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Academic literature on the topic 'Antiquarin'

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Published: 25 July 2024
Last updated: 31 July 2024

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Journal articles on the topic "Antiquarin"

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Morgan Evans, Dai. "‘Banks is the villain!’? Sir Joseph Banks and the governance of the Society of Antiquaries." Antiquaries Journal 89 (April 21, 2009): 337–63. http://dx.doi.org/10.1017/s0003581509000067.

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AbstractThe name of Sir Joseph Banks (1743–1820) is well known in scientific and exploration circles – he is undeservedly much less well known as an antiquary. This study considers his roles in relation to the premier antiquarian society of the time, the Society of Antiquaries of London. Using the Society’s records, Sir Joseph Banks is considered as an ordinary Fellow, as a member of Council, as an auditor of the finances and as a scrutator at elections. The relations between the Royal and Antiquarian Societies on first moving into Somerset House and the contemporary question of whether they might have merged is also examined. Joseph Banks’s role in the circumstances of the three contested presidential elections of 1785, 1799 and 1812 is especially considered, and these are seen not just to represent internal squabbling amongst the Fellows, but to reflect the wider social and political strains of the time. In producing the narrative of these elections, significant past mistakes are corrected. Lastly the relationship between George iii and the Society of Antiquaries is touched upon.
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Mearns, Jim. "The journalist, the minister and the lost cairnfield of Cathkin Braes." Scottish Archaeological Journal 33, no. 1-2 (October 2011): 67–78. http://dx.doi.org/10.3366/saj.2011.0025.

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This paper reviews the use of sources in archaeological research, with particular reference to antiquarian material. Specific attention is paid to antiquarian texts by the Rev. David Ure and Mr Hugh MacDonald relating mainly to the site of Queen Mary's Cairn, Cathkin Braes, south-east of Glasgow. Brief biographical information is provided about the two antiquaries and their different approaches to recording sites discussed. The paper also looks at more recent work on the area and compares the modern approaches to reporting with the antiquarian and notes the uses of antiquarian sources in modern work.
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Palamarchuk, A. A. "Cities in the antiquarian discourse of the 16th–17th centuries." Urbis et Orbis Microhistory and Semiotics of the City 3, no. 1 (2023): 97–111. http://dx.doi.org/10.34680/urbis-2023-3(1)-97-111.

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The article deals with the models and strategies of description and constructing the city space in tracts and chorographies written by the English antiquaries during the Tudor and the Early Stuart age. Antiquarian narratives (beside The Survey of London by J. Stow) generally were not concentrated on description of cities. Nevertheless, antiquarian tracts, especially chorographies, played an important part in the process of construction of the English proto-national identity. The space corresponding to this identity was also the object of the intellectual construction. Until recently the works of the English antiquaries were not considered as important historical sources in the field of historical urbanistic studies. Actually, antiquarian tracts, especially the chorographies can expose new aspects in the process of conceptualizing of cities by the Tudor intellectuals. The article analyzes works of Leland, Selden, Stow, Holland, Cowell Vowell and other antiquaries. Aristotelian paradigm of the city as a polity remained the dominant and defining for the Tudor intellectuals. The dichotomy of matter and form in the description of a polity was expressed as distinguishing between res and homines, that is between the material arrangement of a polity and the community constituting a polity. From the chorographies depicting the territory of the kingdom as a whole, emerged two functional definitions of the city: the city as a point of reference on the map, that allowed to measure geographical space: and as a spatial object, containing several places of historical memory. Descripting the inner urban space, the antiquaries actualized both classical patterns (descriptions of Rome) and Early Modern epistemological schemes (Ramism) and, finally, ethnogenetic myths (the conquest of Britain by Brutus).
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SLOAN, DE VILLO. "The Ruins of Pompey: The Euro-American Invention of Native American Prehistory and the Gothic Mode in Joshua V. H. Clark's Onondaga." Journal of American Studies 42, no. 2 (August 2008): 237–54. http://dx.doi.org/10.1017/s0021875808004672.

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In the United States between the approximate dates of 1800 and 1870, a group of writers whom I call Romantic Antiquarians invented and disseminated a narrative of Native American prehistory radically at odds with the later findings of modern archaeologists. Romantic Antiquarian discourse borrows from the themes and modes of literary Romanticism, and textual analysis of this work (which enjoyed widespread public acceptance before it was profoundly discredited) offers insights into the complex relationship between Native and Euro-American cultures. This essay provides an overview of the Romantic Antiquarian movement and explores its ideology. The writing of antiquarian Joshua V. H. Clark of New York is examined closely, including his theories concerning the Iroquois, his relationship with E. G. Squier, and his use of the Gothic mode.
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Lindfield, Peter N. "A FAKE OR GENUINE ARTEFACT? THE PARIAN CHRONICLE AND PERCEPTIONS OF AUTHENTICITY IN EIGHTEENTH-CENTURY BRITAIN." Antiquaries Journal 99 (September 2019): 271–95. http://dx.doi.org/10.1017/s0003581519000106.

