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Dissertations / Theses on the topic 'Apartheid Museum (Johannesburg, South Africa)'
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1
Sippel, Elizabeth. "The role of memory, museums and memorials in reconciling the past : the Apartheid Museum and Red Location Museum as case studies." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1005773.
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When South Africa became a democracy, many of its cultural institutions were tainted by the stigma of having been tools for the production and propagation of apartheid ideology. This thesis examines two key facets of post-apartheid museums and memorials. Firstly, how they have repositioned themselves as institutions of cultural and social standing. Secondly, their role as tools of nation building, social change, and creators of national collective memory within the new democratic South Africa. Through an analysis of cultural memory theory pertaining to museology, this study elaborates on the methods employed by museums to incorporate memory into their narratives and in turn, transfer collective memory to their viewers. This thesis provides a comparative study of the architectural, memorial and museological strategies of two post-apartheid museums; the Red Location Museum and the Apartbeid Museum. It examines the contributions of both museums to the introduction of new museological strategies for the successful creation and transmission of South African collective memory. Through this analysis, both the invaluable contributions and the drawbacks of post-apartheid museums as tools for the promotion of new democratic ideologies and philosophies are considered. This thesis does not resolve the arguments and questions which have surfaced regarding cultural institutions as tools for the promotion of reconciliation and the construction of national collective memory within South Africa. As the current climate of memorialisation is one of change and paradox, it is presently impossible to fully quantify post-apartheid museums' roles within South Africa's move toward reconciliation and social change. However, the examination of both the Red Location Museum and the Apartheid Museum reveals the extraordinary change that South African cultural institutions have undergone in addition to their potential to become institutions which facilitate active reconciliation as well as social and cultural growth.
2
Enthoven, Adrian. "The limits of local negotiations : politics in Greater Johannesburg, 1989-1998." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324336.
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Brown, Carol. ""Museum spaces in post-apartheid South Africa": the Durban Art Gallery as a case study." Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1006231.
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This dissertation examines the history of the Durban Art Gallery from its founding in 1892 until 2004, a decade after the First Democratic Election. While the emphasis is on significant changes that were introduced in the post-1994 period, the earlier section of the study locates these initiatives within a broad historical framework. The collecting policies of the museum as well as its exhibitions and programmes are considered in the light of the institution 's changing social and political context as well as shifting imperatives within a local, regional and national art world. The Durban Art Gallery was established in order to promote a European, and particularly British, culture, and the acquisition and appreciation of art was considered an important element in the formation of a stable society. By providing a broad overview of the early years of the gallery, I identify reasons for the choice of acquisitions and explore the impact and reception of a selection of exhibitions. I investigate changes during the 1960s and 1970s through an examination of the Art South Africa Today exhibitions: in addition to opening up institutional spaces to a racially mixed community, these exhibitions marked the beginning of an imperative to show protest art. I argue that, during the political climate of the 1980s, there was a tension in the cultural arena between, on the one hand, a motivation to retain a Western ideal of 'high art' and, on the other, a drive to accommodate the new forms of people's art and to challenge the values and ideological standpoints that had been instrumental in shaping collecting and exhibiting policies in the South African art arena. I explore this tension through a discussion of the Cape Town Triennial exhibitions, organised jointly by all the official museums, which ran alongside more inclusive and independently curated exhibitions, such as Tributaries, which were shown mainly outside the country. The post-1994 period marked an opening up of spaces, both literally and conceptually. This openness was manifest in the revised strategies that were introduced to show the Durban Art Gallery 's permanent collection as well as in two key public projects that were started - Red Eye @rt and the AIDS 2000 ribbon. Through an examination of these strategies and initiatives, I argue that the central role of the Durban Art Gallery has shifted from being a repository to providing an interactive public space.
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Buthelezi, Vincent Vusi. "The South African Jewish Museum and the Lwandle Migrant Labour Museum: Serving different publics in two community museums in the Western Cape." University of the Western Cape, 2005. http://hdl.handle.net/11394/6474.
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Magister Artium - MAThe 1990s came with many changes and developments in South Africa, especially in the political and social lives of people and their public institutions. The concept of transformation and transition became a household word, from red-carpeted parliamentary corridors to tiny gravel township streets and villages in rural communities. Two community museums emerged in the Western Cape cultural and heritage landscape in response to these political changes: the South African Jewish Museum and the Lwandle Migrant Labour Museum. The extensively revamped South African Jewish Museum, which opened its doors in 1997, is situated in centre of the city of Cape Town (which under apartheid was designated as a white area). It is accommodated in the one of the oldest buildings in South Africa, the original building of the first SA Jewish synagogue built in 1862. The building has been extended, added to and extensively refurbished. The Lwandle Migrant Labour Museum is an entirely new institution in the post apartheid democratic South Africa. It is situated in a township forty kilometers from the Cape Town city centre. During the days of apartheid Lwandle township was designated as a place for black male hostel dwellers. The museum is accommodated in an old community hall, which was once a hostel dwellers recreational hall.
