Dissertations / Theses on the topic 'Antonio Porta'

Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Estudos da Tradução.
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Esta dissertação tem como objetivo principal apresentar traduções comentadas de poemas selecionados dentre a obra do poeta italiano Antonio Porta (1935-1989). Como preparação do trabalho prático de tradução, faz-se uma apresentação da obra poética do autor, acompanhada de comentários críticos, com ênfase especial aos aspectos lingüísticos e estilísticos. Discutem-se também aspectos teóricos da tradução em geral e da tradução de poesia. Neste campo, dá-se atenção especial ao tema da "impossibilidade da tradução", de que se apresenta uma breve digressão histórica, ao conceito de equivalência em geral e no que tange à tradução de poesia, e também à tradução como interpretação. A partir da fundamentação teórica mencionada, são apresentadas análises, de cunho preponderantemente lingüístico e estilístico, de poemas selecionados dentre a obra de Antonio Porta, acompanhadas de traduções comentadas.

The work focuses on the theatre of Antonio Porta (Vicenza, 1935 – Milan, 1989), one of the most important voices of Italian poetry of the second half of the twentieth century. The purpose is to retrace the author’s theatre production, from a both historical – critical and philological point of view, by including it in the context of the “unofficial” Italian theatre between 1960s and 1980s.

This thesis proposes a theoretical and historic-literary recognition on the relationship between poetry and orality in the second half of the 20th century. The study is structured into three levels: 1) the reconstruction of the methodological and theoretical issue of oral and written texts; 2) the reconstruction of the historic-literary scenario in the poetry of the second half of the 20th century, with its disclosure in radio, vinyl records and on the stage; 3) the analysis of Elio Pagliarani and Antonio Porta’s poetic production.

Antoni Pous, poeta i traductor és un estudi monogràfic de la figura d'Antoni Pous i Argila (Manlleu, 1932 - Barcelona, 1976), activista cultural i home de lletres que va destacar de molt jove, en la immediata postguerra, com a poeta de gran talent; que als anys seixanta va dur a terme una tasca cultural i pedagògica de gran transcendència a Igualada, amb la fundació del grup Lacetània i la creació de la revista Textos; que a partir de 1968 va impulsar de manera decisiva els estudis de llengua i literatura catalanes en l'àmbit alemany, primer des de Tübingen i després des de Zuric, i que finalment, amb la seva tasca de traductor, va introduir a l'àmbit literari català l'obra de dos autors clàssics del segle XX: Walter Benjamin i Paul Celan.
La tesi es divideix en quatre grans blocs: el primer, titulat "L'home", reconstrueix la trajectòria vital de Pous a partir dels seus propis escrits, molts d'ells inèdits, i del testimoni de les persones que el van tractar directament, sigui a través de la correspondència que van mantenir-hi o bé de les entrevistes orals fetes expressament per a aquest treball; el segon, titulat "El pensament", analitza els escrits en prosa que ens va deixar Pous, tant els publicats com els inèdits, per tal d'esbossar les seves idees sobre la religió, la filosofia, la política i la literatura; el tercer, amb el títol de "La poesia", recull i comenta la seva obra poètica, en gran part també inèdita, i en traça l'evolució des de la filiació ribiana dels inicis fins a l'hermetisme influït per Paul Celan de la darrera època, passant per la poesia de to social de finals dels seixanta; finalment, el quart bloc, sota el títol de "Les traduccions", cataloga i analitza les versions que Pous va fer de textos poètics, teològics i filosòfics al català, especialment de l'alemany, amb especial atenció a les seves seleccions de textos de Walter Benjamin i Paul Celan, les primeres que es van fer en català, i també les seves versions en alemany, fetes en col·laboració amb Johannes Hösle, de poesia catalana del segle XX.
A banda de ser el primer treball exhaustiu sobre aquesta figura fins ara pràcticament desconeguda de les nostres lletres, Antoni Pous, poeta i traductor aporta també dades de primera mà sobre diversos aspectes fins ara poc estudiats de la literatura i la cultura catalanes al llarg del tercer quart del segle XX, com ara la formació de l'anomenat "Grup de Vic" i la relació que aquest grup va mantenir amb Carles Riba, a través de Joan Triadú, o la relació d'amistat i de fecunda influència mútua que Antoni Pous va establir amb Miquel Martí i Pol i Jordi Sarsanedas.
Antoni Pous, poet and translator, is a monographic study on Antoni Pous i Argila (Manlleu, 1932 -- Barcelona, 1976), the cultural activist and man of letters who distinguished himself from an early age as a highly gifted poet, during the immediate post-war period; who in the 1960s developed an important cultural and pedagogical work in Igualada, while founding the group Lacetània and creating the magazine Textos; who since 1968 decisively encouraged the studies of Catalan language and literature in the German-speaking world, first in Tübingen and then in Zürich; and who finally, thanks to his translations, introduced to the Catalan literary world the work of two classical authors from the XXth century: Walter Benjamin and Paul Celan.
This thesis is divided into four main parts: the first with the title "The Man", reconstructs Pous' biography based on his own writings, many of them still unpublished, as well as on the testimony of those who knew him personally, using both correspondence and the taped interviews especially made for the present work; the second part, called "The Thought", analyses the prose by Pous, both published and unpublished, in order to outline his ideas about religion, philosophy, politics and literature; the third part, called "The Poetry", collects and comments upon his poetic work, for the most part unpublished, describing the evolution from his first period, influenced by Carles Riba, to the hermetism of his last phase, under the influence of Paul Celan, through his social poetry from the late 1960s; finally, the fourth part is called "The Translations", which catalogues and analyzes the versions made by Pous of poetic, theological and philosophical texts into Catalan, particularly from the German, focusing mainly on his own selection of texts by Walter Benjamin and Paul Celan, the first translations ever made into Catalan, as well as his versions of XXth century Catalan poetry into German, in collaboration with Johannes Hösle.
Besides being the first exhaustive study on this figure, up till now practically unknown in our literature, Antoni Pous, poet and translator also provides first-hand, scarcely studied data on different aspects of Catalan literature and culture in the third quarter of the XXth century, as the formation of the so called "Vic Group" and the relationship this group had, through Joan Triadú, with Carles Riba, or the friendship between Antoni Pous, Miquel Martí i Pol and Jordi Sarsanedas, which was one of fruitful and mutual influence.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
On présentera dans ce travail des analyses d’une partie de la correspondance de l’écrivain João Antônio. Il s’agit d’un ensemble de lettres échangées entre l’auteur et l’ami et colaborateur Jácomo Mandatto entre les années 1962 et 1995. Il est possible d’y rechercher le rapport des auteurs avec le marché editorial, bien comme les stratégies employées par eux pour élargir les ventes des livres. En outre, ces lettres démontrent encore l’importance conférée par les correspondants au travail des critiques en Littérature. Parmi ces questions plus pratiques, il surgit la discussion à propos le langage employé par João Antônio dans cette correspondance. La thèse principale de cette recherche est que les lettres de l’auteur mantient un dialogue constant avec son oeuvre, soit du point de vue de la thématique, soit du point de vue formal, puisqu’il y a des coïncidences dans ce qui concerne le travail avec le langage.
Serão apresentadas neste trabalho algumas análises de parte da correspondência do escritor João Antônio. Trata-se de um conjunto de cartas trocadas entre o autor paulistano e o amigo e colaborador Jácomo Mandatto entre os anos de 1962 e 1995. Nelas é possível investigar a relação dos autores com o mercado editorial, bem como as estratégias utilizadas por eles para ampliar a venda dos livros. Além disso, essas missivas demonstram, ainda, a importância dada pelos correspondentes ao trabalho dos críticos de Literatura. Em meio a estas questões de cunho mais prático, surge a discussão sobre a linguagem empregada por João Antônio nesta correspondência. A tese principal desta pesquisa é, portanto, de que as cartas do contista paulistano mantêm um diálogo constante com sua obra, seja do ponto de vista do tema, seja do ponto de vista formal, uma vez que há coincidências no que concerne ao trato com a linguagem.

