Relevant bibliographies by topics / Antoine (1972-....)

Academic literature on the topic 'Antoine (1972-....)'

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Published: 6 July 2024

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Journal articles on the topic "Antoine (1972-....)":

1

Waldmann, Felix. "David Hume in Chicago: A Twentieth-Century Hoax." Journal of British Studies 59, no. 4 (October 2020): 793–820. http://dx.doi.org/10.1017/jbr.2020.127.

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AbstractThis article alleges that two letters attributed to the philosopher David Hume (1711–1776) were forged in the twentieth century. The letters were first published in 1972 and 1973 by Michael Morrisroe, an assistant professor of English in the University of Illinois, Chicago Circle, after which they became monuments of conventional scholarship on Hume's life and writings. Both letters are cited without qualification by scholars of Hume's thought in dozens of publications, including Ernest Campbell Mossner's celebrated Life of David Hume (1980), and John Robertson's entry for Hume in the Oxford Dictionary of National Biography (2004). This article reconstructs the history and transmission of Hume's extant letters and attempts to account for why the forgeries published by Morrisroe were accepted as genuine. It makes a systematic case against the authenticity of the letters, and focuses in particular on the question of whether Hume met the Jansenist homme de lettres Noël-Antoine Pluche (1688–1761) and had access to his library, in Reims, in 1734. The article concludes with a discussion of the implications of the exposé for modern editorial scholarship and intellectual history.
2

Koerner, E. F. K. "Aux Sources De La Sociolinguistique." Lingvisticæ Investigationes. International Journal of Linguistics and Language Resources 10, no. 2 (January 1, 1986): 381–401. http://dx.doi.org/10.1075/li.10.2.08koe.

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RESUME Bien que le terme 'sociolinguistics' n'ait ete introduit dans le vocabulai-re technique de la linguistique qu'en 1952 par Haver Currie et que la socio-linguistique ne soit devenue une sous-discipline importante de la science du langage que depuis les annees soixante (v. Bright 1966), cet article main-tient qu'une telle approche du langage existait depuis longtemps, peut-etre plus de cent ans. En d'autres mots, nous avangons qu'il y avait une sociolin-guistique bien avant la lettre. En effet, on retrouve dans la linguistique generate de Wiliam Dwight Whitney (1827-1894) et de Heymann Steinthal (1823-1899) et dans quel-ques articles de Michel Breal (1832-1915) des annees 60 et 70 du siecle dernier des observations qui mettent en relief la nature sociale du langage. Les dialectologues de la meme periode, surtout en France et dans les pays de langue allemande, etaient tout a fait conscients du fait que l'etude des patois, des parlers et des langues orales en general devait etre guidee par des considerations sociologiques (v. Malkiel 1976). Dans la linguistique compa-ree et historique c'est Antoine Meillet (1866-1936), eleve de Saussure et de Breal et collaborates de la revue d'Emile Durkheim, Vannee sociologique, au debut de notre siecle, qui a insiste sur l'importance de l'aspect social (et sociologique) dans l'etude du changement linguistique (par ex., Meillet 1905). Avec ses eleves de Paris, surtout Joseph Vendryes (1875-1960), Alf Sommerfelt (1892-1965) et Marcel Cohen (1884-1974), Meillet etablit l'ecole sociologique du langage (par ex., Vendryes 1921; Sommerfelt 1932; Cohen 1956). Enfin, il existe — a cote de la dialectologie et de l'histoire des langues — encore une troisieme source de la sociolinguistique: l'etude du bilinguisme (par ex., Max Weinreich 1931; Haugen 1953). Ces trois traditions de la recherche linguistique se trouvent toutes reunis dans l'etude de Uriel Weinreich (1926-1967), Languages in Contact (1953), et puisque l'ouvrage de William Labov de 1966, The Social Stratification of English in New York City, qui est souvent cite (bien a tort) comme point de depart de la sociolo-gie moderne, representait sa these de doctorate ecrite sous la direction de Weinreich, il n'est pas etonnant de voir ces traditions, surtout celles de la linguistique geographique et de la linguistique historique, maintenues dans l'oeuvre de Labov (par ex., 1976, 1982). SUMMARY Although the term 'sociolinguistics' was not introduced into linguistic nomenclature before 1952 (see Currie 1952) and the field became a recognized field of research in the late 1960s only (e.g., Bright 1966), it is clear that the subject did not begin two decades ago. Indeed, an investigation into the sources of 'sociolinguistics' reveals that its beginnings go back at least 100 years, to the work of William Dwight Whitney (1827-1894), Heymann Steinthal (1823-1899), Michel Breal (1832-1915), and others. However, these were the first programmatic statements and a number of developments in the study of language were necessary to converge upon the kind of sociolinguistics which most students of language associate with the name of William Labov (e.g., Labov 1966), at least in North America. Interestingly enough, it is also in the work of Labov (e.g., 1972) that the origins of 'sociolinguistics' (to some extent in contradistinction to the 'sociology of language' approach associated with Basil Bernstein, Joshua A. Fishman, and others) could be traced, although neither Labov nor the prolific Dell Hymes has written anything on the history of sociolinguistics. (Indeed, the only paper that comes close to it was written by an outsider to the field, the great Romance scholar Yakov Malkiel, in 1976.) In my paper, I shall demonstrate that there are essentially three major traditions of investigation that led to 'sociolinguistics', namely, (1) Dialectology, especially the work done in German-speaking lands and in France from the 1870s onwards (e.g., Georg Wenker [1852-1911], Jules Gillieron [1854-1926], and others) — part of which had been undertaken in an effort to verify and possibility to support the neogrammarian 'regularity hypothesis' of sound changes; (2) Historical Linguistics, in particular the kind advocated by Antoine Meillet (1866-1936) and his school (e.g., Meillet 1905; Vendryes 1921), which developed into a 'science sociologique' of linguistics in general (Sommerfelt 1932) and a 'sociologie du langage' (e.g., Cohen 1956) among the younger Meillet disciples, and (3) Bilingualism Studies (e.g., Max Weinreich 1931; Haugen 1953), traditions all of which can be found united in the 1953 study of Uriel Weinreich (1926-1967), who happens to have been Labov's teacher and mentor.
3

Chatelet, Anne-Marie. "Architecture et pédagogie en France: 1970, une révolution avortée." Historia y Memoria de la Educación, no. 13 (December 14, 2020): 49. http://dx.doi.org/10.5944/hme.13.2021.27463.