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A remarkable controversy raged in the late 1780s concerning the authenticity of the Parian Chronicle, a supposedly genuine carved fragment recording ancient Greek history that was included in the 1667 Arundel bequest to the University of Oxford. Drawing in figures in British antiquarianism, including Richard Gough who, as Director of the Society of Antiquaries of London, intervened in the debate with a pamphlet that came out in support of the artefact’s authenticity, this was an important moment in eighteenth-century antiquarian study. Hot on the heels of the now much more well-known Ossian controversy of the 1760s, the Chatterton–Rowley–Walpole debacle from 1770, Chatterton’s subsequent death and the publication of his forgeries from 1777, the literature variously refuting and supporting the Parian Chronicle’s authenticity strikes at the heart of antiquarianism, in particular opening up to dispute assumptions made about or accepted interpretations concerning the authenticity of the fragments upon which subsequent antiquarian work and interpretation was based. This debate took the form of a very public attack upon, and defence of, the Parian Chronicle’s status as a genuine third-century bc antiquarian fragment, and the controversy within antiquarian circles that it occasioned is reconstructed here.
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Shestakova, Nadezhda F. "From Humphrey Llwyd to Iolo Morganwg: Main Stages of Development of Antiquarian Tradition of Wales in the XVI – Mid XIX Century." Izvestiya of Saratov University. New Series. Series: History. International Relations 20, no. 3 (2020): 353–58. http://dx.doi.org/10.18500/1819-4907-2020-20-3-353-358.

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This article is devoted to the analysis of antiquarian tradition of Wales in the XVI – mid-XIX century. The author highlights the basic stages and reasons for the development of Welsh antiquarianism, and also on the example of the works of a number of Welsh antiquaries gives an assessment of their contribution to the study of the past of the western Celtic region of Britain.
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Chwalek, Thorsten, and Frédéric Déliot. "Top Quark Asymmetries." Universe 8, no. 12 (November 25, 2022): 622. http://dx.doi.org/10.3390/universe8120622.

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The production of top quark pairs (tt¯) via the quark-antiquark initial state is not symmetric under the exchange of top quark and antiquark. Calculations of this next-to-leading order effect predict asymmetries of about one to a few percent, depending on the centre-of-mass energy and the selected phase space. Experimentally, this charge asymmetry of tt¯ production manifests itself in differences in angular distributions between top quarks and antiquarks. Sensitive observables are the rapidities of the produced top quarks and antiquarks as well as their energies. In dileptonic tt¯ events, the asymmetry of the tt¯ system is reflected in a similar asymmetry in the system of the produced lepton pair, with the crucial advantage of a simpler reconstruction procedure. In this article we review the measurements of this effect in different final states and using different observables by the ATLAS and CMS Collaborations in LHC collisions at three different centre-of-mass energies.
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Bann, Stephen. "‘Views of the Past’ — Reflections on the Treatment of Historical Objects and Museums of History (1750–1850)." Sociological Review 35, no. 1_suppl (May 1987): 39–64. http://dx.doi.org/10.1111/j.1467-954x.1987.tb00082.x.

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It is argued that ‘viewing the past’ has a precise significance when this activity is interpreted within the context of the specific modes of representation which were current in the period from 1750 to 1850. Although theoretical awareness of this possibility came at a later stage, with Nietzsche's analysis of the ‘antiquarian’ attitude and Alois Riegl's concept of ‘age-value’, the antiquarians and collectors of the eighteenth century were already developing practices of installation and exhibition which gave expression to the new ‘vision’ of the past. The particular case of the Faussett Pavilion is examined to show how one of these antiquarians gave a strong affective character to the process of historical and archaeological retrieval. But it is also suggested that the ‘antiquarian’ attitude was vulnerable to ironic revision, as Scott and his fellow Romantic writers popularised the study of the Middle Ages; in Barham's Ingoldsby Legends (1840), the visual representation of a monument is merely the pretext for a far-fetched medieval story. It is further argued that the historical museum, essentially a product of this period, provided the most stable conditions for ‘viewing the past’. Although early examples like Alexandre Lenoir's Musée des Monuments français and Sir John Soane's Museum are discussed, it is Alexandre du Sommerard's Musée de Cluny (opening in the early 1830s) which is shown to have fulfilled these conditions to greatest effect.
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Jervis, Simon Swynfen. "Antiquarian Gleanings in the North of England." Antiquaries Journal 85 (September 2005): 293–338. http://dx.doi.org/10.1017/s0003581500074412.