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Hayes-Roberts, Hayley Elizabeth. "Frameworks of representation: A design history of the District Six Museum in Cape Town." University of the Western Cape, 2020. http://hdl.handle.net/11394/7282.
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Philosophiae Doctor - PhDSince 1994, the District Six Museum, in constructing histories of forced removals from District Six, Cape Town, commenced as a post-apartheid memory project which evolved into a memorial museum. Design has been a central strategy claimed by the museum in its process of making memory work visible to its attendant publics evolving into a South African cultural brand. Co-design within the museum is aesthetically infused with sensitively curated exhibitions and a form of museumisation, across two tangible sites of engagement, which imparts a unique visual language. The term design became extraordinarily popular in contemporary Cape Town, where the city was - in 2014 -the World Design Capital. Yet at the same time as design was being inscribed into the public imaginary, it was simultaneously curiously undefined although influential in shifting representational aesthetics in the city. This research seeks to ask questions about this proliferation of interest in design and to examine this through a close reading of the work of the District Six Museum situated near District Six. In particular, micro and macro design elements are explored as socio-cultural practice in re-imagining community in the city that grew out of resistance and cultural networks. Various design strategies or frameworks of representation sought to stabilize and clarify individual and collective pasts enabling and supporting ex-residents to reinterpret space after loss, displacement and separation and re-enter their histories and the city. Post-apartheid museum design modes and methodologies applied by the District Six Museum as museumisation disrupts conventional historiographies in the fields of art, architectural and exhibition design, where the focus is placed on temporal chronologies, in a biographic mode profiling examples of works and designers/artists. Instead, the research contextualises the work of design as making in a more open sense, of exploring the very constructedness of the museum as a space of method, selection, process and representation thereby asking questions about this reified term design as method and practice. The designing ways of the District Six Museum contribute to understanding idioms mediated through design frameworks allowing for a departure from the limited ways design history has been written. Through an unlayering of projects, practices and an examination of archival case studies, exhibition curation, the adaptive reuse of buildings and through institutional rebranding my argument is that the particularities of the claims to design work at the District Six Museum provide a rich case for relating to other contemporaneous processes of making apartheid’s spatial practices visible as projects such as this claim community. Therefore seeking to demystify how this community museum ‘making’ has been fashioned through an investment in various design disciplines, forms and practices revealing the inherent complexity in doing so.
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Bakre, Opeyemi Habeeb. "An exploration of the use of marketing public relations at the Apartheid Museum in Johannesburg, South Africa." Diss., 2018. http://hdl.handle.net/10500/26026.
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Text in English with abstracts in English and AfrikaansCultural tourism is one of the growth areas of the tourism industry globally. Cultural tourism refers to visits motivated by cultural offerings. Cultural offerings include museums, castles, cultural landscapes and historical sites. The Apartheid Museum is a non-profit organisation, which relies on generosity of government, private organisations and sales of gate tickets. It thus relies on building and sustaining a long-term mutual relationship with its visitors to earn their loyalty and support. Marketing public relations is a concept, which has been explored in commercial contexts by numerous studies. However, there is still limited literature on the adoption and the use of marketing public relations in the context of a non-profit organisation such as a museum. The aim of this study was to explore the use of marketing public relations at the Apartheid Museum in Johannesburg, South Africa. In order to explore the use of marketing public relations at the museum, a survey involving 384 visitors and in-depth interviews with six marketing staff members were conducted. The data from the questionnaire were analysed using the SPSS software. The data collected from the in-depth interviews were analysed using thematic analysis. The study revealed that the museum does not deploy marketing public relations tools in an integrated manner. Its significance resides in that it provides marketing public relation guidelines to organisations like the Apartheid Museum for purposes of building long term and meaningful relations with their customer stakeholders.
