Dissertations / Theses: 'Animalista'

1

Dantas, Bianca Salles 1977. "O cinema animalista : a imagem em/no movimento pelos animais." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285230.

Full text

Abstract:

Orientador: Fernão Vitor Pessoa de Almeida Ramos
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-26T08:43:59Z (GMT). No. of bitstreams: 1 Dantas_BiancaSalles_M.pdf: 20978659 bytes, checksum: 9a6eaf8e810d8dfeeffa77e3c17e999d (MD5) Previous issue date: 2014
Resumo: A presente dissertação tem por objetivo mapear e analisar como se configura o que aqui denominamos como cinema animalista e as relações com o movimento social que o originou. Traçaremos o seu desenvolvimento em paralelo ao avanço do movimento social desdobrado na Inglaterra a partir da década de 1970, detalhando a produção cinematográfica a fim de compreender como e com base em quais instrumentos esta produção cultural militante se formou e se configura hoje. Tendo em vista seu horizonte histórico, traçaremos uma linha progressiva em relacionamento com o movimento social nos Estados Unidos, em alguns países da Europa, e no Brasil. Investiremos na análise dos aspectos estilísticos, autorais e políticos no interesse de verificar se tais narrativas estão de fato propondo mudanças de paradigma, encorajando o pensamento contra-hegemônico e desafiando o especismo. Finalizamos o trabalho apresentando uma base de dados da produção cinematográfica animalista, oferecendo filmografia, sinopses e outras informações relevantes obtidas durante o processo de pesquisa
Abstract: This dissertation aims to map and analyze the shape of what is called here as animal rights cinema and its relationships with the social movement originated it. We shall trace its development in parallel with the expansion of the social movement emerged in England in the 1970s, detailing its filmmaking in order to understand how and based on what instruments this activist cultural production was formed and takes shape today. Considering its historical horizon, we shall draw a progressive thinking in relationship with the characteristics of the development of the social movement itself in the United States, some countries of Europe, and in Brazil. We shall emphasize an analysis based in stylistic, authorship and political aspects, verifying if these narratives are in fact proposing paradigm shifts, encouraging counter-hegemonic thinking and challenging speciesism. We end this work by presenting a database of animal cause filmmaking, offering filmography, synopses and other relevant information obtained during the research process
Mestrado
Multimeios
Mestra em Multimeios

APA, Harvard, Vancouver, ISO, and other styles

2

Monteiro, Lorena Lúcia Cardoso. "Feminismo animalista: a interseção entre discursos e práticas feministas e de libertação animal." Universidade Federal da Paraíba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/9757.

Full text

Abstract:

Submitted by Viviane Lima da Cunha (viviane@biblioteca.ufpb.br) on 2018-02-02T12:58:30Z No. of bitstreams: 1 arquivototal.pdf: 730897 bytes, checksum: 40baf045605f50df2a70ce3181331aab (MD5)
Made available in DSpace on 2018-02-02T12:58:30Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 730897 bytes, checksum: 40baf045605f50df2a70ce3181331aab (MD5) Previous issue date: 2014-06-09
Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
The present work proposes to bring an interpretation of speeches and symbolic aspects involved in the practice of veganism among young feminists. As scholars and other authors of the theme activists, they bring in their discourses and practices political dimensions that relate animal and environmental exploitation, and the consumption of meat and animal clothing, with a patriarchal capitalist system of exploitation that is the same governing domination between people through gender relations. The research comprises a set of methodologies for obtaining data as field research and semi - structured interviews between activists and groups that propose discussion between feminism and animal liberation, which may be located more precisely a feminist anarchist youth culture of young women many places in Brazil; are participants of activist groups, vegan feminist projects, festivals, bands and zines or even autonomous activists.
O presente trabalho propõe trazer uma interpretação dos discursos e aspectos simbólicos envolvidos na prática do veganismo entre jovens feministas. Assim como autores estudiosos do tema e outros ativistas, elas trazem em seus discursos e práticas, dimensões políticas que relacionam a exploração animal e ambiental, além do consumo da carne e vestuário de origem animal, com um modelo capitalista e patriarcal de exploração que é o mesmo que rege a dominação entre pessoas através das relações de gênero. A pesquisa conta com um conjunto de metodologias de obtenção de dados como pesquisa de campo e entrevistas semiestruturadas entre ativistas e grupos que propõem a discussão entre feminismo e libertação animal, que podem ser localizados mais precisamente em uma cultura juvenil feminista de mulheres jovens anarquistas de diversos lugares do Brasil; sejam participantes de grupos ativistas, empreendimentos feministas veganos, festivais, bandas e zines ou até mesmo ativistas autônomas.

APA, Harvard, Vancouver, ISO, and other styles

3

BERTUZZI, NICCOLÒ. "ANIMALI POLITICI. Il movimento animalista in Italia e i suoi campi d’azione strategica." Doctoral thesis, Università degli Studi di Milano-Bicocca, 2017. http://hdl.handle.net/10281/158280.

Full text

Abstract:

L’elaborato è composto da nove capitoli, e schematicamente suddiviso in tre parti. Nella prima trovano spazio le considerazioni di natura teorica e i dettagli inerenti percorso di ricerca, dati e metodi. La seconda parte offre una breve contestualizzazione storica dell’animal advocacy italiana, con riferimento a episodi ritenuti importanti e con alcuni cenni all’inserimento di tematiche legate agli animali non-umani nell’agenda politica più o meno recente. Gli ultimi tre capitoli costituiscono la parte terza e sono dedicati all’analisi dei dati. Trattano rispettivamente i seguenti temi: variabili socio-demografiche e motivazioni all’azione; rapporto fra animal advocates e dimensione politica; aspetti organizzativi e modalità d’azione. Nelle conclusioni, infine, viene ripreso quanto emerso nei capitoli di analisi empirica, per fornire risposta agli interrogativi di ricerca e proporre alcune linee di riflessione più ampie rispetto alla natura delle mobilitazioni contemporanee. Le principali fonti di dati sono un questionario strutturato (cui hanno risposto 704 individui sul territorio nazionale), e 20 interviste semi-strutturate a membri rilevanti dell’animal advocacy milanese. A essi si aggiungono un’analisi degli eventi di protesta; la consultazione di materiale cartaceo e digitale di alcuni gruppi; la partecipazione a eventi, manifestazioni e dibattiti. In modo molto schematico e riassuntivo, sono emersi un’ampia maggioranza femminile, titoli di studio medio-alti (diploma di scuola superiore e laurea in modo particolare), una discreta equi-distribuzione in termini professionali (con alcune professioni maggiormente rappresentate: in modo particolare il settore impiegatizio), una maggioranza di individui coniugati e di residenti in territorio urbano. Abbiamo poi stratificato il fenomeno in tre categorie: antispecismo, cura, protezionismo. L’analisi empirica ha confermato tale stratificazione. Per quanto concerne l’aspetto ideologico/motivazionale, i dati in nostro possesso confermano la pluralità di approcci all’interno dell’animal advocacy italiana. In modo molto schematico, l’area antispecista è caratterizzata da dinamiche maggiormente politiche, dirompenti e innovative, che si riflettono nell’indicazione di una rivoluzione quale principale ragione di adesione alla causa. Coloro che fanno parte dell’area della cura sono maggiormente indirizzati da motivazioni personali e ragioni storicamente connotate da un approccio caritatevole, in linea (seppur con tutti gli aggiornamenti del caso) con la zoofilia classica. Infine, l’area protezionista risulta composta da membri di più lungo corso, oggi particolarmente interessati al perseguimento di obiettivi legislativi e al miglioramento delle condizioni di vita degli animali non-umani (soprattutto di alcune specie), e pertanto caratterizzati da un forte riferimento all’identità animalista. Più in generale, i dati raccolti evidenziano l’assenza di un’identità collettiva generale che consenta di parlare del fenomeno nei termini di un vero e proprio movimento sociale. Ci troviamo dunque in presenza di una dinamica sintetizzabile con lo slogan “protesta senza movimento” (Jasper & Goodwin 2011) ancor più che di una forma “movimento senza protesta” (della Porta & Diani 2004). Si intende con ciò sottolineare la numerosità (spesso episodica) delle forme di protesta e delle azioni condotte da singoli soggetti individuali e collettivi Per tale motivo, in linea con altre recenti ricerche in questo settore di studi, abbiamo valutato di porre la nostra attenzione da una parte sui gruppi e dall’altra sui singoli individui: in tal senso, riteniamo opportuno riferirci all’animal advocacy italiana come a uno strategic action field (Fligstein & McAdam, 2012), caratterizzato da una logic of connective action (Bennett & Segerberg, 2012).
The dissertation consists in nine chapters, schematically divided into three parts. The first one is devoted to theoretical considerations on the added value of the research, its social and sociological interest, and finally details about data, methods and epistemological aspects. The second part provides a brief historical context of the Italian animal advocacy, referring to important episodes and to the inclusion of issues related to non-human animals in the national political agenda. The last three chapters compose the third part of the thesis and are dedicated to data analysis. They respectively cover the following topics: socio-demographic variables and motivations to become animal advocates; relationship between animal advocates and political dimension; organizational aspects and repertoires of action. In the conclusions, finally, the main findings of the empirical analysis are summarised, in order to answer the research questions and propose some broader reflections regarding the nature of contemporary mobilisations. The main data sources are a structured survey (answered by 704 individuals throughout Italy), and 20 semi-structured interviews with relevant members of the Milan area. Moreover, we conducted a protest event analysis, consulted paper and digital material of some groups, participated in events and debates. In a very schematic way, there is a large majority of women, medium-high qualification degrees (high school diploma and University graduates, in particular), a discrete distribution in professional terms (with some more represented professions: especially employees), a majority of married individuals and urban residents. We, then, stratified the phenomenon into three categories: antispeciesism, animal care, protectionism. The empirical analysis confirmed this stratification. Very broadly speaking, the antispeciesist area is characterized by political, disruptive and innovative dynamics, reflected in the indication of a revolution as the main reason to pursue animal advocacy. Those who belong to the animal care area are directed by more personal reasons, historically connoted by a charitable approach, in line (even though considering all the due updates) with the former welfarism of the late 1800’s. Finally, the protectionist area is mainly composed of long-time members, and nowadays is particularly interested in the pursuit of legislative goals and the improvement of living conditions of non-human animals (especially of some species), and therefore characterized by a strong reference to animalist identity. More generally, our data highlight the absence of a shared collective identity that allows us to speak of the phenomenon in terms of a real social movement. We are in presence of a dynamic that can be summarized with the slogan "protest without movement" (Jasper & Goodwin, 2011) even more than "movement without protest" (della Porta & Diani, 2004). This results in a large (often episodic) number of protests and actions conducted both by individual and collective subjects. In this sense, we consider appropriate to refer to the actual Italian animal advocacy as a strategic action field (Fligstein & McAdam, 2012), characterized by a logic of connective action (Bennett & Segerberg, 2012). This extreme diversification must then be analysed considering the extreme variety of issues faced by animal advocates: if there are still specific aspects privileged by some areas (antivivisectionism and stray animals for the animal care area, protection of certain species and the living conditions of animals in circuses/aquarium/zoo for protectionism; meat consumption and veganism for antispeciesism), it is often difficult to reach the formulation of shared frames, and even more, of a general master frame.

APA, Harvard, Vancouver, ISO, and other styles

4

Kanno, Maurício de Paula. "Ética abolicionista animalista nos \"mangas\" de Mauricio de Sousa: Estética e História da Arte revisitadas." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-14122018-143051/.