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William Bell Scott (1811-90) was active as painter, poet, designer, teacher and pundit. His littleknown Antiquarian Gleanings (1851), a wide-ranging anthology of Northern antiquities, with thirty-eight colour plates, is here re-published in its entirety, with a new index, as an appendix to a paper which explores its design and content, and the networks of collectors, many of them associated with the Antiquarian Society of Newcastle, whose treasures Scott illustrated. Scott is presented neither as a great scholar, nor as a pioneering archaeologist, but his book is a distinguished artefact in its own right and his choice of subjects has stood the test of time, as well as presenting a vivid reflection of the interests and activities of provincial antiquaries in the period after the coming of the railways and immediately before the Great Exhibition of 1851.
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Wunder, Amanda. "WESTERN TRAVELERS, EASTERN ANTIQUITIES, AND THE IMAGE OF THE TURK IN EARLY MODERN EUROPE." Journal of Early Modern History 7, no. 1 (2003): 89–119. http://dx.doi.org/10.1163/157006503322487368.

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AbstractEducated elite Europeans who visited Constantinople on diplomatic, scholarly, and commercial enterprises in the sixteenth century shared a common culture of antiquarianism, and their passion for the antiquities of the East shaped their accounts of the Turk and Ottoman Constantinople. The traveling antiquarians Augier Ghislain de Busbecq, Pierre Gilles, Melchior Lorck, Pieter Coecke van Aelst, and Nicholas de Nicolay produced a diverse range of printed works based on their firsthand experiences in the Ottoman Empire, in which they used traditional Renaissance genres (such as the urban encomium, the city view, the historia painting, and the costume book) to depict the Turk either as the enemy of antiquities or, alternatively, as an eternal, exotic object like the relics of the past. While some antiquarian travelers, most notably Lorck, Coecke, and Nicolay, demonstrated the variety that existed amongst the Turks, the ultimate impact of sixteenth-century antiquarian accounts of the Ottoman Empire was to deepen the Western perception of Oriental difference.
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Dissertations / Theses on the topic "Antiquarin"

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Bricout, Louise. "Aux origines de l’archéologie de la religion grecque : de la tradition antiquaire à l’expédition de Morée." Thesis, Paris Sciences et Lettres (ComUE), 2019. http://www.theses.fr/2019PSLEP052.

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Entre le XVIIe siècle et la première moitié du XIXe siècle, les temples figurent en bonne place dans l’itinéraire des voyageurs. La littérature constitue d’abord leur seule référence pour identifier et comprendre ces lieux de culte. Au milieu du XVIIIe siècle, Caylus publie son Recueil d’Antiquités qui privilégie le strict point de vue archéologique pour l’étude des monuments. Ce bouleversement épistémologique se répercute sur le terrain. Des techniques de fouilles à l’enregistrement et à la présentation des données, les premiers archéologues pensent les vestiges comme des objets de connaissance pour comprendre comment s’organisent les institutions religieuses à l’échelle d’un territoire. Il faut pourtant attendre le début du XIXe siècle pour que la fouille des temples acquiert une rigueur scientifique. C’est durant cette période charnière pour l’histoire de l’archéologie qu’apparaissent les premiers essais théoriques sur la religion grecque. Sur la topographie religieuse, on s’interroge sur l’intérêt de disposer les temples à l’écart des habitations, sur l’importance accordée aux sanctuaires urbains, sur le cheminement des fidèles durant les Grandes Panathénées et sur le lien supposé entre l’emplacement du temple et la divinité qui y est consacrée. On s’intéresse aussi à l’architecture religieuse. Par-delà les considérations d’ordre esthétique et technique, les conjectures portent sur la destination des temples, sur les ordres architecturaux, sur la polychromie et ses effets dans le cadre des cérémonies religieuses mais aussi sur l’architecture hypèthre et l’intérêt de la lumière pour l’exercice du culte. Complémentaire à l’approche monumentale, la sculpture est elle aussi abordée sous le prisme de la religion. Ils expliquent l’archaïsme des frontons du temple d’Aphaïa à Égine par des superstitions religieuses. Ils s’interrogent sur la représentation du dieu chez les Grecs en ce qu’elle se distingue de la représentation de l’homme. Enfin, lorsque les sculptures sont à l’état de vestiges, les premiers archéologues questionnent les mythes
Between the 17th century and the first half of the 19th century, temples figure in good place in the itinerary of travelers. Literature is at first their only reference for identifying and understanding these places of worship. In the middle of the 18th century, Caylus published his Recueil d’Antiquités which privileges the strict archaeological point of view for the study of monuments. This epistemological upheaval is reflected on the ground. From excavation techniques to recording and presentation of data, early archaeologists think of remains as objects of knowledge to understand how religious institutions are organized on a territorial scale. However, it is necessary to wait until the beginning of the XIXe century so that the excavation of the temples acquires a scientific rigor. It was during this pivotal period for the history of archeology that appeared the first theoretical essays on the Greek religion. On the religious topography, we wonder about the interest of having the temples away from the dwellings, about the importance given to the urban sanctuaries, about the path of the faithful during the Great Panathenaeans and the supposed link between the location of the temple and the divinity that is dedicated to it. We are also interested in religious architecture. Beyond the aesthetic and technical considerations, the conjectures relate to the destination of the temples, the architectural orders, the polychrome and its effects in the context of religious ceremonies but also on the hypethrum architecture and the interest of the light for the exercise of worship. Complementary to the monumental approach, sculpture is also approached under the prism of religion. They explain the archaism of the pediments of the temple of Aphaia to Aegina by religious superstitions. They wonder about the representation of the god among the Greeks in that it is different from the representation of man. Finally, when the sculptures are in the state of vestiges, the first archaeologists question the myths
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CHIARINI, SARA. "Commento antiquario allo Scutum Herculis." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1071.

