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Melander, Emily Ann. "Effluvia and Aporia." BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3256.
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My final thesis exhibition, Effluvia and Aporia, explores impermanence, loss and uncertainty. I use materials and images in a poetic way, where there is a link between what the work is and what it means. I use looped videos with images of water, light, and dissolving clay to invite a meditative state. I also use materials like tissue paper, paper-mache, and paper thin porcelain tiles to invite fragility and complexity into the viewer's experience. I am concerned with creating an interactive environment that allows for a multiplicity of responses and interpretations from each viewer depending on their unique perceptions. I am interested in impermanence, loss and uncertainty as themes because I find that they are ever present in life. My intention is to explore these ideas and create an experience that allows for the viewer to reflect on them as well.
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Reich, Evânia Elizete. "Uma aporia das democracias liberais contemporâneas." reponame:Repositório Institucional da UFSC, 2017. https://repositorio.ufsc.br/xmlui/handle/123456789/183233.
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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em Filosofia, Florianópolis, 2017.Made available in DSpace on 2018-02-06T03:18:40Z (GMT). No. of bitstreams: 1 349456.pdf: 2195500 bytes, checksum: c18a19914931346d4b8f53a9491ceaff (MD5) Previous issue date: 2017
A presente tese tem como objetivo principal a investigação dos elementos conceituais disponíveis na filosofia política que nos permitem apontar os limites da religião na política. Como sugere o próprio título, apresento, por um lado, as evidências que pairam em nossas sociedades liberais democráticas, de uma tensão entre as exigências religiosas com os direitos e princípios fundamentais embasados em premissas seculares, e, mostro, por outro lado, de que maneira as teorias filosóficas políticas conseguem entrever um limite ao discurso religioso quando este possui pretensões políticas. O tom da tese é eminentemente político. Os primeiros dois capítulos, e o capítulo quinto, têm como proposta apresentar as questões de fato, isto é, as querelas em torno da religião presentes nas sociedades, principalmente francesa, inglesa e americana. A intenção dessa abordagem pragmática é mostrar que o tratamento de questões em torno da religião, na sociedade e na política, pela filosofia política, não deve estar desconectado da realidade presente. E a realidade nos mostra um retorno do religioso com os seus próprios perigos. Com a abordagem teórica, a questão que eu coloco é a de saber o que torna o retorno do religioso, nas sociedades contemporâneas ocidentais, tão preocupante do ponto de vista da filosofia política. A hipótese principal é a de que este retorno causa dois males à sociedade que devem ser objeto de investigação pela filosofia política: um deles é a desagregação social e o outro é a pretensão de investidura da religião no poder político.
Abstract : The main object of the present thesis is to study the conceptual elements available in political philosophy which enable us to point out the limits of religion in politics. As the title itself suggests, on the one hand I introduce the pieces of evidence which, in our liberal democratic societies, are the signs of a tension between religious demands and fundamental rights and principles based on secular premises, and on the other hand, I show in which way political philosophical theories succeed in envisioning a limit to the religious discourse when it has political pretensions. The tone of this thesis is eminently political. The first two chapters, as well as chapter five, aim at introducing the issues as such, that is, the quarrels surrounding religion which pervade the societies of France, England and the United States. The goal of such a pragmatic approach is to show that the treatment of religious questions, in society and politics, by political philosophy should not be disconnected from current reality. And reality shows us a comeback of the religious in contemporary Western societies, with its own dangers. With the theoretical approach, the question I raise is what makes the comeback of the religious in contemporary Western societies, so worrisome from the point of view of political philosophy. The main hypothesis is that that comeback causes two evils to society which much be studied by political philosophy: one is social disintegration and the other is the pretension of religion to invade political power.
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Sheffield, Frisbee C. C. "Eros and philosophy in Plato's Symposium." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248975.
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Lebreton, Mélanie. "Aporia in the work of D. H. Lawrence." Thesis, Lille 3, 2014. http://www.theses.fr/2014LIL30052.
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Ces recherches doctorales démontrent comment l’aporie et ses voix/voies plurielles minent l’œuvre Lawrencienne: romans, essais, poèmes ou encore tableaux. Malgré le désir du lecteur de donner une voix/voie singulière – ou interprétation – à l’œuvre de D. H. Lawrence, seule une herméneutique et une vérité plurielle viennent à notre rencontre, nous laissant ainsi soumis à une impasse insurmontable. Tout au long de ce chemin doctoral, nul n’est à l’abri des culs de sacs et des trébuchements. Ainsi, une aporie génétique tisse le tissu textuel des premières ébauches de D. H. Lawrence, et la souveraineté logocentrique et herméneutique de l’homme est renversée. La rature s’impose et l’œuvre de D. H. Lawrence nous rappelle que le logos, et l’Être, résistent, pour mieux inscrire l’aporie dans son corpus. Les limites du langage, de la religion, du savoir, et de la représentation artistique de la réalité résonne désormais avec une question qui demeure sans réponse et en suspensThis work of research aims at showing how aporia and its plural voices pervade D.H Lawrence’s work, be it through his novels, his essays, his poetry, or his paintings. Despite the reader’s desire to give one singular voice and meaning to D.H Lawrence’s work, plural meanings and multiples truths come our way, leaving us facing an uncrossable impasse. The road is paved with deadlocks and places to stumble upon. Indeed, genetic aporia weaves the very fabric of D.H. Lawrence’s first drafts and sketches, and the logocentric and hermeneutic sovereignty of man is put into question. In fact, we have to cross it out as Lawrence’s work reminds us that the logos, and Being, show some resistance, the result of which is to better inscribe aporia into his corpus. The limits of language, of religion, of knowledge, and of the artistic representation of reality resonate now with an everlasting and unanswered question
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Escudeiro, Daniel Alexander de Souza. "Aporia: um caminho para a composição musical intertextual." Universidade Federal da Bahia, 2012. http://www.repositorio.ufba.br/ri/handle/ri/7727.
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319 p.Submitted by Santiago Fabio (fabio.ssantiago@hotmail.com) on 2013-01-03T17:36:11Z No. of bitstreams: 1 9999999.pdf: 29384806 bytes, checksum: 38058191d60ecbb6088fceb8a55d98c9 (MD5)
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Tendo em mente que os caminhos para a atividade composicional podem permear uma abordagem específica, procura-se neste trabalho direcioná-la pelo viés intertextual para a composição de uma obra para violão e orquestra. A discussão é relevante, tendo em vista o crescente interesse pelo assunto e sua aplicabilidade no meio musical. O recorte bibliográfico na literatura — Bakhtin (2010), Kristeva (2005), Genette (2006), Bloom (2002) e Sant’Anna (2003) — relaciona-se com autores da área de música pelo olhar da teoria intertextual. Foram escolhidas as músicas do compositor brasileiro Guinga (1950), para voz e violão, como “texto de partida”, com o fim de utilizar a produção musical dele como suporte analítico e composicional. Encontrou-se no mundo cancioneiro de Guinga um diálogo com diversas tendências e um acurado senso de utilização idiomática no acompanhamento de violão das suas canções. Analisamos processos em que o idiomatismo pode ser empregado como uma ferramenta composicional viável, especialmente no universo violonístico. Isso possibilitou uma concepção composicional advinda de parâmetros intertextuais e idiomáticos (violonísticos), em que foram tratadas algumas atitudes compositivas. Esse direcionamento apontou para uma intertextualidade idiomática. Concomitantemente, foram desenvolvidos musicalmente alguns dos recursos específicos relacionados à literatura, como epígrafe, citação, paródia, entre outros. Verificou-se também uma aproximação da teoria intertextual com o pós-modernismo, averiguada em discussões sobre o assunto. O resultado do trabalho pode ser conferido na peça Aporia, na qual foram abordadas algumas das questões estéticas, idiomáticas e intertextuais propostas.
Salvador
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Maronna, Helena Andrade. "Lísis, de Platão: tradução, estudo introdutório e notas." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-01072015-133935/.
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O objeto principal deste projeto é a tradução integral do diálogo Lísis de Platão. A tradução foi feita a partir do Oxford Classical Text, Platonis Opera, III (Oxford, 1903), editado por John Burnet. Além da tradução, também faz parte deste trabalho um texto introdutório ao diálogo. Apesar de ser enquadrado como um dos diálogos aporéticos de definição por muitos estudiosos, o Lísis apresenta uma complexidade filosófica muito grande e uma estrutura que o distancia dos outros diálogos desse grupo (Cármides, Laques, Eutífron, Hípias Maior). A pergunta não aparece no texto, ainda que esteja subjacente ao diálogo; a postura de Sócrates frente aos seus interlocutores é bastante diversa, assim como os próprios interlocutores não apresentam um pretenso saber. Propomos, a partir dessa perspectiva, realizar uma interpretação positiva do diálogo que contemple dois níveis possíveis de leitura: uma no âmbito dramático e/ou dialógico, e a outra no âmbito lógico-argumentativo ainda que, em diversos momentos, essas duas leituras estejam entrelaçadas. A obra oferece uma valiosa lição sobre o fazer discursivo filosófico que podemos apreender nos dois níveis de leitura. Essa lição também está intimamente ligada às aporias que permeiam todo o diálogo. Dessa forma, apresentamos essas duas camadas de leitura relacionadas com a função positiva da aporia no desenvolvimento da atividade filosófica.The main purpose of this dissertation is the integral translation of Plato\'s Lysis. The translation is based on Oxford Classical Text, Platonis Opera, III (Oxford, 1903), edited by John Burnet. Besides the translation, an introductory study on dialogue\'s issues is also part of this research. Despite being framed as one of the definitional aporetic dialogues by many scholars, the Lysis presents a highly philosophical complexity and structure that distinguish it from other dialogues of that group (Charmides, Laches, Euthyphro, Hippias Major). The question \' \' does not appear throughout the text, although it underlies the dialogue; Socrates\' behavior towards his interlocutors is quite diverse, as well as the speakers themselves do not present an alleged knowledge on the issue of discussion. From this standpoint, we attempt to presnt a constructive interpretation of the dialogue that comprises a twofold reading: one concerning the dramatic or dialogic framework, and the other the logical-argumentative context even though these two levels are eventually intertwined. The work offers a valuable lesson about the philosophical discourse that we can apprehend within the intersection of these two levels of interpretation. Insofar as this lesson is also closely linked to the aporias that permeate the entire dialogue, we contend that this twofold reading is intrinsically related to the positive role of aporia in the development of philosophical activity.
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au, G. Bishop@murdoch edu, and Geoffrey David Bishop. "The Diminished Subject: An Exploration into the Aporia of the Condition of the Possibility of Change as Represented in Twentieth Century Philosophy and Contemporary Literature." Murdoch University, 2007. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20080131.155325.
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This thesis acts as an exploration of the notion of an a priori aporia of the always already diminished subject as opposed to an ideal self-present individual, and explores the efforts of a selection of twentieth century continental philosophy to address the crises of scepticism and metaphysics that beset this tradition and its search for the truth of being. I will argue that my atemporal philosophical teleology proves in fact that any attempt to determine the finitude of subjectivity represents an ineluctable desire for metaphysical comfort that can, at times, verge on totalitarianism. Furthermore, the divergent temporal loci of these theorists and their particular attempts to address these recurrent crises necessarily calls into question the popular perception of a temporally specific postmodern condition afflicting the contemporary subject.
Given the repeated failure of philosophical discourse to provide the subject with its raison dêtre, a focus on the usefulness of literature in this regard becomes apparent within my theoretical schema, leading to a discussion of several controversial contemporary novels that parallel my proposition of the diminished subject, and refute negative perceptions of them as postmodern and valueless due to an apparent nihilistic anything goes attitude. However, rather than resorting to naïve utopianism regarding the positive uses of literature, I argue that these texts reiterate the key theoretical propositions in this thesis with an awareness of the discursive nature of the subject and the a priori condition of the possibility of change which inevitably undermine transcendence. It is my proposition that these texts can be read as fictionalised expressions of the cathartic possibilities of literature, and an innate desire in all subjects for the metaphysics of comfort when faced with the meaninglessness of existence, something exacerbated by the recurrent failure of philosophical and religious discourses to counter the aporia of an always already absent self-presence of subjectivity.