Orientador: Ana Maria Domingues de Oliveira
Banca: Sandra Aparecida Ferreira
Banca: Vima Lia Rossi Martin
Banca: Marcos Antonio de Moraes
Banca: Antonio Carlos Hohlfeldt
Resumo: Serão apresentadas neste trabalho algumas análises de parte da correspondência do escritor João Antônio. Trata-se de um conjunto de cartas trocadas entre o autor paulistano e o amigo e colaborador Jácomo Mandatto entre os anos de 1962 e 1995. Nelas é possível investigar a relação dos autores com o mercado editorial, bem como as estratégias utilizadas por eles para ampliar a venda dos livros. Além disso, essas missivas demonstram, ainda, a importância dada pelos correspondentes ao trabalho dos críticos de Literatura. Em meio a estas questões de cunho mais prático, surge a discussão sobre a linguagem empregada por João Antônio nesta correspondência. A tese principal desta pesquisa é, portanto, de que as cartas do contista paulistano mantêm um diálogo constante com sua obra, seja do ponto de vista do tema, seja do ponto de vista formal, uma vez que há coincidências no que concerne ao trato com a linguagem.
Résumé: On présentera dans ce travail des analyses d'une partie de la correspondance de l'écrivain João Antônio. Il s'agit d'un ensemble de lettres échangées entre l'auteur et l'ami et colaborateur Jácomo Mandatto entre les années 1962 et 1995. Il est possible d'y rechercher le rapport des auteurs avec le marché editorial, bien comme les stratégies employées par eux pour élargir les ventes des livres. En outre, ces lettres démontrent encore l'importance conférée par les correspondants au travail des critiques en Littérature. Parmi ces questions plus pratiques, il surgit la discussion à propos le langage employé par João Antônio dans cette correspondance. La thèse principale de cette recherche est que les lettres de l'auteur mantient un dialogue constant avec son oeuvre, soit du point de vue de la thématique, soit du point de vue formal, puisqu'il y a des coïncidences dans ce qui concerne le travail avec le langage.
Doutor

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Fundo Mackenzie de Pesquisa
The drama character is created by the way it reveals itself and its relationship with the other characters, in order to represent the author s point of view. Domingos José Gonçalves de Magalhães, based on the comedy author Antonio José da Silva, the Jewish s life and work, wrote the tragedy Antonio José ou O Poeta e a Inquisição, where the main character is built up in the context of a strict conflict with reality, converging to Bakhtin s concept of the dialogic subject. This research aims to investigate how the main character is built up in the play and also how the author s worldview can be seen in its relation with the character s ethos.
A personagem do texto dramático constitui-se por meio do que revela de si e da sua relação com o(s) outro(s) dentro da obra, para representar a visão de mundo do autor. Domingos José Gonçalves de Magalhães, baseando-se na vida e obra do comediógrafo Antonio José da Silva, o Judeu, escreveu a tragédia Antonio José ou O Poeta e a Inquisição, cujo protagonista constrói-se num confronto rígido com a realidade, convergindo para a concepção dialógica de sujeito engendrada por Mikhail Bakhtin. Este trabalho tem como objetivo o estudo da construção do caráter da personagem Antonio José, com vistas ao exame da cosmovisão do tragediógrafo.

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The present thesis examines the works carried out by the architects Saul Macchiavello and Antonio Maria Rubio, between the years 1928 and 1938, in the city of Porto Alegre. The buildings produced by these professionals belong to the beginning of modern architecture, a period in which the gradual abandonment of the running of historicism occurs, prevalent since the late nineteenth century. The renewal process began in the early years of the twentieth century, period in which the aesthetics of the machine in the Western world emerged. This aesthetic has adopted a standard of formal as well as decorative simplification, directed to the rationalization of built space, suitable to the industrial society. The complex system resulting from this process led to the reformulation of architectural spaces and a new formal concept whose image was identified with the avantgarde aesthetic and Art Deco architecture, contributing to the emergence of a new way of living as well as a new lifestyle in Porto Alegre in the 1930’s.
A presente dissertação analisa as obras realizadas pelos arquitetos Saul Macchiavello e Antonio Maria Rubio, entre os anos de 1928 e 1938, na cidade de Porto Alegre. As edificações produzidas por esses profissionais pertencem ao início da modernidade arquitetônica, período em que ocorre o abandono gradativo da corrente historicista, predominante desde o final do século XIX. O processo de renovação teve início nos primeiros anos do século XX, momento em que emergiu a estética da máquina no mundo ocidental. Esta estética adotou um padrão de simplificação formal e decorativo, direcionado à racionalização do espaço edificado, próprio à sociedade industrial. O complexo sistema resultante desse processo originou a reformulação dos espaços arquitetônicos e uma nova concepção formal cuja imagem era identificada com as vanguardas estéticas e a arquitetura Art Déco, contribuindo para o surgimento de um novo modo de morar e viver na cidade de Porto Alegre na década de 1930.