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La tesi contiene un commento continuo al poemetto tardo arcaico noto col titolo di Scutum Herculis e falsamente assegnato a Esiodo; vi sono affrontate in prevalenza questioni mitografiche, geografiche, antiquarie e iconografiche, ma talora anche aspetti linguistico-letterari, laddove siano utili all'inquadramento dell'orizzonte storico-culturale sotteso alla composizione dell'epillio. Nell'introduzione si dimostra come la sensibilità artistica dell'autore dell'ekphrasis possa essere ricondotta al periodo a cavallo tra il VII e il VI secolo a.C.
The dissertation contains a continuous commentary on the late archaic poem known as Scutum Herculis and wrongly attributed to Hesiod. It discusses especially mythographical, geographic, antiquarian and iconographic issues, but also some linguistic and literary aspects, which can contribute to the outline of the historical and cultural milieu, within which the poem was composed. In the introduction it is showed how the artistic taste of the author of the ekphrasis could date back to the period between the 7th and the 6th century B.C.
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CHIARINI, SARA. "Commento antiquario allo Scutum Herculis." Doctoral thesis, Università Cattolica del Sacro Cuore, 2011. http://hdl.handle.net/10280/1071.

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La tesi contiene un commento continuo al poemetto tardo arcaico noto col titolo di Scutum Herculis e falsamente assegnato a Esiodo; vi sono affrontate in prevalenza questioni mitografiche, geografiche, antiquarie e iconografiche, ma talora anche aspetti linguistico-letterari, laddove siano utili all'inquadramento dell'orizzonte storico-culturale sotteso alla composizione dell'epillio. Nell'introduzione si dimostra come la sensibilità artistica dell'autore dell'ekphrasis possa essere ricondotta al periodo a cavallo tra il VII e il VI secolo a.C.
The dissertation contains a continuous commentary on the late archaic poem known as Scutum Herculis and wrongly attributed to Hesiod. It discusses especially mythographical, geographic, antiquarian and iconographic issues, but also some linguistic and literary aspects, which can contribute to the outline of the historical and cultural milieu, within which the poem was composed. In the introduction it is showed how the artistic taste of the author of the ekphrasis could date back to the period between the 7th and the 6th century B.C.
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LORUSSO, FRANCESCO GUIDO. "Gli studi antiquari del Settecento in Puglia e lo sviluppo del concetto di paesaggio antico." Doctoral thesis, Università di Foggia, 2017. http://hdl.handle.net/11369/363291.

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La definizione del complesso di studi che chiamiamo antiquari è ad oggi incompiuta sia sul piano epistemologico che su quello storiografico. Per l’età moderna, in particolar modo, il fenomeno dell’eccezionale diffusione della prassi antiquaria nel XVIII secolo deve essere ancora ampiamente integrato dagli apporti provenienti dagli studi locali. Insieme agli altri settori dell’antiquaria italiana, quello del Regno di Napoli si compone di un fitto sostrato di erudizione provinciale che attende di essere recuperato. Nel contempo, l’indagine sulle locali pratiche antiquarie consente di far emergere il contributo dato da questo genere di studi alla formazione del concetto di paesaggio antico. Entro questa prospettiva, dopo un necessario quadro introduttivo sugli indirizzi storiografici sorti attorno all’idea di antiquaria e sulle specificità dell’erudizione napoletana settecentesca, si svolgerà una ricognizione analitica dell’opera di tre antiquari pugliesi: Natale Maria Cimaglia (1735-1799), Emmanuele Mola (1743-1811) e Domenico Forges Davanzati (1742-1810). Attraverso i loro scritti si definiranno gli avanzamenti raggiunti localmente dalla disciplina antiquaria, quanto a metodi e finalità. Di essi si darà particolare rilievo alle operazioni di raccolta delle testimonianze materiali, che hanno contribuito a fissare diversificate immagini dei paesaggi antichi locali. Muovendo entro il tradizionale genere corografico, tali descrizioni, accanto alle consuete finalità celebrative, assunsero sempre maggiore carattere scientifico o si allinearono a una filosofica ricerca del vero.
To date, a definition of that bunch of studies called antiquarian is incomplete, both on an epistemological level and on an historiographical one. Particularly, for the Modern Age the event of an antiquarian praxis’ extraordinary spread during the XVIII century has yet to be supplemented by local studies’ contributions. Along with the other sectors of Italian antiquary, the Kingdom of Naples’ one consists of a dense substrate of provincial erudition waiting to be recovered. At the same time, the investigation of the local antiquarian practices helps to bring out the contribution of this kind of studies to the development of ancient landscape concept. Within this perspective, after a necessary introductory framework on historiographical addresses appeared around the idea of antiquary and on the specificities of eighteenth-century Neapolitan erudition, there will be an analytical survey of the work of three Apulian antiquarians: Natale Maria Cimaglia (1735-1799), Emmanuele Mola (1743- 1811) and Domenico Forges Davanzati (1742-1810). Through their writings we will define the advancements locally achieved by the antiquarian discipline, as for methods and aims. Particular attention will be given to their collection of material evidence which have helped to establish varied portrayals of local ancient landscapes. Moving within the traditional chorographic genre, these descriptions, along with usual laudatory purposes, took increasingly on scientific nature or were aligned to a philosophical quest for truth.
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Müller, Gereon. "Das linguistische Antiquariat." De Gruyter, 2015. https://ul.qucosa.de/id/qucosa%3A31182.