Kulturele toerisme neem wêreldwyd snel toe. Kuturele toerisme verwys na “besoeke gemotiveer deur kulturele aanbiedings”. Dit sluit besoeke aan museums, kastele, kulturele landskappe en historiese terreine in. Die Apartheid-museum is ’n organisasie sonder winsbejag wat op die vrygewendheid van die regering en private instansies asook kaartjieverkope by die toegangshek staatmaak. Dit reken dus op die aanknoop en instandhouding van langtermynverhoudings met sy besoekers om hulle lojaliteit en ondersteuning te verseker. Openbare betrekkinge-bemarking is ’n konsep wat in kommersiële konteks deur verskeie studies ondersoek is. Daar is egter nog min literatuur oor die aanvaarding en gebruikmaking hiervan in die konteks van ’n organisasie sonder winsbejag soos ’n museum beskikbaar. Die doel van hierdie studie was om die gebruike van openbare betrekkinge-bemarking by die Apartheidsmuseum in Johannesburg, Suid-Afrika te ondersoek. Om hierdie doel te bereik is ’n vraelys deur 384 besoekers voltooi en indiepte onderhoude met ses skakelbeamptes op die personeel gevoer. Die data van die vraelys is met behulp van SPSS-sagteware deur die gebruik van tematiese analise geëvalueer. Hierdie studie het getoon dat die museum nie op ’n geïntegreerde manier die bemarkingsgeleenthede vir openbare betrekkinge benut nie. Die belangrikheid van hierdie studie is geleë in die feit dat dit riglyne aan organisasies soos die Apartheidsmuseum voorsien met die doel om langtermyn- en betekenisvolle verhoudings met hulle kliëntedeelhebbers op te bou.
Communication Science
M.A. (Communication)
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Baro, Gilles Jean Bernard. "The language of post-apartheid urban development: the semiotic landscape of Marshalltown in Johannesburg." Thesis, 2017. https://hdl.handle.net/10539/24555.
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A dissertation submitted to the School of Language, Literature and Media, Faculty of Humanities for the degree of Doctor of Philosophy, March 2017Although the burgeoning fields of linguistic and semiotic landscapes (LL and SL) studies provide extensive coverage of urban settings around the globe, it lacks a focus on urban development and the associated phenomenons such as gentrification, with the notable exception of Lou (2016). This dissertation looks at the neighbourhood of Marshalltown, located in the inner city of Johannesburg. Marshalltown is known as the mining district because of its proximity to the original goldmines that sparked the growth of the city. The neighbourhood’s SL has radically shifted from a place of urban decay to a trendy neighbourhood since the late 1990s, after urban development efforts financed by the private sector made the area stand out from the rest of the inner city. The developers working in Marshalltown have purposefully filled it with signs indexing the mining heritage its businesses which tend to cater to the middle-to-upper-classes, thus excluding poorer residents which make up most of the inner city’s population. Against this backdrop, the dissertation aims to answer the following three research questions: 1) How is Marshalltown constructed as a space of heritage, both in its materiality and in its representation in a corpus of media texts? 2) Considering that heritage entails a selection process from a more general historic field, which sections of history are curated in Marshalltown’s SL, which are silenced, and what are the implications for the narratives displayed in the context of post-apartheid South Africa? 3) How is Marshalltown’s urban environment experienced by social actors in a context of globalized trends in urban design which rely on heritage and authenticity to market formerly ignored city centres? The data for this study consists of a corpus of 25 media articles from various outlets, 255 photographs of Marshalltown and its vicinity, ethnographic field notes written between 2012 and 2016, as well as interviews with developers, heritage architect, a deputy director of immovable heritage at the City of Johannesburg, shop owners and people who work in the area. This dissertation aims to contribute to the young field of SL studies, while bringing forth Scollon and Scollon’s (2003) methodological toolkit of geosemiotic which allows for an analysis of signs in place and how people interact with them to draw a pertinent analysis of the construction of place. Geosemiotics is coupled with specific themes for each analytical chapter which brings forth a new way of analysing a SL. Those themes are 1) the language of urban development which drawing on Markus and Cameron (2002) helps analyse the representation of city neighbourhoods; 2) heritage, which brings a temporal perspective to SL studies that I call a chronoscape; 3) authenticity, which brings a visual analysis addition to the recent debate on the topic within sociolinguistics scholarship (Coupland 2003, Bucholtz 2003 and Eckert 2003) and its focus on the discursive construction of what counts as authentic. This study argues that Marshalltown’s post-apartheid SL is carefully designed by a majority of (white) developers wanting to give the area a heritage feel, borrowing from the mining history of the city; thus anchoring a European influenced heritage within their own interpretation of what an African city should look like. The heritage feel of Marshalltown is part of a broader plan to reclaim the city, which means changing the image it acquired previously during an era of urban decay as a dangerous no-go area, into an attractive tourism-friendly urban space. Those changes are achieved by inserting development efforts into the market for authentic urban lifestyle which Marshalltown can provide thanks to its preserved history. The neighbourhood stands out from the rest of the inner city by being privately controlled and maintained thus distancing itself from the popular discourse of inner city Johannesburg and instead developers redesign it as an ideal space for consumption.