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A presente disserta??o analisa as obras realizadas pelos arquitetos Saul Macchiavello e Antonio Maria Rubio, entre os anos de 1928 e 1938, na cidade de Porto Alegre. As edifica??es produzidas por esses profissionais pertencem ao in?cio da modernidade arquitet?nica, per?odo em que ocorre o abandono gradativo da corrente historicista, predominante desde o final do s?culo XIX. O processo de renova??o teve in?cio nos primeiros anos do s?culo XX, momento em que emergiu a est?tica da m?quina no mundo ocidental. Esta est?tica adotou um padr?o de simplifica??o formal e decorativo, direcionado ? racionaliza??o do espa?o edificado, pr?prio ? sociedade industrial. O complexo sistema resultante desse processo originou a reformula??o dos espa?os arquitet?nicos e uma nova concep??o formal cuja imagem era identificada com as vanguardas est?ticas e a arquitetura Art D?co, contribuindo para o surgimento de um novo modo de morar e viver na cidade de Porto Alegre na d?cada de 1930.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
O objetivo desta dissertação é ressaltar de que forma o poeta mineiro Antônio Carlos de Brito, o Cacaso (1944-1987), pertencente à geração da década de setenta que ficou conhecida como marginal do mimeógrafo, explora os recursos estéticos proporcionados pela movimentação cultural anterior, intitulada Tropicalismo. Assim, o choque ocasionado pelos tropicalistas que proporcionou uma ruptura aos valores estabelecidos de uma sociedade mascarada pela repressão político-ideológica - fruto do golpe militar ocorrido em 1964 - é reavivado pelo escritor marginal de modo notável. A desconfiança frente ao discurso mítico-nacionalista advindo dos militares, a urgência de se criar uma identidade cultural nacional através da instauração antropofágica que visa o rompimento de hierarquias nas mais diferentes manifestações artísticas e a necessidade de dar prosseguimento à crítica de um país em cacos, propondo sua atualização, ecoa nos versos do poeta. A poesia do autor mineiro também reflete temática e esteticamente uma sociedade incapaz de compreender as mudanças do seu próprio sistema; sociedade esta que necessitava urgentemente abrir diálogos mundiais, admitir sua condição de diversidade cultural e questionar a técnica e o progresso como valores fundamentais para o desenvolvimento de uma nação. Dessa maneira, propõe-se, através da apresentação crítica da poética cacaseana, sobretudo de alguns poemas do seu segundo livro intitulado Grupo Escolar (1974), revelar os ingredientes de reconstrução e desmistificação da realidade brasileira de que Cacaso se apropria, bem como destacar a reviravolta em parâmetros até então hegemônicos de avaliação cultural. Intimamente conectados com as propostas dos tropicalistas, esses parâmetros vão, a partir dos poetas marginais, exigir um novo posicionamento frente aos conceitos de modernidade, inovação e ruptura...
The aim of this dissertation is to highlight the way the Mineiro poet Antônio Carlos de Brito, known as Cacaso (1944-1987), who belongs to the generation from the seventies which came to be known as marginal mimeograph, explores the aesthetic tools provided by the Tropicalism, the previous cultural movement. The shock caused by the tropicalists which provided a rupture in the established values of a society masqueraded by a political-ideological repression – a 1964 consequence of the military overthrow – is notably renewed by the marginal writer. The suspicion facing the mythic-nationalist discourse of the military, the necessity of having a national cultural identity through the anthropophagic establishment which aims the hierarchic bursting of diverse artistic manifestations and the urgency of continuing the critique of a country shattered into pieces aiming its actualization at the same time, echoes in the poet´s verses. The Mineiro writer´s poetry also mirrors thematically and aesthetically a society unable to understand its own system changes. A society that immediately needed to have world-wide dialogues, admit its own condition of being culturally diversified and question the technique and the progress as crucial values to develop a nation. Thus, through a critical introduction of some of his poems, especially from his second book - Grupo Escolar (1974) - we intend to disclose some ingredients that were suitable for Cacaso to reconstruct and demystify the Brazilian reality, as well as emphasize the upheaval in the cultural evaluation parameters that were hegemonic at that time. By being closely-related to the tropicalists´ attempts, those parameters demanded a new position concerning the concepts about modernity, innovation and rupture for the fringe poets. The new effort required the election of plurality, median quality and tolerance... (Complete abstract click electronic access below)