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Rezension zu Geoffrey K. Pullum: Rule Interaction and the Organization of a Grammar. New York & London: Garland Publishing, 1979 (Outstanding Dissertations in Linguistics). 414 Seiten. [Veröffentlichung der gleichnamigen Dissertation von 1976, University College London]
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Stevenson, Andrew John. "Aulus Gellius and Roman antiquarian writing." Thesis, King's College London (University of London), 1993. https://kclpure.kcl.ac.uk/portal/en/theses/aulus-gellius-and-roman-antiquarian-writing(dde8a7ce-728c-4dce-bbb5-736f3269872a).html.

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Wainwright, Clive. "The antiquarian interior in Britain : 1780-1850." Thesis, University College London (University of London), 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272168.

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The antiquarian interior as defined in this thesis is an interior in which the whole character is created by furnishing with ancient objects although these are frequently mixed with modern objects. : Whilst in theory an antiquarian interior could be in any historical style, those discussed here are mainly in the Mediaeval or Renaissance style. The objects used to furnish such interiors are drawn from the whole range of the decorative arts, for instance -furniture, stained glass, armour, metalwork, carved wood and stone. Though easel paintings playa part in such interiors, they have not been discussed here though their visual contribution can be seen in the illustrations. The introduction deals with antiquarian interiors before 1780 in Britain and continental Europe and many of the continental examples provide~ models for the later British examples. The second chapter describes and discusses the antiquities trade in Britain and Europe from the point of view of the supply of objects for the furnishing of antiquarian interiors. The role of the collector as the impresario in the creation of interiors appropriate for showing off his collection to best advantage emerges clearly in the case studies in chapters three to seven. The interiors discussed were created at Strawberry Hill, Fonthill Abbey, Abbotsford, Charlecote Park and Goodrich Court. The dates of their creation overlap one with the other to cover the period from 1780 to 1850. Though architects and craftsmen are seen to playa part in the creation of these interiors, it is the collectors themselves, aided and abetted by the antiquities brokers, who emerge as the key figures in this process. Most of the illustrations were chosen to document fully the interiors described. Though these singular interiors are often so complex and various as almost to defy analysis, the concluding chapter attempts to draw several general conclusions •
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Smith, Jason. "Quarks and antiquarks in nuclei /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9750.

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McKenney, Jenny. "Reconstructing Anglo-Saxon England in antiquarian writing, 1660-1735." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ53731.pdf.

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GRANIERI, FRANCESCA. "Scavi al Pantanello: proposta per una ricontestualizzazione delle antichità negli ambienti di Villa Adriana." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2008. http://hdl.handle.net/2108/668.

