Relevant bibliographies by topics / Antonio Sacco

Academic literature on the topic 'Antonio Sacco'

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Published: 10 March 2023

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Journal articles on the topic "Antonio Sacco"

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Navarro García, Luis. "Patriotismo y autonomismo en José Antonio Saco." Anuario de Estudios Americanos 51, no. 2 (December 30, 1994): 135–54. http://dx.doi.org/10.3989/aeamer.1994.v51.i2.485.

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Gasparri, Maria Luisa, Ilary Ruscito, Filippo Bellati, Fabio Corsi, Rosa Di Micco, Oreste Davide Gentilini, Thorsten Kuehn, et al. "Abstract OT3-12-01: Immunological predictors of nodal response in breast cancer patients undergoing neoadjuvant therapy." Cancer Research 83, no. 5_Supplement (March 1, 2023): OT3–12–01—OT3–12–01. http://dx.doi.org/10.1158/1538-7445.sabcs22-ot3-12-01.

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Abstract Immunological predictors of nodal response in breast cancer patients undergoing neoadjuvant therapy Maria Luisa Gasparri1, Ilary Ruscito2, Filippo Bellati2, Fabio Corsi3, Rosa Di Micco4, Oreste D. Gentilini4, Thorsten Kuehn5, Andrea Papadia1, Donatella Caserta2, Lorenzo Rossi6, Arianna Calcinotto7 1 Department of Gynecology and Obstetrics, Ente Ospedaliero Cantonale, Ospedale Regionale di Lugano, Lugano, Switzerland 2 Department of Medical and Surgical Science and Translational Medicine, Sapienza University of Rome, Azienda Ospedaliera Sant’Andrea, Rome, Italy 3 Breast Unit, Department of Surgery, Istituti Clinici Scientifici Maugeri IRCCS, Pavia, Italy; Department of Biomedical and Clinical Sciences "Luigi Sacco", Università di Milano, Milan, Italy 4 Breast Surgery Unit, San Raffaele University Hospital, Milan, Italy 5 Interdisciplinary Breast Center, Department of Gynecology and Obstetrics, Klinikum Esslingen, Esslingen, Germany 6 Oncology Institute of Southern Switzerland, Bellinzona, Switzerland 7 Cancer Immunotherapy lab, IOR Institute of Oncology Research, Bellinzona, Switzerland Background: Almost 20% of breast cancer patients present at diagnosis with clinically positive nodes. Most of these patients undergo neoadjuvant therapy in order to de-escalate the axillary surgery in case of response (sentinel lymph node biopsy, targeted axillary dissection or targeted axillary dissection, instead of an axillary lymphadenectomy). The conversion from positive to negative nodes after neoadjuvant therpy is expected in approximately the 60% of the cases, depending by tumor subtypes. Several models have been proposed with the goal of identifying predictors of nodal response prior to neoadjuvant treatment. The immune system plays a pivotal role in cancer invasion and progression. Its role in treatment response is currently under investigation in several settings. Primary endpoint: to identify a preoperative immune profiling of breast cancer patients with nodal involvement at diagnosis and to correlate the immune changes after neoadjuvant therapy with the nodal response (macrometastases, micrometastasis, isolated tumor cells, complete response). Trial design: It is an international prospective cohort study including breast cancer patients undergoing standard neoadjuvant therapy, who present initially with biopsy-proven axillary lymph node metastasis. Ten immune markers will be analyzed using immunohistochemistry and tissue microarray in primary tumor and nodal tissue samples (tumor associated neutrophils, CD4 lymphocytes, CD8 lymphocytes, T regulatory cells, Macrophages, Follicular dendritic cells(DC), plasmocytoid DC, interdigitant DC, mature DC, Lysosomal associated membrane protein 3). The tissue analysis will be performed on the biopsy collected at diagnosis (prior to neoadjuvant therapy) and during the axillary surgery (after neoadjuvant therapy). Target accrual/sample size: 210 patients Statistical analysis: To compare the distribution of immune cells according to the state of lymph node metastasis, Student’s t test will be performed. Pearson’s chi-square test will be used to evaluate the correlation between immune profile and nodal response, based on clinic-pathological features. Odds ratios (ORs) and 95% confidence intervals (CIs) will be calculated using logistic regression analysis. Multivariable analysis will be performed using the multivariable logistic regression model. Logistic regression models will be used to identify the clinical, pathologic and immunological variables associated with the nodal response. P-values less than 0.05 will be considered significant. Analyses will be performed using Microsoft IBM SPSS® version 20.0 for Mac. Current status: Recruitment has not started yet. Contact information: marialuisa.gasparri@eoc.ch Citation Format: Maria Luisa Gasparri, Ilary Ruscito, Filippo Bellati, Fabio Corsi, Rosa Di Micco, Oreste Davide Gentilini, Thorsten Kuehn, Andrea Papadia, Donatella Caserta, Lorenzo Rossi, Arianna Calcinotto. Immunological predictors of nodal response in breast cancer patients undergoing neoadjuvant therapy [abstract]. In: Proceedings of the 2022 San Antonio Breast Cancer Symposium; 2022 Dec 6-10; San Antonio, TX. Philadelphia (PA): AACR; Cancer Res 2023;83(5 Suppl):Abstract nr OT3-12-01.
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Silverstein, Stephen. "José Antonio Saco: An Early Critic of Anti-Semitism." Revista Canadiense de Estudios Hispánicos 42, no. 3 (April 24, 2019): 609–26. http://dx.doi.org/10.18192/rceh.v42i3.2184.