Orientador: Gilda Figueiredo Portugal Gouvêa
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: A presente dissertação de mestrado tem como hipótese inferir sobre as possibilidades do Programa Bolsa Família em relação às permanências e mudanças dos arranjos e das reproduções sociais ancoradas na dicotomia público/privado das mulheres beneficiárias do programa no município paulista de Santo Antonio do Pinhal. Este estudo tem como base empírica a pesquisa de campo desenvolvida em 2012 no município em questão, através da realização de entrevistas semi-estruturadas com beneficiárias do programa de transferência de renda, utilizando assim metodologia qualitativa. Foram entrevistadas também as agentes estatais que executam o Programa no município. Como ponto de partida, este trabalho perpassa as transformações históricas ocorridas na sociedade brasileira a partir da década de 1980, refletindo sobre os atores e processos sociais que contribuíram para o atual campo das políticas sociais. Assim, reconstruo as portas institucionais que levaram ao atual Programa Bolsa Família. O Programa Bolsa Família, através da transferência direta de renda condicionada, tem como objetivo principal erradicar a pobreza e a extrema pobreza das famílias que se encontram nesta condição social. Por meio das condicionalidades tenta aproximar a população pobre aos serviços públicos de saúde e educação, no intuito de romper com o ciclo intergeracional da pobreza nessas famílias. Atualmente o Programa é parte do Plano Brasil Sem Miséria, plano este que tem como foco proporcionar garantia de renda, inclusão produtiva e acesso aos serviços públicos aos ainda 16 milhões de brasileiros que se encontram na extrema pobreza. A escolha por entrevistar mulheres beneficiárias não é aleatória. Estas são as principais responsáveis e potenciais aliados para um bom desenvolvimento do Programa Bolsa Família; para o cumprimento das condicionalidades obrigatórias para o recebimento do benefício e, principalmente, por serem elas as principais titulares do cartão que dá acesso ao Programa, as situando como centrais para o êxito do programa. Situá-las nessa posição é parte de uma escolha política dos formuladores do Programa Bolsa Família e possivelmente parte de uma constatação do seu lugar social, o que sugere algumas tensões existentes nessa escolha: responsabilizar essas mulheres pode significar uma sobrecarga em suas funções sociais, sugerindo uma possível reprodução dos papéis sociais historicamente atrelados a elas e aprofundando as desigualdades entre os gêneros. Outra tensão que cabe enunciar é o outro lado da moeda, ou seja, o acesso à renda, aos serviços públicos, a outros espaços de sociabilidade que podem realocar as hierarquias de poder internalizadas nas famílias, pode alcançar potencialidades de transformar as negociações cotidianas dessas mulheres, o que localiza minha hipótese de trabalho numa questão paradoxal sobre os alcances e impactos de uma política social como o Programa Bolsa Família
Abstract: This dissertation has hypothesized infer about the possibilities of the Family Grant Program in relation to permanencies and changes in social arrangements and reproductions anchored in the dichotomy public / private of the women beneficiaries of the program in the city of Santo Antonio do Pinhal. This empirical study is based on field research conducted in 2012 in the city on question, by conducting semi-structured interviews with beneficiaries of the cash transfer program, thus using qualitative methodology. We also interviewed state officials running the program in the city. As a starting point, this paper goes through the historic transformation in Brazilian society from the 1980s, reflecting on the actors and social processes that contributed to the current field of social policies. Thus, institutional reconstruction doors that led to the current Family Grant Program. The Family Grant Program, through direct income transfer conditioned, has as main objective to eradicate poverty and extreme poverty of families who are in this status. Through conditionality tries to bring the poor to public health services and education in order to break the intergenerational cycle of poverty in these families. Currently the Program is part of the Brazil Without Misery Plan, this plan that focuses on providing guaranteed income, productive inclusion and access to public services to an additional 16 million people who are in extreme poverty. The choice to interview women beneficiaries is not random. These are the main causes and potential allies for a good development of the Family Grant, for fulfilling the conditionality required to receive the benefit, and especially considering that they are the main holders of the card that gives access to the program, such as placing the central to the success of the program. Situate them in this position is part of a policy choice of the formulators of the Family Grant and possibly stems from the realization of their social location, suggesting some tensions that choice: blame these women may mean a burden on its social functions, suggesting possible reproduction of social roles historically linked to them and deepening inequalities between genders. Another tension is stating that it is the other side of the coin, that is, access to income, public services, to other spaces of sociability may relocate power hierarchies internalized in families may achieve potential to transform everyday negotiations of these women, which locates my working hypothesis in a paradoxical question on the scope and impacts of a social policy as the Family Grant
Mestrado
Sociologia
Mestra em Sociologia

To what end did Antoine Arnauld, a prominent theologian and philosopher of the seventeenth century, publish a work of elementary geometry? Why, in a century of such staggering intellectual achievements as the development of analytic geometry by Fermat and Descartes, and which promised the invention of the versions of the differential and integral calculus elaborated by Newton and Leibniz, did Arnauld believe it was necessary to rewrite the Elements of Euclid? Arnauld's Nouveaux éléments de géométrie, prefaced by his longtime collaborator Pierre Nicole, represents an intervention in the mathematical culture of the seventeenth century. In the early modern era the study of mathematics was often advocated for extra-mathematical ends and the Nouveaux éléments de géométrie, I argue, is a paradigmatic example of how mathematicians advocated its practice for propaedeutic reasons. More than the canonical figures Descartes, Pascal, and Leibniz, about whose projects in mathematics this has recently been argued, Arnauld's ambitions in the Nouveaux éléments de géométrie concern the cultivation of virtues among practitioners. To pursue the argument that Arnauld and Nicole advocate the practice of mathematics for the cultivation of virtue, I explore their broader philosophical and pedagogical commitments since it would be a mistake to consider the topic of mathematics in isolation. To this end, the early chapters of the dissertation explore the commitments that underwrite Arnauld and Nicole's recommendations for the pursuit of self-betterment. In their writings on the verbal and visual arts, and natural history and natural philosophy emerge values commensurate with their prescriptions to make use of mathematics for propaedeutic ends. What gives logic value but rhetoric none? What makes curiosity bad and natural philosophy useless? Why did Arnauld and Nicole advocate knowledge of logic but remain deeply ambivalent about an acquaintance with the visual arts? Answers to these questions are crucial to making sense of the values Arnauld brought to the project of rewriting Euclid’s Elements. Moreover, they help us to understand his and Nicole's prescriptions on topics including the passions and the senses, the explanations they offer about the nature of our souls and our capacity for reason, and the knowledge of method they hope to instil in practitioners. What virtues did Arnauld and Nicole believe accrued to those that studied geometry? In the dissertation I give an account of the moral, Christian, and epistemic virtues Arnauld and Nicole believed could be cultivated by a careful study of their edition of Euclid. I explore these questions in the final two chapters where I argue that Arnauld and Nicole's beliefs about what constitutes a well-lived Christian life motivates their prescription to study geometry. Since they believe we are bound by duty to be good and just, Arnauld and Nicole argue we should direct our education to this end. Not only does Arnauld's Nouveaux éléments de géométrie offer a subtle education in praiseworthy behaviour and deploys mathematical concepts to teach practitioners about their soul and God's nature, Arnauld and Nicole argue that we ought to cultivate epistemic virtues since being attentive, governed by reason, and truth-loving fulfils our moral and Christian obligations. In the final chapter of the dissertation, I examine their purely epistemological reasons for cultivating intellectual virtues, and argue that these constitute a surprising intervention from Port-Royalists in seventeenth century debates about the use and efficacy of reason. But for Euclid's Elements to serve these propaedeutic ends, Arnauld needed it to be a radically altered kind of mathematical practice. To conclude the dissertation, I examine Arnauld's arguments about the inadequacy of contemporary presentations of Euclid, and consider the corrections he offers in the Nouveaux éléments de géométrie. Few historians of philosophy have carefully examined Arnauld's work in mathematics and even fewer among their number have been anglophone scholars. Through a detailed contextualist study of the Nouveaux éléments de géométrie I show that in rewriting Euclid's Elements, Arnauld offered indispensable reflections on issues in moral philosophy, theology and epistemology, and detailed views commensurate with his broader philosophical project. The outcome of principled reflections on issues in contemporary philosophy and mathematics, Arnauld's rewriting of Euclid deserves our attention not least because of the insights it offers into French mathematical culture in the seventeenth century.

The recent revival of interest in Marxism has addressed the question of subjectivity in new ways. This thesis undertakes a critical investigation of the theme of subjectivity in key texts from the classical Marxist tradition in preparation for assessing its contribution to contemporary debates. My aim in this project has been to explore how one might construct a defensible version of the solution to the problem of subjectivity advanced by Marx and his successors. Examining Marx’s effort to develop the dialectical unity of subject and object in his Economic and Philosophical Manuscripts of 1844, I propose the coexistence of two conceptions of subjectivity in these Manuscripts. A tension is created within the text that I argue pre-figures the development of his theory of commodity fetishism. This theory addresses the problem of the authentic or quasi-subjectivity of capital. This theme is developed through an exploration of the obstacles confronting proletarian subjectivity in Marx’s Capital. Within this framework, I show how Marx elaborates concrete forms of working class self-activity, such as in his chapter on The Working Day. The relationship between human actors and social structures is studied, in particular the role of the knowing subject in the process of class struggle, such as with the case of the factory inspectors. I also critically examine the interpretation of Capital advanced by Moishe Postone in his work: Time, Labour and Social Domination. In the third chapter, Lukács’s theory of reification is examined, extending commodity fetishism to locate the commodity-form as the structuring principle fragmenting subjectivity in all spheres of social life. Following Marx’s discovery of the proletariat as the ‘universal’ class, Lukács poses the proletariat as the philosophical basis for overcoming these obstacles. I attempt to locate the questions that Lukács’s History and Class Consciousness allows us to ask and those it excludes. Whilst Gramsci’s Prison Notebooks do not directly address the theme of alienation and fetishism, in the final chapter, I argue that his distinctively concrete account of class subjectivity has a de-fetishising function related to the central role played by intellectuals in political leadership. I discuss the apparent autonomy of the State in Gramsci’s framework and examine whether this poses a problem for his conception of class subjectivity. In order to assess this challenge, I propose a new categorisation of two modes – holistic and constitutive – by which Gramsci analyses the State. Finally, I consider the possibility that Lukács and Gramsci’s heterogeneous frameworks might yield complementary contributions towards contemporary discussions of the problem of subjectivity.

This research proposed to investigate how to develop and implant a corporate portal to assist in knowledge management in a Private Institution of Higher Education, based on people, information and organizational strategy. Considering the peculiarities of the context and academic knowledge, more specifically, it referred to a proposal to build a conceptual model of corporate portal for knowledge management in the academic context, based on organizational knowledge of a Private Institution of Higher Education. The research of this dissertation, of qualitative and quantitative nature, is characterized as a case study. The goals were achieved through a combination of two lines of action: the first related to the theoretical construction based on literature, and the second consists of a questionnaire applied to the technical-administrative employees of private institution of higher education (IESP). Based on the methods employed, it was possible to: a. collect the informational and knowledge needs of the IESP employees; b. verify how information and knowledge are treated in the institution in order to be linked to the organizational strategy; c. study the types of existing portals; and d. study the information and knowledge management in private institutions of higher education . From these results it was possible to delineate a conceptual model of portal for the management of knowledge in its tacit and explicit part in the academic context.
Esta pesquisa se propôs a investigar como desenvolver e implantar um portal corporativo para auxiliar na gestão do conhecimento em uma Instituição de Ensino Superior Privada, com base em pessoas, informação e estratégia organizacional. Tendo em vista as peculiaridades do contexto e do conhecimento acadêmico, mais especificamente, referiu-se a uma proposta de construção de um modelo conceitual de portal corporativo para a gestão do conhecimento no contexto acadêmico, tendo por base o conhecimento organizacional de uma instituição de ensino superior privada. De natureza quali-quantitativa, a pesquisa desta dissertação caracteriza-se como estudo de caso. Os objetivos foram alcançados por meio da combinação de duas linhas de ação: a primeira relacionada à construção teórica realizada com base na literatura, e a segunda constituída de questionário, aplicado aos colaboradores técnico administrativos da instituição de ensino superior privada (IESP). Com base nos métodos empregados, foi possível: a. levantar as necessidades informacionais e de conhecimento dos colaboradores da IESP; b. verificar como a informação e conhecimento são tratados na instituição de forma a estar articulado à estratégia organizacional; c. estudar os tipos de portais existentes; e d. estudar a informação e a gestão do conhecimento em instituições de ensino superior privadas. A partir desses resultados, foi possível delinear um modelo conceitual de portal para a gestão do conhecimento em sua vertente tácita e explícita no contexto acadêmico.