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La Villa di Adriano a Tivoli, patrimonio Unesco dal 2000, è stata fin dal XV secolo oggetto di scavi volti al recupero di antichità che, non solo furono reimpiegate nelle principali chiese e palazzi di Tivoli, ma arricchirono anche le più importanti collezioni di antichità tra cui quella del cardinale Ippolito d’Este per il quale scavò a Villa Adriana Pirro Ligorio. Di particolare rilevanza sono gli scavi condotti nel XVIII secolo nell’area del Pantanello situato a nord della Villa nei pressi del Teatro Greco e della cd. Palestra. Compreso nei possedimenti di proprietà della famiglia Lolli e di Domenico De Angelis, il Pantanello venne scavato nel 1724 da Francesco Antonio Lolli e nel 1769 da Gavin Hamilton. Durante queste due distinte campagne di scavo riaffiorò un gran numero di antichità tra loro distinte per tipologia (teste, busti, statue, elementi architettonici…) e materiale utilizzato. Il Pantanello, dunque, deve essere considerato un deposito nel quale vennero raccolte tutte quelle antichità da trasportare nelle vicine calcare. Le antichità rinvenute dal Lolli e da Hamilton vennero immesse sul mercato antiquario e acquistate dai principali collezionisti del secolo: Melchior de Polignac, C. Townley, W. Fitzmaurice, T. Mansel Talbot, T. Jenkins, G. Piranesi, A. Albani, I. Šuvalov e Monsieur de Cock. Un nucleo consistente, invece, venne acquistato per il Museo Pio Clementino allora in fase di allestimento. Le antichità del Pantanello si dispersero, così, nelle varie collezioni europee, soprattutto inglesi, e devono oggi essere rintracciate, non solo nei principali musei come i Musei Vaticani, il British Museum a Londra e l’Hermitage a San Pietroburgo, ma anche in collezioni private dove giunsero in seguito a successive dispersioni. Rintracciare le antichità rinvenute nel Pantanello significa, anche, tentare di ricontestualizzarle nei vari ambienti della Villa (soprattutto nell’area della cd. Palestra e del Teatro Greco). Per altre, come le teste dei compagni di Ulisse facenti parte del Gruppo di Polifemo, è necessario uno studio più specifico che ha come punto di partenza la loro sistemazione presso il Serapeo del Canopo già proposta da alcuni studiosi
Hadrian’s Villa at Tivoli, Unesco’ s heritage since 2000, was excavated from XV century. The antiquities, which were found, were utilized to decorate the most important Tivoli’s Churches and Palaces and were bought by collectors as Ippolito d’Este; for him Pirro Ligorio excavated at Hadrian’s Villa. The excavations realized in the Pantanello during the XVIII century, were very important. The Pantanello, situated in the north part of Hadrian’s Villa near Greek Theatre and so called Palestra, was part of Lolli family and Domenico De Angelis’ s properties. It was excavated by Francesco Antonio Lolli (1724) and Gavin Hamilton (1769). During these excavations, a great number of antiquities, different for typology (heads, busts, statues, architectonical elements …) and materials, was come to the surface. So the Pantanello must be considered as a space in which the antiquities were left before to be carried in the near calcare. The antiquities were bought by the most important collectors of the XVIII century: Melchior de Polignac, W. Fitzmaurice, T. Mansel Talbot, T. Jenkins, G. Piranesi, A. Albani, I. Šuvalov and Monsieur de Cock. A significant group, instead, was bought for the Pio Clementino Museum created in that moment . The sculptures from Pantanello were dispersed in the European collections, especially English, and now must be traced not only in the most important museums like the Musei Vaticani, the British Museum at London and the Hermitage at San Pietroburgo, but in the private collections were arrived after following dispersions too. It is important to give back these materials to the different spaces of Hadrian’s Villa like, for example, the Greek Theatre or the so called Palestra. For the heads of Ulisse’ s companions, instead, it’s necessary a more exhaustive study starting their collocation in the Serapeo of Canopo already proposed by some scholars.
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Books on the topic "Antiquarin"

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Bradford Historical and Antiquarian Society., ed. The Bradford antiquary: The journal of the Bradford Historical and Antiquarian Society. Huddersfield: Amadeus Press, 1990.

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Nop, Maas, and Kuyper F. W, eds. Offeren aan Mercurius en Minerva: Nederlandsche Vereeniging van Antiquaren, 1935-1995. Amsterdam: De Buitenkant, 1995.

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Montagner, Luca. L'antiquariato Hoepli: Una prima ricognizione tra i documenti e i cataloghi. Milano: EDUCatt, 2017.

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(Firm), Blackwell's Rare Books. Antiquarian literature. Oxford: Blackwell's Rare Books, 1994.

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Baca, Matthew. The antiquarian. Santa Fe: Sunstone Press, 2009.

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Baca, Matthew. The antiquarian. Santa Fe: Sunstone Press, 2009.

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François et Rodolphe Chamonal, libraires. Antiquarian books. Paris: F. et R. Chamonal, 1996.

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Fabrizio, Dall'Aglio, Anceschi Giuseppe, Balsamo Luigi, and Bellini Paolo, eds. I Prandi: Librai, editori, mercanti d'arte. Milano: Libri Scheiwiller, 1987.

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illustrator, Arnold Ann, ed. An antiquarian ABC. Berkeley, Calif: [Ian Jackson and Ann Arnold], 1998.

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Jackson, Ian. An antiquarian ABC. Berkeley, Calif: I. Jackson and A. Arnold, 1998.

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Book chapters on the topic "Antiquarin"

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Kelly, Christopher. "Antiquarian Literature." In A Companion to Late Antique Literature, 539–53. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118830390.ch33.

