Relevant bibliographies by topics / Anniversaries, 1887

Academic literature on the topic 'Anniversaries, 1887'

Author: Grafiati
Published: 27 July 2024
Last updated: 28 July 2024

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Journal articles on the topic "Anniversaries, 1887"

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KOBRYN, Nataliia. "Musical Shashkevychiana in Galicia (Until 1939)." Наукові зошити історичного факультету Львівського університету / Proceedings of History Faculty of Lviv University, no. 23 (June 8, 2022): 324–40. http://dx.doi.org/10.30970/fhi.2022.22-23.3624.

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Shashkevych's virtuosity was one of the most important part of national celebration, as well as the separate trend of Ukrainian concert life in Galicia from the second part of 19th until 1939. The cult of Shashkevych's work as a driving factor of the national revival and development of the musical culture of Galician Ukrainians was formed during the XIX - first half of the XX century simultaneously with the annual honors of Taras Shevchenko. The milestones of Shashkevych's 1887, 1893, 1911, and 1937 anniversaries were not only demonstrations. They intensified the Ukrainian musical art and performance, including the creation of new musical compositions on the poetry of Shashkevych. The article analyzes the artistic aspects of Shashkevych's anniversaries and concerts in Galicia until 1939 in terms of the musical content of concert programs and national composition.
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Atanasova (Marcheva), Iliyana. "Celebration the 140th anniversary of the Russo-Turkish liberation war of 1877-1878 in the context of Bulgaria-Russia relations 2007-2018." Slavs and Russia, no. 2019 (2019): 403–23. http://dx.doi.org/10.31168/2618-8570.2019.18.

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Considering anniversaries as part of the so-called «politics of memory» executed by the state which in fact is a tool used to construct Bulgarian identity, the author analyses three celebrations, i.e. the 130th (2008), the 135th (2013) and the 140th (2018) anniversaries of the end of the Russo-Turkish war of 1877-1878 that took place in Bulgaria in the form of national events. The article shows gradual formation of the offi cial interpretation of ‘March 3rd' that proceeded from 1991 to 2018 as well as attitudes of historians and expert discussions' contents. Special attention is paid to the three international conferences devoted to Liberation of Bulgaria that took place in 2008-2018. It is concluded that the anniversaries in question refl ect the official «politics of memory» exercised in Bulgaria taking into account all stages of modern Bulgaria-Russia relations (normalization, cooling, stagnation) and the authorities' desire not to come down to outspoken Russophobia.
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Japundžić, Sanja. "Dr. Josip Poljak : Three anniversaries: 1882-1922-1962." Natura Croatica 31, no. 2 (December 30, 2022): 419–39. http://dx.doi.org/10.20302/nc.2022.31.33.

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권진호. "A Study of History of the Reformation Anniversaries - Focusing on Reformation Anniversaries in 1617, 1717, 1817 and 1917." Theological Forum 85, no. ll (September 2016): 7–36. http://dx.doi.org/10.17301/tf.2016.85..001.

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Taylor, Michael A., and L. I. Anderson. "The museums of a local, national and supranational hero: Hugh Miller's collections over the decades." Geological Curator 10, no. 7 (August 2017): 285–368. http://dx.doi.org/10.55468/gc242.

