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Books on the topic 'Antiquité Ruins'

Author: Grafiati
Published: 10 March 2023

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1

Anna-Maryke. Fragment: Icons from antiquity. Neutral Bay, N.S.W: Chapter & Verse, 2000.

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2

contributor, Conésa Héloïse, Latarget Bernard contributor, Schnapp Alain 1946 contributor, and Bibliothèque nationale de France, eds. Ruines. Paris: Éditions Xavier Barral, 2020.

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3

Speaking ruins: Piranesi, architects and antiquity in eighteenth-century Rome. Ann Arbor: University of Michigan Press, 2012.

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4

1955-, Lyons Claire L., and J. Paul Getty Museum, eds. Antiquity & photography: Early views of ancient Mediterranean sites. Los Angeles: The J. Paul Getty Museum, 2005.

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5

Claude, Aziza, ed. Pompei: Le rêve sous les ruines. Paris: Presses de la Cité, 1992.

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6

The ruins of the most beautiful monuments of Greece. Los Angeles: Getty Research Institute, 2004.

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7

Gregori, Elisa. Un virtuose des ruines: Chateaubriand au pays des antiquités et de l'archeologie. Padova: CLEUP, 2010.

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8

Un virtuose des ruines: Chateaubriand au pays des antiquités et de l'archeologie. Padova: CLEUP, 2010.

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9

Lister, Robert Hill. Aztec Ruins on the Animas: Excavated, preserved, and interpreted. Tucson, Ariz: Southwest Parks and Monuments Association, 1996.

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10

Cline, Lister Florence, ed. Aztec Ruins on the Animas: Excavated, preserved, and interpreted. Albuquerque: University of New Mexico Press, 1987.

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11

The ruin of the Eternal City: Antiquity and preservation in Renaissance Rome. New York: Oxford University Press, 2011.

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12

Danielle, Bonnaud-Lamotte, Rispail Jean-Luc, and Albertini Jean, eds. Intellectuel(s) des années trente: Entre le rêve et l'action. Paris: Editions du Centre national de la recherche scientifique, 1989.

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13

Amaya Gómez de la Torre-Verdejo and Juan L. Bonor. Recópolis y la ciudad en la época visigoda. Alcalá de Hernares: Museo Arqueológico Regional, 2008.

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14

Bernand, André. De Thèbes à Syène. Paris: Editions du Centre national de la recherche scientifique, 1989.

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15

Babylone: À l'aube de notre culture. Paris: Gallimard, 1994.

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16

Jennifer, Westwood, ed. The Atlas of mysterious places: The world's unexplained sacred sites, symbolic landscapes, ancient cities, and lost lands. New York: Weidenfeld & Nicolson, 1987.

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17

Jennifer, Westwood, ed. The Atlas of mysterious places: The world's unexplained sacred sites, symbolic landscapes, ancient cities and lost lands. London: Guild Publishing, 1987.

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18

La voix d'Arkhé: Le paradigme archéologique dans la création européenne moderne et contemporaine. [Paris]: Hermann, 2014.

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19

American Ruins. Merrell, 2007.

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20

Bedjoudjou, Yazid. Berbers and Numidian Ruins of Antiquity. Independently Published, 2017.

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21

American Ruins. Merrell, 2009.

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22

Lindholm, Dr Linda. Scribe: Antiquity Theft in the Maya Ruins. Linda Lindholm, 2016.

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23

Anna-Maryke. Fragment: Icons from antiquity. Chapter & Verse, 2000.

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24

Maarten Van Heemskerck's Rome: Antiquity, Memory, and the Cult of Ruins. BRILL, 2019.

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25

Hamilakis, Yannis. Nation and Its Ruins: Antiquity, Archaeology, and National Imagination in Greece. Oxford University Press, Incorporated, 2007.

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26

Nation and Its Ruins: Antiquity, Archaeology, and National Imagination in Greece. Oxford University Press, Incorporated, 2007.

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27

Hamilakis, Yannis. Nation and Its Ruins: Antiquity, Archaeology, and National Imagination in Greece. Oxford University Press, 2007.

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28

Dubellay, Joachim. Les Antiquitez de Rome / Ruines of Rome. Medieval & Renaissance Texts & Studies, 1994.

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29

Papadopoulos, John K., Andrew Szegedy-Maszak, Lindsey S. Stewart, and Claire L. Lyons. Antiquity and Photography: Early Views of Ancient Mediterranean Sites. Getty Trust Publications: J. Paul Getty Museum, 2005.

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30

The Nation and its Ruins: Antiquity, Archaeology, and National Imagination in Greece (Classical Presences). Oxford University Press, USA, 2007.

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31

Les Ruines de Rome. Belles Lettres, 1999.

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32

Barnard, John Levi. Empire of Ruin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190663599.001.0001.