Full text

Abstract:

Este trabalho analisou questões de Ética Animal nos quadrinhos de Turma da Mônica Jovem e Chico Bento Moço, revistas em estilo mangás retratando personagens de Mauricio de Sousa como adolescentes. Para isso, foi realizado um panorama sobre a relação entre Estética, Ética e cultura popular, com destaque para estudos de Jean-Marie Guyau e foi verificado o histórico do pensamento ético sobre os animais na História do Mundo, desembocando em Tom Regan, Gary Francione, Sônia Felipe e Carlos Naconecy. Também se realizou um histórico da representação dos animais na História das Artes Visuais, com destaque para Franz Marc; e o mesmo com os quadrinhos infantis de Mauricio de Sousa, com destaque para o porco Chovinista; uma história em que Chico Bento tentava degolar um peru, mas se arrependeu; o tiranossauro vegetariano Horácio; e as tentativas do personagem mudo Humberto de libertar um canário e um peixe-dourado do negro Jeremias. Entre os autores estudados para as análises, destacam-se Umberto Eco, pela metodologia de interpretação de texto; Antonio Candido, pelos estudos do personagem de ficção; e Mikhail Bakhtin, pela estética do Grotesco. Nas revistas em estilo mangá de Mauricio de Sousa, foram analisados o seu discurso extra-ficcional e princípios gerais enunciados pelos protagonistas sobre os animais; a relação entre humanos e animais selvagens perigosos, silvestres inofensivos e animais de estimação. Verificou-se elevada valorização do critério ambiental, exceto quando está em jogo o consumo de animais. Os casos anteriores foram comparados com a representação do tratamento dos animais mortos e explorados na indústria alimentícia: porcos, vacas, galinhas, peixes e abelhas. Verificou-se que discursos dos protagonistas e o extra-ficcional do autor de amor, paz e proteção generalizados pelos animais são frequentemente incoerentes com atitudes observadas nos personagens e em relação às mensagens identificadas nas histórias, com destaque para a pesca recreativa de Chico Bento. Foi verificado o fenômeno do \"afetismo letal ou coisificador\", termo cunhado nesta pesquisa para designar que, diferentemente do que ocorre na realidade, há certos animais tratados pelo mesmo protagonista com afeto e outros da mesma espécie mortos ou escravizados por seus hábitos de consumo ou atitudes diretas. Cenários idílicos no campo comunicam mensagens enganosas em relação ao que ocorre via de regra no meio rural com os animais; assim como não se valorizou e informou adequadamente sobre os alimentos mais saudáveis na dieta vegetariana. Personagens vegetarianas foram identificadas e análises sobre sua representação e associações decorrentes foram deduzidas. Elas são novidade nestes quadrinhos, porém são exclusivamente mulheres e bruxas com poderes sobrenaturais, com particular e coincidente exposição de seus corpos. Positivamente quanto aos direitos animais, destaca-se história em que a protagonista Mônica e a vegetariana Denise resgatam porcos lembrando uma ação direta de ativismo da Frente de Libertação Animal (ALF); e outra em que Mônica demonstrou aversão ao trabalho na pecuária, apesar de não ser vegetariana. Magali, a personagem de Mauricio de Sousa tradicionalmente mais associada à alimentação, demonstrou forte tendência ao vegetarianismo, além de ocorrerem muitos episódios em que expressou sua compaixão pelos animais e sensibilidade.
This work analyzed issues on Animal Ethics in the comics Turma da Mônica Jovem and Chico Bento Moço, publications in manga style picturing characters by Mauricio de Sousa as teenagers. First, we made a panorama about the relationship among Aesthetics, Ethics, and popular culture, with highlights to studies by Jean-Marie Guyau; we traced the ethical thinking on animals in the World History, arriving to Tom Regan, Gary Francione, Sônia Felipe and Carlos Naconecy. We researched the representation of animals in the History of Visual Arts, with highlights to Franz Marc. The same with the childish comics of Mauricio de Sousa, emphasizing the pig Chovinista; a story where Chico Bento tried to behead a turkey, but regretted it; the vegetarian Tyrannossaurus Horácio; and attempts of the mute Humberto of releasing a canary and a golden-fish from the black Jeremias. Among the characters studied for the analysis, there are: Umberto Eco, for the methodology of text interpretation; Antonio Candido, for studies on the character of fiction; and Mikhail Bakhtin, for the aesthetic of the Grotesc. In manga comics of Mauricio de Sousa, we analyzed his extra-fictional discourse and general principles enunciated by the main characters about the animals; the relationship between humans and savage dangerous animals, innofensive wild animals and pets. We noticed how high valued was the environmental criterium, except when the consumption of animals is at stake. The former cases were compared to the representation of the animals killed and exploited in the food industry: pigs, cows, chickens, fish and bees. We noticed that discourses of the characters and the extra-fictional discourse of generalized love, peace and protection for animals are often incoherent with attitudes observed in the characters and in relation to the messages identified in the stories, mainly noticing the recreative fishing by Chico Bento. We verified the phenomenum of \"letal or slavering affectism\", concept created in this research to designate that, differently from reality, there are certain animals treated by the same character with affection and others of the same species killed or slavered by his or her habits of consumption or direct attitudes. Idyllic scenaries in the rural area communicate deceiving messages in relation to what happens usually in the rural zone with animals; also, the healthiest vegetarian food were not valued and adequately informed. Vegetarian characters, novelties in these comics, are exclusively women and witches with supernatural powers, and with coincidental exhibition of their bodies. Positively for animal rights, there\'s importance in a story where the character Mônica and the vegetarian Denise rescue pigs, which remind us a direct action of activism by Animal Liberation Front (ALF); and other story where Mônica revealed aversion to working with cattle exploitation, although shes not vegetarian. Magali, the Mauricio de Sousa\'s character traditionally most associated to food, expressed a strong tendency to vegetarianism, and we can see also many episodes in which she showed compassion to animals and sensitivity.

APA, Harvard, Vancouver, ISO, and other styles

5

Vicente, Sara Marisa Marques. "Entre a cultura científica e a cultura visual : o caso de Sir Edwin Landseer." Doctoral thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2013. http://hdl.handle.net/10362/12316.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Manan, Patrick. "La raison du plus fort : le sol dans la pensée de Heidegger, son rôle dans l'achèvement de la métaphysique." Thesis, Toulouse 2, 2014. http://www.theses.fr/2014TOU20079.

Full text

Abstract:

Étude la pensée de Heidegger autour de la thématique du sol ou raison et de son rapport ou identité avec l'animalité, singulièrement pour ce qui touche à la question de l'achèvement de la métaphysique
Investigating into the thought of Heidegger about the thematic of earth and its relationships with animality, particulary concerning the question of metaphysical consummation

APA, Harvard, Vancouver, ISO, and other styles

7

Kinnunen, Emma. "Problematik vid kontroll av animaliska biprodukter." Thesis, Umeå universitet, Institutionen för ekologi, miljö och geovetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-186971.

Full text

Abstract:

Animal by-products (ABPs) can be a source for infectious diseases like BSE (mad cow disease) and to prevent spreading infectious diseases inspection of ABPs are necessary. The purpose of this study was to identify the problems that municipalities in Sweden experience with the inspection of ABPs and develop some solutions for these problems. The purpose was also to investigate whether amount and type of problems experienced by municipalities are depending on population size. The study was carried out in collaboration with Piteå municipality, with the aim to support municipalities and other central authorities in their work with inspection of ABPs. Data were collected through a survey that was sent to all municipalities in Sweden and approximately 60% of the municipalities participated in this study. Lack of knowledge, lack of time due to high workload and lack of support from central authorities were some of the most common problems that municipalities experienced. As a consequence, inspections get down prioritized or are not carried out at all. The study shows that there is a significant difference in the amount of problems that municipalities experience depending on the population. Large municipalities experience more problems than small and medium sized municipalities. The study also shows how municipalities can identify companies that manage ABPs. This study highlights that municipalities urgent need effective guidelines and support from central authorities, otherwise the control of ABPs is neglected, which - in worst case scenario - can lead to outbreaks of infectious diseases.

APA, Harvard, Vancouver, ISO, and other styles

8

Seyedin, Marjan. "L'animal et l'animalité dans l'art actuel : recherches sur les fondements et les aspects d'une idée." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAC001/document.

Full text

Abstract:

Prenant pour point de départ l’omniprésence de l’animal dans l’art actuel, notre recherche s’attache à comprendre comment la question de l’altérité, souvent explicite dans le discours des artistes contemporains qui utilisent le thème de l’animal, se pose à travers ce dernier. En effet depuis le romantisme et suite à une crise propre à la modernité, l’homme, accablé par une mélancolie et la nostalgie de l’Harmonie et de l’Unité perdue, cherche à combler le fossé qui le sépare de « l’absolu ». C’est dans cette tentative de réconciliation que l’animal en tant qu’altérité prend une place importante. Ainsi dès le milieu du XVIIIe siècle l’attention de l’homme européen se tourne vers ces autres qui sont les « sauvages », les enfants et les animaux. Un nouveau type de rapport entre l’homme et l’animal s’instaure alors. Nous étudions ce changement de rapport en commençant avec Goya et sa descente aux enfers qui interroge la vérité de l’homme. Ensuite nous cherchons à comprendre comment se manifeste l’attrait pour l’« exotisme » chez les romantiques, peu à peu remplacé par la question de l’« éthique », pour enfin aboutir à une certaine forme d’ « animalisme »
By taking into account the omnipresence of the animal in present art as a point of departure, our research seeks to conceive how the question of otherness, often explicitly articulated in the discourse of those contemporary artists who use the animal theme, has been put forward through it. In effect, since the romanticism and its successors have posed a real crisis to the modernity, the man, overwhelmed by melancholy and nostalgia of the past harmony and its lost unity, seeks to bridge the gap that separates her from the “Absolute.” It is in this endeavour of reconciliation that the animal as otherness holds an important position. Since the eighteenth century, the attention of the European man has turned to these forms of “others,” as the “wild,” the children and the animals. Then a new kind of relation has been developed between the Man and the Animal. Here we study this change of relation, inaugurated by Goya, and its descent into hell that queries the truth about Man. Afterwards we seek to understand how the attraction of “exoticism” among the romantics has been manifested, while gradually replaced by the question of “ethics,” that finally lead to a certain form of “animalism.”

APA, Harvard, Vancouver, ISO, and other styles

9

Vernersdotter, Rut. "En kulturanalys av konsumtionsval beträffande animaliska produkter." Thesis, Uppsala universitet, Etnologiska avdelningen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-192483.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Fernandez, Ochoa Anthony Cristhian, Chavez Daniel Eduardo Hurtado, Kamijikoku Andrés Augusto Muro, and Paredes Estefhany Isabel Mariategui. "Ecopiña: Casacas en base a cuero de piña." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652277.

Full text

Abstract:

El mundo se encuentra en un estado de cambio con las nuevas tendencias de protección del medio ambiente y las especies animales. En el Perú, estas tendencias toman fuerza con el reemplazo de productos de origen animal por materiales vegetales que se usan en la fabricación. En tal sentido, este trabajo se enfoca en desarrollar casacas fabricadas a base de cuero de piña, el cual es un material textil proveniente de las hojas de piña. Este método contribuye con el uso de elementos residuales del cultivo de esta fruta, potenciando el comercio de proveedores locales. Al mismo tiempo, se busca contribuir a la disminución de la contaminación provocada por la industria del cuero. Durante el trabajo de investigación para la validación de este proyecto se realizaron experimentos a base de encuestas, entrevistas, uso de landing page y concierge del producto. La metodología de validación permite delimitar el tamaño del mercado peruano para las casacas de cuero de piña. Se toman como potenciales clientes a las personas que buscan alternativas de vestimenta ecológica y a personas que sean afines al movimiento animalista. El potencial del mercado peruano según la información extraída en este proyecto es de aproximadamente 10 millones de soles anuales, los cuales resultan compatibles con las necesidades financieras y operativas para la fabricación y comercialización de las casacas de cuero de piña.
The following project is based on the implementation of a business idea called "Ecopiña". This business idea focuses on the production of coats made from leather which has pineapple leaves as the main supply. It is a project that offers an ecological and sustainable alternative that also avoids hurting animal life, since millions of cows are slaughtered for their skin, the most important supply for coats in the market nowadays, so this idea is a really good alternative to save animal life. Furthermore, leather made from pineapple leaves is a strong and durable material that guarantees high-quality coats. We have identified through surveys and interviews that there is a large no satisfied demand, due to several people mentioned that there are not many ecological alternatives to replace cowhide nowadays. On the other hand, we seek to implement important tools through digital platforms such as a web page and social media that allow us to have a bigger reach towards our target audience. We also worked to follow up on the interactions people generate on social media in order to validate the purchase intention of our prospective customers. To sum it up, it has been concluded that it is a high-value project that can demonstrate scalability in different markets, since it satisfies an increasing need for sustainability that gradually brings awareness to the population.
Trabajo de investigación

APA, Harvard, Vancouver, ISO, and other styles

11

Blatti, Stephan. "Animalism and its implications." Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.479391.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Saleh, Fatima, Sofia Lanebäck, and Maria Karlsson. "Biomalkonceptet : En livscykelanalys över hur animaliska biprodukter hanteras." Thesis, Växjö University, School of Management and Economics, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1490.

Full text

Abstract:

Kandidatuppsats i företagsekonomi, Ekonomihögskolan vid Växjö universitet, företagsekonomi, EKL 361, VT 2007

Författare: Maria Karlsson, Sofia Lanebäck och Fatima Saleh

Handledare: Helena Forslund och Leif Enarsson

Titel: Biomal konceptet - En Livscykelanalys över hur animaliska biprodukter hanteras

Bakgrund: Det har länge varit ett problem att göra sig av med animaliska biprodukter och volymerna har även ökat sedan nytt EU-direktiv från 2005 förbjöd deponering av organiskt avfall. Biomal produceras genom att animaliska biprodukter krossas och mals ner till en köttmassa.

En Livscykelanalys är en metod som belyser miljöpåverkan från en process, produkt eller aktivitet genom att påvisa och kvantifiera användning av energi och material och miljöutsläpp.

Syfte: Beskriva hur Biomalkonceptet ser ut idag genom att göra en LCA (Livscykelanalys).

