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Books on the topic 'Ant queens'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Butler, Daniel Allen. Warrior queens: The Queen Mary and Queen Elizabeth in World War II. Barnsley: Leo Cooper, 2002.

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2

Warrior Queens: The Queen Mary and Queen Elizabeth in World War II. Mechanicsburg, PA: Stackpole Books, 2002.

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3

Picture history of the Queen Mary and the Queen Elizabeth. Mineola, NY: Dover Publications, 2004.

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4

S, Kaplan Flora, ed. Queens, queen mothers, priestesses, and power: Case studies in African gender. New York: New York Academy of Sciences, 1997.

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5

Queens consort: England's medieval queens. London: Weidenfeld & Nicolson, 2008.

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6

Yolen, Jane. Queen's own fool: A novel of Mary Queen of Scots. New York: Philomel Books, 2000.

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7

Yolen, Jane. Queen's own fool: A novel of Mary Queen of Scots. New York: Philomel Books, 2000.

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8

Caldwell, David H. The Queen's world: A celebration of Mary, Queen of Scots. [Edinburgh]: Scottish National Portrait Gallery in association with the National Museums of Scotland, 1987.

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9

Yolen, Jane. Queen's own fool: A novel of Mary Queen of Scots. New York: Puffin, 2001.

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10

Baldiserra, Lisa. Beauty queens. Victoria, B.C: Art Gallery of Greater Victoria, 2004.

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11

Ellery QUEEN. Ellery Queen's blighted dwellings: Stories collected from issues of Ellery Queen's mystery magazine edited by Ellery Queen. New York, N.Y: Longmeadow press, 1986.

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12

Writing Renaissance queens: Texts by and about Elizabeth I and Mary, Queen of Scots. Newark: University of Delaware Press, 2002.

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13

Kings & queens. Bath: Parragon, 2001.

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14

Pip, Leahy, ed. Kings & queens. New York: Barnes & Noble, 2007.

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15

Juana the mad: Sovereignty and dynasty in renaissance Europe. Baltimore, MD: Johns Hopkins University Press, 2004.

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16

Cleopatra and Egypt. Malden, MA: Blackwell Pub., 2008.

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17

USA, Macmillan Library Reference, ed. Kings and queens. New York: Macmillan Library Reference USA, 1999.

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18

Farjeon, Eleanor. Kings and queens. Harmondsworth: Puffin, 1987.

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19

ill, Ferrando Carol, ed. Cabbages and queens. Riverhead, NY: StoopBall Press, 2010.

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20

Macdonald, Fiona. Kings and queens. New York: Gareth Stevens Publishing, 2015.

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21

Lee, Sally. Kings and queens. North Mankato, Minn: Capstone Press, 2013.

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22

Braae, Nick. Rock and Rhapsodies. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197526736.001.0001.

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Rock and Rhapsodies is the first book-length musicological study of British rock band Queen. It primarily addresses the material written, recorded, and released between 1973 and 1991. The text provides readers with a nuanced analytical account of the group’s songs and illuminates the varied stylistic and historical contexts in which Queen’s music was created. The key conceptual basis for the analysis is an idiolect, which refers to the distinct musical style of a single artist. Having documented the key features of Queen’s idiolect, the book further explores the nature of specific musical characteristic and uses them to respond to a range of wider analytical and discursive issues as pertaining to style, genre, form, time, voice, and historiography. Rock and Rhapsodies comprises twelve chapters. The introduction documents Queen’s place in scholarly literature and unfolds the principal analytical methodology. The following three chapters address the structural details of Queen’s idiolect and songs, before analysing the voices of Queen’s singers. The vocal techniques are related to discourses of authenticity and, in the case of Freddie Mercury, the queer voice. The five subsequent chapters identify the changing and myriad stylistic influences on Queen, as well as relate the band to the major rock movements of the 1970s: hard, glam, and progressive. The final chapter explores the replacement singers, Queen in wider popular media, and the influence of the band, since Mercury’s death in 1991.

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23

Queen Victoria (Our Kings & Queens). Hodder Wayland, 1998.

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24

Boyer, David. Kings and Queens: Queers at the Prom. Soft Skull Press, 2004.

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25

Robinson, Tony. Kings and Queens: Queen Elizabeth II Edition. Penguin Random House, 2015.

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26

Irungu, Jennifer. Queens and Queen Mothers in the Bible. Independently Published, 2017.

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27

Stephen, Margaret. Queen Victoria (Our Kings & Queens (Differentiated Text)). Hodder Wayland, 1999.

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28

Saddler, Allen. The Queen's Painting (King and Queen). Oxford University Press, USA, 1987.

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29

Queens and Empresses: From Cleopatra to Queen Victoria. Book Guild Publishing, Limited, 2011.

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30

Jackson, Vanessa B. Queen Dosma: We Are All Queens and Princesses. Independently Published, 2019.