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Grell, Ole Peter. "The Antiquarian." In The World of Worm: Physician, Professor, Antiquarian, and Collector, 1588–1654, 139–88. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003290940-4.

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Tilley, Elizabeth. "The Antiquarian Journal." In The Periodical Press in Nineteenth-Century Ireland, 37–62. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30073-9_3.

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Payen, Pascal. "Plutarch the Antiquarian." In A Companion to Plutarch, 235–48. Oxford: Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118316450.ch16.

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Garritzen, Elise. "Almost Antiquaries." In Reimagining the Historian in Victorian England, 123–54. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-28461-8_4.

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Lynch, Deidre. "Antiquarian Publishing." In The Oxford Handbook of British Romantic Prose, 281–98. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780198834540.013.2.

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Abstract The peculiarities of antiquarians’ knowledge work had long made them the butt of jokes. That humour about antiquaries’ inability to systematize their learning, tendency to get waylaid by petty details, and attachment to mouldy old things continued in the Romantic period. Nonetheless, antiquarianism was in this period ever more public facing and reader friendly. It proved influential as an inspiration for such minor prose forms as the familiar essay and the anecdote. This chapter, which considers writing by William Hazlitt, Charles Lamb, Washington Irving, and Isaac D’Israeli, aims to do justice to the dynamism of antiquarian publishing. It traces how antiquaries’ curious and contrarian learning modelled a pluralistic understanding of the historical past and how it supplied Romantic authors with resources with which to express their own alienation from the present. The chapter also engages the concern with learning’s material platform that made Romantic antiquaries the forerunners of twenty-first century book historians.
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Boehm, Katharina. "‘The happiest vehicles of antiquarian knowledge’: The Visual Arts and Romantic Antiquarianism." In The Edinburgh Companion to Romanticism and the Arts, 23–39. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474484176.003.0002.

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The public profile of antiquarian research expanded significantly during the Romantic period. Richly illustrated and relatively cheap antiquarian publications became a cornerstone of the literary marketplace; prints of picturesque ruins and antiquities sold rapidly; and London’s thriving scene of visual entertainments drew crowds by offering immersive simulated historical environments. This chapter explores three contexts in which the role of visual media as generator, conduit and repository of antiquarian knowledge was negotiated in the Romantic period. The first part of the chapter turns to an influential print series published by the fellows of the Society of Antiquaries of London, which informed debates about the visual representation of antiquities. Their publication ventures participated in the burgeoning print market, and the absorption of antiquarian information into a range of popularising visual media began to democratise access to antiquarian knowledge while also turning the past into a marketable commodity. The final part of the chapter reflects on art and design as objects of antiquarian inquiry. Antiquarian research widened the historical and geographical horizons that framed understandings of the origins and development of art, while the convergence of the visual arts and antiquarian studies changed how people knew the past.
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"Antiquarian." In Encyclopedic Dictionary of Archaeology, 64. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58292-0_10611.

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Montgomery, Alan. "‘Beyond the Vallum’: English interpretations of Scottish history." In Classical Caledonia, 71–89. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474445641.003.0005.

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Chapter four examines English attitudes towards Roman Scotland. It introduces the writings of William Stukeley, one of the most influential antiquarians working in England during the first half of the eighteenth century, looking in particular at the content of his 1720 essay An Account of a Roman Temple. While Stukeley was convinced, like Sir Robert Sibbald before him, that the Romans had conquered and civilised much of Scotland, fellow English antiquarian John Horsley took the view that they had in fact decided against colonising such a barren and inhospitable land. Horsley’s posthumously published 1732 work, Britannia Romana, sets out his pragmatic approach to Scotland’s ancient history and reveals an antiquarian who was far less influenced by patriotism and Romanism than many of his contemporaries.
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Vine, Angus. "Chorography and Antiquarian Compilation." In Miscellaneous Order, 93–124. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198809708.003.0004.

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This chapter examines the miscellany’s links with antiquarian compilation and chorography (the branch of geography concerned with the particulars of a specific region or place). Its primary interest is with textual production in the two fields, and with the practices of annotation and organization that allowed antiquaries and chorographers to turn their heterogeneous notes into orderly narratives. The manuscript miscellany, it argues, was essential to the kind of assemblage scholars carried out here. Compilers discussed in the chapter include William Lambarde, Edmund Tilney, George Owen of Henllys, Abraham Ortelius, and most extensively William Camden. The chapter shows that this kind of antiquarian assemblage was most commonly conceived as a kind of stitching or tailoring, in keeping with one of the more frequent early modern metaphors for textual and miscellaneous production.
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Conference papers on the topic "Antiquarin"

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Rosner, Daniela K., and Alex S. Taylor. "Antiquarian answers." In the 2011 annual conference. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/1978942.1979332.

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Liu, Shenlu, and Kangliang Liu. "ADIU:An Antiquarian Document Image Unwarping Dataset." In 2022 IEEE International Conference on Big Data (Big Data). IEEE, 2022. http://dx.doi.org/10.1109/bigdata55660.2022.10020521.

