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Books on the topic 'Appropriation'

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Author: Grafiati

Published: 4 June 2021

Last updated: 7 July 2024

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1

David, Evans, ed. Appropriation. Cambridge, MA: MIT Press, 2009.

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2

Office, National Audit. Appropriation accounts. London: H.M.S.O., 1988.

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3

(Austria), Fotogalerie Wien, ed. Aneignung, Appropriation. Wien: Fotogalerie Wien, 2012.

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4

Parliament, Great Britain. Appropriation Bill. London: Stationery Office, 2005.

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5

Baudoin, Tanja, and VivianVivian Ziherl. Rereading appropriation. Amsterdam: If I can't dance, I don't want to be part of your revolution, 2015.

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6

Barua, Meehika. Cultural Appropriation. 2455 Teller Road, Thousand Oaks California 91320 United States: CQ Press, 2022. http://dx.doi.org/10.4135/cqresrre20220211.

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7

Adaptation and appropriation. Abingdon, [England]: Routledge, 2005.

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8

Schneider, Arnd. Appropriation as Practice. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403983176.

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9

Lawrence, Amanda Reeser, and Ana Miljački, eds. Terms of Appropriation. New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315674506.

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10

1954-, Desmet Christy, and Sawyer Robert 1953-, eds. Shakespeare and appropriation. London: Routledge, 1999.

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11

Haase, Albert E. The advertising appropriation. New York: Garland Pub., 1985.

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12

Lloyd, Roger. Proposed supplemental appropriations: A report on requests for supplemental appropriation transfers. [Helena, Mont.]: Legislative Fiscal Analyst, 1994.

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13

Office, National Audit. Appropriation accounts 2000-2001. London: Stationery Office, 2002.

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14

Office, National Audit. Appropriation accounts 1997-98. London: Stationery Office, 1999.

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15

Fidora, Alexander, and Nicola Polloni, eds. Appropriation, Interpretation and Criticism. Turnhout: Brepols Publishers, 2017. http://dx.doi.org/10.1484/m.tema-eb.5.114029.

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16

Nicklas, Pascal, and Oliver Lindner, eds. Adaptation and Cultural Appropriation. Berlin, Boston: DE GRUYTER, 2012. http://dx.doi.org/10.1515/9783110272239.

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17

Melis, Alessandro, Jose Antonio Lara-Hernandez, and James Thompson, eds. Temporary Appropriation in Cities. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-32120-8.

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18

Badley, Linda, Andrew Nestingen, and Jaakko Seppälä, eds. Nordic Noir, Adaptation, Appropriation. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38658-0.

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19

Great, Britain Parliament. Appropriation accounts 2000-2001. London: Stationery Office, 2002.

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20

Appropriation inventive et critique. Sesto San Giovanni]: Éditions Mimésis, 2018.

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21

Corredera, Vanessa I., Geoffrey Way, and L. Monique Pittman. Shakespeare and Cultural Appropriation. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003304456.

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22

Voigts, Eckart. Memes and Recombinant Appropriation. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.16.

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This essay considers the ways in which new intertextual forms engendered by emerging technologies—mashups, remixes, reboots, samplings, remodelings, transformations—further develop the impulse to adapt and appropriate, and the ways in which they challenge the theory and practice of adaptation and appropriation. It argues that broad notions of adaptation in adaptation studies and the emergence of media protocols are useful for the analysis of recombinant appropriations and adaptations/appropriations in general. It explores the political and aesthetic dimensions of participatory mashups and viewer engagements with, and appropriations of, transmedia franchises, taking a variety of Internet memes and the BBC franchise Sherlock as case studies and focusing on the politically, ethically, and aesthetically transgressive potential of recombinant adaptations.

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23

Copernic, Fondation. Appropriation sociale. Syllepse, 2002.

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24

Hudak, Heather C. Cultural Appropriation. Saunders Book Company, 2019.

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25

Eboch, M. M. Cultural Appropriation. Greenhaven Publishing LLC, 2019.