Metod: Vår uppsats är en fallstudie på Biomalkonceptet. Vi har en positivistisk grundinställning då vårt mål har varit att undersöka processerna på ett så objektivt sätt som möjligt. Vi använder oss av både kvalitativ och kvantitativ forskningsmetod. Våra primärdata fick vi genom intervjuer och observationer och våra sekundärdata fick vi genom litteraturstudier och material tillhandahållet från intervjuobjekten.

Slutsatser: Biomals produktionsprocess är en sluten process som orsakar minst miljöbelastningar. Transporterna utgör den största miljöbelastningen för Biomalkonceptet. Biomal förbränns tillsammans med torv, RT-flis och PTP i varierande blandningar. Enligt belastningsindex ECO Sweden 1998 utgör NOx den största miljöbelastningen, vilket bidrar till försurning och övergödning. Enligt belastningsindex ET-long Sweden utgör CO2 den största miljöbelastningen, vilket bidrar till växthuseffekten.

Förslag till fortsatt forskning: Vi skulle gärna se att denna studie kompletteras med information om torv, RT-flis och PTP och sedan används vid en jämförelse med något annat bränsle eller annan bränsleblandning. Även annan användning av ABP skulle vara intressant att undersöka, till exempel dess framtida användning i Biodiesel.

APA, Harvard, Vancouver, ISO, and other styles

13

Alsterberg, Erik. "Animaliska restprodukter vid köttproduktion : Effektiv användning och livsmedelspotential." Thesis, Uppsala universitet, Matematiska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-177308.

Full text

Abstract:

This master thesis aims to investigate and quantify the potential associated with increasing the usage of edible by-products as food for human consumption on the Swedish market. The main emphasis is on the Swedish production of offal and the obstacles that currently inhibit greater usage of these products as foods. The results indicate that the Swedish market for offal is limited. Only a small amount of the edible by-products that are produced in Sweden every year are consumed as foods and a considerable amount seem to be downgraded into animal feed or thrown away. The utilization of these products is restricted by economical, technical, legal, and cultural factors that all need to be taken into consideration. On the whole, large-scale slaughter plants seem to be more inclined to utilize these products effectively, as the profit from doing so increases proportionately to the produced volumes. Large-scale plants also generally have the option of exporting edible by-products for which there is no national demand. For small or medium-sized plants, the profits from utilizing these products are often small due to the limited domestic market and lack of export possibilities. Because of this, an increase in the Swedish offal consumption would most likely be beneficial to more effectively utilize these products and prevent edible by-products from being downgraded.

APA, Harvard, Vancouver, ISO, and other styles

14

Svensson, Louise, and Emma Wallén. "Jakten på den perfekta moussen : – utan animaliska produkter." Thesis, Örebro universitet, Restaurang- och hotellhögskolan, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-68660.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Goodenough, J. M. "Personal identity : an animalist response to Parfit's revisionism." Thesis, University of East Anglia, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.338301.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Anderalm, Ida. "Animalism, foster och döda människor." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-105871.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Zaietta, Lucia. "Une parenté étrange : repenser l'animalité avec la philosophie de Merleau-Ponty." Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H227.

Full text

Abstract:

Notre thèse de doctorat approfondit le thème de l’animalité à partir de Merleau-Ponty. La recherche est structurée en trois parties, qui suivent respectivement trois pôles de recherche : sujet-monde-intersubjectivité. La première partie s’interroge sur la possibilité de définir l’animal comme un véritable sujet. La phénoménologie de Merleau-Ponty reformule la notion de subjectivité et nous conduit à une définition de l’animal comme une existence incarnée, ouverte sur le monde et caractérisée par une conduite signifiante. Pourtant, il faudra s’interroger sur le statut d’une telle subjectivité. La deuxième partie de notre travail est consacrée à la notion d’espace. En particulier, nous nous interrogerons sur les espaces animaux, c’est-à-dire sur la notion de milieu. Enfin, le dernier chapitre de cette partie approfondit la différence entre milieu et monde. La troisième et dernière partie de notre travail prend en charge la question de l’intersubjectivité qui s’établit dans la relation entre l’animal et l’homme, dans leur spécificité et dans leur différence. Loin de proposer une sorte d’égalitarisme entre les deux, le véritable défi est de définir une notion de différence qui, d’une part, n’efface pas l’essence spécifique de l’être humain et qui, d’autre part, ne le détache pas de la continuité du monde naturel. Dans ce cadre, l’animal est reconnu selon son être-au-monde spécifique, alors que l’homme se profile comme une nouvelle dimension, sans perdre la parenté avec les autres vivants
This study examines the notion of animality in relation to the phenomenology of Maurice Merleau-Ponty. It is composed of three parts, which take up three main issues: subject – world – intersubjectivity. The first part explores the possibility of defining animals as subjects. Merleau-Ponty’s phenomenology, in fact, has deeply reformulated the notion of subjectivity and led to a definition of animal being as an embodied existence, open to the world and characterised by meaningful conduct. Even so, it will be necessary to question the nature of such subjectivity. The second part of the thesis concerns spatiality, and in particular, the notion of milieu. Lastly, the last chapter elaborates on the difference between milieu and world. The third and final part deepens the intersubjectivity established in the relationship between animal and human being, in their specificity and difference. Far from proposing a kind of egalitarianism between the two, the challenge is to establish a notion of difference which, on the one hand, does not negate the uniqueness of human essence and, on the other, does not separate the human being from the continuity of the natural world. We will see that, in Merleau-Ponty’s approach, the animal being is recognised in accordance to its specific being in the world, while the human being is recognised in a new dimension, without losing its kinship and connection with other living beings

APA, Harvard, Vancouver, ISO, and other styles

18

Nuñez, Fredes Macarena del Pilar. "Animalismo en Chile: Más que tenencia responsable." Tesis, Universidad de Chile, 2019. http://repositorio.uchile.cl/handle/2250/170499.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

De, Wolf Alice. "Le primitif dans l’œuvre de Maupassant." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040242/document.

Full text

Abstract:

À une époque qui se concentre sur l’avenir de l’humanité, Maupassant s’intéresse aux origines. Pour lui, l’homme est un « animal humain » en qui coexistent le moderne et l’archaïque. C’est à ce regard original que nous invite son œuvre, qui travaille à montrer le primitif dans et non contre le civilisé. En quoi le primitif est-il une figure dérangeante ? En quoi le rapport à la nature et au corps est-il primitif ? Ici, le rapport à la nature, le corps, la sexualité, l’animalité, la bêtise sont traités comme des composantes irréductibles de l’humain. Mais la nature et le corps sont fondamentalement ambivalents. La figure du primitif, par son inscription dans la matière, est donc un miroir troublant tendu à l’homme du XIXe siècle. Ainsi définie, la notion de primitif fonctionne, si l’on peut dire, comme un pavé dans la mare, qui éclabousse la notion de civilisation et ses valeurs. Dénonçant la société comme dénaturée, Maupassant en vient à mettre en question la définition même de la civilisation et à mettre en cause l’opposition traditionnelle entre sauvage et civilisé. L’acception anthropologique de la notion de primitif, et plus particulièrement le principe de « participation », jettent a posteriori un éclairage singulier sur l’œuvre. C’est l’angle d’attaque de la dernière partie. Parce qu’elle échappe au normatif, la figure du primitif met à mal ce qui, dans la société, a valeur de cadre, de loi. Aussi assiste-t-on chez Maupassant au brouillage des différenciations sexuelle, sociale et morale, ainsi qu’au brouillage des frontières entre folie et raison, et entre fantastique et réaliste. De cet ébranlement des repères participe, enfin, une écriture elle-même primitive
At a time when the future of humanity was all that mattered, Maupassant focused on the origins. For him man is a “human animal” combining elements of both modern and archaic behaviour. This original approach is the one Maupassant wants us to adopt with regard to his work, in which he endeavours to reveal the primitive aspect of man within his civilized refinement and not in opposition to it. In what way is the primitive an element which is disturbing? How does Maupassant portray the relationship between nature and the human body as primitive? He describes nature, the body, sexuality, animality and stupidity as irreducible components of man. However, nature and the human body are fundamentally ambivalent. The primitive element holds up a disturbing mirror image to the 19th century man. As such, it is tantamount to setting the cat among the pigeons, thereby tarnishing the notion of civilized man and his values. By condemning society as unnatural, Maupassant challenges the actual definition of civilized behaviour, and questions the traditional opposition between the civilized and the uncivilized. The anthropological acceptance of the concept of primitive, and in particular the principle of “participation”, in hindsight throws a different light on Maupassant’s works. This is the angle adopted in the last section. Because it defies norms, the notion of primitive refutes what constitutes the framework and laws of society. Hence Maupassant’s works blur the distinctions between social, sexual and moral behaviour, as well as those between madness and reason, between fantasy and realism. Lastly Maupassant contributes to this breakdown of bearings with his primitive style of writing

APA, Harvard, Vancouver, ISO, and other styles

20

Forslund, Ted, and Sandra Gustafsson. "Vattenfotavtryck för olika proteinkällor : En jämförelsestudie av animaliska och vegetabiliska vattenfotavtryck." Thesis, KTH, Industriell ekologi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-189162.

Full text

Abstract:

Vår konsumtion av vatten står i nära relation till vad vi äter. Virtuellt vatten är den mängd vatten som använts för att skapa en vara eller en tjänst. För att beräkna den påverkan som processens alla ingående delar ger ur vattensynpunkt används metoden Water Footprint, vattenfotavtryck. Beräkning av vattenfotavtryck möjliggör kartläggning av hur virtuellt vatten, nämligen vattenanvändning för produktion av varor, flödar mellan länder på grund av global handel. Totalkonsumtionen av kött har ökat med hela 70 % och en genomsnitt svensk äter idag 88 kg kött per år. Då konsumtion av animaliska livsmedel är roten till de rådande miljöproblemen rekommenderas en ändring av konsumtionsvanor. En övergång mot animaliska livsmedel med mindre klimatpåverkan bör ske. Denna studie syftar till att jämföra och utvärdera olika proteinkällors vattenfotavtryck med hänsyn till produktionslandets vattensituation, ur ett svenskt konsumtionsperspektiv. Utifrån formulerat syfte gjordes en jämförelsestudie vars avsikt var att beskriva Sveriges livsmedelskonsumtion och dess utmaningar ur ett hållbarhetsperspektiv i form av vattenfotavtryck. I jämförelsen användes de animaliska proteinkällorna nötkött och kyckling samt de vegetabiliska proteinkällorna sojabönor och gröna ärtor. Valet av proteinkällornas produktionsländer gjordes utifrån importdata tillsammans med ett svenskt alternativ. En överskådlig blick över proteinkällornas vattenfotavtryck samt inverkan kopplat till ursprungslandets vattensituation skapades. De avgörande beräkningarna av vattenfotavtrycket redovisades i liter vatten per gram protein. Resultatet visade att nötkött har det största totala vattenfotavtrycket. Svenskt och Irländskt nötkött kräver 30,6 respektive 23,7 liter vatten/gram protein. Det lägsta vattenfotavtrycket i liter vatten/gram protein hade dansk kyckling på 5,7 liter/gram protein. Svensk kyckling krävde något mer, 6,6 liter vatten/gram protein. Vid produktion av sojabönor används 15,2 liter vatten/gram protein för amerikanska och 20,2 liter vatten/gram protein för brasilianska. Vattenfotavtrycket för svenska gröna ärtor var 9,8 liter vatten/gram protein, dvs högre än både dansk och svensk kyckling. Sannolikheten gällande resultatet ifrågasätts och diskuteras ingående under studiens diskussionsdel, bland annat ifrågasätts det låga vattenfotavtrycket för kyckling. Genom att studera vattenfotavtrycken ingående komponenter tillsammans med ländernas vattenstressindex skapades en djupare förståelse. Vid val av svenskt eller irländskt nötkött är det ur vattenhållbarhetsperspektiv fördelaktigt med konsumtion av svenskt nötkött. Detta då vattenfotavtryckets ingående komponenter för det irländska nötköttet har en sämre inverkan på miljön ur ett globalt perspektiv. För svensk eller dansk kyckling konsumeras med fördel den svenska kycklingen trots ett högre vattenfotavtryck, Danmarks vattenstressindex låg på hela 15,5 % i jämförelse med Sveriges 2,4 %. Vattenstressindex för Brasilien är 1,24 % och för USA 22,6 % vilket gör att konsumtion att sojabönor från Brasilien är att rekommendera. Detta förstärks vid analys av vattenfotavtryckets ingående komponenter. Sätt till hållbar vattenanvändning är konsumtion av gröna ärtor trots sitt låga proteininnehåll ett bra substitut.
Our consumption of water is closely related to what we eat. Virtual water is the amount of water needed to produce a product (good or service). To be able to calculate the water consumption the method water footprint is used. It shows all ingoing parts of the total consumption of water. Calculating the water footprint enables the mapping of the virtual water, namely water use for production of goods, flows between countries because of global trade. The total consumption of meat has risen by 70% since 1960. The Swedish average yearly consumption of meat amounted to 88 kg in 2014. Consumption of animal products is one of the biggest causes to environmental issues, such as greenhouse gas emissions. Because of the large environmental impact of animal product the consumption has to decrease. People need to eat a plant-based diet to have a smaller impact. This study aims to compare and evaluate different protein sources water footprint with regard to their origin, from a Swedish consumer perspective. Based on the formulated purpose, a study is made to describe Sweden's food consumption and its challenges from a sustainability perspective in regard to the water footprint of protein sources. In the comparison of protein sources a selection based on Swedish consumption and possible substitutes to meat. The selected animal based sources where beef and chicken and the vegetable protein sources, soybeans and green peas. The origin of the protein sources where based on Swedish import statistics. Thereafter an overview was made on the water footprint of the different sources. Calculation was made by taking the water footprint [Liter per kg] and the amount of protein [g per 100 g] to get the water footprint per gram of protein [Liter per gram]. To get a deeper understanding of the implications of the footprint a combination of the footprint and the current water current water situation was created. The results showed that beef has the largest total water footprint. Swedish and Irish beef requires 30.6 and 23.7 liters / gram of protein. Danish chicken had the lowest water footprint in liters water / gram protein of 5.7 liters / gram of protein. Swedish chicken had a bit higher footprint of 6.6 liters of water / gram of protein. The production of soybeans in the US used the amount of 15.2 liters / gram of protein. The production of soybeans in Brazil had a water footprint of 20.2 liters / gram of protein. The water footprint of Swedish green peas was calculated to 9.8 liters of water / grams of protein, which is higher than both the Danish and Swedish chicken. The results probability is both questioned and discussed in the discussion part of the report. Where the low water footprint of chicken is highly questioned. By studying the water footprint ́s components together with the countries' water stress index created a deeper understanding. From a water consumption view it is better to consume Swedish beef rather than beef from Ireland. This is because of the components of the Irish water footprint has a larger impact on the water availability. Even though the Swedish chicken has a larger water footprint it is a better choice because of the water situation in Denmark. Denmark ́s water stress index was as high as 15.5% in comparison with Sweden 2.4%. The Water stress index for Brazil is 1.24% and the US 22.6%, which mean that the consumption of soybeans from Brazil is recommended. Just taking the components of the water footprint in consideration makes same recommendation. If only seen to sustainable water consumption green peas are despite its low protein content, a good substitute.