XL2018
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Greyling, Michelle. "An Undivided Landscape: Dissolving Apartheid buffer zones in Johannesburg, South Africa." Thesis, 2013. http://hdl.handle.net/10012/7504.
Full textAbstract:
Progressive spatial segregation of Whites from other ethnic races in South Africa started
in 1886. Apartheid rulers evicted three and a half million Blacks, Coloureds and Indians
from white urban and residential areas between 1904 and 1994. Apartheid planners
used natural, mining, industrial, and infrastructural buffer zones to spatially enforce
segregation. They based their apartheid spatial governance on separation and control
and not on urban development. Today remnants of apartheid remain deeply embedded
in the urban framework, where large buffer zones continue to enforce segregation and
disrupt economic growth.
Victims of apartheid legislation believed the eradication of apartheid in 1994 meant
the right to live in the city and the end of forced evictions. Since then the post-Apartheid
government has conducted 2 million evictions, reminiscent of the 3.5 million evictions
during the apartheid years. In an attempt to make Johannesburg a `world class city`,
the municipality forcefully removed the poor from the city, and relocated them to rural
locations where their livelihoods are severely challenged. To many, a new ``apartheid`
has been born; one that segregates the rich and the poor.
The government has released several strategies to provide land for the poor near the
city, but the high cost of land in urban areas has disrupted implementation.
The thesis proposes a three-fold strategic design intervention to provide land for the
poor near the city and dissolve the apartheid-designed buffer zone between Soweto
and Johannesburg. The site, a landmark from the apartheid spatial legacy and part of
the Witwatersrand gold mining belt, separates Soweto, home to four million Blacks,
from the city of Johannesburg. About one and a half million people commute to the
city each day passing by the 14 km stretch of this toxic mining land.
The thesis proposes three urban design strategies to transform the site into a
community, which the local people would build: Remediation strategies to address
the toxic mining landscape, infrastructural strategies to provide basic services and
economic strategies to promote economic growth. These strategies operate in a codependent
structure. Co-op centres implement these strategies, transfering strategy
technologies to the local community.
9
Putter, Anne. "Reinventing and reimagining Johannesburg in three post-apartheid South African texts." Thesis, 2012. http://hdl.handle.net/10210/8143.
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M.A.'Writing the city'‘, particularly writing the city of Johannesburg, in post-apartheid South African fiction can be considered as a new approach to interpreting South African culture; a new approach that takes into consideration and reflects the changes taking place in present-day South African society. By means of close textual analysis, this study examines the ways in which the city of Johannesburg is in the process of being re-imagined and reinvented in post-apartheid South African fiction and, therefore, in the post-apartheid memory. Particular attention is paid to narrative techniques utilised in the primary material as a means of not only re-writing the space of the city, but the space of South Africa as well. This is essential in order to reveal how transformation is narrated in post-apartheid, transitional texts and how this narration changes in post-transitional South African fiction. The chosen texts are read and interpreted as a type of cultural history or memory – as a means of constructing South African culture and history through textual production. In particular, this dissertation illustrates how texts written on Johannesburg, such as Phaswane Mpe‘s Welcome To Our Hillbrow (2001), Ivan Vladislavić‘s The Restless Supermarket (2001) and Kgebetli Moele‘s Room 207 (2006) are utilising the subject matter and every day life of the city as an 'idea‘; as a means of expressing societal concerns and other important changes taking place in the country as a whole. This study focuses on how each of the three chosen novels contributes to South African culture and history by narrating its transformative history. Topics such as the depiction of Johannesburg as a palimpsest and as a cultural archive of historical moments in present-day South Africa are explored. In this regard, themes and representations of movement, transition and transformation in the city of Johannesburg, as well as attempts to memorialise this space, are dealt with. In addition, the representation of a 'gendered‘ city as a means of narrating such transformation is also discussed. Here, reference is made to concerns such as the shifting position of men and women in the city, changing gender-related city consciousness, and altered gender discourse surrounding the city. This dissertation identifies and considers how depictions of the city of Johannesburg are being altered and modified in contemporary South African literature and contemplates the ways in which the narratives reveal how transformation is narrated via the Johannesburg landscape.
