Journal articles: 'Annie Wood'

1

Cannon, Chesley. "Cosmic Characters: Wood Puppets Of Asia by Annie Reynolds and Michael Schuster." Asian Theatre Journal 37, no. 1 (2020): 246–52. http://dx.doi.org/10.1353/atj.2020.0003.

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Hartsfield, Larry. "Nature's Kindred Spirits: Aldo Leopold, Joseph Wood Krutch, Edward Abbey, Annie Dillard, and Gary Snyder. By James I. McClintock." Environmental History Review 19, no. 1 (1995): 117–19. http://dx.doi.org/10.2307/3984787.

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Payne, Daniel G. "Nature’s Kindred Spirits: Aldo Leopold, Joseph Wood Krutch, Edward Abbey, Annie Dillard and Gary Snyder by James I. McClintock." Western American Literature 30, no. 3 (1995): 315. http://dx.doi.org/10.1353/wal.1995.0063.

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Helfand, David J., and Gerry F. Gilmore. "Rebecca Anne Wood Elson." Physics Today 52, no. 9 (September 1999): 74–76. http://dx.doi.org/10.1063/1.882830.

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Gilmore, Gerry. "Rebecca Anne Wood Elson 1960-1999." Astronomy and Geophysics 41, no. 2 (April 2000): 2.36–2.38. http://dx.doi.org/10.1046/j.1468-4004.2000.00234-2.x.

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Barbour, A. K. "Stephen Esslemont Woods. 12 January 1912–18 June 1994." Biographical Memoirs of Fellows of the Royal Society 44 (January 1998): 455–69. http://dx.doi.org/10.1098/rsbm.1998.0029.

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Stephen Esslemont Woods was born in Cardiff on 12 January 1912, the fifth of eight children, to Scottish parents, William Woods and Annie Whyte. His father was a fifth–generation merchant seaman who was an apprentice in sail and eventually became captain of a steam ship.

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Ribeiro, Roberta Do Carmo. "A COMÉDIA SÉRIA DE WOODY ALLEN: NOVA YORK COMO NEGAÇÃO DE LOS ANGELES/HOLLYWOOD EM ANNIE HALL (1977)." Revista Mediação (ISSN 1980-556X) 16, no. 2 (February 18, 2022): 47–66. http://dx.doi.org/10.31668/mediacao.2021.v16e2.12507.

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Resumo: O presente artigo trabalha a evolução das representações de Nova York no cinema de Woody Allen, destacando o que chamo de Tetralogia de Nova York, uma série de longas-metragens que formam um conjunto coerente onde a cidade é usada como cenário para se discutir determinadas concepções de narrativa, visão de história e perspectiva de memória. O foco é o filme Annie Hall (1977), o primeiro que transforma a cidade em personagem. Em Annie Hall (1977), a cidade de Nova York é comparada a Los Angeles, estando Los Angeles num lugar de inferioridade: enquanto Nova York é uma cidade viva e real, Los Angeles seria uma cidade artificial e movida pela vaidade. Palavras-chave: Woody Allen. Cidade. Nova York. Los Angeles.

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Da Silva, Mariana Soletti. "Anne Sexton." Letras de Hoje 58, no. 1 (December 13, 2023): e44464. http://dx.doi.org/10.15448/1984-7726.2023.1.44464.

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O presente artigo busca compreender e analisar aspectos autobiográficos no poema “Mother and Daughter”, escrito por Anne Sexton (1928–1974), norte-americana que se consolidou como uma dasprincipais vozes da poesia confessional do século XX. Em um contexto hodierno, podemos afirmar que a pertinência deste trabalho é extremamente significativa: na era da autobiografia, em que a primeira pessoa do singular e a falta de privacidade emergem, assim como outrora emergiram na época da poesia confessional. Para fundamentar nossas colocações, recorremos a estudos de Philippe Lejeune (2008), Manuel Alberca (2007), Dominique Combe (2010), Michel Collot (2018) e Mariana Soletti da Silva (2021), bem como à biografia de Anne Sexton, escrita por Diane Wood Middlebrook (1994), à coletânea completa dos poemas de Sexton, publicada em 1999, e outros textos que tratam especificamente da autora, da poesia confessional e das questões pertinentes à análise do poema.

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Engell, Lorenz. "Unter Aufsicht Medium und Philosophie in Woody Allens Filmkomödie ANNIE HALL." Zeitschrift für Medien- und Kulturforschung 1, no. 2 (2010): 149–68. http://dx.doi.org/10.28937/1000107508.