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Cook, Daniel Joseph. "Orthodoxy and aporia in the Victorian narrative of unconversion /." For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2005. http://uclibs.org/PID/11984.
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Wong, Yuk-yin Bobo, and 黃育賢. "The silent eye: approaches to aporia in modern literature." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48521656.
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This thesis considers silence as a problem that is felt particularly acutely in the modern period. The focus is on the silence caused by a general distrust of the representational ability of language, which has manifold manifestations in modern writings. From the existential turn that implies self-cancellation to the symbolist project to create new symbols, modernist writers display an anxiety to speak the unspeakable.
This paper’s approach is to offer a metaphoric reading of the role of the Muse as the giver of knowledge and voice in writing practices, and to identify the cause of silence in the confusion over the two distinctive ideas about the goddess. The roots of such confusion are traced to Plato’s epistemological treatises and his exposition of love, as encapsulated in Phaedrus, in which the superimposition of metaphysical knowledge over physical love introduces the aporia into poetry, or literary writing. Subsequent developments of literature, including that of the modernists’, are subject to this aporetic silence.
By tracing the trajectories of epistemology and the representation of love up to the eighteenth century, the work shows how the modern problem of silence is triggered by the duality in Kantian epistemology, which is itself a legacy of Platonic metaphysics. Modern silence, therefore, is studied within the critical framework of such metaphysical background, against the metaphoric representation of transcendental imagination as Mother Wit, and its application to the matter of love.
The second half of the paper discusses the various responses to this duality found in the ‘transcendental power of imagination’. In the existential writings that defy analytical reason, and the symbolist writings that react against Romanticism, writers struggle to overcome the gap between subjective and objective realities. They therefore fail to give voice to things and feelings without falling back to obscurity or self-erasure – both producing silence on a semantic level. The paper studies works of Hermann Broch and Samuel Beckett to demonstrate the arrival at this great silence, which, though reached via different paths, is the same aporetic silence contained in Platonic epistemology. By examining two works of J.M. Coetzee, this paper also aims to explore the possibility of breaking this silence by going beyond knowledge, and reengaging the service of another Muse her power of love, physicality, and presence.published_or_final_version
English
Doctoral
Doctor of Philosophy
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Almeida, Wellington Damasceno de 1981. "Metafisica X (Iota) 2 = sobre a Decima Primeira Aporia." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278800.
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Orientador: Lucas AngioniDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Nas páginas que se seguem, o leitor encontrará um estudo detalhado sobre aquele que é considerado por Aristóteles o mais difícil entre os impasses formulados em Metafísica III (Beta) e que é respondido no capítulo 2 do livro X (Iota): a Décima Primeira Aporia. Em tal aporia, Aristóteles rivaliza (i) a concepção que os antigos Physiologoi tinham do Um, em que tal princípio é concebido como uma natureza subjacente que extrapola os contornos demarcados pela noção de Um, e (ii) a perspectiva platônico-pitagórica, que prefere conceber o Um em si mesmo, segundo as suas próprias determinações internas e desprovido de qualquer articulação com alguma realidade que lhe seja exterior
Abstract: In the following pages, the reader will find a detailed study of what Aristotle considered the most difficult aporia formulated in Metaphysics III (Beta), which is answered in chapter 2 of Book X (Iota): the Eleventh Aporia. In such aporia, Aristotle rivals: (i) the conception assumed by the ancient Physiologoi, which takes the One to be an underlying nature whose being is not exhausted by being One, and (ii) the Platonic-Pythagorean view, which prefers to conceive the One in itself, according to its own determinations and apart from any connection with some reality outside it
Mestrado
Filosofia
Mestre em Filosofia
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Beaver, Nicholas William. "Narrative Aporia: Deconstructing the Epiphanic Moment in Early Modernist Literature." Walsh University Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=walshhonors1555508689094604.
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Almeida, Wellington Damasceno de 1981. "A noção de Um e a aporia 11 na metafísica de Aristóteles." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280523.
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Orientador: Lucas AngioniTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: A Décima Primeira Aporia resulta da cisão de toda a filosofia grega precedente a Aristóteles em dois modos de conceber e propor os primeiros princípios (archai), em especial, o Um (to hen): (i) o modo pelo qual os Fisiologos concebiam o Um como principio, a saber, assumindo uma natureza subjacente, diferente do Um em si mesmo, a qual não pode ser adequadamente caracterizada pelo simples fato de ser um e que e denotada pelo conceito de Um, e (ii) o modo inaugurado pelos Pitagoricos e mais tarde endossado por Platão, marcado pelo abandono do recurso a uma natureza subjacente e por conceber o Um em si mesmo (auto to hen) como principio, desprovendo-o de qualquer conexão com alguma realidade que não seja rigorosamente caracterizada por ser um. Aristóteles enfrenta essa aporia em Metafísico Iota 2 e, segundo a interpretação que proponho, (a) recusa o modo Pitagorico-Platonico de conceber e propor princípios, (b) endossa o modo de proceder dos Fisiologos, e, ao fazê-lo, (c) retoma o "projeto" dos Fisiologos no ponto em que ele havia sido interrompido, a saber, durante a busca de um principio de movimento. A partir desse cenário, tentarei mostrar que o desfecho final da Décima Primeira Aporia pode consistir na introdução do Primeiro Motor como candidato propriamente aristotélico (e cosmológico) ao titulo de Um entre os princípios
Abstract: The Eleventh Aporia results from the breakup of the entire Greek philosophy previous to Aristotle in two manners of conceiving and proposing the first principles (archai), specially the One (to hen): (i) the manner by which Physiologoi conceived the One as a principle, namely, assuming an underlying nature, different from the One in itself, not adequately characterized by the simple fact of being one and which is denoted by the concept of One, and (ii) the manner inaugurated by the Pythagoreans and later endorsed by Plato, marked by the abandonment of the appeal to an underlying nature and by conceiving the One in itself (auto to hen) as a principle, depriving it of any connection with some reality not strictly characterized by being one. Aristotle faces this aporia in Metaphysics Iota 2 and, according to the interpretation I propose: (a) refuses the Pythagorean-Platonic manner of conceiving and proposing principles, (b) endorses the course of action of the Physiologoi, and, in doing so, (c) steps back and retakes the "project" of the Physiologoi at the point where it was interrupted, namely, during the search for a principle of motion. From this scenario, I will try to show that the final outcome of the Eleventh Aporia can be the introduction of the Prime Mover as the properly Aristotelian (and cosmological) candidate to the title of One between the principles
Doutorado
Filosofia
Doutor em Filosofia
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Fytros, Charalampos. "Coping with uncertainty : aporia and play in actuarial and financial practices." Thesis, Lancaster University, 2018. http://eprints.lancs.ac.uk/129796/.
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This thesis aims to bring into sharp focus a contradiction that seems to persist in actuarial and financial practice. Specifically, how efforts to manage the uncertain and potentially catastrophic future, via actuarial and financial calculative modeling, fail precisely where they succeed. The purpose is to disclose that the problem with such efforts is not that they are not yet scientifically sophisticated enough, nor that they frequently lack the intuitive judgement which experienced practitioners can bring. Rather, it is that our certainties, which may have either a technical or judgmental origin, are always and already permeated by uncertainties, and vice versa. Thus, what this thesis aims to show is the radical and inescapable entanglement of certainty with uncertainty, or of the technical with the social, which is not simply complementary or oppositional, but in a more fundamental way, aporetic. This aporetic entanglement is conceptualized within the thesis as an ongoing play of difference. Specifically, a play that is ontological and central to what sustains actuarial practice exactly as that. The thesis consists of three papers. The first one focuses on the financial markets and aims to disclose, following a Heideggerian analysis, how investing is ontologically dependent on a prior understanding that dictates what counts as significant, or not. In this respect, financial markets are conditioned not just by the social/technical entanglement, but also by a further entanglement among different styles of understanding. The second paper focuses on the liability side of insurance companies and argues that the so-called financialization of insurance liabilities (i.e., the requirement for a market-consistent valuation of them) does not uncritically expand financial economics (i.e., practices oriented towards the market with a dominant technicalizing aspect) at the expense of actuarial logics (i.e., practices oriented towards the underlying liabilities with an effective contextualizing aspect). Rather, a Derridean autoimmunity process is revealed - one that "auto-deconstructs" the financial sovereign of the market-consistent valuation into its actuarial "other". The third paper focuses on Solvency II, the new regulatory framework for EU insurers since 2016. By taking a close look at the quantitative and qualitative requirements of the new framework, the paper claims that the regulatory text and its accompanying algorithm can never be made unambiguous, or free from fundamental paradoxes. However, instead of adding confusion, this paradoxical quasi-structure ultimately increases the possibilities for understanding the subtleties of the insurance business and its solvency issues. In this context, the paper reconsiders performativity as a play of differences - a rethinking that focuses more decisively on not knowing, rather than on what can be rendered knowable.
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Fanticelli, Lutecildo. "Crenças verdadeiras e justificação: a aporia platônica e suas novas versões." Universidade do Vale do Rio dos Sinos, 2013. http://www.repositorio.jesuita.org.br/handle/UNISINOS/4333.
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No Teeteto de Platão a aporia é como uma espécie de vazio filosófico, pois aniquila a mais bela definição de conhecimento, isto é, a definição como crença verdadeira justificada. Um Diálogo aporético é um Diálogo sem a resposta pretendida e esse é exatamente o caso do Teeteto. Sócrates alega algumas necessidades prementes para não suster a definição. Todavia, uma investigação cautelosa revela alguma insuficiência nos contra-argumentos. Alguns, além de insuficientes são também expostos de modo sumário. Fez-se necessário então perscrutar a fim de sanar a validade dessas refutações que desembocaram na aporia do Diálogo. Mas independente disso, o problema do Teeteto é, de fato, difícil. Existe, por exemplo, uma enorme propensão à amalgamação dos conceitos de crença verdadeira e de logos. A mera definição de um logos já por si consiste numa tarefa extenuante. No século XX o conciso texto de Gettier reavivou a mesma discussão do Teeteto. Em poucas palavras ele reiterou a refutação platônica e chamou muita atenção sobre si. Esta tese versa mais propriamente sobre o Teeteto de Platão, pois esse Diálogo é o texto base e delimitado para a investigação. O que se questiona é primeiramente a validade dos contra-argumentos platônicos e em menor escala o de Gettier. Se eles não se sustêm, então ainda estamos autorizados a continuar definindo o conhecimento como crença verdadeira justificada. Após a publicação do Teeteto, com efeito, muita epistemologia foi produzida e muito do que se responde a Gettier também responde, de algum modo, ao Teeteto. A justificação epistêmica de que tanto hoje se fala, parece tratar-se do mesmo logos justificacional tratado no Teeteto. Os contemporâneos parecem perseverantes à procura do logos que os dialogantes, supostamente não encontraram. Esta tese mostra como nem Platão nem Gettier conseguiram refutar a definição tripartite. A sugestão de Costa sobre a necessidade de pressupor uma condição perspectivista e uma atualista é deveras plausível quanto à resolução do contraexemplo de Gettier. O fundacionalismo neoclássico de Bonjour é, de igual modo, uma alternativa muito plausível. É que a sua pressuposição de crenças não carentes de justificação nos livra da antiga preocupação do regresso infinito. Esse autor pressupõe uma noção de consciência não aperceptiva, através da qual se dá a relação entre a experiência sensorial e a crença básica. Em parte, pode-se dizer que o próprio Teeteto, se esquadrinhado apropriadamente, acaba por responder algumas questões, pois revela a insuficiência dos contra-argumentos. Por outra, a doxastologia contemporânea arrefece o problema com novas propostas. Em síntese, uma análise cuidadosa do próprio Teeteto aliada a um fundacionalismo claro e elucidativo responde de modo plausível ao problema aqui proposto. Todavia, sendo o Teeteto o texto base para a investigação, esta tese foca-o mais abundantemente.