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Bam, Angela Phindile. "A discourse analysis of the urban imaginaries represented in tourism marketing for Johannesburg in the post-apartheid era." Thesis, 2016. https://hdl.handle.net/10539/24113.
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A thesis submitted to the Faculty of Engineering and the Built Environment in partial fulfilment of the requirements for the degree of Master of Urban Studies, Johannesburg 2016Like many cities around the world Johannesburg began marketing to attract tourists in the 1990s. Johannesburg has in the last couple of years become a ‘hot’ tourism destination and is increasingly ranked among the top global tourist destinations. Tourist cities market their cultural, historical shopping, entertainment and lifestyle attractions to attract tourists and wealthy residents. They also regenerate older historical districts or build new attractions in the form of high profile infrastructure and architecture. To attract tourists, cities use discourse to represent themselves in certain ways to the prospective tourist. This discourse found in tourism marketing and other communications; creates certain expectations or commonly held imaginings of a city as a tourism destination. These are referred to as tourism imaginaries. In cities these ‘tourism imaginaries’ become absorbed as urban imaginaries that shape not only tourist spaces, but the whole city. The research aims to deconstruct the imaginaries represented in Johannesburg’s tourism marketing to understand how tourism is shaping Johannesburg in line with this view. Discourse analysis is used as a method to achieve this. Michel Foucault understood discourse as a system of representation, where discourse is a way of creating meaning by representing knowledge and exercising power around a subject at a certain time in history and in a particular way. Besides the content analysis of the tourism marketing, the discourse analysis also captured how tourism businesses in three case study sites namely Newtown Precinct, Vilakazi Street and Montecasino Entertainment Complex have responded to the discourses in the City’s tourism marketing. A central argument made is that the drive to create tourist cities reinforces rather than reduces power inequalities and creates further fragmentation by creating pockets of exceptionalism reserved for tourists. The research contributes to the recent interest in the cultural and political understandings of cities which considers the often invisible or overlooked manifestations of power that shape cities. In the research tourism imaginaries are conceptualised as central in the generation and shaping of social practices in the City. It was concluded that the move to create tourist cities has given tourists and other tourism actors symbolic power, shaping the city by remote control, and therefore reinforcing global power dynamics that have shaped the world since colonial times.
XL2018
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Pretorius, Nicolé Natalie. "Jozi play (museum) : preserving the place of play." Thesis, 2017. https://hdl.handle.net/10539/24075.
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A research report submitted to the Faculty of Engineering and the Built Environment, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Masters of Architecture (Professional), Johannesburg 2017This thesis studies the place and nature of the concept of play in society through the exploration of objects and spaces that stimulate, encourage or deter the notion of play. Nominated spaces that will ideally contribute to the study of play are reviewed, focusing in particular on areas within the local context of Johannesburg where a notion of play takes or could inherently take place. But in order to draw an understanding and a cognitive inspiration, toys are reviewed as objects of play. Toys are studied with the intention of identifying the role it encompasses and the integrity of the notion of play, with a focus on local toy design and manufacture in relation to the international market.
XL2018
12
Van, der Wiel Renee. "Unravelling stereotype, unanticipated sociality : breast cancer treatment at a public healthcare facility in post-apartheid Johannesburg." Thesis, 2013. http://hdl.handle.net/10539/13184.
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This dissertation presents an ethnographic account of a socially diverse, public breast cancer clinic in Johannesburg. The findings of this qualitative research radically challenge the unproblematised and overdetermined use of the categories of race and gender in existing literature concerning this disease. The growing breast cancer epidemic in South Africa affects all demographic categories of women including young women. Yet, previous research frames this as a racialised and gendered crisis. Black women have been depicted as ignorant “problem patients” who resist biomedical treatment, and all women are described as having a particular relationship to their breasted bodies and a deep fear of mastectomy. Departing from these stereotypes, this ethnography reveals unanticipated data showing, firstly, that race, class, age and level of education did not determine women’s relationship to breast cancer and biomedicine. Secondly, socially diverse women commonly experienced breast cancer as a life-threatening disease that evoked confrontation with existential concerns regarding suffering, death, family, and faith. Due to these commonalities, an intimate and powerful sociality existed amongst women at this clinic. Thirdly, within this sociality, women accepted mastectomy as a necessity in creating a healthy body. Breastlessness was normalised and women generally were reluctant of breast reconstruction, thus destabilising the conceptual relationship between breasts and gender. This dissertation’s deconstruction of the use of hegemonic social categories is a significant intervention in a context where these categories are often viewed as absolute determinants of social and health phenomena, and therefore prompts more nuanced approaches to understanding experiences of illness in post-apartheid South Africa.