APA, Harvard, Vancouver, ISO, and other styles

21

Urbonaitė, Aušrinė. "Šiuolaikinės rankinės-krepšiai jaunimui "Urbe animalis"." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110802_154314-54927.

Full text

Abstract:

Bakalauro darbą sudaro: • Kūrybinė dalis: trys konceptualios ir funkcionalios rankinės-krepšiai jaunimui; • Projektinė dalis: 2 planšetai pristatantys kolekcijos idėją, aiškinamieji brėžiniai; • Teorinis aprašas: pateikiama netradicinius aksesuarus kuriančių dizainerių ir aksesuarų tendencijų analizė bei prieduose - verslo planas susietas su gaminių realizavimu. Pagrindinė kūrybinio darbo idėja – remiantis fiziologinėmis gyvūnų kūnų savybėmis, sukurti netradicinių rankinių-krepšių kolekciją, kuri padėtų suformuoti liberalesnį požiūrį į kasdienius aksesuarus ir praplėsti jų pasirinkimą. Originalaus dizaino, konceptualių idėjų trūkumas jaunimo rankinėse, įkvėpė sukurti netradicines rankines-krepšius laisvalaikiui, turinčius funkciją. Kuriant, prototipais prinkti trys gyvosios gamtos žinduoliai – kengūra, skujuotis ir šikšnosparnis. Jų kūnų funkciniai ypatumai interpretuoti krepšių dizaine: kengūros sterblė – kuprinė priekyje, skujuočio kūną dengiantis šarvas – kuprinės ir gobtuvo sintezė ir šikšnosparnio sparnas – krepšys tvirtinamas prie klubo ir rankos riešo. Kolekcijos pavadinimas „Urbe animalis“ (lot. miesto gyvūnai), atspindi pamatinę kolekcijos idėją – žmonių atsigręžimą į savo ištakas, į gyvają gamtą, o gaminiai skirti sąmoningam, šiuolaikiniam miesto jaunimui. Krepšių spalvinis sprendimas parinktas atsižvelgiant į žmogaus ir faunos aplinkoms būdingas spalvas – žalią, mėlyną ir pilką.
Thesis consists of: • Creative part: three conceptual and functional bags-baskets for youth; • Project part: 2 planchets, which represents idea of collection and explaining schemas; • Theoretical part: presented analysis of designers who are making non-traditional accessories and their tendencies as well enclose business plan related with realization of products. Main idea of creative work – referencing to physiological animal bodies’ characteristics, create non-traditional collection of bags-baskets, which would help to shape more liberal attitude to casual accessories and extend a choise of their. Lack of original design, conceptual ideas in bags for youth, had inspired to create non-traditional bags-baskets for leisure, containing functionality. Three mammalian animals were selected from nature as prototypes – kangaroo, pangolin and bat. Their body singularity and functionality are interpreted in bags design: pouch of kangaroo – bag on a front; shell, covering back of pangolin – synthesis of backpack and hood; wing of a bat – bag, which is attached between hip and wrist. Collection named “Urbe animalis” (lat. city animals), reflects the main idea of collection – human redounding to it’s origins, living nature and designated to conscious, contemporary city’s youth. Solution of colours were chosen considering to inherent human’s and fauna’s surroundings – green, blue and gray.

APA, Harvard, Vancouver, ISO, and other styles

22

Candiloro, Hernán. "Poverty, Life and Animality in Heidegger’s Thought." Pontificia Universidad Católica del Perú - Departamento de Humanidades, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/112878.

Full text

Abstract:

Heidegger’s 1929lectures published under the title The Fundamental Concepts of Metaphysics:World, Finitude, Solitude inquire about the animality of the animal. Their intentionis to elucidate the aspect in which the peculiarity of life resides and that, eludingevery attempt of getting caught under mechanistic or biological interpretations,Heidegger finds in what he names poverty”. In this context, this paper intendsto investigate the link between this poverty, the one that characterizes the animalin 1929, and the consideration of the peculiarity of man in the same terms since1945. Through this investigation, our goal will be to make explicit the ontologicalbond between humanity, animality and corporealness present in men.
El curso dictado por Heidegger en 1929 y publicado con el título Los conceptos fundamentales de la metafísica. Mundo, finitud y soledad se pregunta por la animalidad del animal. Su intención es elucidar aquel aspecto en que reside lo propio de la vida y que, sustrayéndose a todo intento de captura bajo interpretaciones mecanicistas o biologicistas, Heidegger encuentra en lo que denomina con la expresión pobreza”. En este contexto, el presente artículo se propone indagar en el vínculo entre esta pobreza con la que el animal es caracterizado en 1929 y la consideración de lo peculiar del hombre en los mismos términos a partir de 1945. Mediante dicha indagación nuestro objetivo será explicitar el vínculo ontológico entre humanidad, animalidad y corporalidad presente en el hombre.

APA, Harvard, Vancouver, ISO, and other styles

23

Saulay, Marie-Lyne. "Animalité et transe sacrée : représentations et comportements." Paris 4, 1997. http://www.theses.fr/1997PA040121.

Full text

Abstract:

Les animaux sont très présents dans nombre de systèmes religieux, particulièrement dans ceux qui utilisent la transe, comme le chamanisme et les cultes de possessions. Ils peuvent être des déités, des esprits ou des ancêtres, ils peuvent posséder les initiés, se manifester quand le chaman les appelle. Dans ces sociétés, les humains et les animaux sont dits "apparentés", "frères". Quelles sont les significations de ces représentations animales et des comportements qu'elles induisent? Ce sera l'objet de cette étude où l'on prendra également en compte le fait que ces entités animales appartiennent à un passe mythique, riche de sens et de symboles
The animals are very present in many religious systems, especially in those which use the trance, such as the shamanism and the possession's religions. They can be deities, spirits or ancestors, they can possess the initiates, they can "manifest" themselves when the shaman calls them. In those societies, human beings and animals are "related to", they are "brothers". What is the meaning of these animal representations and the behaviors they induce? This will be the subject of this study, which will not forget that the animal entities are part of a mythical past, full of sense and symbols

APA, Harvard, Vancouver, ISO, and other styles

24

Larsson, Kim. "Animalism, det tänkande djuret och personers ursprung." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-162175.

Full text

Abstract:

The debate on personal identity in philosophy is about what makes a person at one point intime the same person as a person at another point in time. Animalism is a point of view whichhas it that being the same human animal is what makes a person at one point in time the sameperson as a person at another point in time. Animalism makes the claim that a person isnumerically identical to a human animal. The two most prominent arguments in favor ofanimalism is the thinking animal argument and the animal ancestry argument. Thinkinganimal argument says that there is a thinking human animal where you are, but you are theonly thinking being where you are. therefore you are a human animal. Animal ancestryargument says that you are a product of evolution and that only living organisms are productsof evolution. Therefore you are a living organism, a human animal. In this thesis these twoarguments, as well as multiple objections against them, were evaluated. It was argued thatarguments about persons being numerically identical to thinking parts and to organs mightpose a threat to the thinking animal argument and the animal ancestry argument, but that thearguments supporting animalism should not be discarded.Abstrakt
Debatten om personlig identitet inom filosofin handlar om vad som gör att en person vid entidpunkt är densamma som en person vid en annan tidpunkt. Animalism är en ståndpunkt somsäger att vad som gör att en person vid en tidpunkt är densamma som en person vid en annantidpunkt, är att de är samma mänskliga djur. Animalism säger alltså att en person är numerisktidentisk med ett mänskligt djur. De två mest framstående argumenten för animalism ärthinking animal argument och animal ancestry argument. Thinking animal argument säger attdet finns ett tänkande mänskligt djur där du är men att du är den enda tänkande varelsen därdu är, alltså är du ett mänskligt djur. Animal ancestry argument säger att du är en produkt avevolutionen och att endast levande organismer är produkter av evolutionen. Alltså är du enlevande organism, ett mänskligt djur. I denna uppsats granskades dessa argument samt ettantal argument mot dessa två argument. Utredningen visade att argument om att personer kanvara numeriskt identiska med tänkande delar och med organ kan vara ett problem för thinkinganimal argument och animal ancestry argument men den slutgiltiga bedömningen är attargumenten för animalism inte bör förkastas.

APA, Harvard, Vancouver, ISO, and other styles

25

Guobytė, Janina. "Анималистические мотивы в поэзии Серебряного века." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110627_115343-02323.

Full text

Abstract:

В работе рассматривается анималистический мир Николая Гумилева. Это связано с его личными качествами, влиянием теории Сверхчеловека, веяниями эпохи (с дегуманизацией, антропоморфизмом и др.). На конкретных примерах («Орел», «Жираф», «Охота») зоонимов, сравнений показано пристрастие Гумилева экзотическим миром животных. Особое внимание уделено птицам, в частности, лебедю. Во второй главе магистерской работы рассматриваются «лебединые циклы» К. Бальмонта и С. Есенина. Показан генезис, символика образа, лексика, особенности лирического сюжета. В выводах сопоставлен гумилевский анималистический мир с есенинским.
Magistro darbe analizuojamas animalistinis pasaulis Nikolajaus Gumiliovo poezijoje. Tai susiję su juo asmeninėmis savybėmis, Uebermench teorijos poveikiu, epochos kryptimis (degumanizacija, antropomorfizmas ir t.t.). Pateikiant konkrečius zoonimų ir palyginimų pavyzdžius („Erelis“, „Žirafas“, „Medžioklė“) parodyta Gumiliovo aistra egzotiniui gyvūnų pasauliui. Ypatingas dėmesys skiriamas paukščiams, ypač gulbei. Antroje magistro darbo dalyje analizuojami „gulbės ciklai“ K. Belmonto ir S. Jesenino poezijoje. Parodytas genezis, įvaizdžio simbolika, žodynas, lyrinio siužeto ypatybės. Išvadose palygintas Jesenino ir Gumiliovo animalistinis pasaulis.
The work reviews the analyses of animalistic motives in Gumilevs poetry. It is conserned with his personal qualities, influence of the Uebermench theory, age tendency (dehumanization, anthropomorphism and other). Gumilev‘s passion for word of exotic animals is demonstrated in particular examples („Giraffe“, „Eagle“, „Hunting“) of zoonyms, comparisons. Birds, especially swan is given a special attention. Balmond‘s and Jesenin‘s „swan cycles“ are analysed in the second chapter of master‘s work. A genesis, symbolic meaning of the aspect, vocabulary, quality of the lyrical plot are shown. Gumilev‘s and Jesenin‘s animalistic word are compared in the conclusion of master‘s work.

APA, Harvard, Vancouver, ISO, and other styles

26

Carlsson, Elenore, and Sanna Mobarak. "Animaliskt matsvinn från tre olika steg i livsmedelskedjan." Thesis, Högskolan i Halmstad, Akademin för ekonomi, teknik och naturvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-39998.