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Hugh Miller (1802-1856), Scottish geologist, newspaper editor and writer, is a perhaps unique example of a geologist with a museum dedicated to him in his birthplace cottage, in Cromarty, northern Scotland. He finally housed his geological collection, principally of Scottish fossils, in a purpose-built museum at his house in Portobello, now in Edinburgh. After his death, the collection was purchased in 1859 by Government grant and public appeal, in part as a memorial to Miller, for the Natural History Museum (successively Edinburgh Museum of Science and Art, Royal Scottish Museum, and part of National Museums Scotland). The collection's documentation, curation and display over the years are outlined, using numerical patterns in the documentation as part of the evidence for its history. A substantial permanent display of the Miller Collection, partly by the retired Benjamin Peach (1842-1926), was installed from c. 1912 to 1939, and briefly postwar. A number of temporary displays, and one small permanent display, were thereafter created, especially for the 1952 and 2002 anniversaries. Miller's birthplace cottage was preserved by the family and a museum established there in 1885 by Miller's son Hugh Miller the younger (1850-1896) of the Geological Survey, with the assistance of his brother Lieutenant-Colonel William Miller (1842-1893) of the Indian Army, and the Quaker horticulturalist Sir Thomas Hanbury (c. 1832-1907), using a selection of specimens retained by the family in 1859. It may not have been fully opened to the public till 1888. It was refurbished for the 1902 centenary. A proposal to open a Hugh Miller Institute in Cromarty, combining a library and museum, to mark the centenary, was only partly successful, and the library element only was built. The cottage museum was transferred to the Cromarty Burgh Council in 1926 and the National Trust for Scotland in 1938. It was refurbished for the 1952 and just after the 2002 anniversaries, with transfer of some specimens and MSS to the Royal Scottish Museum and National Library of Scotland. The Cottage now operates as the Hugh Miller Birthplace Cottage and Museum together with Miller House, another family home, next door, with further specimens loaned by National Museums Scotland. The hitherto poorly understood fate of Miller's papers is outlined. They are important for research and as display objects. Most seem to have been lost, especially through the early death of his daughter Harriet Davidson (1839-1883) in Australia. Miller's collection illustrates some of the problems and opportunities of displaying named geological collections in museums, and the use of manuscripts and personalia with them. The exhibition strategies can be shown to respond to changing perceptions of Miller, famous in his time but much less well known latterly. There is, in retrospect, a clear long-term pattern of collaboration between museums and libraries in Edinburgh, Cromarty and elsewhere, strongly coupled to the fifty-year cycle of the anniversaries of Miller's birth.
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Głowacka-Sobiech, Edyta. "W roku 2008 o Tadeuszu Strumille (1880-1958) i Aleksandrze Kamińskim (1903-1978) w rocznicę Ich śmierci." Biuletyn Historii Wychowania, no. 24 (March 18, 2019): 129–33. http://dx.doi.org/10.14746/bhw.2008.24.10.

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The article has a biographical and anniversary character. Its purpose is to recollect the profilesof two characters whose life and activity largely influenced the development of Polish educationand the scouting movement: Tadeusz Strumiłło (1880-1958) and Aleksander Kamiński(1903-1978). In 2008 there occur the anniversaries of their death. Tadeusz Strumiłło becamefamous as a philosopher, promoter of alcohol abstinence, a scoutmaster of the internar period(among others, he was a chairman and vice-chairman of ZHP [Polish Scouts’ Association]). Aleksander Kaminski, in turn, is known as a writer, historian, founder of the cub scouting, co-founder of the Szare Szeregi (Grey Ranks - underground scouting association during World War II), initiator of Organizacja Małego Sabotażu (Organization of Small Sabotage) “Wawer” and the editor of “Biuletyn Informacyjny” (Information Bulletin), an outstanding social pedagogue of the 20th century.
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Fraser Askin, Debbie. "Looking Forward, Looking Back." Neonatal Network 21, no. 5 (August 2002): 81. http://dx.doi.org/10.1891/0730-0832.21.5.81.

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MAJOR MILESTONES SUCH AS birthdays and anniversaries provide us with an opportunity to look back and reflect on what has gone before us. They are also a perfect time to look to the future. This special anniversary issue of Neonatal Network® features many reflections of the past twenty years of neonatal care—although for many of us, our history of caring for babies goes back much farther. Do we start with the opening of the first NICU in 1965, or do our influences reach back much farther to the work of some of the early pioneers in neonatal care? Do we mark our beginnings with the development of the first infant incubator (Stéphane Tarnier, Paris France) in 1878, or with the work of another Parisian, Pierre-Constant Budin who in the late 19th century developed many of the principles that formed the basis of neonatal medicine?
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Dabrowski, Patrice M. ""Medicis for the Fatherland"? Artists and Cracow, 1879-1910." East Central Europe 33, no. 1-2 (2006): 31–52. http://dx.doi.org/10.1163/187633006x00042.

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AbstractAbstract: This article focuses on the fascinating role played by several Polish artists in several Polish historical commemorations. These celebrations, held in the city of Cracow, took place in the last decades before the reestablishment of an independent Polish state. Painters felt moved to enter the public sphere during this period; in the process they became, or attempted to become, benefactors ("Medicis") of the nation. Although three artists - Henryk Siemiradzki, Jan Mate- jko, and Jan Styka - figured prominently in three large public commemorations of Polish historical anniversaries of the period (the 1879 jubilee of Jozef Ignacy Kraszewski, the 1883 bicentennial of the Relief of Vienna, and the 1910 quincen- tennial of the Battle of Grunwald, respectively), their projects did not always have the support of the Cracow notables, who seemed to place the interests of the municipality over those of the nation at large.
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Renker, Andrea. "Eine weiße Kerze für Francesca von Berta Schmidt-Bickelmann – Dantelektüren eines Mitglieds der DDG (1938–1959)." Deutsches Dante-Jahrbuch 96, no. 1 (September 24, 2021): 133–44. http://dx.doi.org/10.1515/dante-2021-0027.

