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Relevant bibliographies by topics / Archaic pottery

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Academic literature on the topic 'Archaic pottery'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Archaic pottery"

1

Tsetlin, Yuriy Borisovich. "POTTERY PRODUCTION IN THE MORDOVIA DISTRICT: ETHNOGRAPHIC STUDY." Samara Journal of Science 4, no. 4 (December 1, 2015): 96–105. http://dx.doi.org/10.17816/snv20154211.

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The paper tells about the results of systematization and analysis of ethnography data on pottery production in Mordovia district, collected by alexander a. Bobrinsky in the beginning of 1960th during complete questionnaire work. there are 75 messages as from the potters themselves (very rare) as from their younger relatives, local school-teachers, and others. then became clear that most of the local potters were russian migrants (not the Mordovians) lived here from 17-18th centuries. distribution the russian pottery traditions destroyed the local Mordovian ones preserved only in traces. But the russian potters in Mordovia had retained more archaic pottery traditions than the same potters resided in russia. Just these traditions have a lot of interest to study. the author investigates the Mordovian pottery production through the system of Historical-and-cultural approach according to the universal structure of pottery technology and the whole pottery production process as a field of the human culture.

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Kefalidou, Eurydice. "Late Archaic Polychrome Pottery from Aiani." Hesperia 70, no. 2 (April 2001): 183. http://dx.doi.org/10.2307/2668482.

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Vickers, M., and D. W. J. Gill. "Archaic Greek Pottery from Euesperides, Cyrenaica." Libyan Studies 17 (1986): 97–108. http://dx.doi.org/10.1017/s0263718900007081.

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AbstractThis summary report on Archaic Greek pottery from Euesperides, Cyrenaica, describes 60 diagnostic sherds of Eastern Greek, ‘Parian’, Laconian, Corinthian and Attic origin. The material all comes from the earliest occupation levels of the Sidi Abeid sector of the ancient site. However, the question of the exact date of the earliest settlement at Euesperides is complicated by a continuing controversy about the dating of Archaic Greek pottery in general. Only when these more general problems are resolved can a firmer date be assigned on the basis of the identifications in this catalogue.

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Villing, Alexandra, and Hans Mommsen. "RHODES AND KOS: EAST DORIAN POTTERY PRODUCTION OF THE ARCHAIC PERIOD." Annual of the British School at Athens 112 (August 22, 2017): 99–154. http://dx.doi.org/10.1017/s0068245417000053.

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To date, the pottery production of Rhodes, Kos and other ‘East Dorian’ islands and coastal areas remains little understood. This article presents and discusses new neutron activation analysis (NAA) of eighth–sixth-century bc vessels found on Rhodes and in related areas, placing them in the wider context of past and present archaeometric research. The results highlight the role of Kos as a leading regional centre of painted pottery production and export in the seventh–sixth centuries bc, notably of ‘East Dorian’ plates. This includes the famous ‘Euphorbos plate’, which can now be attributed to Koan production. Contemporary Archaic pottery workshops on Rhodes, in contrast, had a less ambitious, if diverse, output, ranging from vessels in a Sub-Geometric tradition, imitation Corinthian wares and modest local versions of Koan- and Ionian-style plates to finely potted and richly decorated ‘Vroulian’ cups and black-figured situlae. It was imported mainland and East Greek wares, however, that dominated the island's consumption of Archaic painted wares. This represents a departure from the preceding Geometric period, which was characterised by a local pottery production of considerable scale and quality, although receptivity to external influences remained a consistent feature throughout later periods. As patterns of demand were changing, the island's craft production appears to have concentrated on a different range of goods in which high-quality figured finewares played a lesser role.

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Schaus, Gerald P., and Anna A. Lemos. "Archaic Pottery of Chios: The Decorated Styles." American Journal of Archaeology 99, no. 4 (October 1995): 742. http://dx.doi.org/10.2307/506200.

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Johnston, Alan. "Pottery from Archaic Building Q at Kommos." Hesperia 62, no. 3 (July 1993): 339. http://dx.doi.org/10.2307/148198.

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Alexandridou, Alexandra. "Archaic pottery and terracottas from the Sanctuary of Poseidon at Kalaureia." Opuscula. Annual of the Swedish Institutes at Athens and Rome 6 (November 2013): 81–150. http://dx.doi.org/10.30549/opathrom-06-05.