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Plaskocinska, Patrycja. "Between hair and the Johannesburg art gallery: a hair museum mediating the disjointed context by inspiring public ownership through the celebration of an African Art Form." Thesis, 2015. http://hdl.handle.net/10539/17581.
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Master of Architecture [Professional] at the University of the Witwatersrand, Johannesburg, South Africa, in the year 2014.In the case of Johannesburg, unlike cities around the world that experienced inner city decline, its city centre was never entirely abandoned. It experienced rapid social change. As Johannesburg was beginning to change, the Johannesburg Art Gallery (JAG) was experiencing a declining number of visitors. Unable to engage with the changing social structure, a fence was built around it and JAG turned itself inwards. This thesis explores the intention to take advantage of the rich and dynamic informal industry of hair that has emerged around JAG. Hair is loaded with social, sexual and political undercurrents. In an African city that has been colonized and becoming increasingly globalised, hair’s relevance in terms of politics must be brought to the forefront. By acknowledging the thriving inner workings and its contributors and by engaging in a critical discussion that people can relate to, JAG will be embraced by the community again. An intervention of mediation through architecture is proposed. A Hair Museum perched on the opposite side of the railway that weaves JAG closer into its current context by opening and improving dialogue between the disjointed surroundings. A new museum as a mediator explores the idea of museum-asurban system. The question is asked whether a public institution is capable of assisting a society through a museum by looking at the concept of the Greek ideal of kalokagathia, which means the perfection of the body and city based on balance, justice and proportion. This thesis essentially explores Julian Carman’s idea of a museum1; that the key to JAG’s survival and upliftment lies only if it inspires public ownership. This thesis will explore the significance of celebrating hair in an African city with visible impacts of an imperialist past. By celebrating hair, thereby beginning the discourse of it’s connotations, will allow for a transgression into where society and its’ perception of itself stands in a globalizating world. Museum’s play a key role in society to not only preserve memories but also re-ordering them and making sense of them for later generations (Watson, 2007: 4). The proposed Hair Museum as mediator is not so much about saving a contested and feared city- as much as it is about embracing the new spirit of the city and encouraging the potential held within. 1 Julian Carman, Author of ‘Uplifting The Colonial Philistine: Florence Phillips And The Making Of The Johannesburg Art Gallery’. See References.
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Naidoo, Prishani. "The making of 'the poor' in post-apartheid South Africa : a case study of the city of Johannesburg and Orange Farm." Thesis, 2010. http://hdl.handle.net/10413/5065.
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This thesis offers an overview of the functions served by various mobilisations of "poverty‟ and "the poor‟ across the histories of capitalism. It shows how "poverty‟ and "the poor‟ come to be shaped as governmental categories in the interests first of encouraging the acceptance of wage labour in industrial society, and then in encouraging the acceptance of a logic of individual responsibility and entrepreneurship as wage labour declines in post-industrial society. It also examines the deployment of discourses of poverty within social movements, showing the close relationship between the elaboration of governmental discourses and resistance in the contested process of the "making‟ of "the poor‟. In particular, it explores the increased mobilisation of discourses of poverty in post-apartheid South Africa, where, it is shown, "poverty‟ and "the poor‟ are shaped as governmental categories that aim to fashion particular forms of life for that population group identified and targeted as the poor, and become ways for poor people to make demands of the state in the context of the adoption of neoliberal policies, such as cost recovery, privatisation, and the flexibilisation of labour. Through a close exploration of state policy formulation and community struggles in the sphere of the delivery of basic services, this thesis presents the contested field of signification and production that emerges around the meeting of the basic needs of the poor in the City of Johannesburg and Orange Farm (a particularly disadvantaged part of the city) as a case through which to think through contemporary mobilisations of "poverty‟ and "the poor‟ in relation to processes of subjectivation and the possibilities for the production of subjectivities antagonistic to the logic of capital. Focusing on the City's most recent return to indigent management as a strategy to contain and address the needs of the poor, in the context of organised resistance on the part of poor communities, this thesis offers an experience of a process of neoliberalisation as a contested process, in which attempts to shape and deploy "the poor‟ and "poverty‟ as governmental categories come up against mobilisations of "the poor‟ in challenge of the dominant logic of commodification, the market, and "individual responsibility‟.Thesis (Ph.D.)-University of Kwa-Zulu Natal, Durban, 2010.
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Cachalia, Nazira Vahed. "A survey of English teacher's opinions in the Johannesburg area on a language policy for education in a post-apartheid South Africa." Thesis, 1993. http://hdl.handle.net/10539/21524.