In the Plato’s Theaetetus the aporia is one specie of empty philosophical, because it postpones the most admirable definition of knowledge, i. e, the definition as justified true belief. An aporetic Dialogue is a Dialogue without the answer that’s been searched and this is the case of the Theaetetus. Socrates claims some urgent necessities to does not maintain the definition. However, a careful investigation reveals some insufficiency in those counterarguments. Some of them, besides insufficient, are exposed of one summarized way. In this way, it had become necessary an investigation to attain the validity about those refutations, which ended in the Dialogue’s aporia. But despite that, the problem of Theaetetus is, in fact, very difficult. There is, for example, an enormous tendency of amalgamation among the concept of true belief and the concept of logos. The simple definition of logos is an extenuated work. In the 20th century, the concise text of Gettier gave rise to the same discussion that Theaetetus. In a few words, it corroborated with the platonic refutation and attracted much attention to itself. This thesis discusses more specifically about Plato’s Theaetetus, which is the Dialogue delimited and fundamental text to investigation. What is inquired is primarily the legitimacy of the platonic counterarguments, which one of Gettier comes in less proportion. If they are not consistent, then we are yet warranted to carry on defining knowledge as justified true belief. After Theaetetus’ publishment a large amount of epistemologies have been produced and many answers to the problem of Gettier are also, in a certain way, answers to Theaetetus. The epistemic justification that is so discussed nowadays is seems to be the same justificational logos debated in the Theaetetus. The contemporary philosophers search for the logos that the dialoguers probably did not attain. This thesis displays how neither Plato nor Gettier made to refute the tripartite definition. Costa’s suggestion about the necessity of assuming a perspectivist condition and a current condition is, indeed, plausible as the resolution of Gettier’s counterexample. Neoclassic foundationalism of Bonjour is also one alternative too plausible. Indeed, his presupposition of beliefs without necessity of justification let us free of the ancient worry of infinite regress. According to the author, is necessary to presuppose one notion of non apperceptive consciousness, whereby occur the relation between the sensorial experience and the fundamental belief. In part, if the Theaetetus, is adequately investigated, it answers some questions, because, at the end, we can see the insufficiency of the counterarguments. In other, the contemporary doxastology relieves the problem with new proposals. In short, one careful investigation of own Theaetetus allied to one clear and elucidative foundationalism answer, of plausible way, the problem here exposed. However, since that the Theaetetus is the main text to investigation, this thesis stress it more abundantly.
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Polatinsky, Stefan. "Psychoanalysis and the non-conceptual : the aporia of the pre-symbolic." Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1445792/.
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This thesis attempts to extend the scope of consideration of the pre-oedipal or pre- symbolic mother-infant relationship by focusing on a 'third' space that exists between them, and the remains of this space in the infant's unconscious. Through the theoretical explication of two non-concepts, the "third aesthetic" and the "O- Function", the thesis endeavours to develop a framework, from a psychoanalytic perspective, which considers how the inauguration of a trace is established so that the infant may seek out or create meaning at a later stage of life following maturation or individuation. The thesis has not however insisted on defining the construct of meaning per se, which is invariably a subjective and existential endeavour or idiom, but is rather concerned with what may provide a possibility for subsequent meaning- making endeavours. The notion of a third space, which alludes to a meeting point of two subjectivities which in turn proliferates a third arena of negotiation, considers other (lirninal) spatial and temporal possibilities that exist (or rather ex-sist) between the mother and the infant. This third time-space (the "third aesthetic"), which takes its cue from "chora/khdra" (as explored by Plato, Julia Kristeva and Jacques Derrida) and the "potential space" (as identified by the psychoanalyst D.W. Winnicott), is developed through a consideration of thirdness (or more specifically thirdness under erasure, and the refusal to enclose it within a triad), the aesthetic, metaphor and metonymy, and rhythm. What remains of this third energetic body in the infant's unconscious (the "O-Function") is considered through the tropes of the trace, the gift and cinders, as well as through the ineluctably uncanny rhythms of desistance (of the future-to-come). The thesis focuses critically on what tropological or metaphoric forums may be provided in service of explicating these two 'non-concept' concepts given the problematics of representation.
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Santos, Leila Rocha Medrado. "A aporia do perdão: memória, avanços e retrocesso na realidade brasileira." Universidade Catolica de Salvador, 2016. http://ri.ucsal.br:8080/jspui/handle/123456730/171.
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Erigida na linha de pesquisa “Estado, sociedade e políticas sociais” do programa de Pós-Graduação Interdisciplinar em Políticas Sociais e Cidadania, esta dissertação é uma contribuição à crítica da Ditadura civil-militar brasileira (1964/1985) e os movimentos dela resultantes, suas consequências na elaboração de políticas sociais, na construção da memória histórica dos indivíduos – com relação à mutação sociometabólica de sujeitos históricos para predicados mercadoria – e a possibilidade de perdão para além da Lei da Anistia (Lei nº 6.683/79). Isto porque, após mais de 50 anos do deflagrar do regime autoritário no Brasil, considerando as recentes decisões antagônicas proferidas pelo Supremo Tribunal Federal e pela Corte Interamericana de Direitos Humanos, percebe-se que esse período de transição na organização do poder político ainda não foi superado e compreendido na sua totalidade. Ao abarcar as proposições-chave nos pensamentos de Hannah Arendt – que opõe poder a violência e desvela a banalidade do mal – e de Walter Benjamin – com ênfase nas teses que fundamentam “Sobre o conceito de história”, por conseguinte, a relação dialética entre o tempo e o espaço – nossa pretensão é elucidar a lógica perversa que tem nos aprisionado num presente constante. O objetivo é alcançar a preliminar de todo conhecimento, ou seja, a compreensão desse período por meio de pesquisa histórica (fontes primárias e secundárias) e apreensão das categorias-chave de/para análise conceitual da ditadura, perdão e memória em alusão às três frentes: a primeira trata da cultura da impunidade e do esquecimento engendrada ainda sob a égide do regime autoritário (1964-1985) e consubstanciada na Lei da Anistia como óbice à persecução penal; a segunda busca compreender a (im)possibilidade da generalização do perdão e a dominação sem sujeito; e, por fim, trata-se do perigo da construção de uma memória baseada em narrativas, vivências, reprodução de testemunhos e de arquivos sem passarem pelo crivo da razão e do debate público. Para tanto, foram utilizados os métodos de abordagem indutivo e dialético desenvolvidos interdisciplinarmente, uma vez que a riqueza de interface do tema assim o exige. A metodologia está pautada em conexões qualitativas a partir de revisão historiográfica, uso de registros escritos de sujeitos históricos e entrevistas com mulheres que viveram e narraram suas experiências. Foram delimitadas, a partir da análise de conteúdo aplicado através de narrativas e textos de mulheres militantes que viveram o período ditatorial – categorias-chave e avaliação numérica da frequência de ocorrência de determinados termos, expressões, construções e referências categorizadas.
This paper follows the “state, society and social policies” research line within the Interdisciplinary Graduate Program in Social Policy and Citizenship, and it is a contribution to the critique of the Brazilian civil-military dictatorship (1964/1985) and the movements arising from it, its consequences in the social policies development in the construction of the historical memory of individuals - with respect to the socio-metabolic mutation of historical subjects into goods predicates - and the possibility of forgiveness beyond the Amnesty Law (Law No. 6.683/79). This is because it is clear that this transition period in the organization of political power has not yet been overcome and understood in its entirety, even after more than 50 years of the authoritarian regime outbreak in Brazil, considering the recent antagonistic judgments handed down by the Supreme Court and the Inter-American Court of Human Rights. To encompass the key proposition in the thoughts of Hannah Arendt - that opposes power and violence, revealing the banality of evil - and the ideas of Walter Benjamin - with emphasis on theories that underlie “the concept of history”, therefore, the dialectical relationship between time and space - our intention is to elucidate the perverse logic that has trapped us in a constant present. The goal is to achieve the primary of all knowledge, that is, the understanding of this period through historical research (primary and secondary sources) and seizure of the key categories of / to conceptual analysis of the dictatorship, forgiveness and memory in reference to the three fronts: the first one deals with the culture of impunity and oblivion still engendered under the aegis of the authoritarian regime (1964-1985) and based on the amnesty law as an obstacle to criminal prosecution; the second seeks to understand the (im)possibility of generalization of forgiveness and domination without a subject; and, finally, this work will be treated from the danger of building a memory based on narratives, experiences, the playback of testimonies and files without all these going through the test of reason and public debate. Therefore, we will make use of the inductive and dialectical approach methods, which will be developed in an interdisciplinary way, since the theme interface wealth so requires. The methodology is guided by qualitative connections from historiographical review, i.e. the use of written records of historical subjects and interviews with women who have lived and narrated their experiences. They were defined from the applied content analysis through narratives and texts made by women activists who lived through the dictatorship period - key categories and numerical evaluation of the occurrence frequency of certain terms, expressions, buildings and categorized references. Senses, meanings and memories, their lines overflow time and space and provide the ability to understand the country history through individual and collective memories.
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Bishop, Geoff. "The diminished subject : an exploration into the aporia of the condition of the possibility of change as represented in twentieth century philosophy and contemporary literature /." Access via Murdoch University Theses Project, 2007. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20080131.155325.
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Ferreira, Cláudio Barcellos Jansen. "A ironia no trabalho de Carlos Pasquetti : a autoimagem performatizada como aporia." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/169579.
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Este trabalho estuda a presença da ironia em um conjunto de trabalhos de Carlos Pasquetti em fotografia e em Super-8, realizados desde o final da década de 1960 até o presente, nos quais o artista apresenta seu próprio corpo em ações performáticas. Pretendo questionar a presença da ironia na indefinição de um limite entre suas autoimagens performatizadas e o próprio artista. O emprego da ironia, segundo a indicação de Carvalho, não visa menosprezar a inteligência do observador, mas solicitar deste uma participação ativa na formulação de interpretações individualizadas. A ironia, que participa na construção do trabalho do artista, é interpelada pela pesquisa sobre a sua função, a sua ação de, por sua vez, interpelar o espectador, provocando nele a confluência, a geração e o descobrimento de uma verdade própria sobre a arte.This work studies the presence of irony in a set of works by Carlos Pasquetti in photography and in Super-8, made from the late 1960s to the present, in which the artist presents his own body in performance actions. I want to question the presence of irony in the indefiniteness of a boundary between his performatized self-images and the artist himself. The use of irony, according to Carvalho's indication, is not intended to underestimate the observer's intelligence, but rather to solicit an active participation in the formulation of individualized interpretations. The irony, which participates in the construction of the artist's work, is Interpellated by the research on its function, its action in turn, to Interpellate the viewer, provoking in him the confluence, the generation and the discovery of one's own truth about art.
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Allick, Steven. "The common forms of contemporary videogames : a proposed content analysis model." Thesis, Teesside University, 2012. http://hdl.handle.net/10149/254616.
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The aim of this thesis was to investigate trope usage in videogames, including the emergence of undiscovered ‘videogame’ tropes, and to create a new model for videogame categorisation using these tropes. This model serves to complement genre as a means of distilling videogame contents. The investigative work formed two parts, initially considering how videogames use existing rhetorical tropes such as metaphor as expressive and communicative devices and secondly to analyse videogames as a source of shared literary tropes. Each shared literary trope was validated as a common form of expression (referred to simply as 'common form'), where its presence was proven in a substantial sample of videogames. Common forms were gathered through a wide-ranging investigation of ten mainstream genres one at a time and in isolation to arrive at a pool of genre-specific common forms. The most closely related forms combined, with the help of relationship modelling techniques. A set of common forms capable of representing the contents of any videogame was reached. The result is a powerful hierarchical content model allowing a game to be described in terms of its common form usage profile. Common forms can effectively describe games which span several genres and differentiates between games which appear similar on the surface e.g. within the same genre hence aiding effective classification. Common Forms were proven to exist on a number of different hierarchies ranging from those specific to a particular game, to a game type (genre) and even to those which are universal and hence can be observed within any modern videogame. Finally, it was possible to see the very core or 'heart' of the functioning videogame, the never-ending competition between player resources such as energy, ammunition or shields, the 'player status' and the threats, challenges or obstacles the game's systems throw at the player, the 'game status'. The model does have considerable potential for application in educational settings such as college and university game development or appraisal classes and further development and testing would provide an effective tool for industry use.