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Philosophy and comedy are parallel enterprises of self-detachment. But while philosophy consistently carries out the detachment, comedy underlines its contradictions and undermines it. Thus, comedy gains an advantage especially where it reflects upon the material body which underlies every reflection, namely, its medium. My paper observes this process by studying Woody Allen's Annie Hall. Thus, the media-philosophy of the film can be contrasted against a philosopher's philosophy of the very same film.

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Li, Si-Cheng, Bi-Cheng Hu, Yan-Wei Ding, Hai-Wei Liang, Chao Li, Zi-You Yu, Zhen-Yu Wu, Wen-Shuai Chen, and Shu-Hong Yu. "Wood-Derived Ultrathin Carbon Nanofiber Aerogels." Angewandte Chemie International Edition 57, no. 24 (May 16, 2018): 7085–90. http://dx.doi.org/10.1002/anie.201802753.

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Engell, Lorenz. "Unter Aufsicht Medium und Philosophie in Woody Allens Filmkomödie ANNIE HALL." Zeitschrift für Medien- und Kulturforschung 1, no. 2 (January 1, 2010): 150–68. http://dx.doi.org/10.28937/zmk-1-2_11.

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Stubba, Daniel, Günther Lahm, Mario Geffe, Jason W. Runyon, Anthony J. Arduengo, and Till Opatz. "Xylochemistry-Making Natural Products Entirely from Wood." Angewandte Chemie International Edition 54, no. 47 (October 16, 2015): 14187–89. http://dx.doi.org/10.1002/anie.201508500.

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13

Vann, Barry A. "Final word: Rebuttal to anne percival's invited reaction." Human Resource Development Quarterly 7, no. 2 (1996): 141–43. http://dx.doi.org/10.1002/hrdq.3920070205.

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14

Koffeman, Maaike. "Élise Hugueny-Léger, Projections de soi. Identités et images en mouvement dans l'autofiction." European Journal of Life Writing 12 (December 18, 2023): R18—R21. http://dx.doi.org/10.21827/ejlw.12.41394.

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Playing on the double meaning of the word projection, this book explores the multiple relationships between the French literary genre of autofiction and the moving image. Élise Hugueny-Léger, a researcher of contemporary French literature and a specialist of the work of Annie Ernaux, departs from the idea that autofictional writing is a form of psychological projection, wherein a self-image is being cast onto the page. In a more literal sense, the word projection refers to the cinematic technique of showing moving images on a screen. Several francophone authors known for their autofiction have also been involved in audiovisual productions, but earlier criticism has largely limited itself to studying their literary output. By addressing this rich and complex subject matter, Hugueny-Léger makes a valuable and original contribution to the field of francophone life-writing studies.

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Langston, Jessica. "Women in A Word: Anne Claire Poirier’s Subversive Subjectivity." Canadian Journal of Film Studies 13, no. 2 (October 2004): 2–16. http://dx.doi.org/10.3138/cjfs.13.2.2a.

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Millar, Joseph. "Ars Poetica 2, and: Blessed with Work, and: Dark Woods, and: For Annie 2." Prairie Schooner 95, no. 3 (September 2021): 7–10. http://dx.doi.org/10.1353/psg.2022.0000.

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17

Gatta, John. "Book Review: Annie Dillard and the Word Made Flesh: An Incarnational Theory of Language." Christianity & Literature 61, no. 2 (March 2012): 335–38. http://dx.doi.org/10.1177/014833311206100219.

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McNamara, Anne M. "Leader Interview: One State’s View of the Nursing Shortage." Creative Nursing 6, no. 2 (January 2000): 8–11. http://dx.doi.org/10.1891/1078-4535.6.2.8.

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Our second Leader Interview is with Anne M. McNamara, RN, PhD, project director for the Arizona Colleagues in Caring grant, a nursing-workforce development initiative funded through the Robert Wood Johnson Foundation. A member of the American Nurses Associations, Congress on Nursing Practice and Economics, McNamara most recently served as Vice President for Performance Improvement and Quality for Maricopa Health System, based in Phoenix. She is interviewed by Guest Editor Sonja Simpson, RN, MSN, a member of the Creative Nursing Journal Editorial Advisory Board.

