Academic literature on the topic 'Arbres de Greg'
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Journal articles on the topic "Arbres de Greg"
Ramamonjisoa, Noelikanto, and Akira Mori. "Growth, developmental, and size structure responses in tadpole prey under increasing threat from gape-limited newts." Canadian Journal of Zoology 97, no. 12 (December 2019): 1116–21. http://dx.doi.org/10.1139/cjz-2019-0067.
Full textMann, Fanny, Christiane Peuckert, Frank Dehner, Renping Zhou, and Jürgen Bolz. "Ephrins regulate the formation of terminal axonal arbors during the development of thalamocortical projections." Development 129, no. 16 (August 15, 2002): 3945–55. http://dx.doi.org/10.1242/dev.129.16.3945.
Full textLee, S. S., W. W. Than, K. Tint, S. Saing, I. Animon, and S. Sathyapala. "Strengthening capacity for forest protection in Myanmar." International Forestry Review 26, no. 1 (March 1, 2024): 72–82. http://dx.doi.org/10.1505/146554824838457862.
Full textThorstrom, R., and R. T. Watson. "Avian inventory and key species of the Masoala Peninsula, Madagascar." Bird Conservation International 7, no. 2 (June 1997): 99–115. http://dx.doi.org/10.1017/s0959270900001453.
Full textTrébuchon, Jean-François. "ANNONCES DE PRESSE." BOIS & FORETS DES TROPIQUES 336 (September 6, 2018). http://dx.doi.org/10.19182/bft2018.336.a31625.
Full textDissertations / Theses on the topic "Arbres de Greg"
Dietrich, Nikolaus. "Landschaftselemente in der attischen Vasenmalerei des 6. Und 5. Jahrhunderts v. Chr : eine bildwissenschftliche untersuchung zum verhältnis von figur und raum." Paris, EHESS, 2008. http://www.theses.fr/2008EHES0092.
Full textThe doctorate studies the ways in which trees and rocks are depicted in Attic vase-painting. The anachronistic notion of landscape is replaced by a concept of spatiality that does no longer differentiate between the pictorial space and the space of the vase and his viewer: The trees and rocks do not depict a space within the picture, that is, they do not represent the scene of the figures, but rather take part in the depiction and characterisation of the figures themselves. These figures should be understood both concretely and metaphorically as standing on the ground line as a part of the vase. The introduction gives a short review of the past research on nature and landscape in Greek art. The first part presents the different iconographies of trees and rocks in chronological order. The second part defines the general concept of spatiality that rules the iconographic use of trees and rocks in vase painting. The third part studies semantic aspects of trees and rocks