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Moraes, Suelma de Souza. "A aporia da memória do esquecimento no Livro X das Confissões de Santo Agostinho." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-03122013-084121/.
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A temática sobre a aporia da memória do esquecimento, no livro X das Confissões, busca a compreensão do fio condutor do pensamento de Agostinho. O foco central da discussão aponta para o desenvolvimento sobre a memória em inter-relação com a vontade no discurso da interioridade. Ao mesmo tempo, coloca como problema chave no livro X a memória de si mesma e a imagem, que mostra a vontade no próprio espírito como causa da dispersão e aproximação do conhecimento de si em busca da felicidade.The study of the aporia of the memory of forgetfulness, from the Confessions Book X, seeks for the understanding of the conducting line of Augustines thinking. The main focus of the discussion aims the development of the memory inter-related with the will on the subject of the interiority, treating as a key problem the memory of memory itself and the image, showing will on owns soul as a cause for dispersion and closeness of self-knowledge in search for happiness.
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Godoy, Abilio Marcondes de. "Negatividade, fatalidade e aporia: uma visão trágica do mundo nos contos de Rubens Fonseca." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8151/tde-30042010-143002/.
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Este trabalho tem como objetivo investigar a configuração de uma visão trágica do mundo na obra do escritor Rubem Fonseca. Para isso, em cada um de seus quatro capítulos é analisado um conto considerado exemplar no que diz respeito a essa configuração. São eles Madona (de A coleira do cão, 1965), O pedido (de Feliz ano novo, 1975), Mandrake (de O cobrador, 1979) e Meu avô (de Pequenas criaturas, 2002). O título da dissertação foi escolhido com base nos três principais fatores dessa configuração que são encontrados nos contos e que, combinados, dão a esses textos sua dimensão trágica.This study aims to investigate the configuration of a \"tragic perception of the world\" in the work of the writer Rubem Fonseca. To do so, in each of its four chapters a short story considered exemplar regarding this configuration is examined. They are Madona (from A coleira do cão, 1965), O pedido (from Feliz ano novo, 1975), Mandrake (from O cobrador, 1979) e Meu avô (from Pequenas criaturas, 2002). The title of this dissertation was chosen based on the three main aspects of this setting that are found in the short stories and that, combined, give these texts its tragic dimension.
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Hurst, Andrea. "Derrida or Lacan on the "plural logic of the aporia" in deconstruction and Lacanian psychoanalysis /." Click here for download, 2006. http://wwwlib.umi.com/cr/villanova/fullcit?p3211270.
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BUCHANAN, David, and daj@iinet net au. "A Bell in the Storm: Persistent unexplained pain and the language of the uncanny in the creative neurophenomenal reference." Edith Cowan University. Education And Arts: School Of International, Cultural And Community Studies, 2006. http://adt.ecu.edu.au/adt-public/adt-ECU2006.0039.html.
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A Bell in the Storm - Persistent unexplained pain and the language of the uncanny in the creative neurophenomenal reference is a doctoral work comprised of three parts. Part 1 is an exegesis Persistent unexplained pain and the language of the uncanny in the creative neurophenomenal reference; Part 2 is The Plays, A Bell in the Storm (produced by deckchair theatre in May, 2005) and the radio play To Fall Without Landing (produced by the Australian Broadcasting Commission for Radio National in October 2005); and, Part 3 the book of monochord poems, Secrets of the Driftwood.
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Chesnier, Claire. "Fragments d'une déposition." Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H301.
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Cet écrit traverse l'encre de la peinture par la sienne propre. Elle a ce corps en partage, à la fois fraternel et inconciliable. L'encre de l'écrit a voulu ici se frayer un chemin de liquidité dans la peinture, donnant à son mouvement l'ébranlement de la couleur, qui est un geste de la matière elle-même. Mon geste, lui, bu par le papier et retiré dans des plis de vagues, opère un glissement jusqu'au blanc d'une page sur la table qui se déploie jusqu'à cet objet singulier qu'est la thèse en arts. De fait, comme la peinture accompagne dans son sillage d'ombres le questionnement d'un regard, son itinéraire sans tracé, l'écrit depuis la peinture, se retourne sur son propre objet — d'une encre à l'autre. La construction d'une parole en prise avec une errance d'atelier est délicate. Elle mêle son corps résonant d'images à celui des mots des poètes, travaillant un langage inconnu au creux de l'impasse même que constituent les mots, la prise de parole. La voix du peintre est la seule que je connaisse. Elle est issue de l'abandon et du dessaisissement à l’œuvre. Elle engage la pensée dans le faire, au milieu d'une déposition qui est celle, multiple, d'un corps d'encre, d'une peinture en éclat, d'un geste et sa dépose, d'une voix et de ses fragments. La déposition appelle le sol. C'est bien de ce sol dont il est question tout au long de cet écrit. Un fondement, comme fondation mais aussi comme ce qui fond sous les pas. Liquide, fluide, mouvante. Une déprise qui est aussi un ancrage, une attache qui est aussi un débordThis writing goes through the ink of painting through its own. It has this body to share, both fraternal and irreconcilable. Here the ink of writing sought to pave a liquid way in painting, giving to its movement the trembling of color, which is a gesture of matter itself. As for my gesture, drunk by the paper and withdrawn in folds of waves, operates a drift to the white of a page on the table, that unfolds to this singular object that is the thesis in fine arts. In fact, as painting accompanies in its shadowy wake the questioning of a gaze, its course without outline, writing from painting, turns on its own object - from one ink to another. The construction of a discourse in touch with the wandering of the studio is delicate. It merges its body resonant with images with that of words from poets, working an unknown language in the very core of the impasse that constitutes words, access to speech. The painter's voice is the only one I know. It is the result of the abandonment and divestment at work. It engages thought in making, in the midst of a deposition which is, multiple, that of a body of ink, of a radiant painting, of a gesture and its removal, of a voice and its fragments. Deposition calls for the ground. It is that very ground that is being discussed throughout this writing. A grounding, as foundation but also as what melts under the steps. Liquid, fluid, moving. A release that is also an anchor, a tie that is also an overflow
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Ndour, Paul Ngor Mack. "Les figurations de la décadence dans la tétralogie de la gândara de Carlos de Oliveira." Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040168.
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Dans les oeuvres de la tétralogie de la Gândara de Carlos de Oliveira, tout se passe comme si l’auteur,l’autorité narrative ou quelque intelligence démiurgique eût ouvert, dès Casa na Duna, une abominable Boîtede Pandore d’où s’échapperaient des incantations maléfiques aussitôt dissoutes dans une écriture brouillée. Lesdifférentes catégories narratives du récit se présentent ainsi comme autant d’édifices voués à la dégradationpar l’effet pernicieux de la temporalité. Parleuse de sortilèges, l’écriture de la tétralogie appelle la médiation del’interprète, seule capable d’exorciser ses funestes desseins. Voici toute la poignante ironie dont est constelléel’écriture de Carlos de Oliveira, portée par des artefacts ludiques : jeux de temps, d’actants, jeux d’espace, devie et de mort, dans lesquels la promesse d’une décadence universelle miroite ses augures. Ce travail tente dedéchiffrer sur un mode à la fois sémiotique, symbolique et psychocritique, le mécanisme des schèmes du déclinen se recommandant des thèses de Phillip Hamon sur le statut sémiologique du personnage, des théoriescratyléennes sur l’onomastique, des hypothèses de Durand et de Malebranche relatives à la phobie dumouvement indiscipliné ou encore des réflexions de Ricoeur sur les stratégies de l’utopieIn the works of the tetralogy of gândara of Carlos de Oliveira, everything happens as if the author – thenarrative authority, or some other demiurgic intelligence – had opened since Casa na Duna, a terriblePandora’s Box from which escape evil incantations immediately dissolved in a blurred writing. The narrativecategories are buildings dedicated to degradation by the pernicious effects of temporality. Spells, writing of thetetralogy of gândara speaker calls the divinatrice mediation of the interpreter, only able to exorcise his evildesigns. Here is the poignant irony which is capable writing of Carlos de Oliveira, proclaimed forcefully andworn by playful artefacts: time, actants games, space games, life and death, in which the promise of a universaldecadence shines his omens. This work analyzes in a mode both semiotics, symbolic and allegorical, themechanism of the schemes of the decline. We resort Phillip Hamon these on the semiotic status of thecharacter, cratyl’s theories on onomastic, the phobia of the indiscipline movement of Durand and Malebrancheassumptions, and also Ricoeur reflections on the strategies of utopia
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Arnaut, André Roberto Tonussi. "Onde fica a rue d’auseil? A primazia do horror sobre a aporia, de lévinas a lovecraft." reponame:Repositório Institucional da UnB, 2013. http://repositorio.unb.br/handle/10482/16667.
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Dissertação (mestrado)—Universidade de Brasília, Instituto de Ciências Humanas, Departamento de Filosofia, Programa de Pós-Graduação em Filosofia, 2013.Submitted by Larissa Stefane Vieira Rodrigues (larissarodrigues@bce.unb.br) on 2014-10-29T19:24:26Z No. of bitstreams: 1 2013_AndréRobertoTonussiArnaut.pdf: 518506 bytes, checksum: 1dda126d65ee09183793ea2f7c7edac0 (MD5)
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Esse trabalho trata de algumas maneiras pelas quais podemos afirmar a primazia do horror sobre a atitude filosófica, entendida como a atitude guiada pelo princípio aporético socrático “só sei que nada sei”. O foco é o horror em Lévinas e em Lovecraft, que é repensado à luz da leitura de Cyclonopedia – complicity with anonymous materials de Reza Negarestani. A discussão toma a forma de uma tentativa de desarticulação da máquina antropológica de Agamben, transita por J. M. Coetzee, Bruno Latour e Quentin Meillassoux e desemboca na ideia de que o amor levinasiano não é um amor a Outrem, mas ao horror, e na ideia de que a filosofia é uma saturação do sistema da affordance que provoca a abertura radical para o horror daquilo que está fora desse sistema. ______________________________________________________________________________ ABSTRACT
This work is about some ways of affirming the primacy of horror over the philosophical attitude, understood as the one guided by the Socratic “the only thing I know is that I don’t know anything”. The focus is the horror in Lévinas and in Lovecraft, which is analised in the light of a reading of Reza Negarestani’s Cyclonopedia – complicity with anonymous materials. The discussion is developed as a struggle to disarticulate Agamben’s anthropological machine, passes through J. M. Coetzee, Bruno Latour and Quentin Meillassoux and arrives at the idea that levinasian love is not a love for the other, but for horror, as well as at the idea that philosophy is a saturation of the system of affordance which engenders a radical openness to the horrifying Outside.
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Porto, Wanderlan Santos. "T? estin An?mnesis? uma an?lise da an?mnesis no m?non de Plat?o." Universidade Federal do Rio Grande do Norte, 2008. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16467.