Pierre Bayle (1647-1706) construit sa pensée tantôt en se rapprochant d’esprits contemporains, tantôt en s’en éloignant. Pour examiner sa figure complexe, nous confrontons ses textes à ceux des écrivains de Port-Royal, tels Antoine Arnauld, Pierre Nicole et Blaise Pascal, ainsi qu’à ceux de Bossuet. Notre analyse se situe au prolongement des études ayant tenté ces comparaisons, comme l’ont fait É. Labrousse, K. Nozawa et L. Simonutti pour le débat théologique, et A. McKenna et G. Mori sur le plan philosophique. Après avoir vérifié que la théologie de Bayle et celle de Port-Royal sont également fondées sur les idées thomistes de conscience humaine et de loi naturelle, nous avons précisé que la relecture des textes de Nicole permet à Bayle de reformuler le concept thomiste d’ignorance pour proposer une forme plus radicale de tolérance religieuse : tous les hommes ont le droit de suivre leur conscience – fût-elle errante. Nous avons ensuite rapproché la pensée politique de Bayle de celle de Port-Royal ainsi que de celle de Bossuet. Bayle, Arnauld et Bossuet, partisans de l’obéissance civile au pouvoir politique, condamnent Pierre Jurieu qui réclame le droit des peuples contre les souverains, au nom de la liberté de conscience. Ils s’opposent également aux traités « monarchomaques » du XVIe siècle, dont Jurieu est héritier. Cette condamnation conduit Bayle à séparer politique et religion, ainsi qu’à s’opposer à Bossuet, qui permet à Louis XIV d’imposer aux huguenots la conversion au catholicisme, y compris par la force ; Bayle s’approche ainsi de Pascal qui n’adhère pas à l’emploi de la force pour étendre le catholicisme
Our study is aimed at emphasizing the Catholic influence on Pierre Bayle (1647-1706)’s texts. For the purpose of arriving at sweeping interpretations, we deal with the texts of writers of Port-Royal, such as Antoine Arnauld, Pierre Nicole, Blaise Pascal, and those of Bossuet. We follow and develop Bayle studies that have attempted these comparisons such as E. Labrousse, K. Nozawa, A. McKenna, G. Mori. At first, we confirm that the theology of Bayle and Port-Royal is based on Thomistic ideas of human conscience and natural law. And the re-reading of the texts of Nicole allows Bayle to rephrase the Thomistic concept of ignorance to propose a radical form of religious tolerance : all men have the right to follow their conscience – even if it is errant. Our next approach is toward Bayle’s political thought. For this purpose, we compare his texts with Catholic texts. Bayle, Arnauld and Bossuet, advocates of civil obedience to political power, condemn Pierre Jurieu, who demands peuples right of rebellion against a monarch in the name of freedom of conscience. They are also opposed to French Huguenot theorists at the end of the sixteenth century named « Monarchomachs », who offered to Jurieu intellectual justifications for resistance to religious persecution. This condemnation leads Bayle to separate political domain from religious domain, contrary to Bossuet’s view, that allows Louis XIV to impose on the Huguenots the conversion to Catholicism, including by force. In this context, Bayle is similar to Pascal, who disapprove of using the political force to extend Catholicism

Este trabajo tiene por objeto analizar la influencia ejercida por el humanista Antonio de Nebrija (1441-1522) en el Arte de la lengua japona, gramática japonesa compuesta por el misionero español Melchor Oyanguren en 1738. Este autor declara tomar como modelo las Introductiones Latinae (1481) de Nebrija, manual que había servido de paradigma ya desde las primeras descripciones de las lenguas del Nuevo Mundo. La elección de Oyanguren como eje de mi estudio viene dada por su condición de testimonio tardío de esta subordinación al modelo renacentista. Pese a la reclamación expresa por parte del autor, las discrepancias con respecto a la doctrina recogida en las Introductiones son numerosas y afectan a aspectos centrales de la descripción lingüística. Esta contradicción entre el modelo teórico alegado y la praxis concreta del autor desencadena una problemática severa, que exige evaluar la recepción y reinterpretación del magisterio nebrisense desde una perspectiva sustancialmente más amplia en la que se contengan diversos estratos semánticos del concepto de influencia. En mi tesis se defiende la necesidad de evaluar la proyección de Nebrija desdoblada en dos planos: ha de considerarse, por un lado, la presencia material de sus obras y la doctrina lingüística reunida en ellas. Se analiza con este fin la posible adopción por parte de Oyanguren de ideas, conceptos, teorías y estrategias metodológicas procedentes de las Introductiones. Por otro, se examina una proyección simbólica (re)construida al amparo de la ideología imperial de la España moderna y fundada en una serie de atribuciones emblemáticas cruciales a la hora de comprender la génesis de la mitificación del humanista: restaurador de la lengua latina, expurgador de la barbarie, regulador de la lengua de una nación reunificada bajo el signo del cristianismo llamada a asistir al poder en la construcción y expansión de su imperio transoceánico, entre otras. Ambas dimensiones son concebidas y presentadas en mi examen como indisociables. Conforman, de hecho, una dualidad que ha de ser explorada conjuntamente si se pretende calibrar en toda su dimensión la pervivencia del magisterio de Antonio de Nebrija en generaciones futuras. Es precisamente en esta intersección entre la legitimidad del texto y la autoridad del nombre donde mi estudio encuentra las claves necesarias para reflexionar sobre los complejos canales a través de los cuales se operaron tales transferencias.

La porte a été l’un des premiers éléments de l’architecture grecque a être monumentalisé. Le terme de «porte» fait ici référence à l’ensemble du dispositif, aussi bien les battants que l’encadrement. Ces deux éléments sont eux-mêmes composés de plusieurs parties mais seules celles en pierre, à savoir le seuil, les montants, le linteau et le couronnement nous sont parvenus. On retrouve également des scellements métalliques et des traces de scellement ou de placage en bois. Ces vestiges, associés à une étude des textes (traités, comptes de construction, récits de voyageurs), de l’iconographie (céramiques et reliefs) et à une comparaison avec d'autres monuments (trésors, tombes macédoniennes, etc.), permettent une reconstitution de l’ensemble. Outre son aspect fonctionnel, la porte du temple détient un rôle symbolique fort puisqu'elle fait le lien entre la sphère humaine et la sphère divine. La porte pose la question de l'accessibilité à la cella. S'ajoutent les clôtures d'entrecolonnement et les diverses barrières pouvant être autant de nouvelles limites à la circulation. L’étude porte sur les portes de temple de l’époque archaïque jusqu’aux Antonins en Grèce égéenne. Le choix des limites chronologiques et géographiques du sujet est motivé par une volonté d’uniformité et de continuité. Il s’agit d’une analyse systématique de la morphologie des portes ainsi que de la portée symbolique du dispositif dans son contexte architectural et de son rôle dans la scénographie du temple et du sanctuaire et dans les rites
The door was one of the first element of Greek architecture to be monumentalized. The term "door" refers here to the whole system, as well as the door panels and the door frame. These two elements are themselves composed of several parts but only those in stone, namely the threshold, the jambs, the lintel and the coronation remain. There are also metal seals and traces of wood seals or veneer. These remains, together with a study of texts (treaties, construction accounts, travelers' tales ), iconography (ceramics and reliefs), and a comparaison with other monuments (treasuries, Macedonian tombs) allow a reconstruction of all in many cases . In addition to its functional aspect, door monumentalised has a strong symbolic impact as it separates the human world from the one of the gods. The study of the door is connected with the question of the access to the cella. We also consider the intercolumnation screens and various barriers that can be encountered in temples as they all are limits to the circulation within the building. The study will focus on the temple doors of the Archaic period to the Antonines constructions in aegean Greece. The choice of chronological and geographical limits of the subject was motivated by a desire for consistency and continuity. It will be a systematic analysis of the doors morphology and of the symbolic significance of the device in its architectural context and its role in the temple and sanctuary scenography and in the rituals