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En el actual estudio, leo una carta publicada por el intelectual cubano José Antonio Saco en 1829 al lado de las Réflexions sur la question juive (1946) de Jean-Paul Sartre, ya que encuentro que las tesis centrales de estos dos ensayos tienen varios puntos de contacto. El ensayo de Sartre y su recepción, por otra parte, ayudará a deslindar dónde la carta de Saco anticipa la teoría crítica de la raza que surge posteriormente y varios casos en los cuales, a pesar de su perspicacia, Saco se equivoca. Habiendo resumido estas intersecciones, adopto la intervención ética de Emmanuel Levinas y sugiero que fue la relación empírica de cara a cara del cubano con un judío en Nueva York lo que motivó su meditación abierta y no convencional sobre el odio hacia el judío; en otras palabras, además de enseñarle inglés, el tutor judío de Saco le enseñó que, como decía Levinas, “puede existir un yo que no sea un yo mismo”.
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Ivkina, L. A. "History in Faces. José Antonio Saco and its Time." Latin-american Historical Almanac 19, no. 1 (August 20, 2018): 27–45. http://dx.doi.org/10.32608/2305-8773-2018-19-1-27-45.

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Villa Prieto, Josué. "Crónicas urbanas e historiografía en la Toscana bajomedieval. Urban chronicles and Historiography in medieval Tuscany." Territorio, Sociedad y Poder 13, no. 13 (November 25, 2018): 101. http://dx.doi.org/10.17811/tsp.13.2018.101-126.