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Previous issue date: 2008-10-16Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior
Cette th?se a pour objectif principal examiner comment les M?non, Platon listes l'an?mnesis avec les autres th?ories qui sont abord?s dans ce dialogue et, par cons?quent, essayer de comprendre ce que c'est. Cette recherche vise dans un premier temps situ?es dans d'autres dialogues de Platon la survenance du terme anamn?sis ? veifique les points qui relient ces oeuvres ? clarifier la compr?hension d'un plus appropri? dans le M?non. Jetez-y aussi, quels sont les ?l?ments de la platonicienne th?orie de la connaissance sera reliant le dialogue afin de prouver que le M?non, qui est la question centrale aret?, garde un conflit dans la sophistique et la philosophie. Ce choc entre ce qui se passe papapep indirectement par l'interm?diaire de son M?non enseign?, et Socrates qui conteste la th?se de l'?thique et le relativisme ?pist?mologique. Nous voyons aussi, de quelle mani?re le dialogue est donn?e de prendre une voie d'acc?s au savoir qui est configur? comme s?rs, ? savoir an?mn?sis. L'interrogatoire de M?non depuis le d?but dans les appels d'enqu?ter ?ristique cet int?r?t, que lorsqu'ils sont confront?s ? des int?r?ts les am?nerait ? l'?tat apor?tique initial et qui est progressivement remplac? par l'aporie fondamental de connaissance, ce n'est point pour aporie la compr?hension de an?mnesis. En prenant la dialectique comme m?thode d'enqu?te dans le dialogue, il est n?cessaire de la part de Socrates et M?non, de quitter le didaskein et en profiter pour math?sis que la construction des connaissances. Il ouvre de mani?re un des principaux enjeux dans ce travail examine si le an?mnesis permettre l'acc?s aux moyens et si elle a un statut similaire ? mn?me. ? un moment o? Socrate explique dans le dialogue qui est le an?mnesis par monstration monstration fait avec esclave de M?non il est l'utilisation d'?l?ments mythiques que, selon notre analyse, permettre ? comprendre le sens de dialogue les connaissances qui montre l'opportunit? d'apprendre, qui est la an?mnesis
Esta disserta??o tem como principal objetivo analisar de que modo no M?non, Plat?o relaciona a an?mnesis a outras no??es que neste di?logo s?o discutidas e, deste modo, tentar compreender o que ela ? . Esta investiga??o visa inicialmente situar em outros di?logos plat?nicos a ocorr?ncia do termo an?mnesis para que verifique-se os aspectos que interligam estas obras a fim de precisar a compreens?o do sentido mais adequado no M?non. Verificar-se-? tamb?m, quais elementos da teoria do conhecimento plat?nica v?o se interligando no di?logo de modo a revelar que o M?non, que tem como quest?o central a aret?, resguarda um conflito entre a sof?stica e a filosofia. Tal embate acontece indiretamente entre G?rgias atrav?s do seu ensinado M?non, e S?crates que nega as teses do relativismo ?tico e epistemol?gico. Observamos tamb?m, de que forma se d? a assun??o de uma via de acesso ao conhecimento que se configura como mais segura, a saber, a an?mnesis. O questionamento de M?non desde o in?cio do di?logo nos instiga a inquirir esse interesse er?stico, que ao ser confrontado com os interesses socr?ticos levaria-os ao estado apor?tico inicial e que paulatinamente ? substitu?do pela aporia fundamental do conhecimento, esta aporia ? ponto de partida para a compreens?o da an?mnesis. Ao assumir-se a dial?tica como m?todo investigativo surge a necessidade por parte de S?crates e de M?non, de abandonar o didaskein e assumir a math?sis como possibilidade de constru??o do conhecimento. Abre-se assim uma das quest?es principais que este trabalho analisa, ? se a an?mnesis ? possibilidade acesso ?s Formas e se a mesma possui um estatuto similar a mn?me. No momento em que S?crates explicita no di?logo o que ? a an?mnesis, atrav?s da mostra??o feita com o escravo de M?non, h? a utiliza??o filos?fica de elementos m?ticos que, segundo nossa an?lise, permitem a compreens?o efetiva do sentido da constru??o dialogada do conhecimento que exterioriza o que se deseja aprender, ou seja: o que ? a an?mnesis
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Noble-Olson, Matthew. "Images never again witnessed/concepts never again thought: (nostalgia) and utopia in the aporia of aesthetic theory." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21985.
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Using Hollis Frampton's 1971 film (nostalgia), this thesis works to negate the dominance of the concept over the artwork. This will be accomplished by thinking through (nostalgia), rather than about it. In other words, (nostalgia) will be the logical grounds upon which the concepts must prove themselves. The very form of the film will determine the manner in which the concepts develop. This thesis strives to understand (nostalgia) not so much by analyzing it from outside of its own immanent purpose, but through an imitative analysis. Using this method, texts by Theodor Adorno, Roland Barthes, and Ernst Bloch will be interpreted. Therefore, the concepts of these thinkers will act according to the objective demands of the film itself. This is an analysis that does not focus on the artwork as a topic, but as an epistemic model for analyzing aesthetic concepts.En se fondant sur le 1971 filme (nostalgia) de Hollis Frampton, cette thèse s'emploie à nier la domination de concepts au-dessus de l'œuvre d'art. Ce sera fait en pensant avec (nostalgia), plutôt que d'y penser comme objet. En d'autres mots, (nostalgia) sera une logique motif pour lesquels les concepts doivent prouver eux-mêmes. La forme même du film permettra de déterminer la manière dont les concepts se développe. Cette thèse cherche à comprendre (nostalgia) non pas par l'analyse de l'extérieur de son propre but immanent, mais à travers une analyse imitatif. En utilisant cette méthode, les textes de Theodor Adorno, Roland Barthes, et Ernst Bloch va être interprété. Par conséquent, les concepts de ces penseurs agira selon les exigences objectives du film lui-même. Il s'agit d'une analyse qui ne se concentre pas sur l'œuvre d'art comme un sujet, mais comme un modèle épistémique pour l'analyse de concepts esthétiques.
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Buchanan, David A. "A Bell in the Storm: Persistent unexplained pain and the language of the uncanny in the creative neurophenomenal reference." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2006. https://ro.ecu.edu.au/theses/54.
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A Bell in the Storm - Persistent unexplained pain and the language of the uncanny in the creative neurophenomenal reference is a doctoral work comprised of three parts. Part 1 is an exegesis Persistent unexplained pain and the language of the uncanny in the creative neurophenomenal reference; Part 2 is The Plays, A Bell in the Storm (produced by deckchair theatre in May, 2005) and the radio play To Fall Without Landing (produced by the Australian Broadcasting Commission for Radio National in October 2005); and, Part 3 the book of monochord poems, Secrets of the Driftwood.
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Debei, Audrey. "A aporia da cidadania em tempos neoliberais: estudo da Instituição Assistencial Educacional Amélia Rodrigues em Santo André - SP." Pontifícia Universidade Católica de São Paulo, 2008. http://tede2.pucsp.br/handle/handle/2879.
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Previous issue date: 2008-11-14The main objective of this research is Instituição Assistencial Educacional Amélia Rodrigues, located in Santo André-SP. The context of this search is the period which takes 1989 to 2002, and refers to social policies that were developed in Santo André's district, once they are an inflection point in approach of "social issues", as much to the project of reconstruction of district' s identities, thus of the project Regional Strategic Planning. This research seeked, in these programs, comprehend the emphasize to the volunteer work within a critical point of view about the roll of Non Governamental Organizations (NGO's) into the execution of neoliberal policies. The organization was founded in 1979, as bunâ1e up activities promoted by Social Assistant Department of "Centro Espírita Bezerra de Menenzes", which emerges as an organization that blows the line between traditional philanthropy and the redeployment into "social entrepreneurs", especially during the decades of 1980 and '1990. As long as the institution consolidate e rearrangements to the "third sector" administrative way, lined up to district strategic planning. In this way, is possible to detect an aporia between the speech based on citizenship, at the same time theirs focus in social management built obstac1es to theirs programs and activities, in the sense of goes beyond the line of social needs, taking down the emancipation perspective of struggle
O principal objetivo desta pesquisa centrou-se na Instituição Assistencial Educacional Amélia Rodrigues ,localizada no município de Santo André - SP. O contexto da pesquisa abrange o período que vai de 1989 a 2002, e refere-se às políticas sociais mais amplas desenvolvidas no município, visto que as mesmas constituem-se em um ponto de inflexão importante tanto para a abordagem das questões sociais, quanto para a reflexão sobre a reconstrução da identidade no município por intermédio do Plano Estratégico Regional. Procurou-se ver, nestes programas, a ênfase dada à questão do voluntariado no interior de uma perspectiva crítica sobre o papel das Organizações Não-Governamentais (ONGs) na implementação das políticas neoliberais. Fundada em 1979, através dos desdobramentos das atividades promovidas pelo departamento de Assistência Social do "Centro Espírita Dr. Bezerra de Menezes", emerge como uma entidade exemplar que rompeu o limiar entre a "filantropia tradicional" e o "empreendedorismo social", sobretudo nos anos que vão de 1980 a 1990. Ao se reestruturar ao padrão de gestão do chamado "terceiro setor", alinha-se ao planejamento estratégico municipal. Nesta trajetória, é possível detectar ~ma aporia entre um discurso voltado para a cidadania, ao mesmo tempo em que seu foco na gestão social constitui-se em obstáculo aos beneficiários de seus programas e atividades, no sentido de ultrapassarem os limites de suas carências sociais, esmaecendo o horizonte da emancipação social
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SANTOS, Claudio Tobias Akim. "Kant e a refutação do idealismo nas edições A e B da CRP: aporia ou solução ao idealismo?" Universidade Federal do Pará, 2017. http://repositorio.ufpa.br/jspui/handle/2011/8824.
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Este trabalho se preocupa com a Refutação do idealismo proposta por Kant na Crítica da Razão Pura, aonde pretendemos, inicialmente, por meio de uma análise crítica e conceitual que o assunto exige, abordar as questões que Kant levanta contra o idealismo cético, e, também, nos posicionar quanto a suficiência da prova proposta por Kant como solução do problema da real existência dos objetos fora da consciência, tanto no Quarto paralogismo (edição A), quanto na Refutação do idealismo (edição B). Posteriormente vamos mostrar que os argumentos do Quarto paralogismo da edição A juntamente com a Refutação do idealismo da edição B, são suficientes para a refutação do cético e finalmente provam a real existência dos objetos externos.
This work is concerned with the Refutation of idealism proposed by Kant in the Critique of Pure Reason, where we intend, initially, through a critical and conceptual analysis that the subject demands, to address the questions that Kant raises against skeptical idealism, and also, to position ourselves as to the sufficiency of the proof proposed by Kant as a solution to the problem of the real existence of objects outside consciousness, both in the Fourth paralogism (edition A) and in the Refutation of idealism (edition B). Later we will show that the arguments of the Fourth paralogism of the A edition together with the Refutation of the idealism of the B edition are sufficient for the refutation of the skeptic and finally prove the real existence of the external objects.
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Sandrini, Marcos. "Religiosidade e educação no contexto da pós-modernidade: da ambivalência da fixação e da flutuação à aporia do amor." Pontifícia Universidade Católica do Rio Grande do Sul, 2007. http://hdl.handle.net/10923/2746.
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Previous issue date: 2007The world is experiencing a religious revival. Some have interpreted it as the religion revenge for the long years of atheism, whilst others see it as a last cry of life. The present thesis approaches the mutual interpenetration among religiousness, education and post-modernity. Modernity was not able to establish a dialogue with religion, and at the same time, religion condemned modernity. Will such disagreements enter the post-modern age? We intend to raise some points in common between religiousness and post-modernity in order to promote an effective dialogue between them, aiming above all at the education of future generations. Firstly, we present modernity and describe some of its fundamental features: linear science, metanarratives and powerful reasoning, history as linear progress, religious secularization, illustration and ethical code based on the human nature. Then, as a counterpoint, we characterize post-modernity as a paradigm shift: complexity and science, dissolution of the metanarrative and weak reasoning, the new as the end of the history, nihilism and the chances of religion, the new aporetic ethical code and the large use of metaphors. The afore mentioned description raises an issue: is there post-modernity or not? We present an overview of some important authors: Habermas, Giddens, Küng, Lyotard, Patella, Vattimo, Heidegger. An analysis of the prefix post and its interpretations will be carried out. The next topic is the approach to the religious dimension under the viewpoint of the new paradigm of the end of grounding and of metaphysics, as well as non-ambivalent and non-aporetic ethics. By claiming that God is dead, Nietzsche brings new perspectives into light for religiousness and religion, once if metaphysics can not prove that God exists, it can not prove He does not exist either.Now, a process of religion built from kenosis, from despoiling and unpretentious metaphysics begins. At the same time it frees us from the single dimension of omnicomprehensive reasoning, post-modernity opens the human being’s perspectives to dimensions that were lost, above all about the hospitality and singularities of the other. Reason is not dead; the worship of reason is. Eventually, based on such reflection, we introduce the contribution of education to such dialogue among religion, religiousness, faith and post-modernity. In a comprehensive view of the human being, education is also challenged to bring up future generations within the culture of complexity. We are interconnected to each other and with everything. The most comprehensive point in common is the protection and promotion of dignity, of any type of life. The new generations know that we are living two interconnected crises: the ecological and the social one. The answer is in going from the ambivalence of fixation and fluctuation to the aporia of love. Religions are aware of such fixation, and post-modernity is aware of fluctuation. Love is the synthesis of both religion and post-modernity. Life is so jeopardized that no one shall deny a contribution, denouncing and making announcements, for the generation of a new culture. Education, above all at school, is challenged to give priority to professional competence, with excellence being the same as efficiency, but also with the social sensibility, with excellence as effectiveness. The reason is in line with intuition, imagination and creativity. After all, the poor should not ever suffer and die without the opportunity to live with dignity and in peace.