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The excavation season of 2009 in the Sanctuary of Poseidon at Kalaureia brought to light a deposit of Archaic pottery and associated metal and other objects in conjunction with a long terrace wall (Wall 49) southeast of the Temple of Poseidon. The deposit in question is the largest accumulation of Archaic material recovered from the entire sanctuary thus far. The fine-decorated, black-glazed and coarse pottery together with the terracotta figurines are discussed in detail in this article. Furthermore, the results of the quantitative analysis of the pottery are presented. The study of the deposit provides an overview of the ceramic vessels and other terracotta objects originally dedicated to the deity or used in the sanctuary during the Archaic period. Moreover, based on the chronology of its deposition, it seems possible to incorporate it into a narrative of the development of the sanctuary over time. The significance of the deposit as a whole will be more fully discussed in the forthcoming final publication of the Kalaureia Research Program. The context and the condition of the deposited pottery and terracottas allows for associating it with a period of important redefinition of the sanctuary’s sacred space, which took place towards the end of the 6th or the early 5th century BC.

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Risser, Martha K. "Corinthian Archaic and Classical Pottery: The Local Style." Corinth 20 (2003): 157. http://dx.doi.org/10.2307/4390721.

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Lohse, Jon C. "Archaic Origins of the Lowland Maya." Latin American Antiquity 21, no. 3 (September 2010): 312–52. http://dx.doi.org/10.7183/1045-6635.21.3.312.

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The earliest Lowland Maya are commonly recognized by permanent architecture and the appearance of pottery. However, when other lines of evidence are considered, strong continuities with late Archaic populations can be seen. Reconciling these views relies on more than simply gathering more data. It is also necessary to consider the effect of decades of scholarship that defines the precolumbian Maya as “civilization” rather than considering the historical contexts of important transitions, such as the one that culminated with sedentism, the adoption of new technologies, and participation in long-distance exchange. The Archaic-to-Preclassic transition was relatively brief and largely obscured by the practices of establishing permanent dwellings. Nevertheless, this period must have been extremely dynamic and marked by significant cultural change, making it important to researchers interested in early Mesoamerica. Using three lines of evidence—subsistence, economy and technology, and stratigraphically controlled radiocarbon data—this article argues that the Lowland Maya had their cultural origins at least in the late Archaic and that the case for pottery before ca. 1000 B.C. remains uncertain. Future research is needed to determine precisely how far back in time certain cultural practices that characterize Preclassic and Classic Maya society can be documented.

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Osborne, Robin. "Pots, trade and the archaic Greek economy." Antiquity 70, no. 267 (March 1996): 31–44. http://dx.doi.org/10.1017/s0003598x00082867.

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Fine painted pottery is the archaeological trade-mark of the Greek presence overseas. Since other materials of exchange in the Classical world — soft things like grain, oil and slaves — are less archaeologically visible, a fresh look at issues in the archaic Greek economy revolves once more around patterns in the ceramics.

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Dissertations / Theses on the topic "Archaic pottery"

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Bergeron, Marianne Elisabeth. "Contextualising Greek Pottery in Archaic Carthage." Thesis, University of Reading, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519866.

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Barfoed, Signe. "An archaic votive deposit from Nemea ritual behavior in a sacred landscape /." Cincinnati, Ohio : University of Cincinnati, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1265986264.

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Thesis (M.A.)--University of Cincinnati, 2009.
Advisor: Kathleen M. Lynch. Title from electronic thesis title page (viewed Apr. 20, 2010). Includes abstract. Keywords: Nemea; Archaic Classical Pottery; Corinthian Pottery; Miniature votive pottery; Ritual behavior; Rural spring shrine. Includes bibliographical references.

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Curry, Margaret Ewen. "The distribution of Attic black figure and archaic red figure pottery in Italy and Sicily." Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.358492.

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Shanks, Michael. "Artifact design and pottery from archaic Korinth (c720-640 BC) : an archaeological interpretation." Thesis, University of Cambridge, 1992. https://www.repository.cam.ac.uk/handle/1810/272546.

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Erickson, Brice Lindell. "Late archaic and classical Crete : island pottery styles in an age of historical transition, ca. 600--400 B.C. /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004260.