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31

Collection, Ontario, Parliament Buildings (Toronto, Ont.). Macdonald Block., and Ontario. Ministry of Government Services. Citizens' Inquiry Bureau., eds. Art at Queens' Park = L'art à Queen's Park. [Toronto]: Queen's Printer for Ontario, 1988.

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32

Woodacre, Elena. Queens and Queenship. Arc Humanities Press, Leeds, 2021. http://dx.doi.org/10.5040/9781641899277.

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This work looks at queenship in a global, timeless sense—examining the role of queens, empresses, and other royal women from the ancient and classical period through to nearly the present day on every continent. By looking at queenship in this comparative, longue durée way, we can start to see connecting threads and continuity over time and space as well as the change and development and comparisons of how the queen's role differed in various cultural contexts. A wide variety of examples are given to explain and contextualize key themes in queenship: family and dynasty, rulership, and image crafting. The introduction provides a brief overview of the development of queenship studies and a discussion of the ideals that queens were expected to conform to. This book offers a radically new perspective on queenship studies which enables new insights into the queen's role as the preeminent woman in the realm.

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33

Okerlund, Arlene. Elizabeth Wydeville: The Slandered Queen (England's Forgotten Queens). Tempus Publishing, Limited, 2006.

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34

Maritime Royalty: The Queen Mary and the Cunard Queens. Fonthill Media, 2017.

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35

Sister Queens: Katherine of Aragon and Juana Queen of Castile. Orion Publishing Group, Limited, 2012.

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36

Sheehan, Eileen. Vampire Witch Trilogy: Vampire Witch, Vampire Queen, Kings and Queens. Independently Published, 2018.

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37

Saunders, Rachael. Queen Elizabeth II and the Kings and Queens of Great Britain. Walker Books, Limited, 2022.

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38

Barrett, Rusty. Fierce Fish Who Pee. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780195390179.003.0002.

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This chapter presents an analysis of the linguistic styles used in performances by African American drag queens in Texas in the 1990s. After a discussion on the general background on drag and the specific details of the drag queens in this study, an overview of drag queen language ideologies is provided. Attention is given to a “white-woman” style of speaking similar to stereotyped views of women’s language. For the drag queens in this study, mastering the white-woman style was seen as a crucial component of success as a drag performance. An analysis of drag performances is given, focusing on the ways in which contrasting linguistic styles are combined. Although the white-woman style was labeled as being associated with race, the analysis presented in this chapter suggests the appropriation has more to do with indexing patterns of social class.

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39

Saskie, A. QUEEN - Daily Journal: Mindfulness, Manifesting Inspirational Journal for QUEENS and Princesses. Independently Published, 2022.

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40

Notebooks, Kimmys Calm. Keep calm and love the queen: Royal notebook for kings and queens. Independently published, 2019.

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41

Greene, Laurie. Drag Queens and Beauty Queens. Rutgers University Press, 2020. http://dx.doi.org/10.36019/9781978813908.

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42

Geramita, Anthony V. The Curves Seminar at Queens (Queen's Papers in Pure and Applied Mathematics). Queens Univ Campus, 1999.

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43

Marriott, Emma. Long Live the Queen: Mighty, Magnificent and Bloody Marvellous Queens We've Forgotten. HarperCollins Publishers Limited, 2019.

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44

Gillespie, Caitlin C. Wife, Queen, Roman? Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190609078.003.0003.

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Chapter 2 investigates Boudica’s status as the wife of a client king and the lifestyle of her Iceni. Dio labels Boudica as a queen, using a Roman term with political implications that may be inaccurate. Queens are fearsome and anxiety-producing for the Romans, as seen by the examples of Tullia and Cleopatra. Cartimandua, queen of the Brigantes in Britain and client queen of Rome, is characterized as a moral foil to Boudica in our texts. Cracks in the client regent system are revealed by Cartimandua and Prasutagus. As the wife of the client king Prasutagus, Boudica may have been a Roman citizen, but her political authority is ambiguous. Archaeological evidence indicates how different peoples experienced the Roman presence: the land of the Iceni and the three sites Boudica destroyed represent four separate types of interaction between Romans and Britons.

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45

Yolen, Jane, and Robert J. Harris. Queen's Own Fool: A Novel of Mary, Queen of Scots. Turtleback Books Distributed by Demco Media, 2001.

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46

Yolen, Jane. Queen's Own Fool: A Novel of Mary, Queen of Scots. Tandem Library, 2001.

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47

Queens. Arcadia Publishing, 2009.

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48

Hughes-Hallett, Lucy. Cleopatra: Histories, Dreams and Distortions. Harpercollins, 1991.

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49

Hughes-Hallett, Lucy. Cleopatra: Histories, Dreams and Distortions. Harpercollins, 1991.

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50

Lewis, Jayne. Mary Queen of Scots: Romance and Nation. Taylor & Francis Group, 2005.

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