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Hage, Ronald, and Achim Lienke. "Applications of Transition-Metal Catalysts to Textile and Wood-Pulp Bleaching." Angewandte Chemie International Edition 45, no. 2 (January 2006): 206–22. http://dx.doi.org/10.1002/anie.200500525.

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20

Pellegrino, Edmund D. "Secrets of the Couch and the Grave: The Anne Sexton Case." Cambridge Quarterly of Healthcare Ethics 5, no. 2 (1996): 189–203. http://dx.doi.org/10.1017/s0963180100006939.

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In 1991, Diane Wood Middlebrook, a professor of English at Stanford University, published a biography of the poet Anne Sexton in which, among other things, she used as source material some 300 tapes of Sexton's psychotherapeutic sessions with her psychiatrist, Dr. Martin Orne. After some years of reluctance and with the concurrence of Sexton's daughter and literary executor, Linda Gray Sexton, Orne released the tapes to Professor Middlebrook. Middlebrook's picture of Sexton drew heavily on the tapes, supplemented by scrapbooks, letters, photos, clippings, unpublished poems, and hospital records.

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21

McB Cox, Eoin, Olwyn Owen, Denys Pringle, A. Crone, and L. Paterson. "The discovery of medieval deposits beneath the Earl's Palace, Kirkwall, Orkney." Proceedings of the Society of Antiquaries of Scotland 128 (November 30, 1999): 567–80. http://dx.doi.org/10.9750/psas.128.567.580.

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Discusses the 1982 archaeological investigations below the tennis courts and walls of the seventeenth-century palace which revealed a range of medieval features and deposits probably associated with the earlier Bishop's Palace or Palace of the Yards. A major find of the excavations was a wooden Scandinavian-type comb and it is suggested that it may have been brought from Trondheim in Norway in the thirteenth century (given the close connection between the two ecclesiastical settlements). Anne Crone writes on `Waterlogged wood' (576) and Leonie Paterson on `Faunal remains' (576--7).

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22

Kuyumcuyan, Annie. "Comme et ses valeurs : le point de vue historique (XIVe-XVIe siècles)." Langue française 149, no. 1 (2006): 113–26. http://dx.doi.org/10.3406/lfr.2006.6876.

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Annie Kuyumcuyan : The meanings of comme : a historical perspective (14th-16th centuries). Among function words which can have many meanings depending on the context, comme is one ofthe most polysemie in Modem French, even when it is only studied in its subordinate role in complex sentences. Imbs considered that it was unequalled in the variety of its different uses. The study of comme from a diachronic point of view has been facilitated by the computerization of huge corpuses, which allow a better understanding of its polysemy. It is thus possible to discover the stages by which the word has passed and to identify apparently heterogeneous meanings, which are actually coherent, when taking their progressive construction into consideration.

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23

Van de Laar, Michel, David De Haan, Oleg Karuvits, Arie Wallert, and Margreet Wolters. "From Wood to Canvas: Anthonis Mor, Portraits of Sir Thomas Gresham and Anne Fernely." Rijksmuseum Bulletin 58, no. 3 (September 15, 2010): 246–65. http://dx.doi.org/10.52476/trb.11627.

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Lawal, Babatunde. "In Word and Image: Remembering Anne Eisner's Adventures in Africa." Research in African Literatures 39, no. 2 (June 2008): 138–42. http://dx.doi.org/10.2979/ral.2008.39.2.138.

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Garves, Klaus. "Book Review: Wood Chemistry, Ultrastructure, Reactions. By D. Fengel and G. Wegener." Angewandte Chemie International Edition in English 24, no. 6 (June 1985): 527. http://dx.doi.org/10.1002/anie.198505271.

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Versloot, Arjen P. "The Old English gerund in ‑enne or ‑anne." NOWELE / North-Western European Language Evolution 77, no. 1 (April 18, 2024): 14–22. http://dx.doi.org/10.1075/nowele.00082.ver.

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Abstract This article discusses the historical form of the gerund in Old English, attested both as ‑enne and ‑anne. The former is commonly considered to be the historical form, while the latter is thought to have resulted from analogical levelling on the basis of the infinitive that ended in ‑an. The primacy of ‑enne is based on the assumption that i-mutation in unstressed syllables worked to the same extent as in stressed ones, but it is argued that the working of sound laws can be dependent on stress and the quality of the mutation factor. In this paper, I propose that the order should be reversed and that ‑anne is the historical form, while ‑enne probably shows phonological reduction in word-internal position.