Full text

Abstract:

One of the 16 environmental goals in Sweden is about reducing climate impact. The purpose of this goal is to stabilize greenhouse gases to a level that still preserves the biodiversity and ensures the food production. Production of animal products like meat, milk or eggs, contribute to a large extent to emissions of greenhouse gases. In today's society there is a lot of unnecessarily food waste of these animal products, which is a subject that we should pay more attention to. The aim of this study is to investigate how the reduction of food waste from animal products could reduce greenhouse gas emissions, by adding the need to produce so many animal products. We determine this by collecting data from different steps in the value chain. Primary producers, supermarkets and private persons were asked about how much of their food waste that comes from meat, dairy products and eggs. The aim is also to collect qualitative data about how conscious producers and consumers are about climate impact from animal products and how actively they work to reduce the food waste and how they handle the waste. To investigate this subject, questionnaires were designed and distributed to primary producers, supermarkets and private consumers. Private consumers were also given a table to keep notes about their food waste. They estimated their food waste from animal products during four weeks. For the background information a literature search has also been done. The results from primary producers and supermarkets shows that the food waste from meat products was the most abundant compared to dairy products and eggs. Private persons on the other hand mainly had food waste from animal products consisting of dairy products especially sour milk, yoghurt and milk. Private consumers average waste from meat was 0.36 kg/ four weeks which contributes with a climate impact of 6.5 kg , which will be 77.8 kg of year. This corresponds to a one-way trip by plane from Stockholm Arlanda to Copenhagen Kastrup. These numbers were only from 10 households in Sweden, which could mean an uncertainty of the results, showed that primary producers and supermarkets made efforts to reduce the waste. There is also an awareness about animal products and climate impact in all the three categories but the consciousness can be developed more. With increased knowledge about climate impact food waste can be reduced and the management of the food waste can be improved.

APA, Harvard, Vancouver, ISO, and other styles

27

Cheng, QianQian. "Bridging divisions in Loren Eiseley's writings on science and nature." Thesis, Toulouse 2, 2017. http://www.theses.fr/2017TOU20007/document.

Full text

Abstract:

Loren Eiseley (1907-1977) a été connu tour à tour comme archéologue, anthropologue, éducateur, philosophe, poète ou bien encore auteur d’études en sciences naturelles. Il remet en cause les thèses sur la science, la nature et l’homme qui avaient cours à son époque. Il unit les sciences et les humanités au travers de sa prose et de ses poèmes, anticipant le concept actuel d’humanités environnmentales. En tant qu’archéologue, il utilise la science, l’imagination et l’observation tels des outils dans le but de reconstruire le passé. Il a mis au point de nouveaux angles de vue permettant d’appréhender l’univers et la place de l’homo sapiens en son sein. Il pense que l’homme moderne s’est dénaturé en devenant le destructeur de la planète et, de ce fait, anticipe le point de vue éco-centrique qui s’est imposé dans la période qui a fait suite à la révolution industrielle, période de plus en plus désignée comme l’anthropocène. Les écrits de Eiseley pressent l’humanité de renouer avec notre passé animal de façon à respecter l’ordre naturel dont nous sommes issus. Son œuvre force le lecteur à participer à son projet de rénovation de notre univers mental et culturel
Loren Eiseley (1907-1977) has been variously described as archaeologist, anthropologist, educator, philosopher, poet, and natural science writer. He challenges the views of science, nature, and man that were current at the time he wrote. He brings science and the humanities together by expressing his ecological, philosophical and metaphysical ideas in both prose and poems, anticipating the concept of environmental humanities nowadays. He is an archeologist who uses the tools of science, imagination and observation to reconstruct the past. Eiseley finds new angles from which to view the universe and homo sapiens’ place within it. He argues that modern man has fallen out of nature and become a planet destroyer. He anticipates the eco-centric position that is becoming necessary in the era following the Industrial Revolution that is increasingly being recognized as the Anthropocene. Eiseley’s writings urge that humanity reconnect with our animal past in order to respect the natural world from which we came. In bridging the nature and culture divide, his work forces readers to participate in the project of re-examining our own mental and cultural world

APA, Harvard, Vancouver, ISO, and other styles

28

Jolivet, Vincent. "La Bête en l’Homme : l’animalité humaine dans l’oeuvre de Sade." Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040227.

Full text

Abstract:

La notion d’animalité est au cœur des préoccupations du siècle des Lumières comme de l’œuvre de Sade, qui la place au centre de son entreprise de déstabilisation des valeurs et de son système scandaleux. Avec lui, l’animal apparaît pour ce qu’il est véritablement au plan philosophique : un merveilleux dynamiteur de certitudes propre à ébranler tous les systèmes trop rigides ; une bombe à retardement éthique susceptible de ruiner toute morale et d’autoriser tous les crimes ; un dangereux laboratoire intellectuel où se théorise et s’expérimente toute grande déshumanisation à venir. Héritier du matérialisme philosophique de son temps, Sade refuse en effet de voir en l’Homme autre chose qu’un banal agencement d’atomes, qu’une très ingénieuse mécanique, et fait ainsi de lui un simple animal parmi d’autres ; mais, à la différence de ses maîtres à penser, lui entend bien tirer toutes les conséquences morales d’une telle destitution métaphysique. Greffant à cette rentrée dans le rang ontologique toute l’infamie de l’ancienne conception de l’animal, qui voyait en ce dernier sur le plan moral un inquiétant concentré de tous les vices et de toutes les licences, l’écrivain en vient à proposer la synthèse aberrante des aspirations et des craintes de son époque. Prenant la posture d’un Rousseau gagné au crime, il imagine une entreprise de renaturation pour le pire de l’espèce humaine, où l’Homme vient se faire loup pour l’Homme avec l’appui de la logique et la bénédiction de la raison. Programme de retour résolu à l’animalité qu’il ne parvient toutefois pas toujours à tenir, l’animal se révélant pour lui aussi un terrain philosophique piégeux
Animality is one of the most topical questions for the thinkers of the Enlightenment. The nature of the soul and the criterion of men’s specificity, the origin of knowledge and the functioning of the body, the classification of species and the animal’s rights are all at the heart of debates and reflections of the time. And so they are in the marquis de Sade’s works, whose ambition to destabilize the humanistic values finds with this question a very convenient philosophical instrument. With Sade, the animal appears in fact what he is as far as philosophy is concerned: a powerful weapon for skeptical thinkers, a metaphysical bomb able to blow away all ethics, an operative concept to work out the next enslavements to come. Inspired by the French materialist thinkers, Sade considers Man as an animal amongst others and views human beings as mere assembling of atoms and efficient machineries; but contrary to them, he tries to draw the conclusions of such a statement and tends to make him a brute. Playing the part of some sort of criminal Rousseau eager to push mankind into violence and depravation, he rationally advocates a frightening return to the most primitive bestiality and calls for a general step back to the times when Man was still a wolf for Man. A program that however he isn’t always able to stick to, animal turning out to be a very tricky philosophical ground even for him

APA, Harvard, Vancouver, ISO, and other styles

29

FONSECA, LUIZ GUILHERME V. DIAS DA. "THE DEMONIC ALLIANCES OF THE ANIMALISM TO COME." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2018. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=35459@1.

Full text

Abstract:

PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO
COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTITUIÇÕES COMUNITÁRIAS DE ENSINO PARTICULARES
Esta dissertação propõe um estudo acerca da acentuação do controle dos corpos efetuado pelo regime farmacopornográfico (Paul B. Preciado) e sua produção de subjetividade, levando em conta a tensão entre as técnicas que compõem o que se habituou a chamar de humano e as invenções técnicas que se afastam do mesmo, das quais o bio-hackeamento e a intoxicação voluntária serão os exemplos analisados. Para isso, faz-se aqui um duplo movimento de investigação e experimentação dos conceitos de aliança intensiva (Deleuze e Guattari), ou alianças demoníacas (Viveiros de Castro), a partir de laços estratégicos possíveis entre os desumanizados pelo humanismo. Há também a proposição de uma alternativa ao humanismo levando adiante a provocação conceitual de Preciado de um animalismo por vir, em uma escrita especulativa que atravessa as obras de Eduardo Viveiros de Castro (Metafísicas Canibais) e Paul B. Preciado (Testo Yonqui).
This dissertation proposes a study on the accentuation of the control of the bodies effected by the pharmacopornographic regime (Paul B. Preciado) and its production of subjectivity taking into account the tension between the techniques that compound what we are accustomed to call human and the technical inventions that deviate from it, of which the biohacking and the voluntary intoxication will be the examples analyzed. For this, a double movement of investigation and experimentation of the concepts of intensive alliance (Deleuze and Guattari), or demonic alliance (Viveiros de Castro), possible strategic ties between the dehumanized by humanism, is necessary. There is also the proposition of an alternative to humanism taking forward the conceptual provocation of Preciado of an animalism to come, in a speculative writing that runs through the works of Eduardo Viveiros de Castro (Cannibal Metaphysics) and Paul B. Preciado (Testo Junkie).

APA, Harvard, Vancouver, ISO, and other styles

30

Da, Silva José Rodolfo. "Of zoogrammatology : a Derridean theory of textual animality." Thesis, Cardiff University, 2017. http://orca.cf.ac.uk/111504/.

Full text

Abstract:

This thesis aims to ‘apply’, as it were, some of Jacques Derrida’s conclusions regarding the age-old distinction between ideal and material to an understanding of animality and how it emerges in texts. I propose the paleonym “arche-animality” to understand the workings of animality in texts. In the field of Literary Animal Studies, some challenging questions concerning animals in texts seem to mirror Derrida’s topics in his early works. On the one hand, we can conceptualise animals as radically different from humans due to their embodiment, but, on the other hand, we can take them to be only differently embodied subjectivities, not unlike the human’s as it is thought to be housed in the body. Both positions are fraught with problems and are, in fact, entangled with the relationship between materiality and ideality. These challenging questions – especially concerning animal embodiment – must be approached with an eye towards paleonymy, the procedure by means of which Derrida was able to propose arche-writing as the origin of both vulgar writing and speech. To demonstrate the appropriateness of paleonymy, I uncover the arche-animal in different texts of different genres and varying degrees of ‘animal presence’: a ‘theoretical’ text (Sigmund Freud’s Totem and Taboo), a film (Darren Arofnosky’s Black Swan), a novel (Clarice Lispector’s The Apple in the Dark), and a poem (Ted Hughes’ ‘The Thought-Fox’).

APA, Harvard, Vancouver, ISO, and other styles

31

Alberti, Barrios Giancarlo. "El conflicto entre humanitas y animalitas: la zona vacía." Tesis, Universidad de Chile, 2010. http://www.repositorio.uchile.cl/handle/2250/108674.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Hours, Nil. "L'instance de la personne : une métaphysique sans substance." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3148/document.

Full text

Abstract:

La personne est un concept tributaire de la catégorie de substance, à laquelle la métaphysique contemporaine continue souvent de l'assimiler. Or, la substance méconnaît la nature profondément relationnelle de la personne, et n'est quasiment plus d'aucune utilité en dehors de la métaphysique elle-même. Nous lui substituons d'autres catégories, afin de distinguer méthodiquement la personne d'une part de l'animal humain, comme nous y invite l'ontologie animaliste, et d'autre part de l'ego cartésien, si fortement critiqué par Parfit. Ce faisant, nous retrouvons les deux thèses les plus puissantes de la personne : la thèse chrétienne* qui en fait un centre de relations, et la thèse bouddhiste* qui en fait un complexe de propriétés. Toutefois, la première affilie la personne au modèle particulier de la Sainte Trinité, tandis que la seconde aboutit le plus souvent à un nihilisme de la personne tout aussi spéculatif. Nous proposons de penser la personne comme un processus, ou une série d'événements, afin de faire droit à l'idée de "personhood" : c'est à travers l'interaction entre les niveaux psychologiques et sociaux que la personne émerge, comme une activité auto-organisatrice qui ne se réduit pas à des propriétés biologiques, et n'est pas davantage soluble dans des structures collectives. Le saut quantique que la personne accomplit au sein de la nature, sans correspondre à une rupture ontique, peut être mieux apprécié : l'agentivité et la dignité propres à la personne sont aussi des phénomènes émergents, et des caractéristiques objectives. La personne est donc moins une entité qu'une instance, ou un réseau particulier de relations au sein d'un monde en perpétuel mouvement
The concept of a person is historically dependent on the metaphysical category of substance, and contemporary metaphysics keeps assimilating one and the other. But the substance ignores the deeply relational nature of the person, and is virtually of no use outside of metaphysics itself. That is why we substitute other categories, to systematically distinguish the person firstly from the human animal, as prompted by the animalist ontology, and secondly from the Cartesian ego, so strongly criticized by Derek Parfit. In doing so, we find the meaning of the two most powerful theories of the person: the Christian thesis*, making it a center of relationships, and the Buddhist thesis*, making it a complex of properties. However, the first one affiliates the person to the particular model of the Holy Trinity, while the second leads most often to a nihilism of the person just as much speculative. We therefore propose to consider the person as a process, or series of events, so as to stand for the the metaphysical idea of an emergent personhood: it is through the interaction between psychological and social levels that the person continuously emerges as a self-organizing activity that cannot be reduced to biological properties, and is not more soluble in collective structures. The quantum leap that the person accomplishes in nature, without corresponding to an ontological rupture, can in turn be best appreciated: the agentivity and the dignity of the person, are also emerging phenomena, which count as objective features. The person is considered less as an entity than as an instance, that is to say a particular network of relations in a changing world

APA, Harvard, Vancouver, ISO, and other styles

33

Delage, Pierre-Jérôme. "La condition animale : essai juridique sur les justes places de l'Homme et de l'animal." Limoges, 2013. http://aurore.unilim.fr/theses/nxfile/default/0cc9467a-18a5-4d01-ba72-a0164429f6c2/blobholder:0/2013LIMO1006.pdf.