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Este trabajo propone una aproximación a la historiografía urbana en Toscana durante la Baja Edad Media. Su cronística se interpreta como resultado de dos fenómenos: la consolidación de Florencia como autoridad política hegemónica en la región y como principal foco cultural del humanismo italiano. Cada epígrafe está dedicado a las historias realizadas sobre una ciudad concreta, interpretándose el contexto de su elaboración, la relación existente entre el autor y los hechos narrados, las características literarias de la obra, su contenido, y las posibilidades y límites que ofrecen para el conocimiento histórico. El catálogo de autores y obras incluye una tipología de las mismas en función de la cronología abordada (periodizaciones acotadas, historias universales y sucesos concretos). Asimismo se precisa los métodos y técnicas de elaboración histórica empleados por los cronistas, y sus esfuerzos humanistas en el tratamiento de las fuentes y por conseguir un estilo literario de inspiración clásica.The aim of this article is to offer a closest view of the urban chronicles made in the Toscana during the transition from the Middle Ages to the Renaissance. The analysis is both historiographic and historic in order to achieve a better comprehension of these Works, taking into account the political evolution of the region and the cultural background that defines it. There for it must be kept in mind that during the Late Medieval Ages Florence gradually grows stronger as the govern authority within the region, as well as the main role in the Italian Humanism.Each one of the sections in this article studies one city. The first one studies the case of Florence, followed by the other cities in the Toscana: Arezzo, Pisa, Pistoia, Prat, San Miniato, Sienna (only city that stays away from the Florentine sovereignty, remaining as a republic) and Volterra. In each case it is studied the historic, institutional and cultural reality surrounding the redaction of the chronicles, the relation between the author and the facts he relates, the literary aspect of the chronicles, in addition its content is summarized, and finally the opportunities and boundaries that the chronicles can offer to the historic knowledge is valued.The chronicles are also classified attending to its characterization. A first differentiation appears when focusing into the way the chronicles deal with the information: some offer just statements that contain the news, with no explanatory recounting, in order to achieve objectivity (Annali Fiorentini, Annali Pisani, Annali Arretonirum); other are detailed essay containing the author’s most intimate feelings (Giovanni de Bonis, Baldasarre Boniaiuti, Antonio Ivani da Sarzana); and there are also Works that join together the explanatory narration with the transcription of public documents from the Comune (Giovanni Villani, Leonardo Bruni, Matteo Palmieri). In order to study this last type of chronicles its been followed the methodology by G. Arnaldi and M. Zabbia about the notary-chronicler, his academic education and notarial work, which leads them to act as attestor and to recount History based in reliable documentation.Another classification can be made according to the chronological period in each chronicle. The Universal Histories go back to the city founding during mythological era and ancient times; they have the most original historical conception, offering chronological frameworks, interpretations and purely humanistic styles (Ricordano Malispini, Baldasarre Bonaiuti, Giovanni Villano, Leonardo Bruni, Niccolò Machiavelli). On the other hand, the cronache cittadine focus in a very precise period and, mostly, contemporary to the writing (Bartolomeo di ser Gorello, Raniero Granchi, Gregorio Dati, Paolo di Tommaso Montauri, Domenico Buoninsegni, Sozomeno da Pistoia, Tommaso Fecini, Francesco Guicciardini). Finally, the ricordanze analyse a very specific and exceptional event (Alamanno Acciaioli, Luigi Guicciardini, Simone Peruzzi, Guccio Benvenuti, Antonio Ivani da Sarzana, Bastiano, Francesco Pezzati, Guasparri Spadari); belonging to this last group there are also some rhymed pieces (Carmen in victoriam Pisanorum, Ricordi di Firenze in 1459, Sacco di Prato de Stefano Guizzalotti). Besides all these chronicle types there are some others in the form of diaries and domestic chronicles (Ugolino di Niccolò Martelli, Matteo Castellani, Filippo Rinuccini).Finally the study focus in the methods and techniques used by the chroniclers in the elaboration of History. They make a record of what they see or know through probative testimonies (oral or written), valuing the document as a source for the elaboration of History. Besides the humanistic way in which the chroniclers handle the sources, they also make an effort to achieve a literary style of classic inspiration.
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Ares Rodríguez, María Carmen. "Recensión Gramáticos e gramáticas. Homenaxe a Juan Antonio Saco Arce." Estudos de Lingüística Galega 13 (July 29, 2021): 203–8. http://dx.doi.org/10.15304/elg.13.7523.

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Saco Cid, Juán L. "Perfil biográfico de Juan Antonio Saco Arce: o seu compromiso intelectual." Boletín da Real Academia Galega, no. 379 (May 29, 2019): 309. http://dx.doi.org/10.32766/brag.379.735.

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Pequena biografía de Juan A. Saco Arce, con especial atención á súa formación académica e humanística. Baseándose na súa dobre titulación e na súa polifacética obra tan extensa, como gramático, como investigador da literatura e do folclore galegos e como poeta, o autor trata de presentalo como personaxe fundamental do Rexurdimento galego. O seu pouco recoñecemento como tal explícase pola brevidade da súa vida, que non lle permitiu ver fóra do prelo máis ca unha parte da súa obra e porque en boa medida os escritos que amosan os seus méritos non son creacións literarias dirixidas ó gran público, senón traballos de crítica, investigación e científicos sobre a lingua galega e o emprego dela naquela altura polos literatos e falantes, feito que limita grandemente a súa difusión popular.
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Hernando Sebastián, Pedro Luis. "El Museo de Arte Sacro de la Diócesis de Teruel." Artigrama, no. 29 (December 9, 2022): 97–114. http://dx.doi.org/10.26754/ojs_artigrama/artigrama.2014298071.