Há um revival religioso no mundo. Alguns o interpretam como uma revanche do religioso após muito ateísmo. Outros, ao contrário, o interpretam como o seu último grito de vida. Nossa tese quer abordar a mútua interpenetração entre religiosidade, educação e pós-modernidade. A modernidade não soube dialogar com a religião e, ao mesmo tempo, a religião a condenou. Será que na pós-modernidade continuaremos com este estranhamento? Queremos apresentar pontos de encontro entre religiosidade e pós-modernidade para um diálogo eficaz entre ambos tendo em vista, sobretudo, a educação das novas gerações. Num primeiro momento procuraremos apresentar a modernidade com a descrição de algumas características fundamentais suas: a ciência linear, as metanarrativas e o pensamento forte, a história como progresso linear, a secularização religiosa, a ilustração e o código ético baseado na natureza humana. Como contraponto, num segundo momento, caracterizaremos a pós-modernidade como quebra deste paradigma: a complexidade e a ciência; a dissolução das metanarrativas e o pensamento fraco; o novo como fim da história; o niilismo e as chances da religião; o novo código ético aporético; a liberação da metáfora. Esta descrição nos coloca a questão se há ou não pós-modernidade. Procuraremos apresentar as visões de alguns autores importantes: Habermas, Giddens, Küng, Lyotard, Patella, Vattimo, Heidegger. Faremos uma análise do prefixo pós e suas diversas interpretações. Enfrentaremos, a seguir, a dimensão religiosa a partir do surgimento do novo paradigma do fim do fundamento e da metafísica, bem como da ética nãoambivalente e não-aporética. Nietzsche ao afirmar que Deus morreu pode-nos dar novas perspectivas para a religiosidade e a religião.Assim, se a metafísica não pode provar que Deus existe, também não pode provar o contrário. Agora começa o processo de construção de uma religião a partir da kénosis, do despojamento e da despretensão metafísica. Ao mesmo tempo, libertando-nos da unidimensionalidade da razão omniabrangente, a pós-modernidade abre a pessoa humana para dimensões perdidas, sobretudo da hospitalidade do outro e do diferente. A razão não morreu. Quem morreu foi o seu endeusamento. Finalmente, a partir do refletido, apresentamos a contribuição da educação para este diálogo entre religião, religiosidade, fé e pós-modernidade. Numa visão mais holística da pessoa humana também a educação é desafiada a educar as novas gerações na cultura da complexidade. Tudo e todos estamos interligados. O maior ponto de encontro é a defesa e a promoção da dignidade da vida, de qualquer vida. As novas gerações sabem que vivemos duas crises interligadas: a ecológica e a social. O caminho é a passagem da ambivalência da fixação e da flutuação para a aporia do amor. As religiões sabem de fixação. A pós-modernidade sabe de flutuação. O amor faz a síntese entre as duas. Afinal, com a vida tão ameaçada, ninguém pode se eximir de contribuir, denunciando e anunciando, para a geração de uma nova cultura. A educação, sobretudo a escolar, é desafiada a primar pela competência profissional, com a excelência como eficiência, mas também com a sensibilidade social, com a excelência como eficácia. É o racional se aliando com o intuitivo, a imaginação e a criatividade. Afinal, os pobres não podem mais sofrer e morrer sem viver uma vida de dignidade e de paz.
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Almeida, Germana Pinheiro de. "A aporia da exclusão ou o paradoxo do capital: uma análise sobre o auxílio reclusão na sociedade do espetáculo." Universidade Catolica de Salvador, 2015. http://hdl.handle.net/123456730/203.
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A presente dissertação pretende abarcar criticamente o conceito e aplicação do auxílio-reclusão na sociedade do espetáculo, entendido como alegoria na democracia liberal brasileira, em antinomia com a idéia de justiça e o atual estágio da crise estrutural do capital. Deste modo, a partir da pergunta central: o que é de fato o auxílio reclusão serão apontados quais são os princípios previdenciários norteadores e como se delineia a Previdência Social no Brasil, com destaque para a contextualização histórica, retratando, com especial ênfase, o período compreendido entre a Constituição Federal de 1988 a 2013. A resposta para referida pergunta está muito longe de ser simples, portanto, a abordagem dos meios de comunicação - desde revistas periódicas até as redes sociais, sem olvidar das demais fontes de/para (des) informação – considera os motivos que realmente motivam esses discursos excludentes e que levaram, inclusive, a uma proposta de emenda constitucional, a PEC 304, que retrata exatamente os argumentos lançados, ainda que desprovidos de sustentação teórica e compreensão do fenômeno em apreço. Pretende-se, ainda, desvelar outros fundamentos e motivações que justificam a forma com que esta questão é evidenciada nestas abordagens midiáticas. Um viés a ser desnudado com a pesquisa em voga. Não obstante, insistimos que não parece existir, a principio, uma resposta fácil para esta indagação. A velha dicotomia entre o bem e o mal não pode ser diluída facilmente, ainda mais se as respostas se mostram subservientes à lógica do capital - a mercantilização de todas as esferas da vida. Neste contexto, o papel e o propósito do Estado serão concomitantementes avaliados sob a égide do sujeito ético-moral ser suplantando pelo sujeito mercadoria.
This thesis aims to critically address the concept and implementation of aid-seclusion in the society of the spectacle, with the allegory of the Brazilian liberal democracy in contradiction with the idea of justice and the current stage of capital's structural crisis. However, what is in fact the aid seclusion will be singled out which are the guiding social security principles and how it outlines the Social Security, with special emphasis on the period between the Brazil Federal Constitution of 1988 to 2013 The answer to that question is far from simple, nevertheless, we insist that there seems to be, at first, an easy answer to this question. The old dichotomy between good and evil can not be easily diluted, even if the answers are shown subservient to the logic of capital. In this context, the role and purpose of the State shall be concomitantementes evaluated under the aegis of the ethical-moral subject is supplanting the subject-commodity.
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Santos, Sara Regina Conceição. "Crise no movimento sindical ou a aporia do capital? Uma análise das reivindicações do Sindicato da Construção Civil na Bahia." Universidade Catolica de Salvador, 2015. http://ri.ucsal.br:8080/jspui/handle/123456730/178.
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A presente dissertação é uma proposição crítica que visa analisar a atual crise do movimento sindical e o processo de afirmação do capital, utilizando como alegoria as reivindicações do Sindicato da Construção Civil na Bahia – Sintracom. Isto porque, o embate entre o capital e o trabalho sofre com o rompimento dos alicerces ideológicos da sua existência histórica marcada pela busca da classe trabalhadora por mudanças e adaptação ao sistema socioeconômico estabelecido com o objetivo metabólico de alcançar melhores condições de vida. O antigo ambiente em que o espírito revolucionário propiciou uma atmosfera voltada para a necessidade de organização do proletariado com o enfrentamento das questões relacionadas à exploração do trabalho e a concentração do lucro sofre com o atual esvaziamento do debate. Deste modo, a legitimação do movimento sindical brasileiro será avaliada a partir da Era Vargas até a Constituição de 1988, momento em que foi promulgada a garantia de direitos básicos e a sua influência na dinâmica atual do capital. As bandeiras de luta em nome de mais empregos, melhores salários, redução da jornada de trabalho, sem redução de salários, serão desfraldadas sob orientação da Teoria Crítica. Não obstante, considerando a proeminência orgânica das Reivindicações e Convenções Coletivas de Trabalho (CCT), tendo como alegoria o pleito do Sindicato do setor da construção civil na Bahia - Sintracom, assim foi analisado, a partir do estudo de caso, o discurso simbólico sobre a ampliação dos direitos, principalmente nas questões voltadas para as cláusulas econômicas, aspecto unilateral na pauta das principais reivindicações dos sindicatos em detrimento do objetivo histórico de emancipação social.
This dissertation is a critical proposition that aims to analyze the current crisis of the labor movement and the capital's claim process, using SINTRACOM - the Construction Union located in Bahia - as allegory. This is because the struggle between capital and labor suffers from the disruption of the ideological foundations of its historical existence marked by the pursuit of the working class for change and adaptation to the socio-economic system established with the metabolic goal of achieving better living conditions. The former environment in which the revolutionary spirit led to an atmosphere focused on the need for proletarian organization to tackling issues related to labor exploitation and the profit concentration suffers from the current drain of the debate. Thus, the legitimacy of the Brazilian trade union movement will be evaluated from Vargas to the Constitution of 1988. Howevwe, the flags of struggle on behalf of more jobs, better wages, reduced working hours without wage cuts, will be unfurled under the guidance of Critical Theory on the agenda of the main demands of the unions at the expense of the historical goal of social emancipation.
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Kundmüller, Caminiti Franz. "The Arbitration in Public Procurement: (Dis)trust and Aporia. Brief Comments to the oncoming regulation of the new Public Procurement Law." Derecho & Sociedad, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/118357.
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This article doesn’t pretend to be an exhaustive analysis about the proposals contended in the oncoming regulation of the new Public Procurement Peruvian Law.It begins with a reflection about the importance on trust, and it continues by analyzing inherent issues to the principles that characterize arbitration, and that, in a near future, should be used to ‘arbitralize’ arbitration on public procurement matter.Este artículo no pretende un análisis exhaustivo sobre las propuestas contenidas en el futuro Reglamento de la Nueva Ley de Contrataciones del Estado.Comienza con una reflexión sobre la importancia de la confianza y prosigue con el análisisde diversos aspectos inherentes a los principios que caracterizan al arbitraje y que; en unfuturo cercano, deberían servir para «arbitrabilizar» el arbitraje en materia de contratación pública.
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Kelly, Ryan Robert. "Aporia-triggered knowledge construction the use of interviews and a focus group to further assess Science Writing Heuristic impact on participating teachers /." [Ames, Iowa : Iowa State University], 2008.
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Nyvlt, Mark J. "Hegel's answer to the Aristotelian [aporia] of the [chorismos] of [nous] in the De Anima III.4-5 and Metaphysics [lambda].6-9." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/MQ48174.pdf.
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Sandrini, Marcos. "Religiosidade e educa??o no contexto da p?s-modernidade : da ambival?ncia da fixa??o e da flutua??o ? aporia do amor." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2007. http://tede2.pucrs.br/tede2/handle/tede/3839.