Full text

Abstract:

La tradition occidentale a édifié une intangible frontière entre l'Homme et l'animal : le premier a été dit un individu supérieur, le second un individu inférieur. Le Droit s'est fait le relais de ce dualisme : il a institué l'Homme en tant que personne et sujet de dignité ; il a installé l'animal dans la catégorie des choses, et lui a assigné une valeur seulement utilitaire. Des contestations, cependant, s'élèvent : certains courants de pensée veulent humaniser l'animal, aligner sa condition sur celle de l' Homme ; ils désirent que soient attribués à la bête la personnalité juridique et droits humains, et plus encore ce qui les fonde : la dignité. Cette proposition humanisante, toutefois, doit être recusée, car porteuse du risque de l'animalisation de l' Homme : à égaliser les conditions de l' humain et de l'animal, on risque en effet, plutôt que de traiter la bête comme un Homme, de traiter l' humain comme une bête, de lui faire une condition animale. Il faut donc maintenir la frontière Homme / animal, mais le faire moins au motif de la supériorité de l' Homme sur la bête qu' à raison de la conscience de la vulnérabilité humaine, du risque qui est celui de l' humain d'être exposé à la déshumanisation. Cependant, l'animal (sensible) est lui aussi un être vulnérable qui peut faire l'objet de traitements contraires à son essence même - une essence qu'il est proposé d' appeler son esséité. Une esséité qui, n'interdisant pas l' institution de la bête en tant que chose juridique, prohiberait, en revanche (et de manière catégorique) tous agissements via lesquels l'animal serait ramené au rang de matière inerte et insensible, rabaissé à la condition de chose pure
Western tradition has built an intangible barrier between humans and animals : humas have been described as superior beings, and animal as inferior. Civil law has relieved this dualism : humans are legal persons, subjects of dignity ; animals are legal things, with no intrinsic value. But some philosophers and lawyers criticize this dichotomy and want animals to be "humanised", to be given human rights and legal personhood (and their foundation : dignity). This argument has to be rejected, since it risks the dehumanization of humans : humans are vulnerable, and the humanization of animals (i. E. The abolition ot the frontier between humans and animals) could lead to the animalization of humans. It is therefore necessary to maintain humans as the only subjects of dignity and of the status of natural persons. However, animals (at least, sentient animals) are also vulnerable beings : they can be (and are often) treated as lifeless bodies, mere things, pure things. This vulnerability , shared with humans, means that animals possess an intrinsic value (proposed to be called "esséité" - the value of sentient being) : a value that does not allow the removal of animals from the category of legal things, but which gives all sentient animals an absolute legal protection, in order to protect them from the possible reduction to the condition of pure thing

APA, Harvard, Vancouver, ISO, and other styles

34

Mason, Jennifer Adrienne. "Civilized creatures animality, cultural power, and American literature, 1850-1901 /." Digital version:, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9992865.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Jansson, Åsa. "Förnyelsebar energi istället för animaliskt protein : systemanalys av en möjlig livsstilsförändring." Thesis, Linköping University, Department of Thematic Studies, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-2406.

Full text

Abstract:

Olika studier visar att animalieproduktionen, sett ur ett livscykelperspektiv, är en energikrävande verksamhet som tar stora markarealer i anspråk. I västvärlden konsumeras i genomsnitt större kött- och proteinmängder än vad kroppen behöver ur näringssynpunkt. Syftet med studien är att ur ett livscykelperspektiv och för svenska förhållanden kvantifiera den användbara energi från förnyelsebara resurser som kan ersätta användningen av fossila resurser, vid en minskad konsumtion av mjölk, nöt- och fläskkött motsvarande 5 kg protein per person och år. Detta motsvarar ca 15 % av dagens totala proteinkonsumtion i Sverige, 33 kg per person och år, och ca 23 % av dagens konsumtion av animaliskt protein, 22 kg per person och år. Det rekommenderade intaget av protein är 20 kgper person och år.

Den frigjorda arealen som uppstår vid en minskad animaliekonsumtion kan användas till odling av energigrödor. Systemanalysen baserades på litteraturuppgifter om dels de totala primärenergiinsatserna, som krävs för framställningen av animaliskt protein (d v s direkta plus indirekta energiinsatser vid produktion och distribution av diesel, el, handelsgödsel etc.), och dels användningen av åkermark för foderproduktion. Analysen omfattar livsmedelskedjan från produktion av insatsvaror fram till gårdsgrind.

Den genomförda systemanalysen resulterade i att med samma insatser som vid produktion av dagens animaliska protein kan drygt 10 % av den eldningsolja som idag används i Sverige, ersättas med energi från förnyelsebara källor vid en minskad konsumtion av animaliska produkter motsvarande 5 kg protein per person och år. Beaktas den totala användningen av oljeprodukter i Sverige kan över 2,1 % ersättas.

Animalieproduktionen och konsumtionen av animaliskt protein kommer i ett framtidsperspektiv ha en betydelsefull roll för ett miljömässigt hållbart energisystem. En minskad animaliekonsumtion har även positiva effekter på jordbrukets utsläpp av ammoniak och närsaltet vilket i ett bredare perspektiv kan vara betydelsefullt för en ekologisk hållbar samhällsutveckling.

APA, Harvard, Vancouver, ISO, and other styles

36

Flores-Junior, Olimar. "Le cynisme ancien : vie kata phusin ou vie kat'euteleian?" Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040053.

Full text

Abstract:

Le cynisme est un mouvement philosophique qui s’est développé en Grèce à partir du IVe s. av. J.-C. autour de Diogène de Sinope. La critique moderne a souvent vu dans ce mouvement l’expression d’un naturalisme radical, une doctrine fondée sur le refus des valeurs de la vie civilisée, qui par conséquent pourrait être définie comme une “croisade contre la civilisation” ou comme un “courant anti-prométhéen”, le “feu civilisateur” étant à l’origine des maux des hommes. La morale cynique consisterait ainsi dans la proposition d’un “retour à la nature” ou d’une vie “selon la nature” (kata phusin), guidée par l’idée d’animalité et de primitivisme, c’est-à-dire d’une vie inspirée par le comportement animal ou par le modus vivendi des premiers hommes. La présente thèse a pour but de soumettre à l’épreuve des textes qui nous ont été transmis par l’Antiquité cette interprétation largement répandue du cynisme. L’hypothèse avancée ici, qui s’appuie entre autres sur l’examen de deux textes – le Discours VI de Dion Chrysostome et le dialogue du Pseudo-Lucien intitulé Le cynique, – qu’on a confrontés à d’autres témoignages, comme le livre VI des Vies et doctrines des philosophes illustres de Diogène Laërce ou les lettres pseudépigraphes attribuées à Diogène de Sinope et à Cratès de Thèbes –, consiste à définir le cynisme comme la recherche d’une vie “selon la facilité” (kat’ euteleian) et la pensée diogénienne comme une forme radicale de pragmatisme, au sein de laquelle les dualismes – notamment celui qui oppose nomos et phusis – tendent à être supprimés au nom d’une morale déterminée selon les circonstances concrètes de la vie individuelle
Cynicism is a philosophical movement which started in Greece in the 4th century B.C. around the figure of Diogenes of Sinope. Modern interpreters often understand this movement as the expression of a radical naturalism, a doctrine founded on a drastic refusal of all the values of civilized life and consequently defined as a “crusade against civilization” or as an “anti-promethean current”, identifying in the “civilizing fire” the very origin of all the troubles, vices and misfortunes that men have to cope with. Accordingly, Cynic ethics would advocate a “return to nature” or to a life “according to nature” (kata phusin), guided by the idea of animality and of primitivism, that is to say a life modeled on animal behavior or on the modus vivendi of the primitive men. The present thesis aims at questionning this widely spread interpretation of cynicism on the basis of an analysis of the texts transmitted by Antiquity. The alternative interpretation that we offer rests on the reading of two major texts: the Sixth Discourse by Dio Chrysostomus and the dialogue The Cynic transmitted under the authority of Lucian of Samosate, along with some other sources, like the sixth book of Lives and opinions of eminent philosophers written by Diogenes Laertius and the Letters attributed to Diogenes of Sinope and to Crates of Thebes. It redefines Cynic philosophy as the quest for a life “according to easiness” (kat’ euteleian) and — in modern terminology — as a radical form of pragmatism, within which dualisms – notably the one between nomos and phusis – tend to be abolished in the name of a morality conditioned by the actual circumstances of individual life

APA, Harvard, Vancouver, ISO, and other styles

37

Peters, Gary B. "Being, responsibility and animality, toward a post-heideggerian ethics of alterity." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ28635.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Perrier, Jean-François. "Subjectivité et animalité :l'animal en question dans l'oeuvre de Jacques Derrida." Master's thesis, Université Laval, 2016. http://hdl.handle.net/20.500.11794/27339.

Full text

Abstract:

Tableau d'honneur de la Faculté des études supérieures et postdoctorales, 2016-2017
Ce mémoire se donne pour objectif d'expliciter et d'interroger les dimensions phénoménologique et éthique de la question animale à partir des écrits de Jacques Derrida. Pour ce faire, en prenant pour fil directeur les intrications entre la subjectivité et l'animalité, nous tenterons d'exhumer les moments dogmatiques au sein de la phénoménologie de Husserl et de Heidegger quant à leur conception des animaux. Dans un premier temps, nous expliciterons la position de Derrida à l'égard de la thèse heideggérienne qui oppose le Dasein et ce qui ne serait que « seulement vivant ». Dans un second temps, nous nous intéresserons aux écrits de Derrida sur la phénoménologie de Husserl afin de comprendre pour quelles raisons Derrida n'adhère pas non plus à un continuisme entre les hommes et les animaux. Enfin, ne souscrivant ni à la thèse discontinuiste de Heidegger, ni celle continuiste de Husserl, nous aborderons les conséquences éthiques que Derrida dégage à partir de l'impossibilité de penser autant le propre de l'homme que le tout autre qu'est l'animal, nous engageant par là dans sa pensée de l'hospitalité et de la responsabilité au-delà de toute subjectivité.

APA, Harvard, Vancouver, ISO, and other styles

39

Anderalm, Ida. "Human Being or Human Brain? : Animalism and the Problem of Thinking Brains." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-122886.

Full text

Abstract:

Animalismens huvudargument säger att du är det tänkande objektet som sitter i din stol, och enligt animalisterna själva innebär detta att du är identisk med ett mänskligt djur. Argumentet är dock problematiskt då det inte tycks utesluta eventuella tänkande delar hos det mänskliga djuret, som till exempel dess hjärna. Detta beror på att hjärnor också kan beskrivas som tänkande, samt att även de befinner sig inom det spatiella område som upptas av det mänskliga djuret. I den här uppsatsen argumenterar jag för att tänkande hjärnor är ett problem för animalismen och att tesen att vi är identiska med hjärnor är ett verkligt hot mot den animalistiska teorin om personlig identitet. Olika argument som lagts fram mot tesen att vi är hjärnor avhandlas, som till exempel att hjärnor inte existerar och att hjärnor inte tänker. Jag diskuterar även två argument som tidigare använts för att visa att vi är personer snarare än mänskliga djur (the Transplant Intuition och the Remnant Person Problem), men i det här sammanhanget bedöms de utifrån deras förmåga att stödja hjärnteorin.

APA, Harvard, Vancouver, ISO, and other styles

40

McGill, Christopher, and Christopher McGill. "Figuring the Beast: The Aesthetics of Animality in American Literature, 1900-1979." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12394.

