opens the way to healing and empowerment.
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Costa, Sueli. "From traditional archetypal to feminist archetypal criticism : William Faulkner's female characters in AS I Lay Dying and Light in August." reponame:Repositório Institucional da UFSC, 1995. https://repositorio.ufsc.br/xmlui/handle/123456789/157939.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina , Centro de Comunicação e Expressão
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Análise das personagens femininas nos romances As I Lay Dying e Light in August de William Faulkner baseada na crítica tradicional dos arquétipos e revisada através da crítica feminista dos arquétipos. As personagens femininas apresentadas nos dois romances, quando analisadas sob uma perspectiva revisionista, passam de meros arquétipos estáticos nos romances a indivíduos ativos na sociedade e com os mesmos direitos e deveres atribuídos aos indivíduos do sexo masculino.
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Books on the topic "Archetypal"

1

Archetypal psychology. 3rd ed. Putnam, Conn: Spring Publications, 2004.

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Hillman, James. Archetypal psychology. Putnam, Conn: Spring Publications, Inc., 2013.

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Brewster, Fanny. Archetypal Grief. 1 Edition. | New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315222998.

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The archetypal kingdom. Glendale, Calif: A.R. Colton Foundation, 1988.

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Archetypal light: Poems. Reno: University of Nevada Press, 2001.

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Hollis, James. The archetypal imagination. College Station: Texas A&M University Press, 2000.

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Pruthi, Harpreet. Archetypal American sagas. Delhi: Doaba Publications, 2001.

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Falstaff: The archetypal myth. Lomgmead, Shaftesbury, Dorset: Element Books, 1989.

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Franz, Marie-Luise von. Archetypal dimensions of the psyche. Boston: Shambhala, 1997.

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Wallace, James A. Imaginal preaching: An archetypal perspective. New York: Paulist Press, 1995.

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Book chapters on the topic "Archetypal"

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Hardin, Richard F. "Archetypal Criticism." In Contemporary Literary Theory, 42–59. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-19873-3_3.

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Newton, K. M. "Archetypal Criticism." In Twentieth-Century Literary Theory, 98–102. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19486-5_8.

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Davison, Peter. "Archetypal criticism." In Othello, 51–58. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19430-8_7.

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Burns, Charlene P. E. "Archetypal Symbolism." In Encyclopedia of Psychology and Religion, 1–2. Berlin, Heidelberg: Springer Berlin Heidelberg, 2017. http://dx.doi.org/10.1007/978-3-642-27771-9_9358-1.

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Brewster, Fanny. "Archetypal grief." In Archetypal Grief, 82–95. 1 Edition. | New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315222998-8.

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Gill, Glen Robert. "Archetypal Criticism." In A Companion to Literary Theory, 396–407. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118958933.ch32.

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Burns, Charlene P. E. "Archetypal Symbolism." In Encyclopedia of Psychology and Religion, 132–34. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-24348-7_9358.

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Pfefferman, Richard. "Archetypal Appeal." In Strategic Reinvention in Popular Culture, 129–46. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137373199_9.

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Brewster, Fanny. "Archetypes of the collective unconscious." In Archetypal Grief, 1–7. 1 Edition. | New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315222998-1.

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Brewster, Fanny. "The female Africanist body." In Archetypal Grief, 110–19. 1 Edition. | New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315222998-10.

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Conference papers on the topic "Archetypal"

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Sifa, Rafet, and Christian Bauckhage. "Archetypical motion: Supervised game behavior learning with Archetypal Analysis." In 2013 IEEE Conference on Computational Intelligence and Games (CIG). IEEE, 2013. http://dx.doi.org/10.1109/cig.2013.6633609.

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Ragozini, Giancarlo, and Maria Rosaria D'Esposito. "Archetypal Networks." In ASONAM '15: Advances in Social Networks Analysis and Mining 2015. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2808797.2808837.

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Suleman, Abdul. "Validation of archetypal analysis." In 2017 IEEE International Conference on Fuzzy Systems (FUZZ-IEEE). IEEE, 2017. http://dx.doi.org/10.1109/fuzz-ieee.2017.8015385.

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Morup, Morten, and Lars Kai Hansen. "Archetypal analysis for machine learning." In 2010 IEEE International Workshop on Machine Learning for Signal Processing (MLSP). IEEE, 2010. http://dx.doi.org/10.1109/mlsp.2010.5589222.