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El Museo de Arte Sacro de la Diócesis de Teruel se encuentra dentro del Palacio Episcopal de Teruel. Su colección se distribuye en cuatro salas, con una ordenación de las obras expuestas basada en su mensaje religioso. Destacan sus conjuntos de pintura mural, escultura medieval y orfebrería, y las obras del pintor valenciano Antonio Bisquert y del escultor Mariano Benlluire. Tras las œltimas reformas del edificio, el museo dispone de salas de restauración, investigación y de recursos audiovisuales. En su patio interior cubierto se celebran exposiciones temporales, conciertos y recitales
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Lavallé, Bernard. "Josef OPATRNÝ, José Antonio Saco y la búsqueda de la identidad cubana." Caravelle, no. 101 (December 1, 2013): 275–77. http://dx.doi.org/10.4000/caravelle.711.

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Fernández Salgado, Xosé A. "En la estela de la colección de literatura popular de Marcial Valladares: colaboración con otros folcloristas del siglo XIX." Madrygal. Revista de Estudios Gallegos 24 (January 31, 2022): 81–100. http://dx.doi.org/10.5209/madr.80235.

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El escritor y lingüista Marcial Valladares (1821-1903) fue también artífice de una de las primeras colecciones de literatura popular realizadas en Galicia en el siglo XIX. Pese a que a que no se publicó en un volumen en su momento, puede decirse que gozó de cierta difusión gracias a que el mismo usó las coplas y refranes por el transcritos como autoridad lingüística en su reconocido Diccionario gallego-castellano (1884); pero igualmente porque se mostró generoso cediendo esa completa y variada colección manuscrita a aquellos estudiosos del folclore español y gallego que solicitaron su colaboración. Este artículo explora y analiza su aportación a los trabajos y colecciones de Manuel Murguía, Antonio Machado y Álvarez, Juan A. Saco Arce, Francisco Rodríguez Marín, Casto Sampedro, José Pérez Ballesteros, Antonio de la Iglesia y Alfredo Brañas. Además, este examen va a permitirnos realizar un viaje historiográfico por las investigaciones folclóricas más determinantes del siglo XIX.
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Dissertations / Theses on the topic "Antonio Sacco"

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Maziero, Diana. "A 'fineza do amor' no teatro sacro-retorico-exemplar do Padre Antonio Vieira (em catorze sermões escolhidos para este fim) / Diana Maziero." [s.n.], 2004. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269899.

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Orientador : Antonio Alcir Bernardez Pecora
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-03T20:11:41Z (GMT). No. of bitstreams: 1 Maziero_Diana_M.pdf: 990630 bytes, checksum: d1e22247c4990e71dab9e9c5676b5b1f (MD5) Previous issue date: 2004
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Pegah, Rashid-S. "Handschriftliche Libretti von Domenico Lalli oder: von Neapel über Venedig und Arolsen nach Delhi." Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden, 2020. https://slub.qucosa.de/id/qucosa%3A70943.

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Domenico Lalli (eigentlich: Sebastiano Biancardi, 1679-1741) wird hauptsächlich als venezianischer Librettist wahrgenommen. Sicherlich liegt dies auch an seiner gelegentlichen Zusammenarbeit mit Antonio Vivaldi. Allenfalls ist noch von seiner Tätigkeit in Neapel die Rede. Tatsächlich finden sich in Beständen verschiedener früherer Hofbibliotheken eigenhändige Textbücher von Domenico Lalli, so beispielsweise in Dresden (Mscr.Dresd.Ob.48.e, Ob.48.f, Ob.48.g, Ob.48.ga) und in München. Ausgehend von solchen Textfunden werden Lallis Beziehungen zu Höfen im Heiligen Römischen Reich Deutscher Nation in den Blick genommen.
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McHugh, Sarah. "Renewing Athens : the ideology of the past in Roman Greece." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:edb6cac4-ff85-4635-9e66-f92524b7226c.

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In this thesis we explore the period of renewal that Athens experienced during the second century AD. This century saw Athens at the peak of her cultural prominence in the Roman Empire: the city was the centre of the League of the Panhellenion and hosted a vibrant sophistic scene that attracted orators from across the Greek world, developments which were ideologically fuelled by contemporary conceptions of Classical Athens. While this Athenian 'golden age' is a standard feature of scholarship on Greek culture under Rome, my thesis delves further to explore the renewal of the urban and rural landscapes at this time and the relationship between that process and constructions of Athenian identity. We approach the renewal of second-century Athens through four lenses: past and present in the Ilissos area; the rhetoric of the Panhellenion; elite conflict and competition; and the character of the Attic countryside. My central conclusions are as follows: 1. The renewal of Athens was effected chiefly by Hadrian and the Athenian elite and was modelled on an ideal Athenian past, strategically manipulated to suit present purpose; the attractions of the fifth-century golden age for this programme of renewal meant that politically contentious history of radical democracy and aggressive imperialism had to be safely rewritten. 2. Athens and Attica retained their uniquely integrated character in the second century. Rural Attica was the subject of a powerful sacro-idyllic ideology and played a vital role in concepts of Athenian identity, while simultaneously serving as a functional landscape of production and inhabitation. 3. The true socio-economic importance of the Attic countryside as a settled and productive landscape should be investigated without unduly privileging the limited evidence from survey, and by combining all available sources, both literary and documentary, with attention to their content, cultural context and ideological relevance.
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Kornmeier, Uta. "Taken from life." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2006. http://dx.doi.org/10.18452/15547.