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Previous issue date: 2007-08-20H? um revival religioso no mundo. Alguns o interpretam como uma revanche do religioso ap?s muito ate?smo. Outros, ao contr?rio, o interpretam como o seu ?ltimo grito de vida. Nossa tese quer abordar a m?tua interpenetra??o entre religiosidade, educa??o e p?s-modernidade. A modernidade n?o soube dialogar com a religi?o e, ao mesmo tempo, a religi?o a condenou. Ser? que na p?s-modernidade continuaremos com este estranhamento? Queremos apresentar pontos de encontro entre religiosidade e p?s-modernidade para um di?logo eficaz entre ambos tendo em vista, sobretudo, a educa??o das novas gera??es. Num primeiro momento procuraremos apresentar a modernidade com a descri??o de algumas caracter?sticas fundamentais suas: a ci?ncia linear, as metanarrativas e o pensamento forte, a hist?ria como progresso linear, a seculariza??o religiosa, a ilustra??o e o c?digo ?tico baseado na natureza humana. Como contraponto, num segundo momento, caracterizaremos a p?s-modernidade como quebra deste paradigma: a complexidade e a ci?ncia; a dissolu??o das metanarrativas e o pensamento fraco; o novo como fim da hist?ria; o niilismo e as chances da religi?o; o novo c?digo ?tico apor?tico; a libera??o da met?fora. Esta descri??o nos coloca a quest?o se h? ou n?o p?s-modernidade. Procuraremos apresentar as vis?es de alguns autores importantes: Habermas, Giddens, K?ng, Lyotard, Patella, Vattimo, Heidegger. Faremos uma an?lise do prefixo p?s e suas diversas interpreta??es. Enfrentaremos, a seguir, a dimens?o religiosa a partir do surgimento do novo paradigma do fim do fundamento e da metaf?sica, bem como da ?tica n?oambivalente e n?o-apor?tica. Nietzsche ao afirmar que Deus morreu pode-nos dar novas perspectivas para a religiosidade e a religi?o. Assim, se a metaf?sica n?o pode provar que Deus existe, tamb?m n?o pode provar o contr?rio. Agora come?a o processo de constru??o de uma religi?o a partir da k?nosis, do despojamento e da despretens?o metaf?sica. Ao mesmo tempo, libertando-nos da unidimensionalidade da raz?o omniabrangente, a p?s-modernidade abre a pessoa humana para dimens?es perdidas, sobretudo da hospitalidade do outro e do diferente. A raz?o n?o morreu. Quem morreu foi o seu endeusamento. Finalmente, a partir do refletido, apresentamos a contribui??o da educa??o para este di?logo entre religi?o, religiosidade, f? e p?s-modernidade. Numa vis?o mais hol?stica da pessoa humana tamb?m a educa??o ? desafiada a educar as novas gera??es na cultura da complexidade. Tudo e todos estamos interligados. O maior ponto de encontro ? a defesa e a promo??o da dignidade da vida, de qualquer vida. As novas gera??es sabem que vivemos duas crises interligadas: a ecol?gica e a social. O caminho ? a passagem da ambival?ncia da fixa??o e da flutua??o para a aporia do amor. As religi?es sabem de fixa??o. A p?s-modernidade sabe de flutua??o. O amor faz a s?ntese entre as duas. Afinal, com a vida t?o amea?ada, ningu?m pode se eximir de contribuir, denunciando e anunciando, para a gera??o de uma nova cultura. A educa??o, sobretudo a escolar, ? desafiada a primar pela compet?ncia profissional, com a excel?ncia como efici?ncia, mas tamb?m com a sensibilidade social, com a excel?ncia como efic?cia. ? o racional se aliando com o intuitivo, a imagina??o e a criatividade. Afinal, os pobres n?o podem mais sofrer e morrer sem viver uma vida de dignidade e de paz
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Santos, Marina dos. "As aporias do livro b da Metafísica de Aristóteles." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/8285.
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Defaye, Christelle. "Julien Gracq, texte et sexe : lecture d'une aporie érotique." Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30027/document.
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Lire une fiction gracquienne s’apparente à l’expérience du ravissement amoureux. Etre lecteur de Gracq, c’est accepter d’être ravi, capturé et enchanté tout à la fois. La dépossession herméneutique à laquelle le texte gracquien nous convie relève de l’expérience érotique. Présent comme thème, mais secondaire, mince, intermittent, l’érotisme semble exister dans le profil perdu du texte. Son cadre posé et aussitôt évidé de sa substance fait disparaître la scène sexuelle sous les yeux du lecteur-voyeur, dont l’attente est déjouée. La fiction organise l’escamotage du sexe, relançant sans cesse le désir à l’échelle du récit et de la lecture. L’imaginaire érotique, stéréotypé et obsessionnel, consacre sa présence-absence à la croisée de trois impossibles : le sexe, la femme, la mort. L’érotisme gracquien est donc bien un vide autour duquel tourne le lecteur et que cerne l’écriture. Aporétique, la voie de l’érotisme ? Ce n’est pas qu’elle ne mène à rien chez Gracq, c’est que le lecteur est invité à progresser dans cette aporie, à y digresser. L’érotisme est toujours déplacé, enfoui dans le palimpseste du paysage. Du dé-cor(ps) au corps à corps avec les mots, c’est l’usage de la langue qui est érotisé chez Gracq : il ne représente pas le sexe ; il le figure dans le texte, jusqu’à la jouissance et sous les yeux du lecteur, cet Autre. Dans l’œuvre de Julien Gracq, l’enjeu libidinal de la littérarité est de taille : l’érotique gracquienne transfigure la chair en chaire : du sexe au texte, l’auteur adopte une posture de séduction ; le texte fait écran entre lui et l’Autre qu’est le lecteur. Le sexe est devenu texte, limen, frontière, entre-deux irréductible, il est devenu l’hymen, espace de touche entre soi et l’autre ; la rencontre, pourtant représentée comme impossible, peut alors s’opérerReading a fiction by Gracq feels similar to lovers’ delight. To become a Gracq reader, you must accept to be delighted, captured and enchanted all at once. The hermeneutic dispossession experienced through Gracq’s fiction is clearly erotic. No matter how secondary, thin and sporadic, the theme of eroticism may be, it seems to be running throughout the lost profile of the text. All set up and cleared of its substance, the sexual scene disappears from the eyes of the reader-voyeur whose expectation is frustrated. Fiction manages to cover up sex by setting desire within the plot and the reading. The presence-absence of erotic fantasy, as stereotyped and obsessive as it may be, is best consecrated at the crossroads of three impossible matters: sex, women and death. Eroticism by Gracq turns out to be a void around which the reader is waltzing and that the writing manages to grasp. Is the path of eroticism aporetic? It is not that this path is a dead end but rather that the reader is invited to advance and digress in this aporia. Eroticism is always moved, buried within the palimpsest of the landscape. With his successive unmoulding and moulding of words, it becomes clear that language is eroticised with Gracq. He doesn’t picture sex, he features it in his text until it pleases him –all this in the other, that is to say the reader’s eyes. In Julien Gracq’s work, the libidinal issue of literarity is at stake: Gracq’s eroticism transfigures flesh into a pulpit. From sex to text, the author takes on a posture of seduction. The text forms a screen between him and the Other, that is to say the reader. Sex has become text, limen, a border, an essential in-between. It has become the hymen, a touching space between one and the other. The meeting, though often portrayed as impossible, can then happen
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Santos, Marina dos. "A unidade da Metafísica de Aristóteles a partir das aporias do Livro Beta." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/30572.
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Bishop, Geoffrey David. "The diminished subject: An exploration into the aporia of the condition of the possibility of change as represented in twentieth century philosophy and contemporary literature." Thesis, Bishop, Geoffrey David (2007) The diminished subject: An exploration into the aporia of the condition of the possibility of change as represented in twentieth century philosophy and contemporary literature. PhD thesis, Murdoch University, 2007. https://researchrepository.murdoch.edu.au/id/eprint/722/.
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This thesis acts as an exploration of the notion of an a priori aporia of the always already diminished subject as opposed to an ideal self-present individual, and explores the efforts of a selection of twentieth century continental philosophy to address the crises of scepticism and metaphysics that beset this tradition and its search for the ‘truth’ of being. I will argue that my atemporal philosophical teleology proves in fact that any attempt to determine the finitude of subjectivity represents an ineluctable desire for metaphysical comfort that can, at times, verge on totalitarianism. Furthermore, the divergent temporal loci of these theorists — and their particular attempts to address these recurrent crises — necessarily calls into question the popular perception of a temporally specific ‘postmodern condition’ afflicting the contemporary subject.
Given the repeated failure of philosophical discourse to provide the subject with its raison d’être, a focus on the usefulness of literature in this regard becomes apparent within my theoretical schema, leading to a discussion of several controversial contemporary novels that parallel my proposition of the diminished subject, and refute negative perceptions of them as postmodern and valueless due to an apparent nihilistic ‘anything goes’ attitude. However, rather than resorting to naïve utopianism regarding the positive uses of literature, I argue that these texts reiterate the key theoretical propositions in this thesis with an awareness of the discursive nature of the subject and the a priori condition of the possibility of change which inevitably undermine transcendence. It is my proposition that these texts can be read as fictionalised expressions of the cathartic possibilities of literature, and an innate desire in all subjects for the metaphysics of comfort when faced with the meaninglessness of existence, something exacerbated by the recurrent failure of philosophical and religious discourses to counter the aporia of an always already absent self-presence of subjectivity.
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Bishop, Geoffrey David. "The diminished subject: An exploration into the aporia of the condition of the possibility of change as represented in twentieth century philosophy and contemporary literature." Bishop, Geoffrey David (2007) The diminished subject: An exploration into the aporia of the condition of the possibility of change as represented in twentieth century philosophy and contemporary literature. PhD thesis, Murdoch University, 2007. http://researchrepository.murdoch.edu.au/722/.
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This thesis acts as an exploration of the notion of an a priori aporia of the always already diminished subject as opposed to an ideal self-present individual, and explores the efforts of a selection of twentieth century continental philosophy to address the crises of scepticism and metaphysics that beset this tradition and its search for the ‘truth’ of being. I will argue that my atemporal philosophical teleology proves in fact that any attempt to determine the finitude of subjectivity represents an ineluctable desire for metaphysical comfort that can, at times, verge on totalitarianism. Furthermore, the divergent temporal loci of these theorists — and their particular attempts to address these recurrent crises — necessarily calls into question the popular perception of a temporally specific ‘postmodern condition’ afflicting the contemporary subject.
Given the repeated failure of philosophical discourse to provide the subject with its raison d’être, a focus on the usefulness of literature in this regard becomes apparent within my theoretical schema, leading to a discussion of several controversial contemporary novels that parallel my proposition of the diminished subject, and refute negative perceptions of them as postmodern and valueless due to an apparent nihilistic ‘anything goes’ attitude. However, rather than resorting to naïve utopianism regarding the positive uses of literature, I argue that these texts reiterate the key theoretical propositions in this thesis with an awareness of the discursive nature of the subject and the a priori condition of the possibility of change which inevitably undermine transcendence. It is my proposition that these texts can be read as fictionalised expressions of the cathartic possibilities of literature, and an innate desire in all subjects for the metaphysics of comfort when faced with the meaninglessness of existence, something exacerbated by the recurrent failure of philosophical and religious discourses to counter the aporia of an always already absent self-presence of subjectivity.
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Moschetta, Massimiliano. "Carlo Michelstaedter Persuasion and rhetoric /." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-12132007-082309/.
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Thesis (M.A.)--Georgia State University, 2007.Title from file title page. Louis A. Ruprecht, Jr., committee chair; Angelo Restivo, Melissa Merritt, Christopher White, committee members. Electronic text (56 p.) : digital, PDF file. Description based on contents viewed Feb. 6, 2008. Includes bibliographical references (p. 54-56).
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Vucurovic, Milan. "Ästhetik im Horizont der Freiheit : Schiller, Adorno und die Aporien der Moderne." Electronic Thesis or Diss., Sorbonne université, 2024. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2024SORUL035.pdf.