Full text

Abstract:

"Figuring the Beast" analyzes the work of Jack London, Ernest Hemingway, Robinson Jeffers, and Elizabeth Bishop to reveal literature as a register for a cultural anxiety over human-animal relations that developed throughout the twentieth century. For each of these writers, literary expression was a forum for attempting to solve, or "figure out," complicated ethical questions regarding animals. And, in addressing these questions, each writer also had to answer the question of how best to figure, or characterize, nonhuman others in their work. "Figuring the Beast" thus pursues the close connections between questions of ethics and representation. This dissertation begins by analyzing the relationship between literature and theories of animal mind developed around the turn of the twentieth century. The second chapter then reads a selection of Jeffers's work and argues that, despite his medical-science background and his philosophy of "Inhumanism," his poetry rehearses anachronistic habits of figuring animals. The next chapter analyzes the function of nonhuman characters in London's
10000-01-01

APA, Harvard, Vancouver, ISO, and other styles

41

Irina, Röjås. "Animaliska livsmedel i skolundervisningen : Lärares resonemang kring kostrelaterad undervisning i Idrottoch hälsa, Biologi och Hem-och konsumentkunskap." Thesis, Stockholms universitet, Barn- och ungdomsvetenskapliga institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-114332.

Full text

Abstract:

Syftet med studien är att undersöka hur lärare i Idrott och hälsa, Biologi och Hem och konsumentkunskap resonerar kring animaliska livsmedel i anknytning till sin undervisning, samt hur lärarnas läromedel förhåller sig till animaliska livsmedel. Empirin bygger på halvstrukturerade kvalitativa intervjuer med fem grundskolelärare; två lärare undervisar i Idrott och hälsa, en lärare undervisar i Biologi och två lärare undervisar i Hem- och konsumentkunskap. Jag har även genomfört en läromedelsanalys med utgångspunkt från en kritisk diskursanalys. Intervju- och textmaterialet analyseras utifrån en kritisk teori och en kritisk djurteori. Analysen av studiens resultat understryker en prioritering av animaliska livsmedel i läromedlen varpå den vegetabiliska kosten konstrueras som ett icke fullvärdigt alternativ. Specifika begrepp och språkliga uttryck i läromedlen beskriver andra djur som objekt, vilseleder köttet ursprung och normaliserar brukandet, dödandet och ätandet av andra djur. I intervjuerna framkommer resonemang som förstärker förtryck av andra djur. Det finns dock uttalanden från intervjuerna som indikerar en motsatts inställning, men att exploateringen av andra djur som en norm ändå genomsyrar språket. Lärarnas resonemang saknar en problematisering av ätandet och dödandet av djur. Där emot poängterar ett flertal av lärarna en koppling mellan animaliekonsumtion och en negativ påverkan på hälsan och miljön. Vidare framställs en vegetabilisk kost, liksom i läromedlen, ibland som icke fullvärdig. Resonemangen från läromedlen och intervjuerna genomsyras av sociala konstruktioner som konstruerar och upprätthåller animaliekonsumtionen och produktionen som en norm. Samtidigt visar resonemangen att det finns möjligheter för en skolundervisning som berör andra djur som en förtryckt grupp samt animaliers negativa påverkan på miljön och hälsan. Det har även synliggjorts en konflikt i både läromedlen och intervjuerna mellan ett normativt och utmanande förhållningssätt till animaliekonsumtionen och produktionen.

APA, Harvard, Vancouver, ISO, and other styles

42

Axelsson, Elin, and Mikaela Jennerot. "Restaurangers förhållningssätt till hållbar matkonsumtion : En studie av restauranger på KTH campus med tonvikt på animaliska livsmedel." Thesis, KTH, Industriell ekologi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-210763.

Full text

Abstract:

Dagens livsmedelproduktion står för uppemot 30 % av världens totala växthusgasutsläpp. Den grad av klimatpåfrestning ett livsmedel har beror på olika faktorer som t ex produktionsmetod och transport, där tidigare forskning visat på att animaliska produkter är de livsmedel som har störst klimatavtryck. Mot målet att uppnå en mer hållbar matkonsumtion har det blivit allt viktigare i dagens samhälle att kartlägga matflöden och utifrån denna kunskap upprätta handlingsåtgärder för att minska på konsumtionen av livsmedel med sämre klimatpåverkan. Syftet med denna studie har varit att undersöka i vilka mängder olika slags livsmedel, med tonvikt på animaliska produkter, serveras på restauranger på KTH campus samt att undersöka restaurangernas befintliga arbete relaterat till hållbar utveckling. Undersökningen har avgränsats till två restauranger, Open Café och Restaurang Nymble, och den information som studien baserats på har erhållits från restaurangerna genomdatainsamlingar och intervjuer. Utifrån resultaten av studien kan konstateras att bägge restauranger arbetar med hållbar matkonsumtion, däremot har olika prioriteringsområden valts. Open Café har huvudfokus på inköp av KRAV-märkta produkter medan Restaurang Nymble arbetar mycket med att minimera sitt matsvinn. Beträffande lunchmåltider så förekommer animaliska livsmedel såväl som vegetabiliska på bägge restaurangers veckomenyer. Kött- fisk och vegetariska rätter erbjuds, där Open Café serverar helvegetariska måltider två gånger per vecka och Restaurang Nymble erbjuder ett vegetariskt alternativ varje dag. Genom kartläggning av animalieprodukterna i ingående lunchrätter, med hjälp av verktygen KöttP och Fiskguiden, visar det sig att båda restauranger använder produkter som klassas som bättre för miljön, men även produkter som har för hög påverkan på planeten och därför borde undvikas. Mängden animalieprodukter per lunchrätt beror på restaurangens hållbarhetstänk, vilket serveringskoncept man valt samt huruvida näringsrekommendationer tillämpas eller inte.
Today’s food production constitutes nearly 30 % of the world’s total carbon dioxide emissions. The level of impact a food product has on climate depends on various factors such as production method and transportation, where previous research has shown that animal products have the biggest climate impact. Towards the goal of reaching a more sustainable food consumption it has become even more important to map food flows in order to decrease the consumption of food that has bad climate impact. The purpose of this study has been to examine in which amounts different types of food products, with emphasis on animal products, are served at restaurants on KTH campus and to examine the restaurants current work related to sustainable development. The study has been limited to two restaurants, Open Café and Restaurant Nymble, and the information that the study is based on has been obtained from the restaurants through data collections and interviews. Based on the results of the study one can observe that both restaurants work with sustainable food consumption, however they have chosen different priority areas. Open Café has its main focus on KRAVPcertified products, while Restaurant Nymble work mainly with minimizing its food waste. Regarding the lunch courses, both animalP and vegetable products occur in the weekly menus. MeatP fishP and vegetarian dishes are provided, however, Open Café serves vegetarian dishes twice a week and Restaurant Nymble offers a vegetarian alternative everyday. By mapping the animal products used in the lunch dishes, with the help of the tools “Köttguiden” and “Fiskguiden”, it turns out that both participating restaurants use products that are classified as better for the environment as well as products with negative impact. The amount of animal products that are served per lunch course may depend on the restaurants way of thinking related to sustainable development, their serving concept and if nutritional recommendations are used or not.

APA, Harvard, Vancouver, ISO, and other styles

43

Pinto, Maria Teresa Valente da Silva Caetano Ferreira. "ANIMALIA QVÆ LACTE ALVNTVR: Mamíferos nos mosaicos romanos da Península Ibérica." Doctoral thesis, Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, 2010. http://hdl.handle.net/10362/5874.

Full text

Abstract:

Tese de Doutoramento em História da Arte da Antiguidade
Com o estudo dos mamíferos representados nos mosaicos romanos da Península Ibérica, foi possível estabelecer seriações homogéneas, por tipo ou espécie. Foi também possível entender qual o papel desempenhado pelos animais na Antiguidade, até porque assumiram neste contexto um lugar que ultrapassou o simples registo figurado. Constatou-se a existência de diferentes níveis de representatividade, cuja iconologia ultrapassou o mero aparato social, bem como registos específicos de índole diversa. De facto, os mamíferos desempenharam um importante papel nas sociedades Antiga e Tardo-Antiga, adquirindo um estatuto próprio que conduziu à sua representação, sob diversas formas, nos mosaicos. Os mamíferos assumiram, pois, um lugar destacado na sociedade, cultura, mentalidade e economia, justificando a sua presença nos mosaicos que pavimentavam espaços públicos, domus e uillæ. Afigurou-se-nos, por outro lado, importante efectuar uma leitura formal dessas representações e perceber se, no lato período considerado, sofreram ou não modificações substantivas no modo de as construir. Ou seja, se a introdução da policromia e a evolução do gosto e, consequentemente, do desenho contribuíram para a obtenção de níveis representativos distintos e, ainda, se existem, por exemplo no debuxo dos animais, elementos constantes e que, aprioristicamente permitam realizar uma identificação ou associações inequívocas, assim como as mudanças operadas na aparência e significado dessas representações, isto já em plena Antiguidade tardia.

APA, Harvard, Vancouver, ISO, and other styles

44

Souchard, Flora. "La dynamique animale dans les œuvres poétiques de Supervielle, Saint-John Perse et Char. Présence, surgissement, échappée." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSEN025.

Full text

Abstract:

Ce travail de thèse propose d’étudier les œuvres de Supervielle, Saint-John Perse et Char au prisme de la dynamique animale. Il confronte ces textes du XXe siècle à des problématiques plus récentes qui, dans le courant de la « zoopoétique » développée par Anne Simon, considèrent les bêtes littéraires dans leur aspect corporel, organique, mouvant, autant que symbolique. Au-delà de leur dimension métaphorique, les animaux innervent en effet les textes d’une force de création issue de leur qualité d’êtres vivants. Des insectes aux grands mammifères, l’éventail de la relation des bêtes au monde et à l’humain ouvre dans les textes de multiples problématiques sémantiques et stylistiques, appréhendées dans la première partie de ce travail, qui analyse l’influence des existences animales au cœur de l’écriture poétique et de ses rythmes particuliers. La faune apparaît, ainsi que l’approfondit la deuxième partie, comme vectrice d’une pensée élargie de l’environnement. S’appuyant sur des approches anthropologiques, ces analyses font ressortir un traitement particulier des notions de nature ou de paysage, montrant les animaux comme outils de modélisation de l’espace, mais aussi de la pensée. Par le surgissement constant de leur altérité, désirée ou perturbatrice, ils confrontent les poètes aux frontières floues de leur propre individualité. Dans une dernière partie, l’animalité concrète est étudiée en parallèle des facultés qu’a la poésie d’interroger son siècle et une langue élargie au contact des modalités de communication animale. Nous observons que le pistage d’une bête et l’appréhension d’une pensée poétique ressortissent à des herméneutiques proches, entre veille, émerveillement et distance, quittant parfois la rationalité du langage pour explorer les marges de la folie, dans une dynamique de l’oblicité. Est révélée dans ce rapprochement de la bête et du poème une constance de la faille, et une jouissance de l’échappée
This thesis analyses the works of Supervielle, Saint-John Perse and Char through the prism of animal dynamics. It reads these twentieth-century texts in light of recent criticism, which, in the vein of "zoopoetics" developed by Anne Simon, considers the physical, organic, moving dimensions of literary animals as well as their symbolic significance. Beyond their metaphorical meanings, animals energize the texts with a creative force that stems from their quality as living beings. From insects to large mammals, the range of relationships that animals have to the world and to humans opens up multiple semantic and stylistic problems examined in the first part of this thesis, which analyses the influence of animal existence on poetic writing and poetic rhythm. Based on anthropological approaches, the second part argues that fauna serve as a vehicle for a broader thinking about the environment. This reading illuminates a particular treatment of nature and landscape that uses animals as tools for modelling space as well as thought : through the constant emergence of their desired or disruptive otherness, literary animals confront poets with the blurred boundaries of their own individuality. In the last part, concrete animality is studied alongside poetry’s power to question its own era and its language, which extends to the animalistic modes of communication. The tracking of a beast and the apprehension of a poetic thought emerge from similar hermeneutics, encompassing watchfulness, wonder, and distance, and sometimes leaving the rationality of language to explore the margins of madness in a dynamic of obliquity This kinship between poetry and animality is revealed in the persistence of gaps, and of the pleasures of escape

APA, Harvard, Vancouver, ISO, and other styles

45

Dittmar, Pierre-Olivier. "Naissance de la bestialité : une anthropologie du rapport homme-animal dans les années 1300." Paris, EHESS, 2010. http://www.theses.fr/2010EHES0117.