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Paspalas, Stavros A. "The Late Archaic and Early Classical pottery of the Chalkidike in its wider Aegean context." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282586.

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Elrashedy, F. M. "A consideration of Post-Archaic Greek pottery imports into Cyrenaica down to the beginning of the Hellenistic period." Thesis, University of Newcastle Upon Tyne, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.379243.

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Gerleigner, Georg Simon. "Writing on archaic Athenian pottery : studies on the relationship between images and inscriptions on Greek vases." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610545.

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Bischof, Henning. "The Late Archaic, Final Archaic and Early Formative Periods in the Casma Valley: Data and Hypotheses." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/113510.

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This paper endeavors to establish some basic points of reference to better understand the early culture-historical dynamics of the Casma Valley. The revised chronology presented here follows the ceramic sequence developed by Peter Fuchs (1990) on the basis of his Cerro Sechín stratigraphy, confirmed and amplified in its early sections by his recent excavations at Sechín Bajo. A systematic review of the different categories of archaeological data reveals many lacunae that still persist in our record. Monumental architecture most clearly expresses the socio-cultural complexity of the ancient Casma Valley polities. It first appeared during the Sechín Period (3400-1650 cal BC) which is part of the Late Archaic (Preceramic), followed during the Early Formative by the Moxeke Period (1650-1400 cal BC) and the Haldas Period (1400-1000 cal BC) with their diagnostic ceramics. Within this timeframe, some hypotheses formulated by Shelia and Thomas Pozorski (2006) about the socio-political transactions between major Casma Valley sites are evaluated in the light of the archaeological evidence. The tradition of monumental adobe architecture that goes back to about 3400 cal BC in the Casma Valley, reminds us of analogous developments in the Pre-Pottery Neolithic of the ancient Near East. There still remains the challenge to adapt Archaic Period terminology in the Andes to those new discoveries (Kaulicke 1994, 2007: 17-18).
Las investigaciones recientes permiten esbozar un nuevo cuadro cronológico del valle de Casma gracias a la secuencia cerámica elaborada por Peter Fuchs (1990) sobre la base de la estratigrafía de Cerro Sechín, confirmada y ampliada en su parte temprana por los descubrimientos en Sechín Bajo. Al mismo tiempo, el recuento sistemático categorizado de los datos revelará muchas lagunas en el registro arqueológico actual. El avance sociocultural de los habitantes del valle de Casma se expresa, más claramente, en su arquitectura monumental. Se da a conocer, primero, en el Periodo Sechín (3400-1650 a.C.), que forma parte del Arcaico Tardío y Final, seguido durante el Formativo Temprano —según los contextos cerámicos diagnósticos—, por los periodos Moxeke (1650-1400 a.C.) y Haldas (1400-1000 a.C. [calib.]). Dentro de este marco se tratará de evaluar, a la luz de las evidencias arqueológicas, algunos desarrollos sociopolíticos bosquejados por Shelia y Thomas Pozorski (2006) como si fuesen reales. La presencia de una arquitectura monumental de adobe que se remonta hacia 3400 a.C. (calib.) en el valle de Casma, hace recordar los desarrollos análogos del Neolítico Precerámico (Pre-Pottery Neolithic) del Cercano Oriente. Permanece pendiente el reto de estructurar una terminología conveniente para el Periodo Arcaico andino, de acuerdo con los nuevos descubrimientos (Kaulicke 1994; 2009: 17-18).

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Barfoed, Signe. "Cult in context : the ritual significance of miniature pottery in Ancient Greek sanctuaries from the Archaic to the Hellenistic period." Thesis, University of Kent, 2016. https://kar.kent.ac.uk/54772/.