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Riassunto Dante un classico della letteratura tedesca? – In occasione del seicentesimo anniversario della morte del poeta questa domanda riconquistò una popolarità ambigua in Germania, la cui portata sorpassava di gran lunga le discussioni meramente accademiche. La questione è anche al centro delle letture dantesche di Berta-Schmidt-Bickelmann (1885–1959), che fu membro della Deutsche Dante-Gesellschaft in questi anni. Il presente contributo esamina per la prima volta gli articoli e le poesie di questa appassionata lettrice di Dante, pubblicati tra il 1938 e il 1959 nel Mitteilungsblatt della Deutsche Dante-Gesellschaft. Se ne ricava un’impressione sulla ricezione non-accademica di Dante in Germania verso la metà del Novecento.
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Landry, Stan M. "That All May Be One? Church Unity and the German National Idea, 1866–1883." Church History 80, no. 2 (May 13, 2011): 281–301. http://dx.doi.org/10.1017/s0009640711000047.

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Despite the political unification of the German Empire in 1871, the longstanding confessional divide between German Catholics and Protestants persisted through the early Wilhelmine era. Because confessional identity and difference were pivotal to how Germans imagined a nation, the meaning of German national identity remained contested. But the formation of German national identity during this period was not neutral—confessional alterity and antagonism was used to imagine confessionally exclusive notions of German national identity. The establishment of a “kleindeutsch” German Empire under Prussian-Protestant hegemony, the anti-Catholic policies of the Kulturkampf, and the 1883 Luther anniversaries all conflated Protestantism with German national identity and facilitated the marginalization of German Catholics from early Wilhelmine society, culture, and politics. While scholars have recognized this “confessionalization of the German national idea” they have so far neglected how proponents of church unity imagined German national unity and identity. This paper examines how Ut Omnes Unum—an ecumenical group of German Catholics and Protestants—challenged the conflation of Protestantism and German national identity and instead proposed an inter-confessional notion of German national identity that was inclusive of both Catholics and Protestants.
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Dissertations / Theses on the topic "Anniversaries, 1887"

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Green, Richard T. (Richard Thurmond). "Remembrance of the Fiftieth Anniversary of the Dedication of the Moravian Church at Lititz, Pennsylvania, 13 August 1837: An Edition of Moravian Music." Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500942/.

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This thesis is a musical reconstruction of the primary services held on 13 August 1837, for the fiftieth anniversary of the dedication of the Moravian church at Lititz, Pennsylvania. The work includes general background on the Moravians and interprets information from contemporary sources to place the music in its accurate historical context. The edition of music comprises more than one half of the paper, and is taken from the original manuscript scores used. Included in the edition are five concerted anthems for choir and orchestra, and eighteen hymns from eighteenth- and early nineteenth-century Moravian tunebooks. The special texts come from an original set of orders of service.
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Books on the topic "Anniversaries, 1887"

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Asllani, Persida, and Bedri Zyberaj. Jeronim de Rada dhe shtypi shqiptar: 1887-1944. Prishtinë: Biblioteka Kombëtare, 2014.

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Selig, Wolfram. Hauptsynagoge München, 1887-1938: Eine Gedenkschrift mit einem historischen Rückblick. München: Aries Verlag, 1987.

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1942-, Rognet Richard, ed. Centenaire de la naissance de Blaise Cendrars, Pierre Jean Jouve, Saint-John Perse: 1887-1987. Épinal: École de l'image, 1987.

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Armēn, Gavukʻchean, ed. S. Pōghos-Petros Ekeghetsʻi, Agheksandria 1887-2009: Hushameatean kaṛutsʻman ew otsman 125-ameakin nuiruats. Aghekʻseandria [Egypt]: [s.n.], 2009.

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Armēn, Gavukʻchean, ed. S. Pōghos-Petros Ekeghetsʻi, Agheksandria 1887-2009: Hushameatean kaṛutsʻman ew otsman 125-ameakin nuiruats. Aghekʻseandria [Egypt]: [s.n.], 2009.

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Márquez, Verónica Hernández. La fiesta de la Independencia Nacional en la Ciudad de México: Su proceso de institucionalización de 1821 a 1887. Mexico: Rosa Ma Porrúa Ediciones, 2010.

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Foo Clan Association (Clan Temple). Xinjiapo Fu shi she (zu ci) 110 zhou nian ji nian ji xin she yu kai mu ji nian te kan =: Foo Tee Tay (clan temple) Singapore 110th anniversary cum opening of new premises souvenir magazine, 1887-1997. [Singapore]: Xinjiapo Fu shi she (zu ci), 2000.