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Bhargava, Divya, and Karen Marais. "Archetypal Models of Runway Incursions." In 17th AIAA Aviation Technology, Integration, and Operations Conference. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2017. http://dx.doi.org/10.2514/6.2017-4392.

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Tarte, Ségolène, Pip Willcox, Hugh Glaser, and David De Roure. "Archetypal Narratives in Social Machines." In WebSci '15: ACM Web Science Conference. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2786451.2786471.

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Lin, Ming-Huang. "Archetypal icon and delightful design." In the 2003 international conference. New York, New York, USA: ACM Press, 2003. http://dx.doi.org/10.1145/782896.782907.

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Dijk, David van, Daniel B. Burkhardt, Matthew Amodio, Alexander Tong, Guy Wolf, and Smita Krishnaswamy. "Finding Archetypal Spaces Using Neural Networks." In 2019 IEEE International Conference on Big Data (Big Data). IEEE, 2019. http://dx.doi.org/10.1109/bigdata47090.2019.9006484.

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Thurau, Christian, and Christian Bauckhage. "Archetypal Images in Large Photo Collections." In 2009 IEEE International Conference on Semantic Computing (ICSC). IEEE, 2009. http://dx.doi.org/10.1109/icsc.2009.34.

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Cherepanov, Igor. "Process Of Archetypal Individuation Of Personality." In SCTCGM 2018 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.03.02.322.

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Reports on the topic "Archetypal"

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Russell, H. A. J. Archetypal Aquifer Project: consolidating 25 years of GSC groundwater work, Groundwater Geoscience Program 2019-2024. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/327584.

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Kimbrell, K. D., and Kathleen E. Hiatt. Kansas Army Ammunition Plant. Supplemental Photographic Documentation of Archetypal Buildings, Structures, and Equipment for Army Material Command, National Historic Context for World War II Ordnance Facilities. Fort Belvoir, VA: Defense Technical Information Center, March 1995. http://dx.doi.org/10.21236/ada316521.

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Kimbrell, K. D., and Kathleen E. Hiatt. Radford Army Ammunition Plant. Supplemental Photographic Documentation of Archetypal Buildings, Structures, and Equipment for U.S. Army Materiel Command. National Historic Context for World War II Ordnance Facilities. Fort Belvoir, VA: Defense Technical Information Center, April 1995. http://dx.doi.org/10.21236/ada316522.

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Kimbrell, K. D., Matthew Snellgrove, and Rita Walsh. Ravenna Army Ammunition Plant. Supplemental Photographic Documentation of Archetypal Buildings, Structures, and Equipment for U.S. Army Materiel Command National Historic Context for World War II Ordnance Facilities. Fort Belvoir, VA: Defense Technical Information Center, April 1995. http://dx.doi.org/10.21236/ada315497.

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Kimbrell, K. D., Matthew Snellgrove, Robert C. Vogel, and Deborah L. Cown. Twin Cities Army Ammunition Plant, Supplemental Photographic Documentation of Archetypal Buildings, Structures, and Equipment for Army Materiel Command National Historic Context for World War II Ordnance Facilities. Fort Belvoir, VA: Defense Technical Information Center, May 1995. http://dx.doi.org/10.21236/ada315682.

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White, William D., Krapf Jr., and Kellie A. Lake City Army Ammunition Plant. Supplemental Photographic Documentation of Archetypal Buildings, Structures, and Equipment for U.S. Army Materiel Command. National Historic Context for World War II Ordnance Facilities. Fort Belvoir, VA: Defense Technical Information Center, November 1995. http://dx.doi.org/10.21236/ada315683.

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Huff, Kathryn, and Travis Knight. Demand Driven Cycamore Archetypes. Office of Scientific and Technical Information (OSTI), December 2019. http://dx.doi.org/10.2172/1594895.

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Hornbeck, Richard. Dust Bowl Migrants: Identifying an Archetype. Cambridge, MA: National Bureau of Economic Research, August 2020. http://dx.doi.org/10.3386/w27656.

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Posthumus, Helena, Bart de Steenhuijsen-Piters, Just Dengerink, and Sietze Vellema. Archetypes : Common systemic behaviours in food systems. Wageningen: Wageningen Economic Research, 2018. http://dx.doi.org/10.18174/464055.

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Bissonnette, Anne Marie Eveline. Understanding the Gaps: Four Archetypes of 1790s Gowns. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1582.

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