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Several previously overlooked questions related to ancient Greek dedicatory practices are investigated in this thesis. The main questions addressed are: how do the contexts of Archaic, Classical and Hellenistic votive miniature vessels inform us about the Greek cults in which they are used, and the transmission of such cults? What role did miniaturisation play in the sanctuaries and the rituals in ancient Greek society, and why miniaturisation? A number of supplementary questions accompany the main questions, for example, what did miniaturisation mean in the context of votive dedications in sanctuaries? This thesis aims to demonstrate that earlier explanations arguing that miniatures are simply and profoundly cheap substitutes for more expensive objects do not work well, since many of these small objects are carefully made and some are elaborately decorated, and would thus not have been cheaper, or less time consuming to produce compared to full sized objects. The chronological time frame of the thesis is limited to the Archaic to the Hellenistic period, and its core is three case studies with different themes and different geographical locations in focus (Kalydon, Olympia, Kombothekra, various sites in South Italy, and other sites for comparison). The thesis addresses also issues relating to, for instance, miniaturisation, imitation and models, the functionality, and non- functionality of small votive objects, agency, trade, and colonization. The study of ancient Greek dedicatory practices within the scholarship of Classical Studies tends to concentrate on votive statues, religious architecture, inscribed metal dedications, and stelai. Little attention has been paid to less extravagant dedications even though these groups of material have been found in abundant amounts in sanctuaries throughout Greece. Moreover, in those cases where this material has been published interpretation and thoroughly analyses are often lacking. As a result, this study makes important contributions to two large questions within Classical studies: how did the Greeks view their gods and how did the Greeks interact with the gods. Miniature pottery contributes to our understanding of ancient Greek ritual practice as well of specific rituals. The work presented in this thesis accentuates that miniature pottery’s material meaning and symbolic importance can no longer be dismissed.

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Books on the topic "Archaic pottery"

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Lemos, Anna A. Archaic pottery of Chios: The decorated styles. Oxford: Oxford University Committee for Archaeology, 1991.

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Lemos, Anna A. Archaic pottery of Chios: The decorated styles. Oxford: Oxford University Committee for Archaeology, 1992.

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Lemos, Anna A. Archaic pottery of Chios: The decorated styles. Oxford: Oxford University Committee for Archaeology, 1991.

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Archaic pottery of Chios: The decorated styles. Oxford: Oxford University Committee for Archaeology, 1991.

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Imports of post-archaic Greek pottery into Cyrenaica: From the end of the Archaic to the beginning of the Hellenistic period. Oxford, England: Archaeopress, 2002.

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Carmen, Sánchez, and Tsetskhladze Gocha R, eds. Greek pottery from the Iberian Peninsula: Archaic and classical periods. Leiden: Brill, 2001.

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Morgan, Catherine. Attic fine pottery of the archaic to Hellenistic periods in Phanagoria. Leiden: Brill, 2004.

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Morgan, Catherine. Attic fine pottery of the archaic to Hellenistic periods in Phanagoria. Leiden: Brill, 2003.

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Crete in transition: Pottery styles and island history in the archaic and classical periods. Princeton, N.J: American School of Classical Studies at Athens, 2010.

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Devillers, Michèle. An archaic and classical votive deposit from a Mycenaean tomb at Thorikos. Gent, Belgium: Belgian Archaeological School in Greece in collaboration with the Seminar for Greek Archeology of the State University of Gent, 1988.

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Book chapters on the topic "Archaic pottery"

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Osborne, Robin. "Modelling Trade in Athenian Pottery in the Archaic and Classical Period." In Frontiers in Economic History, 223–34. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72539-6_12.

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Notarstefano, F., M. Lettieri, G. Semeraro, and L. Troisi. "Food Habits and Social Identity During the Archaic Age: Chemical Analyses of Organic Residues Found on Pottery Vessels from the Messapian Settlement of San Vito dei Normanni (South-Eastern Italy)." In Proceedings of the 37th International Symposium on Archaeometry, 13th - 16th May 2008, Siena, Italy, 465–71. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14678-7_68.

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Di Sarcina, Maria Teresa, and Federica Pitzalis. "Chapter 19. Archaic, Late Archaic, and Classical Pottery." In Veii, 169–76. University of Texas Press, 2019. http://dx.doi.org/10.7560/317259-024.

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Harari, Maurizio. "Chapter 22 Archaic Painted Pottery (700 –500 BCE)." In Caere, 241–50. University of Texas Press, 2016. http://dx.doi.org/10.7560/308431-031.

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"A Ceramic Approach to Early Archaic Attika." In The Early Black-Figured Pottery of Attika in Context (c. 630-570 BCE), 111–17. BRILL, 2011. http://dx.doi.org/10.1163/9789004192317_007.