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27

Fingard, J. "B. Anne Wood. Evangelical Balance Sheet: Character, Family, and Business in Mid-Victorian Nova Scotia." Enterprise and Society 9, no. 1 (April 2, 2008): 218–19. http://dx.doi.org/10.1093/es/khn009.

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Woods, Robert, and Chris Galley. "Réflexions sur la distribution des décès au cours de la première année de vie." Population Vol. 53, no. 5 (May 1, 1998): 921–46. http://dx.doi.org/10.3917/popu.p1998.53n5.0946.

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Résumé Galley (Chris), Woods (Robert). - Réflexions sur la distribution des décès au cours de la première année de vie Le présent article réexamine la thèse, énoncée pour la première fois par Jean Bourgeois- Pichat, selon laquelle une loi universelle régirait la distribution des décès au cours de la première année de vie. L'examen des données provenant d'un certain nombre de pays, tant pour des périodes anciennes que dans des populations contemporaines, montre l'absence d'une telle distribution unique et universelle, mais dégage sans conteste l'existence d'un certain nombre de configurations distinctes, lesquelles évoluent dans le temps. On ne peut pas déduire systématiquement de l'écart entre les données observées et celles prévues par la « loi de Bourgeois- Pichat » des indications sur la qualité des données, même si cet écart peut mettre sur la piste de problèmes affectant ces données. Finalement, l'examen de la distribution des décès infantiles demeure un moyen efficace d'explication des changements et variations survenant dans les taux de mortalité infantile des populations d'autrefois comme d'aujourd'hui.

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Wood, Galley R. "On the Distribution of Deaths During the First Year of Life (Population, 5, 1998)." Population Vol. 54, HS1 (December 1, 1999): 35–59. http://dx.doi.org/10.3917/popu.p1999.11n1.0059.

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Résumé Galley (Chris), Woods (Robert). - Réflexions sur la distribution des décès au cours de la première année de vie Le présent article réexamine la thèse, énoncée pour la première fois par Jean Bourgeois- Pichat, selon laquelle une loi universelle régirait la distribution des décès au cours de la première année de vie. L'examen des données provenant d'un certain nombre de pays, tant pour des périodes anciennes que dans des populations contemporaines, montre l'absence d'une telle distribution unique et universelle, mais dégage sans conteste l'existence d'un certain nombre de configurations distinctes, lesquelles évoluent dans le temps. On ne peut pas déduire systématiquement de l'écart entre les données observées et celles prévues par la « loi de Bourgeois- Pichat » des indications sur la qualité des données, même si cet écart peut mettre sur la piste de problèmes affectant ces données. Finalement, l'examen de la distribution des décès infantiles demeure un moyen efficace d'explication des changements et variations survenant dans les taux de mortalité infantile des populations d'autrefois comme d'aujourd'hui.

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Stubba, Daniel, Günther Lahm, Mario Geffe, Jason W. Runyon, Anthony J. Arduengo, and Till Opatz. "Cover Picture: Xylochemistry-Making Natural Products Entirely from Wood (Angew. Chem. Int. Ed. 47/2015)." Angewandte Chemie International Edition 54, no. 47 (October 21, 2015): 13823. http://dx.doi.org/10.1002/anie.201509446.

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31

Wiehaus, Otto. "Book Review: Wood and Cellulosic Chemistry. Edited by D. N. S. Hon and N. Shiraishi." Angewandte Chemie International Edition in English 31, no. 6 (June 1992): 801–2. http://dx.doi.org/10.1002/anie.199208011.

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Opreanu, Lucia. "Word Havens: Reading One’s Way out of Trauma in Contemporary Fiction." University of Bucharest Review. Literary and Cultural Studies Series 9, no. 2 (November 19, 2020): 93–102. http://dx.doi.org/10.31178/ubr.9.2.10.