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A research report submitted to the Faculty of Education
University of the Witwatersrand, Johannesburg for the
Degree of Master of Education.
Johannesburg 1993The formulation of language policy in South Africa is inextricably bound up with the ideology of Apartheid. The "official" language, English and particularly Afrikaans are associated with race-ru1e and the exercise of state power. Many south Africans, whose mother-tongue is neither are compelled to learn these European languages for economic reasons [Abbreviated Abstract. Open document to view full version]
AC 2016
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Gulesserian, Lisa Ann. "Incongruent experiences : literary representations of post-Apartheid Johannesburg in Ivan Vladislavić’s Portrait with keys." Thesis, 2010. http://hdl.handle.net/2152/ETD-UT-2010-05-1409.
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South Africa has not yet become a nation united in its diversity despite the claim made otherwise in the South African constitution. To grapple with the constitution’s unfulfilled promises, many writers and artists from the country have taken up the incongruity between lived experience and nationalist rhetoric in their works. As part of that efforts by artists and writers in South Africa, Ivan Vladislavić’s 2006 book Portrait with Keys: The City of Johannesburg Unlocked describes the difficulties of living in a country that does not perfectly match the rhetoric of a nation “united in [its] diversity.” In order to expand on the theme in Portrait with Keys of incongruity between lived life and the national discourse, as well as between lived life and literary representations, it is imperative to identify the discourse surrounding the current situation in South Africa. In this analysis of Vladislavić’s book, the author will describe and decipher moments where the lived experience of residents in Johannesburg belies the inclusionary discourse of South Africa and the literary representation of other cities. After describing moments that highlight the lack of correspondence between life and word, the author will analyze the various strategies for coping with the incongruity in the book. By taking this route of analysis, the author intends to illuminate the South African phenomenon of incongruent experience (in which lived life, discourse, and representation do not correspond) and arrive at a reading of the incongruity in Vladislavić’s book that leaves room for hope.text
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Castle, Elizabeth. "Encounters with the controversial teaching philosophy of the Johannesburg Art Foundation in the development of South African art during 1982-1992." Thesis, 2015. http://hdl.handle.net/10539/18332.
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The Johannesburg Art Foundation (JAF), founded in 1982 by Bill Ainslie, maintained a teaching philosophy which opposed any form of discrimination and stressed that art education should be a possibility for everyone. There was no prescribed curriculum and the programme was not dependent on an external educational authority. I argue that particularly in the decade 1982-1992, the South African apartheid government's educational policy towards cultural activities was prescriptive, stifling and potentially paralysing for many artists. Nevertheless, the teaching at the JAF sustained a flexibility and tolerance of ideas combined with an emancipatory ambition that promoted exchange. The philosophy was infused with a social justice and a political activism agenda squarely in opposition to the separatist apartheid education laws.
This study contextualizes the impact and efficacy of the teaching approach at the JAF in terms of its intellectual, social and political perspectives during the years 1982-1992. This teaching approach prompted acerbic encounters within the competing systems of formal and informal institutions. It is this controversial anomaly signifying elements of collision in the pursuit of developing modernism that are investigated to some extent.
Personal involvement as an artist and teacher, during the period 1982-1992, allowed my contribution and participation in the development of the teaching philosophy. The paucity of available literature on the subject has stimulated a comprehensive preliminary investigation of the way in which the JAF cultivated alternative educational policies.
The individual methodologies and personal experiences extracted from interviews with artists, Council Members and members of staff are documented in order to provide a detailed characterisation of the values of the JAF. In addition, original documentation representative of the genealogy of the JAF forms part of the curatorial practice for the exhibition Controversial ways of seeing at the Bag Factory Gallery.
The JAF declined from 1992 and finally ceased to exist in 2001.
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"Jazz as discourse : a contextualised account of contemporary jazz in post-apartheid Durban and Johannesburg." Thesis, 2005. http://hdl.handle.net/10413/1013.