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This book traces the development of a critical practice within African American literature, art, and activism that identifies and critiques the widespread appropriation of classical tradition to the projects of exceptionalist historiography and cultural white supremacy in the United States. This appropriative method has typically figured the United States as the inheritor of the best traditions of classical antiquity and thus as the standard bearer for the idea of civilization. Where dominant narratives—articulated through political speeches and editorials, poetry and the visual arts, and the monumental architecture of Washington, DC—envision the political project of the United States as modeled on ancient Rome yet destined to surpass it in the unfolding of an exceptional history, the writers, artists, and activists this book considers have connected modern America to the ancient world through the institution of slavery and the geopolitics of empire. The book tracks this critique over more than two centuries, from Phillis Wheatley’s poetry in the era of Revolution, through the antislavery writings of David Walker, William Wells Brown, and the black newspapers of the antebellum period, to the works of Charles Chesnutt, Toni Morrison, and other twentieth-century writers, before concluding with the monumental sculpture of the contemporary artist Kara Walker.
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33

Christian, Kathleen, and Bianca de Divitiis, eds. Local antiquities, local identities. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526117045.001.0001.

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This book brings together essays on the burgeoning array of local antiquarian practices developed across Europe in the early modern era (c. 1400-1700). Adopting an interdisciplinary and comparative method it investigates how individuals, communities and regions invented their own ancient pasts according to concerns they faced in the present. A wide range of 'antiquities' -- real or fictive, Roman, or pre-Roman, unintentionally confused or deliberately forged -- emerged through archaeological investigations, new works of art and architecture, collections, history-writing and literature. This book is the first to explore the concept of local concepts of antiquity across Europe in a period that has been defined as a uniform 'Renaissance'. Contributions take a new novel approach to the revival of the antique in different parts of Italy and also extend to other, less widely studied antiquarian traditions in France, the Netherlands, Spain, Portugal, Britain and Poland. They examine how ruins, inscriptions, and literary works were used to provide evidence of a particular idea of local origins, rewrite history or vaunt civic pride. They consider municipal antiquities collections in Southern Italy and Southern France, the antiquarian response to the pagan, Christian and Islamic past on the Iberian Peninsula, or Netherlandish interest in megalithic ruins thought to be traces of a prehistoric race of Giants. This interdisciplinary book is of interest for students and scholars of Early modern art history, architectural history, literary studies and history, as well as classics and the reception of antiquity.
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34

Discoveries in the Ruins of Nineveh and Babylon With Travels in Armenia, Kurdistan and the Desert. Gorgias Press LLC, 2002.

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35

Atkins, Sarah. Relics of Antiquity: Exhibited in the Ruins of Pompeii and Herculaneum, with an Account of the Destruction and Recovery of Those Celebrated Cities. Creative Media Partners, LLC, 2018.

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36

Atkins, Sarah. Relics of Antiquity: Exhibited in the Ruins of Pompeii and Herculaneum, with an Account of the Destruction and Recovery of Those Celebrated Cities. Franklin Classics, 2018.

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37

Relics of Antiquity: Exhibited in the Ruins of Pompeii and Herculaneum, with an Account of the Destruction and Recovery of Those Celebrated Cities. Creative Media Partners, LLC, 2022.

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38

Relics of Antiquity: Exhibited in the Ruins of Pompeii and Herculaneum, with an Account of the Destruction and Recovery of Those Celebrated Cities. Creative Media Partners, LLC, 2022.

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39

Fagan, Brian. From Stonehenge to Samarkand. Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780195160918.001.0001.

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Ever since Roman tourists scratched graffiti on the pyramids and temples of Egypt over two thousand years ago, people have traveled far and wide seeking the great wonders of antiquity. In From Stonehenge to Samarkand, noted archaeologist and popular writer Brian Fagan offers an engaging historical account of our enduring love of ancient architecture--the irresistible impulse to visit strange lands in search of lost cities and forgotten monuments. Here is a marvelous history of archaeological tourism, with generous excerpts from the writings of the tourists themselves. Readers will find Herodotus describing the construction of Babylon; Edward Gibbon receiving inspiration for his seminal work while wandering through the ruins of the Forum in Rome; Gustave Flaubert watching the sunrise from atop the Pyramid of Cheops. We visit Easter Island with Pierre Loti, Machu Picchu with Hiram Bingham, Central Africa with David Livingstone. Fagan describes the early antiquarians, consumed with a passionate and omnivorous curiosity, pondering the mysteries of Stonehenge, but he also considers some of the less reputable figures, such as the Earl of Elgin, who sold large parts of the Parthenon to the British Museum. Finally, he discusses the changing nature of archaeological tourism, from the early romantic wanderings of the solitary figure, communing with the departed spirits of Druids or Mayans, to the cruise-ship excursions of modern times, where masses of tourists are hustled through ruins, barely aware of their surroundings. From the Holy Land to the Silk Road, the Yucatán to Angkor Wat, Fagan follows in the footsteps of the great archaeological travelers to retrieve their first written impressions in a book that will delight anyone fascinated with the landmarks of ancient civilization.
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40

Fuhrmann, Christopher J. Police Functions and Public Order. Edited by Paul J. du Plessis, Clifford Ando, and Kaius Tuori. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198728689.013.23.

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This chapter surveys and analyses major trends in Roman law enforcement and approaches to public order. Chronological coverage runs from the early Republic through later Antiquity, but especially concentrates on the late Republic and early Principate. The overall focus is on society’s responses to perceived challenges to public order, and the state institutions which engaged in policing in Rome, Italy and the provinces of the Roman Empire. While non-institutional self-help was important, emperors, governors, city magistrates, and other power-holders frequently turned to institutional policing to counter crime and threats to social order or state power. Scrutinizing Roman attempts to reinforce public order highlights often overlooked ambitions of the Roman state.
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41

Pasnau, Robert, ed. Oxford Studies in Medieval Philosophy Volume 5. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806035.001.0001.

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Oxford Studies in Medieval Philosophy showcases the best scholarly research in this flourishing field. The series covers all aspects of medieval philosophy, including the Latin, Arabic, and Hebrew traditions, and runs from the end of antiquity into the Renaissance. It publishes new work by leading scholars in the field, and combines historical scholarship with philosophical acuteness. Papers in this volume look at Anselm on necessity; Avicenna on the origination of the human soul; emanation in the psychologies of Avicenna, Albert the Great, and Aquinas; Aquinas on the individuation of substances; Peter Auriol on the intuitive cognition of nonexistents; and Ockham on the parts of the continuum. It also includes a newly edited text from Yaḥyā Ibn ʿAdī on a Kalām argument for Creation.
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42

Kuttner, Ann. (Re)presenting Romanitas at Sir John Soane’s House and Villa. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190272333.003.0002.

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This paper considers the houses of Neoclassical British architect Sir John Soane (1753–1837): his famous House Museum in Lincoln’s Inn Fields, London; and the considerably less-well known Pitzhanger Manor House, Ealing. With architectural precedents set by Sir Francis Bacon and Lord Burlington, nothing could have been more Roman in Soane and his contemporaries than the conviction that a house and its decor express the persona of the inhabitant. Soane was a working-class Englishman with enormous social and professional ambitions. Both Pitzhanger Manor and the house at Lincoln’s Inn Fields and drew inspiration and showcased materials from Soane’s travels in Italy with Frederick Hervey, Earl-Bishop of Derry and the design of his classicizing estate at Downhill; contemporary excavations at Pompeii and the Villa Negroni; and Soane’s own collection of Classical sculpture, and plaster casts. These houses, with their faux-ruins and talismanic interiors of “Pompeiian red,” were not only dwelling places for Soane and his family, they signaled his gentrification, while simultaneously advertising what he could produce for elite clients. Soane’s interpretation of Classical forms and creation of Neoclassical forms was grounded in archaeological discoveries and a knowledge of Classical antiquity, marking an important distinction between him and many of his contemporaries.
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43

Prescott, Anne Lake. Du Bellay and Shakespeare’s Sonnets. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0003.

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Shakespeare’s Sonnets relate intriguingly to Joachim Du Bellay’s Antiquitez, probably through Spenser’s Ruines of Rome as well as to Du Bellay’s La vieille courtisanne (translated by Gervase Markham) and his ‘J’ai oublié l’art de petrarquizer’. Drawn to the discourse of ruination, as witness also passages in his Lucrece, Shakespeare would have found in Du Bellay’s poetry a vocabulary with which to lament the depredations of time, images of the human body as a vulnerable city, the ambiguities of anti-Petrarchan satire that exploits the same vocabulary it renounces, and the paradoxes of a nothing, a zero, that is also an all, a globe or Globe. That a ruined abbey makes a mystifyingly anachronistic offstage appearance in Titus Andronicus is also a reminder of the two writers’ shared interest in a city whose collapse both created tragedy and cleared room for later writers and nationhoods.
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44

Discoveries in the Ruins of Nineveh and Babylon : With Travels in Armenia, Kurdistan and the Desert: Being the Result of a Second Expedition Undertaken for the Trustees of the British Museum. University of Cambridge ESOL Examinations, 2010.

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45

Discoveries in the Ruins of Nineveh and Babylon : With Travels in Armenia, Kurdistan and the Desert: Being the Result of a Second Expedition Undertaken for the Trustees of the British Museum. University of Cambridge ESOL Examinations, 2010.

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46

Lost Cities of Atlantis, Ancient Europe & the Mediterranean (Lost Cities Series) (Lost Cities Series). Adventures Unlimited Press, 1995.

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47

The Atlas of Mysterious Places: The World's Unexplained Sacred Sites, Symbolic Landscapes, Ancient Cities, and Lost Lands. Weidenfeld & Nicolson, 1987.

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48

Westwood, Jennifer. The Atlas of Mysterious Places: The World's Unexplained Sacred Sites, Symbolic Landscapes, Ancient Cities, and Lost Lands. Grove Pr, 1987.

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49

Lost Cities of North & Central America (The Lost City Series). Adventures Unlimited Press, 1992.

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