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1859-1938, Wodell Frederick W., ed. Official text-book and programme of the Queen's jubilee musical festival at the Crystal Palace, Hamilton, Canada, June 21st and 22nd, 1887: Containing programmes of the concerts; words of the oratorios; descriptions of the oratorios; an historical account of the principal musical performances given in Hamilton; biographical sketches, with portraits of the conductors and soloisits ... F.H. Torrington, musical director. [Hamilton, Ont.?]: Hamilton Philharmonic Society, 1994.

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Rozo, Anita Sánchez de. Toledo, monografía del municipio, 1886-1986. Cucutá, Norte de Santander, Colombia: Tipo-Unión, 1986.

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Paticchia, Vito. VIII centenario dell'Università di Bologna, 1886-1888: Progetto culturale e opinione pubblica a confronto negli anni di Crispi. Bologna: CLUEB, 1989.

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Book chapters on the topic "Anniversaries, 1887"

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White, Norman. "‘What shall I do for the land that bred me?’." In Hopkins, 429–43. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198120995.003.0032.

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Abstract Tomorrow morning’, Hopkins wrote on 17 February 1887, ‘I shall have lbeen three years in Ireland, three hard wearying wasting wasted years.’ At Stonyhurst he started checking the passing of time with marked anniversaries, and in Dublin he was more conscious than ever of existing at a particular moment, with more years behind than ahead. In August he wrote to Bridges: ‘ “Getting old”-you should never say it. But I was forty three on the 28th of last month and already half a week has gone.’ He had developed a self-consciousness about his appearance. Bridges’s friend Wooldridge had undertaken to paint a portrait of him in oils, using as a guide the photograph taken in I 879 in the Oxford studios of Coles and Foreshaw; when Hopkins visited Bridges it would be finished from life.
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Hart, Peter. "Operations Abroad: The I.R.A. in Britain." In The I.R.A. at War 1916-1923, 141–77. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780199252589.003.0009.

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Abstract From the 1790s onwards, Hibernian revolutionary endeavours have invariably spanned the Irish Sea. Indeed, if rebellions are measured in bullets and bombs, it was Britain, not Ireland, that was the main battlefield in nineteenth-century struggles to establish a republic. whatever yeast was lacking in the Fenian rising of 1867, for example, was more than made up for in England, where the Manchester Martyrs and the Clerkenwell bombers left a rich legacy of corpses, anthems, and anniversaries. The greatest of the ‘bold Fenian men’, William Lomasney, died not by a Saxon bullet on an Irish hillside, but by the Thames, blown up by his own bomb.’
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Mccoll, Sandra. "The Richness of Everyday Life." In Music Criticism in Vienna 1896-1897, 33–85. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198165644.003.0009.

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Abstract With the exception of July, when the Court Opera was closed and the concert season well and truly over, Vienna offered plenty of choice for a music critic, even more so in the coldest months of the year when audiences braved the elements to attend concerts. A look through the specialist music journals from November to April demonstrates the overwhelming amount and variety of musical activity in the city which was believed by its residents to be the centre of the musical universe. There were important anniversaries to keep, great men to bury, a resident opera company with a wide repertory, and a seemingly endless procession of singers, instrumentalists, and ensembles, some local, some visiting. All this went on in the capital of an empire where the protocols and rituals of civic life filtered through to all forms of public activity.
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Watanabe-O'Kelly, Helen. "Staging Empire as History and Allegory in Austria and Germany." In Projecting Imperial Power, 256–70. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198802471.003.0011.

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Theatrical presentations of the foundational myths of the Austrian and German empires, either as costumed processions and pageants or as specially commissioned plays for the theatre, were staged on anniversaries and important jubilees. In Austria, the most important was Franz Joseph’s Diamond Jubilee in 1908, when a pageant of 12,000 lay participants took place in Vienna, while other elements of the national myth were presented on the stage. Wilhelm II played an active part in promoting the imperial theatre festival in Wiesbaden between 1896 and 1914, for which parts of the Hohenzollern myth were dramatized. In 1897, on Wilhelm I’s hundredth birthday, Ernst von Wildenbruch’s Willehalm was performed in Berlin, a verse drama presenting Wilhelm I in allegorical form as the hero who rescued Germany from the evil French.
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Landry, Stan M. "2. A Luther for Everyone: Irenicism and Orthodoxy at the German Reformation Anniversaries of 1817." In Archeologies of Confession, 45–66. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781785335419-004.

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