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Yamaguchi, Y., A. Hosaka, and S. Yasui. "Exotic dibaryons with a heavy antiquark." In Seventh International Symposium on Chiral Symmetry in Hadrons and Nuclei. WORLD SCIENTIFIC, 2014. http://dx.doi.org/10.1142/9789814618229_0041.

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Szczurek, Antoni. "Diffractive production of quark-antiquark pairs." In XXI International Workshop on Deep-Inelastic Scattering and Related Subjects. Trieste, Italy: Sissa Medialab, 2013. http://dx.doi.org/10.22323/1.191.0087.

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KUMANO, S., and M. MIYAMA. "FLAVOR ASYMMETRY OF POLARIZED ANTIQUARK DISTRIBUTIONS." In Proceedings of the 9th International Workshop. WORLD SCIENTIFIC, 2002. http://dx.doi.org/10.1142/9789812778345_0086.

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Weiss, Christian. "Antiquark flavor asymmetries: Origin and probes." In KEK Theory Center Workshop on High-energy Hadron Physics with Hadron Beams, Tsukuba, Japan, January 6, 2010. US DOE, 2010. http://dx.doi.org/10.2172/1996540.

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Yamaguchi, Yasuhiro. "Exotic dibaryons with a heavy antiquark." In XV International Conference on Hadron Spectroscopy. Trieste, Italy: Sissa Medialab, 2014. http://dx.doi.org/10.22323/1.205.0070.

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Bijker, Roelof, Elena Santopinto, Alejandro Ayala, Guillermo Contreras, Ildefonso Leon, and Pedro Podesta. "Quark-antiquark pairs in the quark model." In XII MEXICAN WORKSHOP ON PARTICLES AND FIELDS. AIP, 2011. http://dx.doi.org/10.1063/1.3622695.

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Bicudo, Pedro, Marco Cardoso, and N. Cardoso. "SU(3) quark-antiquark QCD flux tube." In 31st International Symposium on Lattice Field Theory LATTICE 2013. Trieste, Italy: Sissa Medialab, 2014. http://dx.doi.org/10.22323/1.187.0495.

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Vila, Víctor, Fabio DOMINGUEZ, and Carlos SALGADO. "Quark-antiquark antenna splitting in a medium." In The European Physical Society Conference on High Energy Physics. Trieste, Italy: Sissa Medialab, 2018. http://dx.doi.org/10.22323/1.314.0202.

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Reports on the topic "Antiquarin"

1

Marcum, Deanna. American Antiquarian Society. New York: Ithaka S+R, August 2015. http://dx.doi.org/10.18665/sr.22666.

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Brooks, M., T. Carey, and G. Garvey. Antiquark distributions in the proton. Office of Scientific and Technical Information (OSTI), July 1997. http://dx.doi.org/10.2172/495841.

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Muller, David. Hadron Production in Quark and Antiquark Jets. Office of Scientific and Technical Information (OSTI), September 1999. http://dx.doi.org/10.2172/15070.

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McGuigan, M., and C. B. Thorn. Quark-antiquark Regge trajectories in large N{sub c}QCD. Office of Scientific and Technical Information (OSTI), July 1992. http://dx.doi.org/10.2172/10155611.

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McGuigan, M., and C. B. Thorn. Quark-antiquark Regge trajectories in large N sub c QCD. Office of Scientific and Technical Information (OSTI), January 1992. http://dx.doi.org/10.2172/5084061.

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Towell, Rusty Shane. Measurement of the Antiquark Flavor Asymmetry in the Nucleon Sea. Office of Scientific and Technical Information (OSTI), May 2001. http://dx.doi.org/10.2172/1421416.

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Hawker, Eric Andrew. Measurement of the light antiquark flavor asymmetry in the nucleon sea. Office of Scientific and Technical Information (OSTI), August 1998. http://dx.doi.org/10.2172/3120.

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Moss, J., G. Garvey, J.-C. Peng, R. L. McCarthy, C. N. Brown, W. E. Cooper, A. M. Jonckheere, and M. Adams. Study of the Nuclear Antiquark Sea via p+N --> Dimuons. Office of Scientific and Technical Information (OSTI), January 1986. http://dx.doi.org/10.2172/1000258.

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Kang, Hyejoo. Production of {pi}{sup {+-}}, K{sup {+-}}, p and {bar p} in quark, antiquark and gluon jets. Office of Scientific and Technical Information (OSTI), January 2001. http://dx.doi.org/10.2172/784835.

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Kang, Hyejoo. Production of {pi}{sup {+-}}, K{sup {+-}}, p and p-bar in Quark, Antiquark and Gluon Jets. Office of Scientific and Technical Information (OSTI), June 2001. http://dx.doi.org/10.2172/784938.

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