Full text

Abstract:

Le rapport à l'animal dans le contexte chrétien est paradoxal. Alors qu'il se trouve pour la première fois totalement exclu du sacré légitime (abandon du sacrifice antique, des interdits alimentaires juifs), l'animal est extrêmement présent dans la littérature et l'art médiéval. Autour des années 1300, son exploitation symbolique, au même titre que son usage alimentaire ou matériel s'inscrit dans un rapport de domination de l'homme sur le monde naturel dont Adam nommant les animaux fournit le modèle. Dans les mêmes années, la conception de l'animal est profondément bouleversée. Depuis Augustin, le monde animal était structuré par l'opposition entre pecus et bestia, entre des animaux herbivores soumis à l'homme et des animaux carnivores sauvages, les premiers étant comestibles, les seconds frappés d'un interdit alimentaire informel. Avec l'émergence d'une littérature en langue vernaculaire et la redécouverte d'Aristote, cette division s'estompe pour laisser place à une conception nouvelle de l'animal, compris désormais dans un sens excluant l'homme, et regroupant l'ensemble des autres créatures animées. On parlera à ce titre d'une naissance de l'animal au sens moderne et naturaliste du terme. Cette invention de l'animal modifie en profondeur les conceptions de la personne, en donnant naissance au concept de bestialité, qui recouvre petit à petit l'ensemble des comportements humains échappant à la raison. Dans ce processus, l’image joue un rôle prépondérant, devançant la formalisation théorique, et impose par le biais de représentations d’hybrides mi-homme mi-bête une compréhension nouvelle de l'animalité de l'homme et de la continuité des existants au sein du monde créé
The medieval Christian approach to the animal was paradoxical. For the first time, the animal was largely excluded from official ritual: animal sacrifice was a thing of the pagan past, and Jewish dietary restrictions limited the consumption of certain creatures. But the animal figured prominently in medieval art and literature, and by the advent of the XIV th century, the animal's symbolic exploitation, along with its use as a source of food and material, followed the model of man's domination over the natural world, established by the Biblical precedence of Adam naming the animals. During the 1300s the conception of the animal underwent a profound change. Since Augustine, the animal world was structured by an opposition between 'pecus' and 'bestia', between grazing herbivores in the service of mankind and wild carnivores. While the former were considered edible, the consumption of the latter was informally forbidden. But with the emergence of literature in the vernacular and the rediscovery of Aristotle, this division gave way to a new conception of the animal that grouped together ail animate creatures -with the notable exception of man. Thus was born the modern sense of the term 'animal'. The invention of the animal profoundly changed how the individual was conceived, giving birth to the concept of 'bestialité', which gradually came to include any human behaviour deemed irrational. Images (i. E. The representations of hybrids, half-men, half-beasts) played a crucial role in the conceptual development of man's beastliness : they did not merely illustrate, but anticipate the work of theoreticians in shaping the concept of man's animality

APA, Harvard, Vancouver, ISO, and other styles

46

Håkansson, Mikaela. "Kan röda alger ersätta gelatin och ägg i vit chokladmousse? : En jämförande studie om vegetabiliska och animaliska konsistensgivare." Thesis, Örebro universitet, Restaurang- och hotellhögskolan, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-85932.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Marie, Annabelle Corinne. "Hybridité, animalité et métissage : la littérature francophone contemporaine entre parasitisme et devenir-autre." Doctoral thesis, University of Cape Town, 2015. http://hdl.handle.net/11427/20097.

Full text

Abstract:

Postcolonial Francophone literature, as it has evolved since the independence movements in the French colonies (mainly in Africa and in the Caribbean islands), has known two major moments in the 20th century, where it distanced itself from metropolitan French Literature: in the forties, fifties and sixties, with the movement of the « négritude » and more recently, in the nineties, with the rise of "créolité"- which will lead to the actual current of "Littérature-monde" (2005), and corresponds to the era that will be investigated here. It would be naïve to think that this desire for literary independence could have been fulfilled entirely, while expressed in the language of the "oppressor". In spite of its claims to the contrary, this postcolonial francophone literature remains to this day haunted by its French model. To a certain degree, it is still very much dependent as can be seen from its fixation with Paris as the only "centre" of culture and the frequency of themes such as social parasitism and hospitality. But of course, Francophone literature cannot be reduced to such a simplistic model. Its relationship to French Literature can't be reduced to a purely mimetic one. In spite of (or maybe thanks to) its heavy borrowing from the French canon, it has succeeded in creating a new space of reciprocal exchanges and constant metamorphosis. It is this space that H. Bhabha called "third space", defined by hybridity and "métissage" - a paradoxical way of coping with the double inheritance of the same and the other. In opposition to the static behaviour in which the parasite engages when imitating, one has to conceive, according to G. Deleuze and F. Guattari, a heterogeneous relationship characterized by movement and fluctuation: a "becoming" rather than a "being". It is this notion of constantly changing identities that we will analyze in reaction to parasitism, which remains based on imitation: a need for metamorphosis best expressed in "animalisation" and the loss of identity it produces. In order to test this hypothesis, we will analyze a series of works of fiction where this theme of animalisation is most visible (produced over the past 15 years in Postcolonial Francophone literature). Some of the novels in our corpus are the following: Mémoires d'un porc-épic, by Mabanckou (from Congo); Moi, l'interdite, by Ananda Devi (from Mauritius), Temps de chien by P. Nganang (from Cameroun) and Un Chien mort après lui by Jean Rolin (France). We hope that the relative homogeneity of our findings will allow us to formulate new insights in the way Francophone literature deals with those ever returning questions of identity and otherness.

APA, Harvard, Vancouver, ISO, and other styles

48

Ferrero, Hernández Cándida. "LIber contra venena et animalia venenosa. Estudio preliminar, edición crítica y traducción." Doctoral thesis, Universitat Autònoma de Barcelona, 2002. http://hdl.handle.net/10803/5536.

Full text

Abstract:

La obra, escrita por el franciscano Juan Gil de Zamora, es una pequeña enciclopedia organizada alfabéticamente cuyo objetivo es presentar remedios contra venenos de origen mineral, vegetal y animal. Dentro del reino animal dedica especial atención a la diferencia que hay entre animales extraordinarios y extremadamente malignos y aquellos que, aun pequeños, resultan fastidiosos para la vida del hombre, tales son las pulgas, chinches, mosquitos.
El trabajo ha consistido, en primer lugar, en la colación de los manuscritos, el 1404 del fondo de los Duques de Urbino, de la Biblioteca Apostólica Vaticana, en Roma, (s. XIV), y el MF 139 de la Biblioteca de la Fundación Bartolomé March, en Mallorca, (s. XV). A partir de éstos, y teniendo en cuenta la primera edición que de la obra hizo Manuel de Castro, ("El tratado Contra Venena de Fr. Juan Gil de Zamora O. F. M.", AIA, Segunda época n. 141, 1976, 117pp), se ha realizado la primera edición que tiene en cuenta los dos manuscritos, así como correcciones de lectura a la primera edición.
Asimismo, en segundo lugar, se ha realizado la traducción de la obra, la primera que de la misma se hace, incorporando un aparato de notas que incluyen textos de autores que tratan temas similares, anteriores o contemporáneos al autor. De igual manera en las notas se ofrece un comentario amplio sobre los nombres de plantas, así como sobre algunos términos aclaratorios, de carácter médico.
A modo de prólogo se ha realizado el estudio de la obra, dentro del contexto de la época y de la producción literaria del autor, interesante personaje que formó parte del círculo de Alfonso X y de Sancho IV. En este estudio preliminar se realiza un estudio de las fuentes que maneja, y que demuestra la relación de esta obra con el Speculum Naturale de Vincent de Beauvais y con el Liber Canonis de Avicena.
Como complemento al trabajo se incluyen unos índices relativos al texto latino, que se han organizado bajo cuatro epígrafes: plantas y sus derivados, animales y sustancias derivadas, minerales y nombres de persona, lugar y obras.
The work above mentioned, written by the Franciscan Juan Gil Zamora, is a small encyclopaedia, alphabetically organised, whose aim is to put forward remedies against poisons of mineral, vegetable and animal origin. Within the animal field he devotes special attention to the difference existing between those extraordinary animals extraordinarily harmful and those that, even though small in size, are annoying for man's life, such as fleas, bugs and mosquitoes.
This piece of work was first done filtering the manuscripts 1404 of the Dukes of Urbino's collection, from the Apostolic Vatican Library in Rome (XIV c.) and MF 139 of the Bartolome March foundation Library, in Majorca (XV c.). Starting from these manuscripts and taking into account the first edition of the work done by Manuel de Castro ("The treatise Contra Venena by Fr. Juan Gil de Zamora, Franciscan" AIA, Second époque nr. 141, 1976, 117 pp), we did the first edition that takes into account both manuscripts, as well as reading corrections to the first edition.
We have also effected the translation of the work , the first one effected adding a set of notes that include text of authors dealing in similar topics, older or contemporary to the author. In the notes we offer ample comment on the names of the plants, as well as some clearing terms of a medical character.
As a prologue we have effected a study of the work within the context of the time and the literary production of the author, who was a very interesting character of the entourage of Alfonso X and Sancho IV. In this preliminary study we do a research into the sources that he uses that proves the relation of this work with Vincent de Beauvais' Speculum Naturale and Avicena's Liber Canonis.

As a complement to our work we add some indexes relative to the Latin text, that have been organised under four epigraphs: plants and their derivatives, animals and derived substances, minerals and names of people, place and work.

APA, Harvard, Vancouver, ISO, and other styles

49

Aidoudi, Wejdene. "Figures féminines dans l’œuvre de Zola : des romans aux films : lecture sémiologique." Thesis, Université de Lorraine, 2018. http://www.theses.fr/2018LORR0275/document.

Full text

Abstract:

Cette thèse de doctorat s’articule autour de trois axes. Elle a trait d’abord à la configuration de la sexualité féminine dans l’œuvre des Rougon-Macquart et dans son adaptation cinématographique. La recherche est ainsi centrée sur la représentation du corps féminin et de sa métamorphose dans l’œuvre romanesque zolienne ainsi que dans l’œuvre filmique correspondante. Quant au deuxième axe de recherche, il se rapporte à l’étude des photogrammes, des lexies au niveau de l’incipit et de l’excipit des romans zoliens et à partir de l’ouverture et du dénouement des adaptations qui en ont été faites. Les divergences entre les romans et leur mise en scène interrogent par ailleurs la question de la fidélité du cinéma à la littérature dont il s’inspire, qui reste jusqu’au jour d’aujourd’hui une question assez problématique. Une analyse des seuils filmiques et romanesques a été jugée ainsi fort utiles. Ces seuils s’avèrent un espace où le sens de la créativité et le don artistique du concepteur de l’œuvre filmique ou romanesque voient le jour. Au terme de notre recherche, nous avons constaté que la femme zolienne évolue dans un milieu où interfèrent le réel, l’imaginaire et le symbolique. Et c’est à à travers son rapport avec les lieux et les objets que cette femme accède au rang de figure. La métaphore animalière constitue ainsi l’essence même de la figuralité zolienne qui met en relief ces corps féminins et les dotent d’une présence mythologique. Finalement le naturalisme zolien est-il d’une veine expressionniste
This doctoral thesis is structered around three axes. It deals with the configuration Of the female sexuality in the work of Rougon-Maquart and it its film adaptation. The research is centered on the representation of the female body and its metamorphosis in Zola’s novel works as well as in the corresponding film works. As for the second axis of research, it relates to the study of photograms in the incipit and excipit of Zola’s novels and from the opening and settlements that have been made. The divergences between the novels and their staging also question the question of the film’s fidelity to the literature on which it is based , which remains a rather problematic issue until today. An analysis of filmic and novel thresholds was found to be very useful. These thresholds turn out to be a space where the creativitity and artistic gift of the designer of the filmic or romantic work are born . At the end of our research, we have noticed that Zola’s female evolves in a background where the real , imaginary and symbolic interfere. And it is through her contact with the settings and objects that she reaches the rank of a figure. The animal metaphor thus constitutes the very essence of Zola’s figurality which hilghlights these female bodies and endows them with a mythological presence. Finally is Zolian naturalism an expressionist vein ?

APA, Harvard, Vancouver, ISO, and other styles

50

Southgate, Nicholas Charles James. "Personal identity and human animals : a new history and theory." Thesis, Durham University, 1999. http://etheses.dur.ac.uk/4537/.

Full text

Abstract:

The contemporary personal identity debate has divided into two entrenched positions. One supports the supposedly naive and unpopular Bodily Criterion (the view that personal identity requires physical continuity). The other school is the Psychological Criterion (the view that personal identity requires psychological continuity). This has acquired the status of virtual orthodoxy. The British Empiricists, John Locke and David Hume, are both supposed to give historical weight to this orthodoxy. This thesis argues this is a dramatic misrepresentation of history. Locke is supposed to found the personal identity debate in his Essay Concerning Human Understanding, arguing that personal identity is sameness of consciousness. It is argued that Locke in fact responds to a prevalent Cartesian View, called here the Compositional Account. The Compositional Account is the belief that a Human Being is composed of a Mind and a Body. Hume, in responding to Locke, is also responding to the Compositional Account. In opposition to widely established readings both philosophers are argued to be highly sympathetic to the Compositional Account. Chapter 1 establishes Descartes' version of the Compositional Account and explains why Descartes needs no philosophical treatment of personal identity. These problems emerge only for the Empiricists, Locke and Hume. Locke's sympathies for the Compositional Account are established in Chapter 2, drawing on material prior to the Essay and normally uncited passages in the Essay. Chapter 3 argues that Hume presumed the Compositional Account in his Treatise Concerning Human Nature. This is argued to explain Hume's famous later recantation of his theory. The thesis concludes by sketching a role for the Compositional Account in contemporary debate. The Compositional Account is argued to give strong support to a recently developed position known as Animalism. This provides the conceptual materials to move beyond the orthodox dichotomy between the Bodily Criterion and the Psychological Criterion.

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic 'Animalista'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles