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Books on the topic 'Antiquity'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Mikhaĭlovich, Dʹi͡a︡konov Igorʹ, ed. Early antiquity. Chicago: University of Chicago Press, 1991.

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2

Wainio, Ken. Automatic antiquity. Cullowhee, N.C: New Native Press, 2004.

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3

Brown, Peter Robert Lamont. Late antiquity. Cambridge, Mass: Belknap Press of Harvard University Press, 1998.

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4

O'Connor, David B. Ancient Nubia: Egypt's Rival in Africa. Philadelphia: University Museum of Archaeology and Anthropology, University of Pennsylvania, 1993.

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5

Allen, Burney Charles, and Sagona A. G, eds. A view from the highlands: Archaeological studies in honour of Charles Burney. [Leuven: Peeters, 2004.

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6

Beaumont, Lesley A., Matthew Dillon, and Nicola Harrington, eds. Children in Antiquity. London ; New York, NY : Routledge/Taylor & Francis Group, 2021. | Series: Rewriting Antiquity: Routledge, 2020. http://dx.doi.org/10.4324/9781315542812.

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7

Boehringer, Sandra, and Daniele Lorenzini. Foucault, Sexuality, Antiquity. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003178736.

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8

Cooper, Dana, and Claire Phelan, eds. Motherhood in Antiquity. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-48902-5.

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9

Bockmuehl, Markus, and Guy G. Stroumsa, eds. Paradise in Antiquity. Cambridge: Cambridge University Press, 2009. http://dx.doi.org/10.1017/cbo9780511760648.

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10

Goodnick Westenholz, Joan, Yossi Maurey, and Edwin Seroussi, eds. Music in Antiquity. Berlin, Boston: DE GRUYTER, 2014. http://dx.doi.org/10.1515/9783110340297.

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11

Laes, Christian. Disability in Antiquity. Abingdon, Oxon ; New York, NY : Routledge, 2016. |: Routledge, 2016. http://dx.doi.org/10.4324/9781315625287.

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12

Babusiaux, Ulrike, and Mariko Igimi, eds. „Messages from Antiquity“. Köln: Böhlau Verlag, 2019. http://dx.doi.org/10.7788/9783412514518.

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13

1963-, Basch Sophie, Mouseio Synchronēs Technēs (Andros Island, Greece), and Musées royaux des beaux-arts de Belgique., eds. Delvaux and antiquity. Wommelgem [Belgium]: BAI, 2009.

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14

Freddy, Decreus, ed. Receptions of antiquity. Gent: Academia Press, 2011.

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15

1954-, Wilkins John, Harvey F. D, and Dobson Mike, eds. Food in antiquity. Exeter, UK: University of Exeter Press, 1995.

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16

M, Seltzer Robert, ed. Religions of antiquity. New York: Macmillan Library Reference USA, 1989.

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17

Ian, McAuslan, and Walcot Peter, eds. Women in antiquity. Oxford: Oxford University Press on behalf of the Classical Association, 1996.

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18

Sweden) Reading Late Antiquity (Conference) (2015 Stockholm. Reading late antiquity. Heidelberg: Universitätsverlag Winter, 2018.

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19

Gardner, Gregg, and Kevin Osterloh, eds. Antiquity in Antiquity. Mohr Siebeck, 2008. http://dx.doi.org/10.1628/978-3-16-151456-2.

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20

Osterloh, Kevin. Antiquity in Antiquity. Mohr Siebeck, 2008.

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21

Tadgell, Christopher. Antiquity. Routledge, 2018. http://dx.doi.org/10.4324/9780203827550.

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22

Cabbell, David. Antiquity. Litfire Publishing, 2018.

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23

Antiquity. BRILL, 2008.

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24

Antiquity. Scribe Publications, 2024.

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25

Williams, En. Antiquity. Independently Published, 2018.

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26

Cabbell, David. Antiquity. Tate Publishing & Enterprises, LLC, 2014.

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27

Williams, En. Antiquity. Independently Published, 2018.

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28

Antiquity. Peepal Tree Press Ltd., 2002.

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29

Antiquity. Orion Publishing Group, Limited, 2011.

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30

Fan, Grace. Antiquity. Independent Publisher, 2023.

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31

Megaliths from Antiquity (Antiquity Papers, 3). Antiquity Publications, 2003.

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32

Classical Antiquity, No 1 (Classical Antiquity). Univ California Pr, 2001.

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33

Kirjanov, Alexander, and I. M. Diakonoff. Early Antiquity. University of Chicago Press, 2013.

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34

Townshend, Dale. Gothic Antiquity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198845669.001.0001.

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This book seeks to provide the first sustained scholarly account of the relationship between Gothic architecture and Gothic literature (fiction, poetry, drama) in the late eighteenth and early nineteenth centuries. Although the literature/architecture relation is a topic that has long preoccupied scholars of the literary Gothic, there remains no monograph-length study of the intriguing interactions between these two aesthetic forms. Equally, Gothic literature has received only cursory treatment in art-historical accounts of the early Gothic Revival in architecture, interiors, and design. Addressing this gap in scholarship, Gothic Antiquity seeks to situate Gothic writing in relation to the Gothic architectural theories, aesthetics, and practices with which it was contemporary, providing closely historicized readings of a wide selection of texts. In turn, it shows how these architectural debates responded to, and were shaped by, what we have since come to identify as the literary Gothic mode. In both its ‘survivalist’ and ‘revivalist’ forms, the architecture of the Middle Ages in the long eighteenth century was much more than a matter of style. Incarnating the memory of a vanished ‘Gothic’ age in the enlightened present, Gothic architecture, whether ruined or complete, prompted imaginative reconstructions of the nation’s past—a notable ‘visionary’ turn in which Gothic writers, architects, and antiquaries enthusiastically participated. Through initiating a series of dialogues between Gothic literature, architectural history, and the antiquarian interest in the material remains of the Gothic past, the book argues that these discrete yet intimately related approaches to vernacular antiquity are most fruitfully read in relation to one another.