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Les contradictions évidentes dans les écrits esthétiques de Schiller font rarement l'objet de considérations plus approfondies. Elles sont soit évoquées en laissant transparaître une certaine perplexité, soit vue comme une preuve - dans les cas extrêmes - de la disqualification de Schiller en tant que philosophe. C'est précisément ici que nous souhaitons arrimer notre travail en avançant l'hypothèse que l'échec philosophique de Schiller peut être compris comme un symptôme des problèmes fondamentaux propres à la pensée rationnelle des Lumières ainsi qu'à la philosophie du sujet (Habermas, Foucault). Dans le cadre d'une analyse des structures aporétiques d'une politique du beau à laquelle Schiller aspire, le travail, divisé en trois parties, examine dans un premier temps la problématique de la représentation politique et poétique en se référant à Rousseau, puis déniche ensuite dans l'évolution de la théorie de la tragédie une autodestruction idéaliste de l'esthétique de l'effet. A cet égard, la rupture entre Don Karlos et Wallenstein nous permet de comprendre cette dernière œuvre sous l'angle de l'aporie et d'y voir un mouvement du tragique vers le trauma de l'histoire se révelant comme le retour de ce qui a été refoulé. Dans une troisième partie, les apories de Schiller qui résultent d'une tentative d'anthropopoïèse vouée à l'échec, sont confrontées à la conception aporétique de la dialectique adornienne. C'est dans la philosophie négative d'Adorno que l'on peut découvrir une anthropologie négative qui - face à la fin du sujet proclamée particulièrement par les théories postmodernes - ne s'interdit pas de poser la question de l'homme et de son humanité, dans la pleine acceptation de ce mot“ (Schiller)The obvious contradictions in Schiller's aesthetics generally receive little attention. They are either provoking perplexity or raising doubts about his qualifications as a philosopher. It is precisely at this juncture that the present work wants to tackle the challenge. Schiller's contradictions are to be understood as symptoms of the fundamental problems underlying Enlightenment thought and, by extension, modern subject philosophy (Habermas, Foucault). In analysing the aporetic structures of Schiller's intended politics of beauty, our work - divided into three parts - first deals with the problem of political and poetic representation, primarily regarding Rousseau. Second, we aim to explain the idealistic overreach of the sublime within the evolution of Schiller's theory of tragedy. The rupture between Don Karlos and Wallenstein marks a transition from the tragic to the trauma of history as a return of the repressed. In this context, Wallenstein can be seen as an aporetic figure himself. The third and final part confronts Schiller's aporias - which are regarded as a result of his futile attempt at anthropopoiesis - with Adorno's constructions of the aporetic. In Adorno's philosophy, one encounters a negative anthropology that, despite the (postmodern) swan song to the subject, does not shy away from exploring the question of man “in the fullest sense of the word” (Schiller)
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Gray, Michael E. "Reading Ineffability and Realizing Tragedy in Stuart Moulthrop's Victory Garden." TopSCHOLAR®, 2012. http://digitalcommons.wku.edu/theses/1188.
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Victory Garden, Stuart Moulthrop’s 1991 classic hyperfiction, presents a nonlinear story of U. S. home front involvement in the First Gulf War in a way that facilitates confusion and mimics a "fog of war" sort of (un)awareness. Using Storyspace to build his complex narrative, Moulthrop incorporates poetry, fiction, historical references, and low-tech graphic novel type elements. Among the graphic components are all-black and all-white screens that function as variables. Overtly, these screens speak of closure and signify unconsciousness; however, their nonverbal role may also be linked to the ineffability trope as used by Dante Alighieri and re-interpreted by contemporary linguist Ruiging Liang. To date, critics and meta-readers have incorrectly assumed that the protagonist, Emily Runbird, becomes a fatality. By failing to read her life or death as undecidable, we deny the fiction its full power as a postmodern interpretive dilemma. This assumption plays into what might be posited as Moulthrop’s real thesis: syllogism in a corrupted (war time) information system is potentially tragic. A summary of theories and critical approaches relevant to the blank screen’s use as interstice together with sample engagements with relevant texts—reading Victory Garden, as per Wolfgang Iser’s phenomenological approach, Stanley Fish’s reader response theory, and Jacques Derrida’s deconstruction—prove Victory Garden, to be a challenging but consistent literary breakdown (staged malfunction of reading habits). Ultimately, ineffability is shown to be a reading strategy and the action Aristotle characterizes as key to the definition of tragedy is seen as performed by the reader. Moulthrop dangles the question about Emily’s demise as a critical reading moment prone to corruption. The classical anagnorisis is not Emily’s; the revelation Moulthrop intends is reserved for the reader and is precipitated by the need to resolve aporia.
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Châtel, Jonathan. "Henrik Ibsen, drames de l'aporie (de « Une maison de poupée » à « Quand nous nous réveillons d'entre les morts »)." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030167.
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À travers un corpus composé des onze derniers drames d’Henrik Ibsen, cette étude utilise le concept d’aporie pour procéder à une analyse de la fabrique de l’écriture ibsénienne. D’un point de vue philosophique, psychanalytique, poétique, l’aporie met en péril le discours, en révèle les défaillances et problématise la production du sens. Ainsi, cette notion, appréhendée comme un outil heuristique, offre la possibilité de remonter le cours des drames qui s’achèvent systématiquement par des fins ouvertes. Elle permet alors d’identifier : un processus ironique de déconstruction des pratiques discursives, une dimension existentielle, une théâtralité spécifique, diverses figures dramaturgiques attestant de la nature critique de l’œuvre. En vertu d’un saut qualitatif dans la dramaturgie ibsénienne à partir du Constructeur Solness, l’analyse chronologique des pièces se divise en deux parties. La question est de savoir en quel sens et selon quels moyens le théâtre d’Henrik Ibsen interroge l’impact de la fiction dans le monde de vie du lecteur-spectateurThis study uses the concept of aporia to develop an analysis of Henrik Ibsen's writing, with specific focus on his last eleven plays. From a philosophical, psychoanalytical or poetic point of view, the aporia is that which jeopardizes discourse, exposing its failings and problematizing the production of meaning. The notion of aporia, taken as a heuristic tool, therefore provides a means to examine the systematically open-ended nature of the plays. The study identifies: an ironic process which serves to deconstruct discursive practices, an existential dimension to the plays, a specific form of theatricality and various dramatic figures bearing out the critical nature of Ibsen's work. In accordance with a qualitative shift in Ibsen's work [from The Master Builder on], the chronological analysis of the dramas is divided in two parts. The overall aim of the research is to assess to what extent and in what ways Henrik Ibsen’s theatre investigates fiction's impact on the world of the reader - audience
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Santos, Lilian de Santana Farias. "Estratégia do apoio em saúde: uma contribuição narrativa de quem apoia." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/108/108131/tde-17082018-121224/.
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O presente trabalho tem como objetivo refletir sobre o papel do Apoiador em Saúde no Município de São Bernardo do Campo, descrevendo as experiências vividas por uma apoiadora no período de 2010 a 2016, identificando as potencialidades e dificuldades desta estratégia. Este modelo de apoio instituído no município em 2010, visava o trabalho de forma articulada com as equipes de Estratégia Saúde da Família, atuando tanto no apoio matricial quanto nos processos de trabalho e para fortalecer a integralidade na construção do cuidado em rede, onde o apoiador seria um meio pelo qual os trabalhadores e os serviços de saúde e intersetoriais estabelecessem uma relação de forma horizontal entre os pontos de atenção. Através da pesquisa qualitativa, com uso da narrativa, a autora descreve sua atuação nos espaços coletivos ao qual participava, locais potentes para os apoiadores exercerem seu papel, mas, também, locais de disputas e conflitos.The current work\'s objective is to show the role of a Health Supporter Agent in the county of São Bernardo do Campo, describing experiences lived by a Health Supporter Agent during the periods of 2010 to 2016, identifying the potentialities and difficulties of the given strategy. This support model introduced in the county in the year of 2010, aims to work in an articulated way with the Family\'s Health Strategy teams, working both on matrix support and also work processes, to strengthen the integrity on building the care net, where the supporter would be a middle point, on which the workers and the health services establish a relationship in a horizontal form between the attention points. Trough qualitative research, using the narrative, the author describes her performance in the collective spaces to which she participated, powerful places for the supporters to play their role, but also, places of disputes and conflicts.
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Rojas, González Gonzalo. "Ensayo, aporía." Tesis, Universidad de Chile, 2002. http://repositorio.uchile.cl/handle/2250/110063.
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OTTOBRINI, Tiziano. "Paralipomeni sul "De principiis" di Damascio: intorno alla teoresi dell'apofatismo." Doctoral thesis, Università degli studi di Bergamo, 2019. http://hdl.handle.net/10446/128667.
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Intendimento precipuo del presente contributo vuole essere l'indagine sia speculativa sia storica della mistica razionale sottesa al "De principiis" di Damascio. La cura della prima versione italiana del trattato ha permesso di mettere a fuoco almeno tre aspetti poziori di quello che potrà pleno jure essere considerato l'estremo filosofo dell'Academia neoplatonica e, più latamente, l'ultimo filosofo greco tout court: I) l'opera in oggetto, collocandosi a ridosso del torno di anni dell'editto giustinianeo del 529, rappresenta una specola privilegiata per traguardare la trajettoria della teoresi ateniese successiva a Proclo; se questi è per solito presentato quale il punto di arrivo e l'approdo di sistemazione della temperie neoplatonica, Damascio offre invece la possibilità di considerare una via minoritaria e, sotto molti rispetti, eterodossa nell'ispezione filosofica durante l'autunno dell'Academia, virando lo sguardo verso spazî di ricerca (in primis l'ineffabile) che costituiscono un ponte con il coevo neoplatonismo cristiano, segnatamente in Dionigi ps.-Areopagita. II) L'esame linguistico del trattato damasciano ha condotto a valutare la specificità dell'indagine del Nostro circa il rapporto tra apofatismo e catafatismo; Damascio, infatti, risulta articolare una metafisica dell'aporia in senso ricco, laddove cioè l'aporia è valutata non come un ostacolo al logos bensì come il suo spalancamento su un oltre che lo supera e che, pur senza lasciarsi nemmeno intravedere in alcun modo, tuttavia comunica al logos medesimo la limitatezza e l'insufficienza dell'intelletto verso se stesso. Tale struttura euporetica è venuta emergendo come sviluppata da Damascio non solo sotto il rispetto speculativo ma anche sotto il rispetto retorico, segnatamente mediante la calibrata tecnica espositiva del subprincipiamento, dell'in-dicazione allusiva e dello stilema della presenza-assenza nelle doglie filosofiche. III) In ultimo, il programma speculativo di Damascio mostra la sua cifra rispetto al prevalente impianto neoplatonico in forza del trascendimento che opera dalla metafisica alla protologia; nel De principiis, infatti, viene agíta una radicalizzazione dell'istanza giamblichea – a lungo negletta – del principio che è addirittura al di sopra dell'uno e della sostanza, tanto da essere impensabile e ineffabile. L'ineffabile presso Damascio è strutturale e pienamente razionale, portando l'autore a oltrepassare anche l'uno stesso; l'ineffabile è la chiave di violino secondo cui rileggere l'intiera partitura della gerarchia ontologica dell'essere, così che tutta la trama delle triadi e delle enadi sia in ultima analisi incompleta e non autosufficiente, perché l'origine primissima del tutto e del sovratutto resta incognita e impronunciabile: l'ipermetafisica damasciana chiude pertanto il neoplatonismo tardoantico pagano con il monito che l'ineffabile e l'inconoscibile sono non solo al di sopra del mondo cosmico ma, essendo principio originante del tutto-uno, sono anche e soprattutto dentro le fibre vive dell'architettura dell'essere e della vita.On Damascius' "De principiis": the main focus of this essay wants to be the analysis – both historical and speculative – of the last Neo-platonic philosophy after Proclus from the privileged point of view of the finest metaphysical treatise surviving about the year 529 (closing of Platonic Academy by means of Justinian edict). At least three respects must be pointed out: I) Damascius aims to consider radically not only the One as the highest principle but also that principle which is besides the One; as a result his metaphysics becomes a protology (similar to Dionysius the Areopagite's hypermetaphysics, but rationally), since he does not proceed from the One downward but mainly from the One upward, towards the apophatic principle. II) The first Italian version of the treatise has planned on highlighting the rhetorical strategy tinged with Damascius' research: not only is the last scholar an aporetic philosopher but also his modus scribendi is euporetic. The perspectives that arise from aporetic hermeneutics shed light on logos as open wide, in order to glimpse the ineffable as ineffable, setting it free from rational implications specially through endeixis, hyparxis and intelligible labour pains. III) Since the primum primorum is ineffable and since the whole comes from the ineffable, all of the enads and of the triads of Neo-Platonic theoretical building are ineffable and essentially unknowable; this is not scepticism because of the nature of the first principle: it is known as unknowable, which is the rational way to preserve its apophatic (and not simply cataphatic) trascendence. Therefore it will be argued that Damascius' rational mysticism shows hypermetaphysical ineffable is both above the One and just inside each level of human thought: logos is so strong to go beyond itself somehow.