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Wachsfigurenkabinette waren nicht immer die billigen Sensationsmaschinen, als die sie heute verstanden werden. Vor der Erfindung und Verbreitung von Photographie und illustrierten Zeitschriften waren sie Bildmedien, die der Vermittlung von visuellen Informationen dienten. Kein anderes Medium konnte die Protagonisten der Weltgeschichte so unmittelbar darstellen wie die Sammlungen lebensgroßer Wachsfiguren. Das Material Wachs trug wesentlich zu ihrem Erfolg bei, denn es ermöglichte die täuschend echten und bis dahin realistischsten Darstellungen von bekannten Persönlichkeiten. Die Operationsweise dieses Mediums wird am Beispiel von Madame Tussauds Wachsfigurenkabinett genauer untersucht. Dazu wurde, soweit möglich, die Reiseroute, der Aufbau und die “Besetzung” der Ausstellung rekonstruiert, sowie die soziale Herkunft der Besucher in der ersten Hälfte des 19. Jh.s ermittelt. Es wird deutlich, daß Marie Tussaud eine talentierte Portraitkünstlerin und ambitionierte Schaustellerin war, deren sorgfältig gestaltete Ausstellung vor allem Besucher der aufstrebenden Mittelschicht mit Interesse an Menschenkenntnis anzog. Das Wachsfigurenkabinett fiel damit in die Kategorie der “nützliche Unterhaltung”, die der Wissens- und Charakterbildung diente. Madame Tussaud ist vielleicht die bekannteste Betreiberin eines Wachsfigurenkabinetts – keinesfalls aber die erste. Die Geschichte der kommerziellen Ausstellung lebensgroßer Wachsfiguren reicht ins beginnende 17. Jh. zurück, wobei sich das Konzept der Kabinette im Laufe der Jahrhunderte stark gewandelt hat. In dieser Arbeit werden drei Ausstellungsformen unterschieden: a) das barocke Figurengruppen-Kabinett, das programmatische oder allegorische Geschichten erzählt, b) die aufklärerische Portraitgalerie (wie z.B. Madame Tussauds), in der Persönlichkeiten als charakteristische Individuen vorgestellt werden, c) das moderne Tableau-Kabinett, wo alltägliche oder außergewöhnliche Ereignisse auf bis dahin unübertroffen realistische Weise wiedergegeben werden. Als Nachrichtenkanal und als Medium für realistische Wirklichkeitswiedergabe sind Wachsfigurenkabinette seit den 1920er Jahren überholt. Als Spiel mit der menschlichen Sinneswahrnehmung bleiben sie jedoch vorerst aktuell.
Waxworks were not always the cheap sensation spinners as which we perceive them today. Before the invention and wide-spread use of photography and illustrated magazines they were an important medium for distributing visual information. No other form of communication could offer such immediate representations the protagonists of world history. Perhaps the greatest part in their success took the material wax which allowed the creation of deceptively lifelike and hitherto most realistic depictions of celebrated individuals. In this thesis, Madame Tussaud’s serves as a prime example for examining the mode of operation of a waxwork exhibition. As far as the sources allow, the itinerary, the ‘cast’ and display of the exhibition is reconstructed, as well as the number and the social background of its visitors during the first half of the 19th century. It emerges that Marie Tussaud was a talented portrait artist and a show woman of ambition whose carefully constructed exhibition attracted mainly middle-class visitors with an interest in human classification. Thus, the waxworks was a ‘rational entertainment’ that was thought to further the development of knowledge and character in its visitors. While Madame Tussaud’s was perhaps the most famous waxworks, it was not the first one. The history of commercial exhibition of life-sized wax figures goes back to the 17th century. Their concept, however, changed significantly over the centuries. Three forms of waxworks are differentiated here: a) the baroque waxworks of groups of figures narrating programmatic and allegorical stories, b) the enlightened portrait gallery – such as Madame Tussaud’s – where celebrities are presented as individual characters, c) the modern tableau waxworks, that represents extraordinary as well as everyday events in a realistic way that was hitherto unprecedented. As a channel for the distribution of news and as a medium for representing reality waxworks have become outdated. As a tickle for the senses, however, they will yet remain effective.
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COLAVECCHIA, LORENZO. "Antonio Sacco comico italiano dalla corte di San Pietroburgo alle commedie di Goldoni e Chiari." Doctoral thesis, 2010. http://hdl.handle.net/2158/579499.