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This study offers an ethnographically contextualised close reading of the music played by three 'jazz' groups in eight concerts held in Durban and Johannesburg between June 1994 and December 2003. These performances were videotaped and then analysed with reference to 1) the compositional and improvisational techniques employed in the creation of the performances; 2) the stage behaviour of the musicians; 3) audience behaviour, and 4) the physical contexts in which the performances occurred. The performances constitute the primary texts on which this study is based. Secondary texts, in the form of discourse produced because of the concerts, are also examined. These take the form of open-ended interviews with thirteen participant musicians and twelve audience members. The primary and secondary texts are then compared with each other and situated within their broader musical and social contexts. This exploration of the ways in which social processes inhere in musical processes draws on a notion of expressive discourse as 1) a multifaceted practice in which textuality, subjectivity, place, history, and power function as interdependent parts of a complex social ecology and 2) a dialogically-constituted system of utterances. The study then argues that musical details articulate social meanings - and thus function as utterances - because of their dual existence within 1) systems of intra- and intertextual relationships and 2) processes of dialectical interaction between texts and socio-historical contexts.Thesis (Ph.D.)-University of KwaZulu-Natal, 2005.
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Nemaonzeni, Ephraim Raphalalani. "Community Participation in the Upgrading of Informal Settlements with reference to Thembelihle and Kanana informal settlements, Johannesburg." Thesis, 2006. http://hdl.handle.net/10539/1684.
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Student Number : 8906043R -
MSc research report -
School of Architecture and Planning -
Faculty of Engineering and the Built EnvironmentThis study engages with community participation in post-apartheid South Africa, in an attempt to discern participation approaches that might enhance development in the upgrading of informal settlements within the Metropolitan Cities. The research attempts to come up with an intervention strategy that incorporates participation of Community- Based Organisations, Community leaders and society into informal settlement interventions in South Africa. It reviews the South African framework and structures for informal settlement community participation (including civic organisations, other community-based organisatios, and elected statutory representation). It then examines to what extent lessons from the International literature review 2003 study conducted by Thabelo Nethenzheni may be relevant to the South African situation.
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Phillips, Frank Donald. "Richard Ambrose Reeves : Bishop of Johannesburg, 1949 to 1961." Diss., 1995. http://hdl.handle.net/10500/15770.
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Shiba, Thando Monica. "Social control in the 20th century and its impact on households: A case study of disarticulation from Sophiatown to Meadowlands, Soweto." Diss., 2021. http://hdl.handle.net/10500/27716.
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In South Africa, racial discrimination was witnessed through renowned segregationist acts including the Group Areas Act (No:41) of 1950, which forcibly displaced families from their homes and triggered significant social upheavals and the callous disintegration of long-established communities such as Sophiatown. The removals were a political strategy to relocate so-called “non-white” people from the inner city to townships such as Meadowlands explicitly chosen for their hazardous impure land known as mine dumps (Rodgers 1980:76). These displacements had a paradox of intergenerational homelessness triggered by instrumental racism that influenced politics of space and in effect, the disarticulation of the lives of black South Africans (Milgroom and Ribotc 2019:184). Therefore, it is important to undertake a study investigating the circumstances that gave rise to these forced removals, the subsequent breakdown of social order, a typical consequence of population relocation, which merits an examination of the contemporary implications and ramifications of disarticulation and highlights, in this regard, some significant shortcomings in post-Apartheid governance.Anthropology and Archaeology
M.A. (Anthropology)
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Khannenje, Hassan. "Between Johannesburg and Jerusalem a comparative analysis of non-violence as strategy for political change : the case of apartheid South Africa and the occupied territories of Palestine/Israel /." 2007. http://etd1.library.duq.edu/theses/available/etd-07122007-100716/.
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Molipa, Thato Paul. "Racism as a contradiction of the official social teachings of the Church of the Province of Southern Africa (Anglican) and in particular the diocese of Johannesburg from 1948 to 1990." 1997. http://hdl.handle.net/10500/17490.
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Racism as legislated by the government of South Africa, found its way into every sphere of
South African life, political, social, economic and religious. Racism became another culture.
It was in this culture that the Church of the Province of Southern Afiica (Anglican) and the
diocese of Johannesburg found itself.
To be credible and true to its calling, this church in its social teachings taught against racism
on the grounds that it is anti-Christian and denies the essential truths of the gospel. However
a contradiction in its teachings presented itself. Racism came to be found to be alive in its life
and structures. The church came to not practice what it preached. Its practice did not follow
its theory.
For this church to be the church, racism needs to be purged from its life, practice and
structures. A new way of life in the church has to be created and followed.M.Th. (Systematic Theology)
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Ally, Shireen A. "Servants & saints? sociology and sociologists in Apartheid South Africa a case study of the shift to a Marxist, oppositional sociology in the Sociology department at the University of Witwatersrand, Johannesburg, 1975-1989 /." 2001. http://catalog.hathitrust.org/api/volumes/oclc/50046016.html.
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Thesis (M.S.)--University of Wisconsin--Madison, 2001.Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 123-134).