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Prompted by the attention received in recent years by the collateral benefits of reading and the growing prominence of bibliotherapy in the literary marketplace, this paper aims to investigate the therapeutic effects of books as they emerge from the experience of fictional characters, a perhaps less scientifically sound endeavour than empirical studies and clinical trials targeting real-life readers but one likely to occasion interesting perspectives on reading as a coping mechanism in the face of trauma. By focusing on a variety of reading experiences gleaned from a selection of novels ranging from Mary Shelley’s Frankenstein to William Styron’s Sophie’s Choice, Graham Swift’s Waterland, Michael Ondaatje’s The English Patient, Azar Nafisi’s Reading Lolita in Tehran: A Memoir in Books, Markus Zusak’s The Book Thief, Lloyd Jones’ Mister Pip and Mary Ann Shaffer and Annie Barrows’ The Guernsey Literary and Potato Peel Pie Society and targeting acts of solitary communion with narrative as well as illicit seminars, informal book clubs and impromptu public readings, the analysis intends to highlight the extent to which literature can provide more than a mere pastime or intellectual challenge to its most vulnerable readers. Whether such benefits entail a sense of community, a temporary shelter from the hardships of war, a reprieve from the abuses of a totalitarian government or sanctuary from the less brutal but nevertheless haunting scars of broken relationships, parental disapproval or social rejection, the ultimate goal is to identify and assess the various survival strategies employed within these fictional universes. The

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Seelye, John. "ROBERT BOLLING WOOS ANNE MILLER: LOVE AND COURTSHIP IN COLONIAL VIRGINIA, 1760." Resources for American Literary Study 19, no. 2 (January 1, 1993): 314–17. http://dx.doi.org/10.2307/26366792.

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Smith, Daniel Blake, and J. A. Leo Lemay. "Robert Bolling Woos Anne Miller: Love and Courtship in Colonial Virginia, 1760." Journal of Southern History 58, no. 2 (May 1992): 335. http://dx.doi.org/10.2307/2210871.

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Seelye, John. "ROBERT BOLLING WOOS ANNE MILLER: LOVE AND COURTSHIP IN COLONIAL VIRGINIA, 1760." Resources for American Literary Study 19, no. 2 (January 1, 1993): 314–17. http://dx.doi.org/10.2307/resoamerlitestud.19.2.0314.

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Utomo, Slamet, and Dita Indah Sekti. "COHESION IN ANNE HATHAWAY’S SPEECH TEXT ON “PAID PARENTAL LEAVE IS ABOUT CREATING FREEDOM TO DEFINE ROLES”." KREDO : Jurnal Ilmiah Bahasa dan Sastra 2, no. 2 (April 20, 2019): 325–37. http://dx.doi.org/10.24176/kredo.v2i2.3344.

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This research aims to identify the grammatical and lexical cohesion used in Anne Hathaway’s speech text on “Paid Parental Leave is about Creating Freedom to Define Roles”, and interpret how grammatical and lexical cohesion are used in Anne Hathaway’s speech text on “Paid Parental Leave is about Creating Freedom to Define Roles”.The type of this research is descriptive qualitative research. The result of this research shows that all types of grammatical and lexical cohesion are used in the speech text. For the grammatical cohesions are: reference (personal, demonstrative and comparative reference), substitution (nominal substitution), ellipsis (verbal and clausal ellipsis) and conjunction (additive, adversative, causal and temporal conjunction). Meanwhile, the lexical cohesions are: reiteration (repetition, synonym, superordinate and general word) and collocation. The most dominant of cohesive devices used in the speech text is reference especially for personal reference. All those cohesive devices are used clearly, it means that the speech text of Anne Hathaway entitled “Paid Parental Leave is about Creating Freedom to Define Roles” used grammatical and lexical cohesion well. Finally, the writer suggests that cohesion is important to be studied in language learning because cohesion can be used as a strategy to construct and comprehend any text especially for speech.

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Rahmawati, Gema Ariani, and Indah Lestari. "Translation of the Word 'Do' in the Novel Anne of Avonlea from English into Indonesian." International Journal of English and Applied Linguistics (IJEAL) 3, no. 2 (August 3, 2023): 119–27. http://dx.doi.org/10.47709/ijeal.v3i2.2575.

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The purpose of this research is to find out the translation of the word ‘do’ from English into Indonesian and also its function. This research focuses on the translation of the word ‘do’ in an English novel entitled Anne of Avonlea and its translation in Indonesian. The researcher uses mixed method namely qualitative and quantitative method. To collect the data, purposefully random sampling is used. The 150 difficult data were purposefully chosen, which then the researcher chose 75 random data to be analyzed. To analyze the data, the researcher uses strategies of translation by Chesterman (2016) and principles of translation by Duff (1990). The result of this research shows that there are a lot of forms and functions of ‘do’ that makes the translation of the word ‘do’ various. There are 7 out of 30 strategies found, namely literal translation (7), unit shift (7), transposition (25), emphasis change (16), cohesion change (16), scheme change (3), and synonymy (1). Lastly, there are 2 out of 6 principles of translation found, namely meaning (6 strategies) and style & clarity (1 strategy). Thus, it can be seen that the most used strategy and principle of translation in translating the word ‘do’ are transposition and meaning.

