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Books on the topic 'Annus Mirabilis'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Bacigalupo, Massimo, Stefano Verdino, and Domenico Lovascio. Annus mirabilis, 1814-1815. Roma: Aracne, 2012.

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Annus mirabilis?: Art in the year 2000. New Haven: Yale University Press, 2003.

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3

Mary, Gribbin, ed. Annus mirabilis: 1905, Albert Einstein, and the theory of relativity. New York: Chamberlain Bros., 2005.

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4

Als der Eiserne Vorhang fiel: Texte aus dem Wiener Journal und der Europäischen Rundschau aus dem annus mirabilis 1989. Wien: Edition Atelier, 2009.

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Sparkes, D. I. A history of the Trinity Hall Boat Club and club records 1949/50-1986/87: To celebrate the centenary of the THBC's Annus Mirabilis at Henley in 1887. Cambridge: The College, 1988.

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Annus Mirabilis. Barrow Street Press, 2005.

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7

Velden, Maurice van der. Annus Mirabilis. Independently Published, 2019.

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8

Einstein, Albert. Einsteins Annus mirabilis. Rowohlt Tb., 2001.

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9

Patton, David F. Annus Mirabilis: 1989 and German Unification. Edited by Helmut Walser Smith. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199237395.013.0033.

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This article focuses on the wonder years enjoyed by Germany in 1989 that followed the great German unification. In 1989–1990, the two Germanies underwent a series of remarkable changes that would signal the end of the postwar division of Europe. East Germans peacefully toppled the hard-line Socialist Unity Party that had ruled with an iron fist for forty years. This article traces the revolutions that raged East Germany and its effects on the other part of the country. East Germany witnessed mass exodus resulting in labor shortages and other such problems. As East Germans fled in the summer of 1989, pro-democracy activists formed civic groups calling for reform. This article also explains the involvement of the two states in bringing down the iron curtain and unifying Germany. This article also explains the form of chancellor democracy, new economy that came to dominate the new found Germany.

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10

Gribbin, Mary, and John R. Gribbin. Annus Mirabilis 12 copy pre pak. Chamberlain Bros., 2005.

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11

Mark, Walker. Annus Mirabilis: More Latin for Everyday Life. History Press Limited, The, 2009.

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12

Cork, Richard. Annus Mirabilis?: Art in the Year 2000. Yale University Press, 2002.

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13

Alejandro, Gangui, and Universo de Einstein (2005 : Buenos Aires), eds. El universo de Einstein : 1905, annus mirabilis, 2005. Buenos Aires: Eudeba, 2007.

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14

George Gordon Byron Baron Byron. Age of Bronze; or, Carmen Seculare et Annus Haud Mirabilis. HardPress, 2020.

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15

(Editor), Yehuda Shoenfeld, and M. Eric Gershwin (Editor), eds. Autoimmunity, Part D: Autoimmune Disease, Annus Mirabilis (Annals of the New York Academy of Sciences). Wiley-Blackwell, 2007.

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16

Harris, Frances. 1706–1707. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198802440.003.0009.

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The seventh chapter describes the annus mirabilis of the Marlborough-Godolphin partnership. With Italy and Spain the priorities, Marlborough is given discretionary instructions to march to save Turin. Instead he uses these to induce the Dutch to let him give battle in Flanders. His second great victory at Ramillies wins the Spanish Netherlands back from France and Marlborough is offered the governorship. With success in Spain and Italy, complete success seems in sight. But the Habsburgs lose their opportunity in Spain, the Dutch deny Marlborough the governorship, and the Whigs demand cabinet office for Marlborough’s son-in-law Sunderland, whom the queen dislikes. Godolphin says that if Marlborough will not return and support him he must resign. Believing that they need only one more year to achieve their objectives, Marlborough agrees, but also helps to rebalance the parties. The Whigs are discontented again and Harley now has the queen’s ear.

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17

Miklitsch, Robert. The Glass Web. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040689.003.0010.

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Since 3-D was originally developed, like CinemaScope, in response to the catastrophic decline of the movie audience, studios were eager to exploit three-dimension and apply it to genres such as the “meller” or “thriller.” Set in the “exotic” world of live TV, featuring a three-dimensional femme fatale, and revolving around the production of a true-crime television show called “Crime of the Week,” The GlassWeb appeared in 1953, the annus mirabilis of 3-D movies. However, despite certain spectacular 3-D passages, the visual style of The Glass Web tends toward the “zero degree,” reflecting the dominant postwar trend toward television and neo-realism. In just this sense, The Glass Web represents an uncommon mixture of classical Hollywood cinema and TV, a witch’s brew of the “silver” and “small screen,” classic expressionist noir and Dragnet, that reads, in retrospect, as both “retro” and prescient.

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