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de Armas, Yadira Chinique, Mirjana Roksandic, Roberto Rodríguez Suárez, David G. Smith, and William M. Buhay. "Isotopic Evidence of Variations in Subsistence Strategies and Food Consumption Patterns among “Fisher-Gatherer” Populations of Western Cuba." In Cuban Archaeology in the Caribbean. University Press of Florida, 2016. http://dx.doi.org/10.5744/florida/9781683400028.003.0009.

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The Archaic populations of Cuba have been classified as “fisher-gathers” without agriculture or pottery. The introduction of domesticates into the island has been associated with the arrival of Agroceramist groups. In this chapter, the analysis of stable isotopes of ¹³C and ¹⁵N on 63 adult individuals from four Archaic sites from western Cuba is used to reconstruct the diet of their respective populations. The results indicate two different food consumption patterns. While Canímar Abajo population had a mixed diet dependent on marine resources and C₃/C₄ plants; Guayabo Blanco, Cueva del Perico I and Cueva Calero relied mostly on terrestrial protein sources (probably consuming only C₃plants). The results show cultural heterogeneity among populations that coexisted in the island, as the authors present a compelling evidence for differences in subsistence practices of temporally and spatially close communities and examine the notion of uniform “phases” of economic development, current in Cuban and Caribbean research.

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Tsiafaki, Despoina, and Amalia Avramidou. "Consumers of Attic Pottery in the Western Black Sea Region." In Peoples in the Black Sea Region from the Archaic to the Roman Period, 105–12. Archaeopress Publishing Ltd, 2021. http://dx.doi.org/10.2307/j.ctv1nzfvcz.13.

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"Orange Pottery Variation and the Multiple Modes of Late Archaic Interaction at Silver Glen." In Gathering at Silver Glen, 129–72. University Press of Florida, 2016. http://dx.doi.org/10.2307/j.ctvx072rz.10.

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Gilmore, Zackary I. "Orange Pottery Variation and the Multiple Modes of Late Archaic Interaction at Silver Glen." In Gathering at Silver Glen, 129–72. University Press of Florida, 2016. http://dx.doi.org/10.5744/florida/9780813062716.003.0005.

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Hale, John R. "Not Patriots, Not Farmers, Not Amateurs: Greek Soldiers of Fortune and the Origins of Hoplite Warfare." In Men of Bronze. Princeton University Press, 2013. http://dx.doi.org/10.23943/princeton/9780691143019.003.0009.

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This chapter argues that neither the leisured class of aristocrats who vied for high social and political status within the polis nor the middling citizen soldiers who defended their farmland provides the origins of archaic Greek arms and tactics. Instead, the chapter suggests looking for the first hoplites fighting as mercenaries in the service of Eastern monarchs in areas such as Syria, Egypt, and Babylon. These soldiers of fortune fought in search of gain and glory, not to defend a civic ideology or ethos. Evidence for this thesis can be found in lyric poetry and in inscriptions, pottery, and the remains of hoplite armor discovered outside Greece. Here, the mercenary service is considered the “Main Event” of Greek military history in the seventh century, in contrast to the sporadic battles between poleis.

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Conference papers on the topic "Archaic pottery"

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Cabrillos, Edbert Jay M., and Rowena S. Cabrillos. "Pagdihon: The Art and Language of Pottery Making in Bari, Sibalom, Antique." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.8-1.

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Pottery is seen as creation of ornamentals, cooking and storing materials. Yet, while economic gains are often considered from producing these materials, the artistic and linguistic aspects have been ignored. This study discusses the factors influencing the culture of pottery, the processes of pottery making, and seeks to uncover the language used in processes of pottery making in Bari, Sibalom, Antique. A qualitative research employing ethnographic study with participant observation and face to face interviews using photo documentation, video recording and open-ended questions in gathering the data was employed. There were five manugdihon, or potters, purposively selected as key informants of the study. The study revealed that environmental factors influenced the culture of pottery making in the barangay. There were seven main processes in pottery making. These included gathering and preparing of materials, mixing the needed materials, cleaning the mixed clay, forming of desired shape, detaching, drying, and polishing and varnishing. Further findings indicate that, together the other processes, the language used in poterry making was archaic Kinaray-a, the language of the province. This language pattern suggests a specialized pottery making. Ultimately, the study suggest that the manugdihon should continue their artistic talents so that the language may be preserved. The educational institutions of the province may provide ways to include pottery making in the curriculum so that the art and language of pottery making will be preserved and promoted.

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