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AGAR, TRUDY. "“Radical Bilingualism” in Fouad Laroui’s Une année chez les Français." Australian Journal of French Studies 59, no. 1 (January 1, 2022): 20–33. http://dx.doi.org/10.3828/ajfs.2022.03.

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This article considers language practices in Une année chez les Français, a 2010 novel by the multilingual Moroccan writer Fouad Laroui, by drawing on Abdelkébir Khatibi’s concept of “radical bilingualism” and on Mikhail Bakhtin’s understanding of “polyglossia”. It focuses on ways in which French cultural and linguistic domination is both reinforced and contested by a range of textual and linguistic strategies, including relexification, code-switching, translation, neologism and word play. Laroui’s radical bilingualism will be shown to blur language borders and destabilize the notion of language purity, while creating a literary space that is playful, dynamic, plural and unstable. Radical bilingualism in this novel will be revealed as a subversive strategy that Laroui uses to engage in a “double critique” of French neo-colonial domination and privilege and of Moroccan nationalist essentialism.

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Moe, Merete, and Anne B. Reinertsen. "Poeticalization and Storying; www.mmm.com." Qualitative Inquiry 25, no. 7 (November 12, 2018): 637–40. http://dx.doi.org/10.1177/1077800418806613.

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A threshold situation is a kind of crisis of, for example, deteriorating health. Fall 2014, a project was conducted, focusing on writing for well-being with a former employee and leader at an Early Childhood Education and Care, now on long-term sick leave. Here is her story and poem; her writings/Sis. Our stories and theory/practice/data/interpretive poems; our writings/Merete and Anne: Our companionship, company, and compassion: Sis/Merete/Anne.Com . We aim at Deleuze and Guattarian safespace writing. In modern working life participation, empowerment, governance, and self-leadership is considered vital for creating good psychosociological work environments. Foucault’s concept governmentality aims to elucidate how we are created as subjects, looking at how we are governed by others and by ourselves according to norms and expectations in organizations, society, and from ourselves. We think with poetry to open up, explore, and fabulate. We call it poeticalization and storying and work and worlds and words or rather work/world/word/making/melding/mattering/Sis/Merete/Anne: www.mmm.com .

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Hage, Ronald, and Achim Lienke. "Cover Picture: Applications of Transition-Metal Catalysts to Textile and Wood-Pulp Bleaching (Angew. Chem. Int. Ed. 2/2006)." Angewandte Chemie International Edition 45, no. 2 (January 2006): 175. http://dx.doi.org/10.1002/anie.200690004.

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41

Karkiewicz, Magdalena. "Symfonia wielkiego miasta. O wizerunku Nowego Yorku w „Manhattanie” Woody’ego Allena." Załącznik Kulturoznawczy, no. 1 (2014): 215–41. http://dx.doi.org/10.21697/zk.2014.1.10.

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One of the major objective of this essay is to show that Woody Allen’s Manhattan (1979) is a renewal of an old film genre called the city symphony. In this movie, the director outlined a suggestive portrait of his beloved New York City. After Annie Hall (1977), Manhattan is the second most complete expression of the specificity of Allen’s style, which consists of comic and tragic elements. Another object of this essay is to demonstrate that while creating the image of the metropolis the director particularly exploits the tools of film expression. Audiovisual layer of Allen’s work allows to juxtapose Manhattan with the city symphony (genre which came into being in the twenties as an innovative combination of documentary and avant-garde forms). The similarity between Manhattan and the original city symphonies is visible at the very beginning of the film, because of black and white, kaleidoscopic shots of metropolis as well as the backing sound (Rhapsody in Blue by George Gershwin). Allen’s picture is not only a sophisticated portrait of New York, but also the critical study of the society

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Rogers, Annie. "Voice, Play, and a Practice of Ordinary Courage in Girls' and Women's Lives." Harvard Educational Review 63, no. 3 (September 1, 1993): 265–96. http://dx.doi.org/10.17763/haer.63.3.9141184q0j872407.