This thesis is a socio-political analysis of the United Kingdom’s contemporary national identity, as expressed through an intercultural examination of eight Anton Chekhov’s productions presented in the country between 2009 and 2011, characterised by their aesthetic and socio-political diversity. The introduction presents a theoretical exploration and definition of the notions of interculturalism and national identity, which serve as the theoretical pillars of this work. A historical contextualisation summarises the reception, assimilation and reinterpretation processes of British Chekhovian discourses from the early 20th century onwards, as well as the urban and regional transformations that the country experienced during the same time frame. The first chapter explores traditional views of national identity through the analysis of double-bill performances, connecting Chekhov’s pieces to ‘national’ works by Terence Rattigan and William Shakespeare. The second chapter discuses international discourses and their influence in the creation of local imaginaries, using foreign Chekhovian productions presented on the British stage to scrutinise reception processes, importation models and the power of sponsors and festivals. The third chapter approaches Scottish and female discourses, emphasising their ‘otherness’ and value in the construction of more plural notions of national identity, through rewritings of the Russian author done by playwrights born and raised within the UK. The fourth chapter reflects on politically progressive and intercultural understandings of nation through new British experimental performances inspired by Chekhov’s iconographies and symbolisms. Finally, the conclusion re-examines Chekhovian dramaturgy, national identity and interculturalism, proposing an abstract outline to understand processes of reception, assimilation and/or reinterpretation of foreign dramatic discourses within any given geographical construct, and highlighting the importance of building a plural and hybrid post-Brexit British society, focused on a constant intercultural negotiation between superimposing cultural forces.

Pesquisa realizada para analisar o compósito de solo de decapagem (SD) considerado resíduos nas jazidas de minérios, em especial de calcário do município de Almirante Tamandaré, da Região Metropolitana de Curitiba neste trabalho, juntamente com o lodo e sedimentos de dragagem marinha do Porto de Antonina, no Estado do Paraná, e o uso cal virgem comum, como aglomerante pertencente à região de Almirante Tamandaré. Foram utilizados vários teores dos materiais para a determinação de 12 (doze) compósitos. Para o solo de decapagem os teores variaram entre 30% a 60%, para o material de dragagem os teores variaram entre 20% a 50% e o teor de aglomerante de cal virgem comum variou entre 15% a 30%. Foram moldadas idades de cura de 3 dias, 7, 14, 28, 60, 90, 180 e 365 dias. O aumento da resistência à compressão durante a cura foi proveniente das reações químicas das partículas sólidas das matérias-primas em ambiente alcalino gerando novas formações amorfas. Também foram analisados os materiais nos métodos de MEV com EDS, DRX e FRX, para a obtenção da composição química e formação estrutural dos novos compósitos. Todos os resultados da resistência à compressão uniaxial, com 28 dias de cura ao meio ambiente das 12 (doze) composições, obtiveram resultados médios de 7,7 MPa, atendendo satisfatoriamente a norma NBR 7170:1983 que determina a resistência à compressão igual ou acima de 4,0 MPa, destinada à produção de materiais de construção para alvenaria de vedação, sem fins estruturais. Comprovando o uso desses compósitos em materiais de construção civil, principalmente para os segmentos de blocos ou tijolos de vedações, sem fins estruturais, sem a necessidade de cozimento ou empreendimento de energia calorífica para a cura das peças, contribuindo para o meio ambiente e a sustentabilidade ambiental.
Research conducted to analyze the composite with pickling soil (SD), considered waste in mineral deposits, especially of limestone in the city of Almirante Tamandaré, the Metropolitan Region of Curitiba in this work, along with the sludge and marine dredging sediment from the Port of Antonina, State of Paraná, and use the common quicklime as binder belonging to the same region of Almirante Tamandaré. Various amounts of materials were used for the determination of twelve (12) composites. For the stripping soil content ranged from 30% and 60%, for the dredging material contents ranged from 20% and 50% and binder common quicklime content ranged from 15% to 30%. Were molded curing ages of 3 days, 7, 14, 28, 60, 90, 180 and 365 days. The increase in compressive strength during curing was derived from the chemical reactions of solid particles of raw materials in alkaline environment generating the new amorphous formations. Also the raw materials were analyzed in the SEM with EDS method, DRX and FRX, to obtain the chemical composition and formation structures of the new composite. All results of the uniaxial compressive strength, with 28 days of curing the environment of the twelve (12) compositions, obtained average results of 7.7 MPa, satisfactorily meeting the NBR 7170:1983 standard that determines the resistance to compression equal or above 4.0 MPa, for the production of building materials for sealing masonry without structural purposes. Proving the use of these composites in construction materials, especially for thread block or brick fences without structural purposes, without the need for cooking or heating energy project for the healing of parts, contributing to the environment and sustainability Environmental.