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35

Magerstädt, Sylvie. TV antiquity. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781784995324.001.0001.

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TV antiquity explores representations of ancient Greece and Rome throughout television history. It is the first comprehensive overview of the genre in television. More specifically, the author argues that serial television set in antiquity offers a perspective on the ancient world quite distinct from their cinematic counterparts. The book traces the historic development of fictional representations of antiquity from the staged black-and-white shows of the 1950s and 60s to the most recent digital spectacles. A key argument explored throughout the book is that the structure of serial television (with its focus on intimacy and narrative complexity) is at times better suited to explore the complex mythic and historic plots of antiquity. Therefore, the book consciously focusses on multipart television dramas rather than made-for-TV feature films. This enables the author to explore the specific narrative and aesthetic possibilities of this format. The book features a range of insightful case studies, from the high-profile serials I, Claudius (1976) and Rome (2005-8) to lesser known works like The Caesars (1968) or The Eagle of the Ninth (1976) and popular entertainment shows such as Hercules: The Legendary Journeys (1995-9) and STARZ Spartacus (2010-3). Each of the case studies also draws out broader issues in the specific decade under consideration. Consequently, the book highlights the creative interplay between television genres and production environments and illustrates how cultural and political events have influenced the representations of antiquity in television.

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36

Mediaeval antiquity. Leuven, Belgium: Leuven University Press, 1995.

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37

Raphael, Frederic. Antiquity Matters. Yale University Press, 2019. http://dx.doi.org/10.12987/9780300231748.

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38

Ando, Clifford. After Antiquity. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780199211524.013.0044.

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39

Desmond, Will D. Hegel's Antiquity. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198839064.001.0001.

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Hegel’s Antiquity aims to summarize, contextualize, and criticize Hegel’s understanding and treatment of major aspects of the classical world, approaching each of the major areas of his historical thinking in turn: politics, art, religion, philosophy, and history itself. The discussion excerpts relevant details from a range of Hegel’s works, with an eye both to the ancient sources with which he worked, and the contemporary theories (German aesthetic theory, Romanticism, Kantianism, Idealism (including Hegel’s own), and emerging historicism) which coloured his readings. What emerges is that Hegel’s interest in both Greek and Roman antiquity was profound and is essential for his philosophy, arguably providing the most important components of his vision of world history: Hegel is generally understood as a thinker of modernity (in various senses), but his modernity can only be understood in essential relation to its predecessor and ‘others’, notably the Greek world and Roman world whose essential ‘spirit’ he assimilates to his own notion of Geist.

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40

Salway, Benet. Late Antiquity. Edited by Christer Bruun and Jonathan Edmondson. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780195336467.013.018.

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Late antique epigraphy differs in several respects from that of the High Empire, reflecting the changed political, economic, and cultural circumstances. This chapter focuses on the epigraphic habit of that fluctuating portion of the late antique world that remained Roman. Despite the emergence of inscriptions in additional languages, such as Syriac and Coptic, Latin and Greek retained their hegemony as the two main epigraphic languages of the Roman world. The establishment of an imperial court, with its attendant bureaucratic and military retinue, in major centres of the Greek East from the last decades of the third century coincided with a new flowering of Latin inscriptions in the region.

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41

Macaulay-Lewis, Elizabeth. Entombing Antiquity. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272333.003.0007.

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Woodlawn Cemetery in the Bronx, New York City, is home to some of the United States’ most prominent Neo-Antique mausolea, which used Classical and Egyptian motifs in their architecture and decor. Using the lens of Classical archaeology, this paper undertakes a formal analysis of funerary architecture in specific tombs belonging to Jay Gould, Francis Garavan, William Leeds, the Goelet Brothers, Jules S. Bache, and F.W. Woolworth. This discussion examines the architecture of these tombs and their reception of ancient architecture alongside archival material. It also discusses individual patrons’ and architects’ motivations for requisitioning such forms. Finally, this analysis demonstrates that through the appropriation and redeployment of ancient architecture and motifs and through the landscape design of the tombs in Woodlawn, these mausolea were rich nexuses of public and private self-fashioning and place-making, and were an expression of elite culture.

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42

Venice & Antiquity. Yale University Press, 1996.

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43

YOUNG, GLENN. ANTIQUITY BOX. AuthorHouse, 2005.

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44

Hegel's Antiquity. Oxford University Press, 2020.

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45

Liquid Antiquity. Deste Foundation, 2017.

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46

Antiquity Street. New York: Farrar Straus Giroux, 1992.

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47

Antiquity: Poems. Sarabande Books, Incorporated, 2016.

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48

Antiquity Matters. Yale University Press, 2017.

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49

MacPherson, Rett. Veiled Antiquity. St. Martin's Press, 2013.

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50

Murray, Christine, and Toni Hurley. Antiquity 1. Oxford University Press Australia & New Zealand, 2018.

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