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In this article, Annie Rogers explores the etymology of courage, and links the "ordinary courage" of eight- to twelve-year-old girls with an old meaning of the word: "to speak one's mind by telling all one's heart." She then observes how this ordinary courage is lost as many girls reach early adolescence. Her observation is embedded in a newly emerging psychology of women based on empirical studies of girls, which have documented a striking loss of voice, of resiliency, and of self-confidence in girls as they enter early adolescence. These studies have identified this as a time of particular vulnerability and risk in young women's psychological development, as it becomes increasingly dangerous for them to speak their minds truthfully within the context of cultural conspiracies to silence women's knowledge. In order to capture the girls' inner life of feeling, Rogers introduces a "poetics of research," a particular discourse grounded in feminist epistemology and methodology, as well as the voice-centered,relational practice of research she has helped to create.

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Maria Valentini, Rachele. "Il ruolo attivo della vittima in caso di abuso sessuale: conseguenze in adolescenza." MALTRATTAMENTO E ABUSO ALL'INFANZIA 24, no. 3 (January 2023): 107–27. http://dx.doi.org/10.3280/mal2022-003006.

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Il presente studio si propone di indagare se in adolescenza il partecipare attivamente alle azioni di abuso sessuale ("agire atti sessuali" come l'induzione o la coercizione della vittima a impegnarsi in pratiche quali la stimolazione dei genitali dell'abusante, rapporti orali/anali e esibizioni erotiche al fine di soddisfare i desideri sessuali del perpetratore) comporti un maggior aggravarsi, in termini di rielaborazione cognitiva dell'esperienza abusiva e di sviluppo di emozioni traumatiche di vergogna, colpa ed impotenza, rispetto al subire passivamente la violenza sessuale. Sono state analizzate 32 deposizioni di adolescenti vittime di abuso sessuale, con un'età media al momento dell'audizione di 14 anni (DS = 1.72; range = 11-17 anni). Per risalire alle cognizioni e alle emozioni traumatiche connesse all'abuso sessuale subito, le deposizioni delle vittime sono state testualmente analizzate attraverso il Linguistic Inquiry e Word Count (LIWC; Pennebaker et al., 2001). I risultati confermano che in adolescenza la partecipazione attiva alle dinamiche di abuso sessuale risulta maggiormente connessa a difficoltà di rielaborazione cognitiva dei fatti traumatici occorsi, con un importante e significativo apporto da parte di emozioni traumatiche particolarmente lesive, come vergogna, senso di colpa e impotenza.

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Tawfik, Ali Mai Morsy. "L'influsso inglese e la formazione delle parole in italiano." Lingue e culture dei media 6, no. 1 (August 8, 2022): 44–67. http://dx.doi.org/10.54103/2532-1803/18573.

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In questo saggio ci si propone di analizzare le varie tecniche della formazione delle parole, nelle quali l’inglese gioca un ruolo importante; per tale scopo si esamina il corpus di articoli tratti dalle prime pagine de La Stampa nei primi dieci giorni di gennaio degli anni 1980, 1985, 1990, 1995, 2000, 2005 e 2010. L’analisi dei dati rivela che nel campo della formazione delle parole l’inglese gioco un ruolo importante: alcune parole sono state create da parole inglesi con l’aggiunta di un suffisso o un prefisso italiano oppure con la composizione di due elementi (uno italiano e un altro inglese) in un unico significante. L’influsso più significativo è, a nostro avviso, quello che riguarda la modifica strutturale di alcune parole italiane composte con l’ordine ‘Dnte + Dto’ tipico dell’inglese. This essay aims to analyze how and where English methods of word formation participates in Italian word formation. Results are achieved by examining a specific corpus made up of articles taken from the first pages of La Stampa and written during the first ten days of January in 1980, 1985, 1990, 1995, 2000, 2005, 2010. The analysis reveals how important English is in Italian word formation: new Italian words are be formed by adding prefixes and suffixes to an English word or by combining words. In our opinion, the typical English sequence ‘Dnte+Dnto’ is one of the most significant methods of Italian word formation and it shows how English influences Italian so far.

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Varty, Anne. "The Rise and Fall of the Victorian Stage Baby." New Theatre Quarterly 21, no. 3 (July 18, 2005): 218–29. http://dx.doi.org/10.1017/s0266464x05000126.