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26

Hudak, Heather C. Cultural Appropriation. Saunders Book Company, 2019.

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27

Office, National Audit. Appropriation Accounts. Stationery Office Books, 1999.

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28

Cultural Appropriation. Greenhaven Publishing LLC, 2019.

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29

Treasury, H. M. Appropriation Accounts. Stationery Office Books, 1998.

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30

Benson, Timothy O. WWI/Appropriation. D.A.P./Distributed Art Publishers, 2023.

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31

Great Britain: Parliament: House of Commons. Appropriation Bill. Stationery Office, The, 2010.

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32

Davis, Jonita. Questioning Cultural Appropriation. Enslow Publishing, LLC, 2018.

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33

Davis, Jonita. Questioning Cultural Appropriation. Enslow Publishing, LLC, 2018.

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34

Rethinking Urban Nature, European Research Council, patrum lumen sustine, and Ake Wibergs Stiftelse. Urban Appropriation Strategies. Edited by Flavia Alice Mameli, Franziska Polleter, Mathilda Rosengren, and Josefine Sarkez-Knudsen. transcript-Verlag, 2018. http://dx.doi.org/10.14361/9783839441701.

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35

Welchman, John C. Art After Appropriation. Routledge, 2013. http://dx.doi.org/10.4324/9780203827444.

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36

Desmet, Christy, and Robert Sawyer, eds. Shakespeare and Appropriation. Routledge, 2013. http://dx.doi.org/10.4324/9780203218921.

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37

Sanders, Julie. Adaptation and Appropriation. Routledge, 2015. http://dx.doi.org/10.4324/9781315737942.

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38

Assent or Appropriation. Stationery Office Books, 1987.

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39

Mameli, Flavia Alice, Franziska Polleter, Mathilda Rosengren, and Josefine Sarkez-Knudsen, eds. Urban Appropriation Strategies. transcript Verlag, 2018. http://dx.doi.org/10.1515/9783839441701.

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40

Appropriation and Representation. University of Michigan Press, 2020. http://dx.doi.org/10.1353/book.77675.

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41

Trenka, Susie. Appreciation, Appropriation, Assimilation. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.009.

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The black-cast backstage musicalStormy Weather(1943) is the first Hollywood film to explicitly celebrate black achievement. Featuring key figures of African American dance and more black dance numbers than any other mainstream musical, it testifies to the versatility and—crucially—the hybridity of jazz dance culture. This article analyzes dance inStormy Weatherby addressing questions of appreciation, appropriation, and assimilation in the context of both film and dance history.Stormy Weather’s panoply of styles and stars negotiates several contradictory processes: white appropriation of “authentic” black talent, black assimilation to “classy” white styles, but also black adaptation and appropriation of hitherto white domains of performance. Through its self-referential narrative of dance history—and through some omissions—it simultaneously chronicles the history of black performers and racial stereotypes in white Hollywood, and thus reveals the industry’s strategies in the exploitation of black talent.

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42

Smillie, Ian, and Henri-Bernard Solignac-Lecomte. Appropriation et partenariat. OECD, 2003. http://dx.doi.org/10.1787/9789264019430-fr.

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43

Sanders, Julie. Adaptation and Appropriation. Routledge, 2007. http://dx.doi.org/10.4324/9780203087633.

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44

Strang, Veronica, and Mark Busse. Ownership and Appropriation. Taylor & Francis Group, 2020.

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45

Sanders, Julie. Adaptation and Appropriation. Taylor & Francis Group, 2015.

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46

Sawyer, Robert, and Christy Desmet. Shakespeare and Appropriation. Taylor & Francis Group, 2013.

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47

Sanders, Julie. Adaptation and Appropriation. Taylor & Francis Group, 2005.

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48

Britain, Great. Appropriation Act 1996. Stationery Office Books, 1996.

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49

Appropriation Act 1992. Stationery Office Books, 1992.

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50

Adaptation and Appropriation. Taylor & Francis Group, 2015.

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