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According to historian Antoine Prost, education in France is marked by two periods of profound reform. The first (1880-1902) occurred during the Third Republic and the second (1960-1985) was set in motion under de Gaulle. From an architectural point of view, the former gave rise to the Jules Ferry school, while the latter sought to introduce the English open-space school model into France. Taking the example of the École Saint-Merri, built in Paris between 1971 and 1973, this article examines the impact of this second reform from an architectural point of view.
4

Macinga, David R., Paul J. Renick, Kelly M. Makin, David H. Ellis, Allison A. Kreiner, Min Li, Kirk J. Rupnik, et al. "Unique Biological Properties and Molecular Mechanism of 5,6-Bridged Quinolones." Antimicrobial Agents and Chemotherapy 47, no. 8 (August 2003): 2526–37. http://dx.doi.org/10.1128/aac.47.8.2526-2537.2003.

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ABSTRACT We have characterized an early series of 5,6-bridged dioxinoquinolones which behaved strikingly different from typical quinolones. The 5,6-bridged dioxinoquinolones inhibited Escherichia coli DNA gyrase supercoiling activity but, unlike typical quinolones, failed to stimulate gyrase-dependent cleavable complex formation. Analogous unsubstituted compounds stimulated cleavable complex formation but were considerably less potent than the corresponding 5,6-bridged compounds. Consistent with a previous report (M. Antoine et al., Chim. Ther. 7:434-443, 1972) and contrary to established quinolone SAR trends, a compound with an N-1 methyl substitution (PGE-8367769) was more potent than its analog with an N-1 ethyl substitution (PGE-6596491). PGE-8367769 was shown to antagonize ciprofloxacin-mediated cleavable complex formation in a dose-dependent manner, suggesting an interaction with the gyrase-DNA complex that overlaps that of ciprofloxacin. Resistance to PGE-8367769 in E. coli was found to arise through missense mutations in gyrA, implicating DNA gyrase as the primary antibacterial target. Notably, only 1 of 15 distinct mutations selected on PGE-8367769 (D87G) has previously been implicated in quinolone resistance in E. coli. The remaining 14 mutations (E16V, G31V, R38L, G40A, Y50D, V70A, A84V, I89L, M135T, G173S, T180I, F217C, P218T, and F513C) have not been previously reported, and most were located outside of the traditional quinolone resistance-determining region. These novel GyrA mutations decreased sensitivity to 5,6-bridged dioxinoquinolones by four- to eightfold, whereas they did not confer resistance to other quinolones such as ciprofloxacin, clinafloxacin, or nalidixic acid. These results demonstrate that the 5,6-bridged quinolones act via a mechanism that is related to but qualitatively different from that of typical quinolones.
5

Barbara, J. G. "Louis Antoine Ranvier (1835–1922)." Journal of Neurology 253, no. 3 (March 2006): 399–400. http://dx.doi.org/10.1007/s00415-006-0103-5.

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6

Gimenes, Max Luiz, and Gabriel Cordeiro dos Santos Lima. "A RADICALIZAÇÃO POLÍTICA DE ANTONIO CANDIDO NOS ANOS 1970." Lua Nova: Revista de Cultura e Política, no. 116 (May 2022): 139–64. http://dx.doi.org/10.1590/0102-139164/116.

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Resumo O objetivo do artigo é situar e examinar a suposta inflexão de maior radicalização política na trajetória intelectual de Antonio Candido ocorrida na passagem da década de 1960 para 1970. Busca-se explicar a gênese e compreender o significado dessa radicalização, que teria se manifestado na produção intelectual do crítico no período, como, por exemplo, nos ensaios “Dialética da malandragem” (1970), “Literatura e subdesenvolvimento” (1970) e “De cortiço a cortiço” (1973). Nesse sentido, o artigo reconstrói brevemente a trajetória global de Candido, discute os principais condicionantes das suas ideias na época e sugere uma interpretação sobre o significado “radical” dessas ideias, tal como aparecem nos ensaios acima mencionados.
7

Petry, Simone Christina. "POR UMA (PO)ÉTICA DA CONVIVÊNCIA: ANTOINE BERMAN, A AMÉRICA LATINA E A TRADUÇÃO EM MANIFESTO." Trabalhos em Linguística Aplicada 57, no. 1 (April 2018): 169–88. http://dx.doi.org/10.1590/010318138651772359241.

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RESUMO Este ensaio visa apresentar aspectos relevantes do tempo que o tradutor francês e teórico da tradução Antoine Berman experimentou na América Latina (1970 a 1975, mais ou menos), especialmente no contexto da Argentina. Partindo disso, tentaremos demonstrar que essa experiência e a experiência de traduzir a literatura latino-americana, quando em diálogo com as reflexões de poetas e pensadores da primeira geração do romantismo alemão, o levarão à elaboração de uma ética da tradução, que, por sua vez, terá um impacto decisivo no modo como Berman entende a prática da tradução e as questões sócio-políticas e culturais que essa prática pode suscitar e provocar no contexto francês.
8

NABOZHENKO, MAXIM V., ATHANASIOS MPAMNARAS, and KONSTANTINOS KALAENTZIS. "Contribution to the knowledge of Mediterranean lichen-feeding darkling beetles of the genus Stenohelops Reitter, 1922 (Coleoptera: Tenebrionidae)." Zootaxa 4896, no. 2 (December 21, 2020): 292–300. http://dx.doi.org/10.11646/zootaxa.4896.2.10.

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Species of the genus Helopelius Reitter, 1922 (type species: Stenomax aeneipennis Allard, 1876) were known from Rhodes and North Africa. We found that two species described from Rhodes belong to the genus Stenohelops Reitter, 1922, and Helopelius can be interpreted as a subgenus within latter, guided by the article 23.2 of ICZN. The following synonyms are proposed: Helopelius, stat. n. (from genus to subgenus) = Stenomaleis Español, 1957, syn. n.; Stenohelops Reitter, 1922 = Gunarellus Reitter, 1922, syn. n.; Stenohelops (Helopelius) aeneipennis (Allard, 1876) = Helopelius disgregus Reitter, 1922, syn. n., = Gunarus gayirbegi Nabozhenko & Keskin, 2009, syn. n. As a result, the following species are transferred from the former genus Helopelius to the genus Stenohelops: Stenohelops (Helopelius) nodifer (Kraatz, 1880), comb. n.; Stenohelops (Helopelius) otini (Antoine, 1949), comb. n.; Stenohelops (Helopelius) subsinuatus (Antoine, 1951), comb. n.; Stenohelops (Helopelius) verrucosus (Vauloger de Beaupré, 1900), comb. n.; Stenohelops (Helopelius) zaianus (Antoine, 1949), comb. n. Thus, the subgenus Helopelius contains 11 species from three isolated geographical exclaves: Western Mediterranean, Eastern Mediterranean and China. Lectotypes of Stenomax aeneipennis Allard, 1876, Helops gratus J. Frivaldszky, 1894 and Cylindrinotus (Helopelius) disgregus Reitter, 1922 are designated. Data on fossil species of the genus and the allied extinct taxa, as well as on bionomics of extant species of the subgenus Helopelius are presented. The check-list for extant and extinct species of Stenohelops is given.
9

Tibúrcio, Desiree Bueno. "Relações intermediáticas em "Vous n'avez encore rien vu" de Alain Renais." Terra Roxa e Outras Terras: Revista de Estudos Literários 30 (December 5, 2015): 53. http://dx.doi.org/10.5433/1678-2054.2015v30p53.

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No filme Vous n’avez encore rien vu (2012), Alain Resnais volta-se para a literatura dramática, transpondo as peças Cher Antoine ou l’Amour raté (1969) e Eurydice (1942), de Jean Anouilh, para o universo cinematográfico. Neste sentido, o cineasta promove um diálogo intermediático entre a linguagem cênica e a linguagem cinematográfica, teatralizando o cinema. Dentro deste âmbito, este trabalho estuda a intermedialidade em Vous n’avez encore rien vu e a teatralidade no filme de Resnais.In the film Vous n’avez encore rien vu (2012), Alain Resnais turns to the dramatic literature, transposing Jean Anouilh’s plays Cher Antoine ou l’Amour raté (1969) and Eurydice (1942) to the cinematographic universe. In such context, this work studies the intermediality in Vous n’avez encore rien vu through the analysis of Anouilh’s scenery in Resnai’s film.
10

Senn, Ernst, and Antonie Paul van Schilfgaarde. "Rezension von: Schilfgaarde, Antonie Paul, Het Archief van het Huis Bergh." Zollerheimat 5, no. 9 (February 15, 2024): 56. http://dx.doi.org/10.53458/zh.v5i9.10063.

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Journal articles Dissertations / Theses Books

Dissertations / Theses on the topic "Antoine (1972-....)":

1

Jung, Hye-Yong. "La littéralité dans la traduction littéraire : analyse des théories de la traduction de Meschonnic et de Berman." Paris 3, 2005. http://www.theses.fr/2005PA030001.

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Cette étude a pour objectif de dégager, à travers de l'analyse des théories de Meschonnic et de Berman, la quintessence de la littéralité incarnée dans le littéralisme moderne français. D'abord, la littéralité moderne est caractérisée par la prise de conscience de la dimension culturelle de l'acte de traduire comme le montre la remise en cause de la tendance ethnocentrique par les littéralistes. Ensuite, notre analyse de la " traduction-de-la-lettre " de Berman et de la " traduction poétique " de Meschonnic a dévoilé le rapprochement entre la littéralité et la poéticité, une des caractéristiques de la littéralité moderne. Enfin, la confrontation de la théorie des littéralistes avec la théorie interprétative de la traduction a révélé le conflit des ordres langagier et littéraire avec l'ordre traductif dans leur réflexion théorique
This work is to show the quintessence of the literality incarnated in the modern French literalism by analysing Meschonic's and Berman's theories. First of all, the modern literality is characterized by the recognition of the cultural dimension of the translating act, which is well expressed by literalists' review on the ethnocentric tendancy. Our work on Berman's "translation of the letter" and Meschonic's "poetic translation" has presented the reconciliation between the literality and the poeticity as one of the characteristics of the modern literality. Finally the confrontation of the literality theory with the interpretative theory of translation has revealed the conflict between linguistic and literary orders on their theoretical reflection
2

Martins, Marcos Roberto. "Co-educação, cultura escolar e seus limites: Ginásio Barão de Antonina (1942-1952)." Universidade do Estado de Santa Catarina, 2009. http://tede.udesc.br/handle/handle/1039.

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Made available in DSpace on 2016-12-08T16:35:10Z (GMT). No. of bitstreams: 1 Marcos1.pdf: 2563107 bytes, checksum: 53ab5179d37af81664875b6ec0f19152 (MD5) Previous issue date: 2009-04-27
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
Para dar visibilidade à co-educação, cultura escolar e seus limites no Ginásio Barão de Antonina, este estudo optou por analisar as normas e práticas escolares, como as disciplinas, regimentos, leis, decretos, desfiles cívicos, tudo o que foi produzido e reproduzido por aquela instituição de ensino, para entender os saberes e habilidades escolares. Trata-se de uma instituição privada de ensino secundário, localizado em Mafra, ao norte do Estado de Santa Catarina, mantida por uma associação privada e laica chamada Associação Mafrense de Ensino, mantenedora do Ginásio. Este fez parte, na primeira metade do século XX, da fase de crescimento de instituições de ensino secundário no território catarinense e foi um dos poucos a oferecer um ensino co-educativo. Ofereceu, naquele período, para o gênero masculino:internato e externato; e para o gênero feminino, apenas o externato. O foco desta pesquisa está centrado no período compreendido entre os anos de 1942 e 1952. Através da categoria Cultura Escolar, tentou-se compreender: a interpretação do ensino co-educativo na Lei Orgânica do Ensino Secundário nacional de 1942 e as possíveis implicações da lei no currículo do Ginásio; o tratamento dado pela Associação Mafrense de Ensino àquele tipo de educação; as divergências entre os educadores do período sobre aquele tema; as disciplinas escolares oferecidas, como a Educação Física, Trabalhos Manuais e Economia Doméstica, que eram diferenciadas por gênero, e as outras disciplinas escolares da grade curricular, comuns aos gêneros; a co-educação e a formação de habilidades através dos limites físicos, normas, regulamentos, uniformes, exercícios, exames, certificação, atividades cívicas e extracurriculares. Além disso, procurou-se distinguir os limites e as formas diferenciadas do ensino co-educativo, atestadas pelas famílias e concretizadas no Ginásio e compreender as relações sociais, no processo de incorporação da cultura escolar, nos mais variados espaços do educandário. Como única instituição de ensino da região norte de Santa Catarina e sul do Paraná, o Ginásio Barão de Antonina, através de um conjunto de saberes e habilidades, funcionou como normalizadora dos anseios dos grupos sociais que o frequentavam. Através das disciplinas e práticas escolares, imprimiu nos alunos e alunas um conjunto de habilidades que teve por fim a formação co-educativa desigual. A co-educação funcionou como um verniz, pois era utilizada no Ginásio para adequação do número de matrículas em cada série e não como um ensino verdadeiramente co-educativo. O currículo, através dos saberes e das práticas escolares, objetivava a formação de homens patrióticos, que tinham como função social futura a direção de seus negócios, de suas carreiras públicas e privadas; e de mulheres capacitadas para realizar com dedicação a função de esposas e mães e dar apoio às aspirações profissionais ou políticas de seus futuros maridos
Para dar visibilidade à co-educação, cultura escolar e seus limites no Ginásio Barão de Antonina, este estudo optou por analisar as normas e práticas escolares, como as disciplinas, regimentos, leis, decretos, desfiles cívicos, tudo o que foi produzido e reproduzido por aquela instituição de ensino, para entender os saberes e habilidades escolares. Trata-se de uma instituição privada de ensino secundário, localizado em Mafra, ao norte do Estado de Santa Catarina, mantida por uma associação privada e laica chamada Associação Mafrense de Ensino, mantenedora do Ginásio. Este fez parte, na primeira metade do século XX, da fase de crescimento de instituições de ensino secundário no território catarinense e foi um dos poucos a oferecer um ensino co-educativo. Ofereceu, naquele período, para o gênero masculino: internato e externato; e para o gênero feminino, apenas o externato. O foco desta pesquisa está centrado no período compreendido entre os anos de 1942 e 1952. Através da categoria Cultura Escolar, tentou-se compreender: a interpretação do ensino co-educativo na Lei Orgânica do Ensino Secundário nacional de 1942 e as possíveis implicações da lei no currículo do Ginásio; o tratamento dado pela Associação Mafrense de Ensino àquele tipo de educação; as divergências entre os educadores do período sobre aquele tema; as disciplinas escolares oferecidas, como a Educação Física, Trabalhos Manuais e Economia Doméstica, que eram diferenciadas por gênero, e as outras disciplinas escolares da grade curricular, comuns aos gêneros; a co-educação e a formação de habilidades através dos limites físicos, normas, regulamentos, uniformes, exercícios, exames, certificação, atividades cívicas e extracurriculares. Além disso, procurou-se distinguir os limites e as formas diferenciadas do ensino co-educativo, atestadas pelas famílias e concretizadas no Ginásio e compreender as relações sociais, no processo de incorporação da cultura escolar, nos mais variados espaços do educandário. Como única instituição de ensino da região norte de Santa Catarina e sul do Paraná, o Ginásio Barão de Antonina, através de um conjunto de saberes e habilidades, funcionou como normalizadora dos anseios dos grupos sociais que o frequentavam. Através das disciplinas e práticas escolares, imprimiu nos alunos e alunas um conjunto de habilidades que teve por fim a formação co-educativa desigual. A co-educação funcionou como um verniz, pois era utilizada no Ginásio para adequação do número de matrículas em cada série e não como um ensino verdadeiramente co-educativo. O currículo, através dos saberes e das práticas escolares, objetivava a formação de homens patrióticos, que tinham como função social futura a direção de seus negócios, de suas carreiras públicas e privadas; e de mulheres capacitadas para realizar com dedicação a função de esposas e mães e dar apoio às aspirações profissionais ou políticas de seus futuros maridos
3

BONAUDO, RICHERT GENEVIEVE. "Antoine lacassagne (1884-1971) : sa vie, son oeuvre." Nice, 1989. http://www.theses.fr/1989NICE6512.

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4

Polman, Mariëlle. "De keerzijde van het leven : Anton van Duinkerken als literatuurcriticus bij "De Tijd" (1927-1952) /." Nijmegen : Valkhof pers, 2000. http://catalogue.bnf.fr/ark:/12148/cb37725789p.

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Proefschrift--Letteren--Katholieke Universiteit Nijmegen, 2000.
La couv. porte comme nom d'auteur : Mariëlle Polman. Bibliogr. p. 473-487. Index. Résumé en français et en anglais. Les thèses de l'auteur sont jointes en feuille volante.
5

Premat, Julio. "Haroldo Conti et Antonio Di Benedetto. Deux écritures de l'espace." Paris 3, 1992. http://www.theses.fr/1992PA030078.

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L'etude comparative de l'espace chez haroldo conti et chez antonio di benedetto permet une lecture globale de leurs oeuvres et une definition de leurs conceptions de l'activite scripturale. Le travail part d'une analyse formelle, se continue par une approche thematique de l'imaginaire materiel, et aboutit a une mise en perspective, par rapport a la litterature argentine, de la spatialite dans le corpus
The comparative study of space in haroldo conti and antonio di benedetto's style of writing allows an overall reading of their works an a definition of their approach to writing. The thesis begins with a formal analysis, goes on to a topical approach to material imaginary and end bi putting into perspective, within the scope of argentinian literature, spatiality in the corpus
6

Lardera, Aube. "Antoine Pevsner : sa vie, son oeuvre." Paris 4, 1992. http://www.theses.fr/1991PA040170.

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7

Lafrance, Pierre-Luc. "Antoine Lemay : l'histoire d'une passion." Thesis, Université Laval, 2006. http://www.theses.ulaval.ca/2006/23667/23667.pdf.

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8

Ródenas, Garcia Juan Fernando. "Antonio Bonet Poblado Hifrensa, 1967-1975." Doctoral thesis, Universitat Rovira i Virgili, 2013. http://hdl.handle.net/10803/124099.

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El poblado HIFRENSA es un conjunto residencial formado por la agrupación de viviendas para alojar a los trabajadores de la central nuclear de Vandellòs-I. Cuenta además con una serie de equipamientos a escala de barrio. El conjunto está conectado mediante pasos para peatones con plazas públicas con esquema viario en cul-de-sac. Antonio Bonet recibe el encargo de la construcción del poblado en 1967, así como la realización de las dependencias administrativas y otros edificios de carácter técnico en el emplazamiento de la central nuclear. La tesis revela a Bonet como arquitecto investigador. En el poblado HIFRENSA no se puede establecer una línea clara que separe la arquitectura del urbanismo. Bonet busca una solución universal con la definición de un tipo o patrón, como elemento susceptible de ser perfeccionado, sistematizado y prefabricado. El patrón puede mutar, ya sea para adaptarse a un sistema constructivo o por necesidades topográficas, climáticas o programáticas. Particularmente en la obra de Bonet, también para satisfacer unos requerimientos de orden superior, su soporte urbanístico. La mayor dificultad radica en la definición de un criterio ordenador que permita dar forma superior a las unidades: ya sean viviendas o equipamientos sin que el conjunto urbanístico acuse monotonía y falta de identidad.
The HIFRENSA settlement is a residential complex built to accommodate workers of Vandellòs-I nuclear power plant. It also has a number of facilities at neighbourhood scale. The set is connected by pedestrian crossings with public squares and road scheme in cul-de-sac. In 1967 Antonio Bonet was commissioned to build the settlement, the administrative offices and other technical buildings on nuclear power plant site . The thesis exposes Bonet as architect researcher. At HIFRENSA settlement, a clear line between architecture and urbanism cannot be drawn. Bonet searches an universal solution. with a type or pattern definition as an element liable to be improved, refined, systematized and prefabricated. The pattern can mutate either to accommodate a construction system or for another needs, topographic, climatic or programmatic. Particularly in Bonet’s work, also to meet a higher requirement: its urban planning support. The greatest difficulty lies on the definition of an order judgment that can give a higher shape to the units, dwellings or facilities , with the intention of avoiding a monotonous urban complex and lack of identity.
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Giacone, Alessandro. "La fonction présidentielle en Italie (1946-1964)." Paris, Institut d'études politiques, 2008. http://www.theses.fr/2008IEPP0037.

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Lors du référendum du 2 juin 1946, les Italiens se sont prononcés pour la République, qui n’apparaît alors que comme une abstraction. De plus, l’Assemblée constituante ne définit pas précisément le champ d’action du chef de l’État. Après l’expérience de vingt ans de fascisme, les débats en son sein sont dominés par la crainte de l’« homme fort » et le refus du système présidentiel. La présidence de la République naît ainsi comme une institution sous contrainte : l’interprétation qui prévaut à cette époque en fait une institution « au-dessus de la mêlée », qui doit limiter au strict minimum ses interventions sur la scène publique. Or cette lecture de la fonction présidentielle connaît une profonde évolution pendant les quatre mandats d’Enrico De Nicola (1946-1948), de Luigi Einaudi (1948-1955), de Giovanni Gronchi (1955-1962) et d’Antonio Segni (1962-1964). L'analyse de ces quatre présidences met en évidence la politisation croissante de la fonction présidentielle. Loin d'être un spectateur passif, le chef de l’État intervient à la fois sur le plan interne et dans le domaine diplomatique. Son influence varie en fonction de la faiblesse du gouvernement et des rapports qu’il entretient avec le président du Conseil. Dans certains cas particuliers, il parvient à imposer ses candidats et son programme à un Parlement divisé. Enfin, le chef de l’État est l’auteur et l’acteur des cérémonies qui structurent le calendrier civil. Par cette mise en scène de sa fonction et par ses nombreux voyages dans les provinces italiennes (313 visites entre 1946 et 1964), il a certainement été l'un des artisans de l’enracinement progressif de l’idée républicaine en Italie
In the referendum of June 2nd, 1946, the Italian voted for a Republic, which appeared as an abstraction for the majority of them. Moreover, the Constituent Assembly did not define precisely the field of action of the Head of State. After twenty years of fascism, the debates were dominated by the fear of a ‘strong man’ and the refusal of a presidential model. The Republic was therefore born as a institution under constraint: according to the main interpretation of the time, it was a 'super partes' institution that was to interfere as little as possible in the public scene. However, this interpretation changed deeply during the four mandates of Enrico De Nicola (1946-1948), Luigi Einaudi (1948-1955), Giovanni Gronchi (1955-1962) and Antonio Segni (1962-1964). The analysis of these four presidencies reveals the growing politicization of the presidential function. Far from being a passive actor, the Head of State intervened in both domestic and international affairs. His influence depended on the government’s weakness and on his relations with the Prime Minister. In some situations, he managed to impose his candidates and programme when the Parliament was unable to come to an agreement. Lastly, the Head of State became both the author and actor of the ceremonies that structure the civil calendar. By ‘self-staging’ his function and thanks to his numerous trips to the Italian provinces (313 trips between 1946 and 1964), he certainly laid the basis for the spreading of the republican ideal in Italy
10

Rey, Agnès. "Antoine Vitez et Louis Aragon : une filiation revendiquée." Paris 3, 2001. http://www.theses.fr/2001PA030024.

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La rencontre d'aragon, son pere spirituel, influence antoine vitez : sa creation joue avec la memoire et le temps, art de la demesure en effervescence permanente. Une filiation familiale tronquee le pousse a elaborer son uvre poetique et theatrale telle une memoire en devenir dont l'invention continuelle est le moteur. Comme aragon, il convoque sa memoire, celle du monde et de la culture : nul refus du present ou de l'avenir mais detour pour affronter le monde. Hommes presses obsedes par la fuite du temps, ils plongent ainsi dans une ivresse creative, transformant le temps en personnage theatral. Dans la filiation d'aragon, les perturbations et les destructions du temps, les spectres dedoubles du vieillard hantent vitez qui pense le theatre en prisme de la mort. L'art devient alors le cur de ses interrogations dans des spectacles testamentaires : hantise dynamique du temps et de la mort, temoin la pratique de la variation. Un mouvement perpetuel anime donc leur creation, mue par l'invention et la recherche. Pratiquee par aragon et vitez des les annees soixante, la technique de la deconstruction qui estompe la frontiere entre theorie et pratique le prouve. Forge par aragon et adopte par vitez, le concept du << mentir vrai >> qui joue de l'intertextualite, de l'ambiguite entre fiction et autobiographie et exacerbe le simulacre se revele neanmoins une constante esthetique : artifice et theatralisation exposent une demesure qui travestit la realite. Tel aragon, brassant la memoire et le temps dans un mouvement continuel, vitez pratique donc une esthetique du monumental, reve prometheen du grand uvre.
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Books on the topic "Antoine (1972-....)":

1

1943-, Hoover Robert L., and Costello Julia G, eds. Excavations at Mission San Antonio, 1976-1978. Los Angeles: Institute of Archaeology, University of California, Los Angeles, 1985.

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1924-, Pelletier Claude, and Séminaire de Sherbrooke Bibliothèque, eds. Antonine Maillet II: Dossier de presse, 1972-1986. Sherbrooke,, (Québec): Bibliothèque du Séminaire de Sherbrooke, 1986.

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Lœuillet, Benoît. Pierre-Antoine Cousteau: Un journaliste engagé, 1932-1944. Paris: H. Coston, 2000.

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Gagniers, Jean Des. Monseigneur de Charlevoix: Félix-Antoine Savard, 1896-1982. [Saint-Laurent, Québec]: Fides, 1996.

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Lœuillet, Benoît. Pierre-Antoine Cousteau: Un journaliste engagé, 1932-1944. Paris: H. Coston, 2000.

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Marie, Etienne. Antoine Vitez: Le roman du théâtre, 1975-1981. Paris: Balland, 2000.

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Loeuillet, Benoît. Pierre-Antoine Cousteau: Un journaliste engagé, 1932-1944. Paris: H. Coston, 2000.

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Gagniers, Jean Des. Monseigneur de Charlevoix: Félix-Antoine Savard, 1896-1982. Saint-Laurent, Qué: Fides, 1996.

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Bourras, Jean-Gilbert. Été à Bergardille: Travaux et occupations de l'année 1912 répertoriés par Antoine Bourras, dit Antonin, métayer gascon (1883-1914). [Biarritz]: Atlantica, 1999.

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Société de généalogie de Lanaudière., ed. St-Antoine de Lavaltrie, comté de Berthier: 1732-1992. Joliette, P.Q: Société de généalogie de Lanaudière, 1994.

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Book chapters on the topic "Antoine (1972-....)":

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Moeschler, Olivier. "Antoine Hennion (*1952)." In Klassiker der Soziologie der Künste, 1007–40. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-01455-1_41.

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Bray, Suzanne. "Antonia Fraser (b. 1932), 1977: Quiet as a Nun." In 100 British Crime Writers, 313–14. London: Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-31902-9_67.

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Mehlhorn, Heinz. "Berlese, Antonio (1846–1927)." In Encyclopedia of Parasitology, 318. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-43978-4_388.

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Mehlhorn, Heinz. "Berlese, Antonio (1846–1927)." In Encyclopedia of Parasitology, 1. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-642-27769-6_388-2.

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Offereins, Marianne. "Antonia Elizabeth (Toos) Korvezee (1899-1978)." In European Women in Chemistry, 127–29. Weinheim, Germany: Wiley-VCH Verlag GmbH & Co. KGaA, 2011. http://dx.doi.org/10.1002/9783527636457.ch31.

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Goodland, Katharine, and John O’Connor. "Antony and Cleopatra." In A Directory of Shakespeare in Performance, 1970–1990, 9–11. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_2.

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Goodland, Katharine, and John O’Connor. "Antony and Cleopatra." In A Directory of Shakespeare in Performance, 1970–1990, 389–410. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_37.

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Hernández, Paola S., and Analola Santana. "Marco Antonio Rodríguez (New York City, 1971–)." In Fifty Key Figures in Latinx and Latin American Theatre, 147–49. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003144700-33.

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Rasmussen, P. Nørregaard. "Frisch, Ragnar Anton Kittel (1895–1973)." In The New Palgrave Dictionary of Economics, 4945–49. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_918.

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Rasmussen, P. Nørregaard. "Frisch, Ragnar Anton Kittel (1895–1973)." In The New Palgrave Dictionary of Economics, 1–5. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_918-1.

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Conference papers on the topic "Antoine (1972-....)":

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Coroiu, Petruta Maria. "Aurel Stroe — outstanding personality of modern Romanian music." In Valorificarea și conservarea prin digitizare a colecțiilor de muzică academică și tradițională din Republica Moldova. Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/digimuz2023.08.

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Being one of the most important Romanian composers, thinkers and teachers of the second half of the 20th century, illustrious representative of modern European and Romanian thought with spiritual amplitude, Aurel Stroe has reached — although passed to the eternal ones in 2008 — the anniversary moment when he would have completed 90 years since his birth (May 5, 2022). Member of the academic staff at the Bucharest National University of Music until he left for Germany, Aurel Stroe taught orchestration and composition, but also he held courses in the USA (1985–1986), France (1972), Germany (1986–1994) and in Romania (the famous training courses from Bușteni, from 1992). Awarded the Prize of the Romanian Academy (1974) and the Herder Prize (Vienna, 2002), Aurel Stroe is distinguished by an impressive creation, in all the fields and genres: from opera (The Closed Citadel Trilogy, 1973–1988) to a libretto after Aeschylus: Agamemnon/Orestia I — 1973, Choephorele/Orestia II — 1983, Eumenides/Orestia III — 1988), to symphonic dance and vocal music (the poem for choir and orchestra Monumentum I (1961) — to the lyrics of Nichita Stănescu), from symphonic music (Arcade, Laude I and II, Canto I and II, Ciaccona con alcune licenze, Lyrical Preludes, Mandala with a polyphony by Antonio Lotti) to concert music (Concerto for clarinet and orchestra, Concerto for violin and ensemble of soloists "Capriccios and Ragas", Concerto for saxophone and orchestra "Prairie, Priere", Concerto for accordion and orchestra), from chamber music (piano sonatas) to choral music.
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Vera Hernández, Ana, Celina Hernández Monterde, and Mª del Loreto López Martínez. "ANTONIO HERNÁNDEZ CARPE: RECUPERACIÓN DE LA OBRA DE UN ARTISTA." In II Simposio de Patrimonio Cultural ICOMOS España. Valencia: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/icomos2022.2022.14907.

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Presentamos al pintor Antonio Hernández Carpe (Murcia, 1921 - Madrid, 1977) figura poliédrica fundamental en el arte español de vanguardia.Carpe cursa sus estudios en la Academia de Bellas Artes de San Fernando y entre los años 50 y 60 realiza algunos viajes a Italia, interesado sobre todo en admirar y estudiar detenidamente los frescos del Quattrocento.Una parte de su obra mural está íntimamente ligada a la creación de nuevos poblados de colonización, promovidos por el Instituto Nacional de Colonización entre 1940 y 1970.La recuperación, restauración y conservación del patrimonio artístico constituido por la obra de Carpe resulta ser uno de los primeros objetivos de la Fundación El Mural.
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López Martínez, José María, and Edith Aroca Vicente. "Paisaje y turismo de masas en la obra de Antonio Bonet Castellana." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6151.

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En la obra de Antonio Bonet destaca su actitud eufórica respecto de la utopía de la nueva arquitectura. Despojado de prejuicios se enfrenta a uno de los fenómenos específicos de su época, que será el boom del turismo de masas. A lo largo de su obra, Bonet se enfrentará a territorios vírgenes. Desde la colonización de Punta Ballena en Uruguay en 1945, pasando por el proyecto de ciudad-balneario de Necochea-Quequén en 1952 en Argentina, el proyecto de urbanización de la Manga del Mar Menor en 1961 en Murcia, Andalucía La Nueva en 1962 en Marbella y AiguaGelida en 1965 en Girona. El ocio se convirtió en una problemática moderna a la que el urbanismo debía dar una respuesta. La vuelta a la naturaleza y al aire libre, el sol, el mar y la arena, se convertían en los nuevos hábitos del tiempo libre. In the work of Antonio Bonet highlights his euphoric attitude about the utopia of the new architecture. Stripped of prejudice is facing one of the specific events of his time, will be the boom of mass tourism. Throughout his work, Bonet will face virgin territories. Since colonization of Punta Ballena in Uruguay in 1945, through the project spa town of Necochea-Quequén in 1952 in Argentina, the development project of the Manga del Mar Menor in 1961 in Murcia, Andalucía New in 1962 in Marbella and Aiguagelida in 1965 in Girona. Leisure became a problem to which modern urban planning should provide an answer. The return to nature and the outdoors, the sun, sea and sand, became the new habits of leisure.
4

Sinakova, Valentina, Diana Apele, and Ilze Bodza. "The Personality of Antonina Masilune and Her Contribution to Preserving the Culinary Heritage." In 81th International Scientific Conference of the University of Latvia. University of Latvia Press, 2023. http://dx.doi.org/10.22364/htqe.2023.44.

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Cookbooks are an essential type of publication in the field of food heritage preservation. Antonina Masilune (1921–2019) is a cook, popularizer of Latvian cuisine and author of several books, whose cookbooks are known both in Latvia and beyond its borders. The first book by Masilune “Everyday and festive table” was published in 1982, while until now the only cookbook in the world in the Latgalian language (one of the languages that is used in Latvia) “Povōru grōmota” (The Cookbook) was published in 1992. This determined the need, when developing the research, to get to know the food recipe books published by Masilune, with the aim of popularizing the culinary heritage by developing a new graphic design of the first and only book published in Latgalian. The redesigned cookbook will popularize the knowledge and skills of Latgale’s traditional crafts in Latvia and the world today, will introduce readers to the contribution of Masilune, an outstanding cook born in Rezekne (Latvia) and internationally known lecturer, fourth class officer of the Order of the Three Stars, (the highest award in Latvia) to the preservation of the culinary heritage. Research base: associates of Masilune – relatives (n = 5), students of culinary courses (n = 1). Research period – 2021, 2022. The research has a practical significance, because during the research a redesign was developed for the book published in 1992 by Masilune. The research results were obtained using theoretical research methods: research and analysis of scientific, journalistic literature and Internet resources, which reveal the nature of the relevant problem, as well as conducted interviews.
5

Elishakoff, Isaac. "Did S.P. Timoshenko and P. Ehrenfest Overestimate the Importance of the Fourth-Order Time Derivative in Their Theory of Beams?" In ASME 2022 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/imece2022-95836.

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Abstract In this study we investigate the importance of the fourth order time derivative that appears in the equations derived by Jacques Antoine Charles Bresse in 1859, as well as in equations that were derived by Stephen Prokofievich Timoshenko and Paul Ehrenfest during years 1912–1913 and reported by Timoshenko in the 1916 book on theory of elasticity in the Russian language and then in two papers dated 1920 and 1921, in English.
6

Negrete-Regagnon, Pedro. "Bispectral Imaging Toolbox." In Adaptive Optics. Washington, D.C.: Optica Publishing Group, 1995. http://dx.doi.org/10.1364/adop.1995.tua10.

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For centuries, astronomers have built larger telescopes attempting to collect more light so fainter objects could be studied, but resigned to the fact that such larger telescopes would not provide higher resolution. It was until 1970, when Antoine Labeyrie notice the significant difference between short-exposure and the long-exposure images astronomers were used to see. Labeyrie reasoned that each speckle present in the short-exposure image was actually a diffraction-limited image formed by the telescope. He concluded that a short-exposure image contains high resolution information not present in the long-exposure counterpart, and invented a method to extract such high resolution information that is termed speckle interferometry.
7

Barrera Puigdollers, Jose Manuel. "The third way “After Modern Architecture”." In 3rd Valencia International Biennial of Research in Architecture, VIBRArch. València: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/vibrarch2022.2022.15532.

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The 22nd issue of the 1978 Arquitecturas Bis, entitled "After Modern Architecture", reproduces three articles published in Oppositions magazine No. 5, 6 and 7, where Mario Gandelsonas and Peter Eisenman contributed "Neo and Post-functionalism" respectively and Antony Vidler “A third typology”. Together with other texts by R Moneo, Oriol Bohigas and Helio Piñón, they strive to understand what it implies, contains and what the scope of the title is that Kenneth Frampton had designated in 1973. Underlying in them is a “third way,” which is neither neo-rationalist, nor neorealist, but rather aims to re-establish the recoverable foundations of modernity as long as it was declared as a public service to transform society. This new architecture would focus on its disciplinary debates, while expanding its cultural base, serving the new social needs and integrating the culture of difference, from overcoming mythological history through situating ourselves “in the meantime” in time. The latest Pritzker, and some architecture awarded by professional associations, or the most debated today is presented dry, crude, informal nevertheless sustainable, efficient, ecological, low-cost, which point both to a stripped simplification and a new radical realism. In what follows we will try to verify if any of this new architecture responds to that third way that the theoreticians pointed out as a hypothesis in the initial debates.
8

Ródenas García, Juan Fernando. "Planeamiento urbanístico en la obra de Antonio Bonet: trazado viario y paisaje: de Punta Ballena al Poblado HIFRENSA, 1945-1975." In Seminario Internacional de Investigación en Urbanismo. Barcelona: Instituto de Arte Americano. Universidad de Buenos Aires, 2013. http://dx.doi.org/10.5821/siiu.5920.

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Esta ponencia plantea el análisis comparativo de una selección de propuestas urbanas de Antonio Bonet a través de dos piezas contrapuestas que abarcan un arco temporal de treinta años (1945-1975). La contraposición contempla dos etapas, dos paisajes y dos escalas diferentes, la etapa en Argentina-Uruguay y la etapa española, el bosque atlántico y el bosque mediterráneo, son: la urbanización de Punta Ballena, Maldonado, Uruguay (1945-48) y el poblado HIFRENSA, L’Hospitalet de l’Infant, Tarragona, España (1967-75). El análisis se centra en dos aspectos: trazado viario y paisaje. La obra de Bonet, con la de Sert, a diferencia de otros arquitectos españoles de su generación, se caracteriza por tener una sólida base teórica. Bonet asistió, con tan solo 20 años, al IV CIAM de Atenas (1933), fue miembro estudiante del GATCPAC y colaboró con Sert, Torres-Clavé y Le Corbusier. En 1949 asiste al VII CIAM en Bérgamo como delegado Uruguayo-Argentino. En las obras seleccionadas, en general, no se puede establecer una línea clara que separe arquitectura y urbanismo. This paper presents a comparative analysis of selected urban proposals of the architect Antonio Bonet, through two contrasting pieces covering a time span of thirty years (1945-1975). The opposition includes two stages, two landscapes and two different scales, the stage in Argentina-Uruguay and the Spanish stage, the Atlantic forest and the Mediterranean forest, are: the urbanization of Punta Ballena, Maldonado, Uruguay (1945-48) and the HIFRENSA Settlement, L'Hospitalet de l'Infant, Tarragona, Spain (1967-1975). The analysis focuses on two aspects: road layout and landscape. Bonet's work with Sert, unlike other Spanish architects of his generation, is characterized by having a solid theoretical foundation. Bonet assists, with only 20 years, the CIAM IV, Athens (1933), was a student member of GATCPAC and worked with Sert, Torres-Clavé and Le Corbusier. In 1949, assists the CIAM VII in Bérgamo as Uruguayan-Argentine delegate. In the selected works, in general, cannot establish a clear line separating architecture and urbanism.
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Thomas, Alexandra, Mary C. Schroeder, Bradley D. McDowell, and Brian K. Link. "Abstract P3-07-10: Rising incidence of primary breast lymphoma: SEER 1973-2011." In Thirty-Seventh Annual CTRC-AACR San Antonio Breast Cancer Symposium; December 9-13, 2014; San Antonio, TX. American Association for Cancer Research, 2015. http://dx.doi.org/10.1158/1538-7445.sabcs14-p3-07-10.

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Wynn, Ralph T., Daniel S. Chow, Victoria L. Mango, Lauren C. Friedlander, and Richard Ha. "Abstract P4-14-11: National trend in African American women breast cancer research productivity from 1992-2012." In Thirty-Seventh Annual CTRC-AACR San Antonio Breast Cancer Symposium; December 9-13, 2014; San Antonio, TX. American Association for Cancer Research, 2015. http://dx.doi.org/10.1158/1538-7445.sabcs14-p4-14-11.

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Reports on the topic "Antoine (1972-....)":

1

Story, Madison, and Adam Smith. Fort Hunter Liggett : a history and analysis. Engineer Research and Development Center (U.S.), January 2023. http://dx.doi.org/10.21079/11681/46340.

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The US Congress codified the National Historic Preservation Act of 1966 (NHPA), the nation’s most effective cultural resources legislation to date, mostly through establishing the National Register of Historic Places (NRHP). The NHPA requires Federal agencies to address their cultural resources, which are defined as any prehistoric or historic district, site, building, structure, or object. Section 110 of the NHPA requires Federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of Federal undertakings on those potentially eligible for the NRHP. Fort Hunter Liggett is located on California’s Central Coast within Monterey County. The fort has been used as a training facility for large-scale maneuvers and live-fire exercises since its establishment as a US Army training facility in 1941. The periods of significance for Criterion A are: from 1769 to 1833, relating to the founding and development of Mission San Antonio de Padua; from 1834 to 1923, relating to Euro-American land grants and ranchos; from 1923 to 1940, relating to Hearst’s purchase of the property and subsequent development; from 1940 to 1945, relating to the establishment of the Hunter Liggett Military Reservation (HLMR) and activities related to WWII; from 1959 to 1970, relating to the establishment and buildup of CDEC; and from 1975 to 1980, relating to HLMR’s redesignation as Fort Hunter Liggett and associated development. This report provides a comprehensive historic context for ranges, features, and buildings at Fort Hunter Liggett in support of Section 110 of the NHPA.
2

New Visions: 2008-2011: A Selection of the Latest Acquisitions from the IDB Art Collection. Inter-American Development Bank, November 2011. http://dx.doi.org/10.18235/0005967.

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This catalog belongs to the exhibition that celebrates the 19th anniversary of the Inter-American Development Bank Cultural Center, originally inaugurated on May 15th, 1992 by the President of Chile, Patricio Aylwin. On this occasion the IDB Cultural Center is pleased to present an exhibit of the artworks that became part of the Collection through the acquisition fund, gifts and permanent loans. It features 25 art works by 17 artists featuring: Federico Martino, Sebastián Spreng, and Susana Sulic (Argentina); Gastón Orellana (Chile); Ana Isabel Díez Zuluaga and Omar Rayo (Colombia); Silvia Elena Monge Puig (Costa Rica); Niurka Barroso (Cuba-Canada); Carmen Herrera and Emilio Sánchez (Cuba-United States); Julio Valdez (Dominican Republic); Geovanny Verdezoto (Ecuador); Luis González Palma (Guatemala); Mireille Délice (Haiti); Antonio López Sáenz and Alberto Alejandro Millares Méndez (Mexico); and Naúl Ojeda (Uruguay).
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Design in 20th Century Barcelona: From Gaudí to the Olympic Games. Inter-American Development Bank, February 1997. http://dx.doi.org/10.18235/0006404.

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Abstract:
Fifty objects, from original bronzes and maquettes by Antoni Gaudí, to modern furniture and appliances, and Cobi, Javier Mariscal's design adopted for the mascot of the Olympic Games in 1992. The exhibit was developed with Barcelona architects Juli Capella and Quim Larrea, and presented in honor of the 38th Annual Meeting of the IDB Board of Governors held in March, 1997 in Barcelona. Most of the important 20th century Catalonian designers were represented, including Monegal, Sert, Bonet, Ricard, Tusquets, Lluscà, and Tresserra. Works were loaned from the Gaudí Museum at the Temple of the Holy Family, the Museum of Decorative Arts; the Museum of Arts, Industries and Popular Traditions; the National Museum of Catalonian Art, the Catalonian College of Architects, and the private collection of Juli Capella.

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