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Real or imaginary, babies provided the Victorian public with a favourite spectacle, featuring in sensational, domestic, and farcical plays, often at the centre of the plot. Impossible to train, their deployment was not without hazard. Under scrutiny here are the range of their manifestations and the effects they could generate. Warren's baby farce Nita's First (1884) emerges as a precursor to The Importance of Being Earnest; Morton's nameless Children in the Wood (1793) swell into music-hall stars by the time of the Drury Lane pantomime of 1888. The departure of real babies from the stage was dictated by the Prevention of Cruelty to Children Act of 1889—legislation which had in turn been influenced by the rhetoric of moral reformers which constructed all theatre children as vulnerable, exploited ‘babies’ in need of protection, not applause. The author, Anne Varty, is a Senior Lecturer in the English Department at Royal Holloway, University of London.

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McManus, Alesia M. "From the President of RUSA: What’s in a Name Revisited." Reference & User Services Quarterly 56, no. 3 (April 3, 2017): 156. http://dx.doi.org/10.5860/rusq.56n3.156.

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Do you refer to yourself as reference librarian? If so, what does the word reference mean to you?”1 This was the lead on RUSA Past-President Anne Houston’s column in the spring 2016 issue of RUSQ. Shortly thereafter she formed the RUSA Name Change Task Force to examine possibilities for changing the name of RUSA in the context of larger re-branding efforts within RUSA and “library public services generally.” In the fall, the task force submitted their report which will be discussed by RUSA board to determine next steps. The report should be published to the RUSA website by the time this issue appears.

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Mann, Keith. "Christian Chevandier, Cheminots en greve: ou la construction d'une identite (1848–2001). Paris: Maisonneuve & Larose, 2002. 399 pp. 20 € paper." International Labor and Working-Class History 65 (April 2004): 182–85. http://dx.doi.org/10.1017/s0147547904260136.

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Christian Chevandier's Cheminots en Greve is a social, political, and institutional history of railroad workers in France from 1848 to 2001. It is told from the standpoint of the role of strikes in forming the occupational identity of these workers, known in France as cheminots (Chevandier finds the earliest use of the expression dating back to 1898; by the 1930s the Academie Francaise officially recognized it as a French word). Cheminots belong to various crafts and trades. They drive the trains, repair locomotives and rolling stock in shops and factories, sell tickets in stations and collect them in trains. Although the book is largely structured around a chronological account of railway strikes, Chevandier looks beyond the strike for sources of cheminot identity. These include the evolving structure of the French railroad system from private companies to state ownership, the role of skill and technological change, and especially union strategies, structures, and above all divisions. Along the way he revisits earlier treatments of French labor and railworker history, and takes up old historiographical controversies debating, confirming, and refuting well-known scholars from Annie Kriegel to historians of a younger generation like George Ribeill and Atsushi Fukasawa.

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Honsalies-Munis, Svitlana. "THE THEME OF MOTHERHOOD IN THE POETRY BY ANNE SEXTON, SYLVIA PLATH AND ADRIENNE RICH." English and American Studies, no. 20 (June 23, 2023): 145–54. http://dx.doi.org/10.15421/382318.

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The article deals with the theme of motherhood in the poetry of the twentieth-century American writers Anne Sexton, Sylvia Plath, and Adrienne Rich. Particular attention is paid to the analysis of images that reveal various aspects of motherhood: a pregnant woman, an infertile woman, a mother and her child, a woman after a miscarriage or abortion, a creative woman, a woman poet, etc. The theme of motherhood in the poetry of A. Sexton, S. Plath, A. Rich is considered in close connection with the theme of creativity and marriage.The theoretical basis of the study is the works of Y. Kristeva, Diane Wood Middlebrook, Marilyn Yalom, Wendy Martin, Sandra M. Gilbert, Susan Gubar, which made it possible to define the concepts of women's writing and text, female subject, and female creativity. The analysis focuses on the reflection of the theme of motherhood by a creative personality, as well as on the unveiling of some gender stereotypes regarding the motif of maternal love, a happy family and marriage. The paper considers contemporary works of feminist studies and developments in the field of gender studies.

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Hinson, Katrina. "The Edinburgh Companion to the Critical Medical Humanities ed. by Anne Whitehead and Angela Woods." Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée 45, no. 3 (2018): 518–20. http://dx.doi.org/10.1353/crc.2018.0052.

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Mark, James E. "Bio-Based Polymers and Composites. By Richard P. Wool and Xiuzhi Susan Sun." Angewandte Chemie International Edition 45, no. 37 (September 18, 2006): 6079–80. http://dx.doi.org/10.1002/anie.200585443.

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Journal articles on the topic 'Annie Wood'

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