À la faveur de l'urgence argumentative provoquée par la polémique, le second Port-Royal, emmené par Arnauld, a utilisé le cadre du dualisme cartésien de l'âme et du corps pour renouveler la sémiotique augustinienne. Il s'est fait ainsi l'auteur d'une efficace réflexion sur la signification et sur l'existence verbale de l'homme qui dépasse le souci linguistique et grammatical. Pour que la parole produise du sens, il faut que le langage soit réellement employé comme une faculté d'abolition de la distance qui sépare l'âme du corps et l'homme de Dieu. Cet impératif de l'efficacité signifiante de la parole constitue un élément d'explication de l'influence de Port-Royal sur les milieux littéraires. Le roman La Princesse de Clèves et les tragédies de Racine notamment réfléchissent en outre l'inquiétude augustinienne à l'égard de la valeur de la parole, de sa relation avec l'intériorité humaine et de la relation qu'elle institue entre l'homme et le monde
Thanks to urgent argumentation caused by controversy, the "second" Port-Royal, led by Arnauld, made use of the Cartesian dualism of body and mind in order to renew Augustinian semiotics. Port-Royal was at the origin of reflections about meaning, which go beyond linguistic and grammatical matters in order to include the moral disposition of the speaker in his verbal experience. For speech to produce meaning, language must be used as a faculty suppressing the distance between body and soul, between expression and thought, between the world and inner life, between man and God. The necessity of effective and meaningful speech may account for Port-Royal’s influence on literary circles. The novel La Princesse de Clèves and Racine's tragedies, in particular, reflect Augustinian concerns about the value of speech, its relation with human inner life, and the relation it establishes between man and the world

Estudo crítico e tradução da Primeira Parte da Lógica ou A Arte de Pensar, que ficou conhecida como Lógica de Port-Royal (1683), para a língua portuguesa. O estudo volta-se para a análise dos capítulos I a VIII da Primeira Parte e visa a explicitar o caráter híbrido desse manual de lógica, estruturado com o formato dos manuais de lógica escolásticos, inspirados no Organon aristotélico, e marcado pela recepção e vigência de teses cartesianas fundamentais. Embora o legado de Aristóteles se manifeste mais do que em seu formato, a Lógica de Port-Royal deve ser lida como um manual de lógica moderna naquilo que condiciona a sua inteligibilidade: a introdução de requisitos epistêmicos na determinação do domínio da lógica. No processo de reforma da lógica iniciado no século XV, Port-Royal se inscreve não apenas na crítica da concepção de lógica como instrumento para a demonstração silogística da ciência (como já o tinham feito, por exemplo, os lógicos renascentistas), mas na defesa da lógica como reflexão prática epistemicamente orientada, caracterizada pela tomada do juízo como ação mental definidora do domínio lógico. A presença de exigências epistêmicas deriva, em Port-Royal, da leitura de Descartes e do debate deste com Antoine Arnauld. Teses fundamentais do cartesianismo são arregimentadas para o projeto lógico de Port-Royal: a prioridade do pensamento sobre a linguagem; o desprezo da linguagem e da imaginação; a tese de que o uso de palavras derivaria da função, a um só tempo cognitiva e lógica, do juízo como definidora da lógica e, condicionando todas essas, a tese fundadora do cartesianismo enunciada na proposição Penso, logo sou. É a leitura arnauldiana do cogito cartesiano, defende este estudo, que dá a ver como se pode pensar o cartesianismo em lógica. A análise dos primeiros oito capítulos é temática, e a perspectiva reformista da Lógica de Port-Royal é apresentada no estudo da transição dos capítulos III para o IV, e do V para o VI, bem como do VII para o VIII. No capítulo VIII, o estudo se detém sobre o peculiar tratamento port-royaliano dos termos complexos. Em seguida, volta-se ao que configura o pressuposto subjetivo dessa concepção de lógica e à expressão representativa desse pressuposto, apresentados nos capítulos I e II da Primeira Parte do manual, onde os requisitos epistêmicos de uma lógica de ideias são apresentados e onde o caráter representativo dessas ideias obtém sua vestimenta gramatical (sujeito, predicado e adjetivo), veiculando determinações lógicas (coisa, modo da coisa, coisa modificada). Por fim, o estudo busca, na correspondência que Arnauld manteve com Descartes, em 1648, a origem e o fundamento da concepção de cogito que estará em vigor em Port-Royal, de maneira explícita, a partir de 1662.
Critical study and translation of the First Part of Logic or the Art of Thinking, known as Port- Royal Logic (1683), for the portuguese language. The study is focused on the analysis of chapter I to VIII of the First Part and aims to clarify the hybrid character of this manual of logic, which has the structure of scholastic logic manuals, inspired by the Aristotelian Organon, and the reception and effectiveness of key Cartesian theses. Although the Aristote’s legacy is far more importante than the shaping of the manual structure, the logic of Port-Royal should be read as a manual of modern logic in what conditions its intelligibility: the introduction of epistemic requirements in determining the domain of logic. In the process of reformism in logic started in the fifteenth century, the Port-Royal Logic is inscribed not only in the critic of the conception of syllogistic logic as a tool for the demonstration of science (as, for example, the renaissance has done), but also with the defense of logic as a kind of practical reflection epistemically oriented, characterized by tacking the judgment as the mental action by excellence, which defines the logical domain. The presence of epistemic requirements is derived from the impact of Descarte’s philosophy on Port-Royal and from his debate with Antoine Arnauld. Fundamental thesis of Cartesianism are regimented to the port-royalian conception of logic, as the priority of thought over language, the contempt of language and its origin, imagination, and, conditioning all these, the founder of Cartesianism thesis as stated in the proposition I think, therefore I am. The study argues that interpretation of the Cartesian cogito by Antoine Arnauld, mostly, offers a way to think Cartesianism in logic. The analysis of the first eight chapters is thematic, and the reformist perspective in Port-Royal's Logic is presented to study the transition of the III chapter to the VIII. Then, back up to the defended position, that is the assumption that the conception of subjectivity, of knowledge and the representative expression of this assumption are presented in Chapters I and II of the First Part of the manual. In these chapters are established the requirements of an epistemic logic of ideas and of the representative character of these ideas, which get its grammatical outfit (subject, predicate and adjective), conveying logical determinations (a thing, a manner of a thing and a modified thing). Finally, the study seeks in the correspondence that Descartes maintained with Arnauld, in 1648, the origin and the foundation of the concept of cogito which will be in force in Port-Royal, explicitly, from 1662.