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GALLETTI, LORENZO. "Lo spettacolo senza riforma. La compagnia del San Samuele di Venezia (1726-1749)." Doctoral thesis, 2015. http://hdl.handle.net/2158/1001779.

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Zelmat, Martina. "Otroctví v dílech kubánských autorů 1. poloviny 19. století." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-313296.

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This thesis consists of an analysis of the works of two Cuban authors of the first half of the 19th Century, Francisco de Arango y Parreño and José Antonio Saco. This paper focuses on their works, mainly on those that discuss the topic of slavery. The first chapter introduces the evolution of slavery and its end throughout the Word and in Cuba, focusing on the development of the Cuban society in the 19th century, in which both of the authors lived and created. The second chapter analyses the works of Francisco de Arango y Parreño, his gradual development of ideas and views on the subject in connection with historical events that influenced his works. The third chapter is comprised of similar analysis of José Antonio Saco's works. The conclusion compares the works of both authors and highlights the points in which their views coincide or diverge. Key words: Francisco de Arango y Parreño, José Antonio Saco, slavery, slave trade, abolitionism, sugarcane, Cuba, 1st half of the 19th cent.
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Books on the topic "Antonio Sacco"

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Pasquale, Tuscano, ed. L'eremita Antonio: Poema sacro. Sisto (Perugia): Effe, 2012.

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Saccà, Antonio. Canaletto: Montevago / Antonio Saccà. Milano: Spirali/Vel, 2002.

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José Antonio Saco: Eternamente polémico. Santiago de Cuba: Editorial Oriente, 2005.

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José Antonio Saco y la búsqueda de la identidad cubana. Praga: Universidad Carolina de Praga, Editorial Karolinum, 2010.

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Rosencof, Mauricio. Los caballos ; El combate en el establo ; El saco de Antonio. Montevideo, Uruguay: Librosur, 1985.

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José Antonio Saco: Su influencia en la cultura y en las ideas políticas de Cuba. Miami, Fla., U.S.A: Ediciones Universal, 1989.

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1693-1768, Pecci Giovanni Antonio, and Istituzione dei cavalieri di S. Stefano., eds. Giovanni Antonio Pecci (1693-1768): Le vicende familiari, la presenza nell'Ordine di Santo Stefano e il pensiero sulla nobiltà di un intellettuale senese. Pisa: ETS, 2003.

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Molli, Carlo Antonio. Borgomanero, sacro e proffano, ossia Memorie e notizie attinenti a Borgomanero desonte dagli antichi monumenti raccolte dall'avv. Carlo Antonio Molli. Borgomanero (NO): [s.n.], 1998.

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Canaletto: Montevago / Antonio Sacca. Spirali/Vel, 2002.

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Álvarez, Rosario, ed. Gramáticos e Gramáticas: Homenaxe a Juan Antonio Saco Arce. Real Academia Galega, 2019. http://dx.doi.org/10.32766/rag.359.

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Book chapters on the topic "Antonio Sacco"

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Krochmal, Max. "San Antonio Chicano Organizers (SACO)." In The Chicano Movement, 203–26. Routledge, 2014. http://dx.doi.org/10.4324/9780203489130-10.

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"LA CASA DE CALDERAS SE TRASLADA A LA CIUDAD LETRADA: DOMINGO DELMONTE, GERTRUDIS GÓMEZ DE AVELLANEDA Y JOSÉ ANTONIO SACO." In Solventando las diferencias, 31–44. Vervuert Verlagsgesellschaft, 2003. http://dx.doi.org/10.31819/9783865278081-004.

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