Dissertations / Theses on the topic 'André fils'
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Davor, Abazovic. "Film och andra rörliga bilder som läromedel?" Thesis, Malmö högskola, Lärarutbildningen (LUT), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-35485.
Full textHoel, Christian. "Den moderna krigsfilmen : Om den amerikanska andra världskrigs-stridsfilmsgenren." Thesis, University of Skövde, School of Humanities and Informatics, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-86.
Full textJeanine Basingers bok The World War II Combat Film presenterar en annars väldigt oupmärksammad genre, den amerikanska Andra Världskrigs-stridsfilmen. Utifrån den mall som Basinger beskriver i boken har jag här diskuterat och analyserat hur Saving Private Ryan håller sig till mallen som skapats av tidigare stridsfilmer. Mallen består i korthet av en mängd element som används genomgående i genren; såsom gruppen, hjälten, målet och fienden. Dessa element förekommer från den första andra världskrigs-stridsfilmen Bataan från 1943 och har konsoliderats och utvecklats sedan dess. Slutsatsen blir att även om SPR blivit känd som en nydanande och orginell film så är håller den sig nästan slaviskt till mallen, det enda som möjligt kan skilja den lite från andra filmer i genren är det ursprungliga målet, det är inte vanligt att ha ett såpass politiskt inkorrekt mål som att rädda en enda man.
Merlin, Dieter [Verfasser]. "Die Kunst der Projektion : Romantik und Dekonstruktion in den Filmen André Téchinés / Dieter Merlin." Kiel : Universitätsbibliothek Kiel, 2012. http://d-nb.info/1024489833/34.
Full textWendler, André [Verfasser], Lorenz [Akademischer Betreuer] [Gutachter] Engell, and Peter [Gutachter] Geimer. "Anachronismen: Historiografie und Kino / André Wendler ; Gutachter: Lorenz Engell, Peter Geimer ; Betreuer: Lorenz Engell." Weimar : Professur Medienphilosophie, 2012. http://d-nb.info/1115807145/34.
Full textMarino, Andre Adam. "Performance of the UNIX file system : Andre Adam Marino." Thesis, Queensland University of Technology, 1992.
Find full textSouza, Geórgia Cynara Coelho de. "Para ver e ouvir: A música de André Abujamra no cinema brasileiro." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-10072018-152739/.
Full textThis study aims to investigate the contribution of the composer, instrumentalist, actor and multimedia artist André Abujamra to brazilian cinema, in reference of the composition of musical soundtracks and its articulation with films they were created for. It was intended to approach the artist\'s career in film from his debut in fictional feature films at the beginning of \'Retomada\' of brazilian cinema (1995), looking for the relationship between the creative process, the diversity of musical references and multifaceted activities in the arts, to verify the characteristics of his film scoring signature. It was an exercise of a film analysis focused on sound and its joints with the image, by relating André Abujamra scores both to other sound elements of the films in which he participates as a composer - pre-existing songs, noises, dialogues, silence effects and others - and to the various visual elements of those films - photography, plans, camera movements, scenarios, film editing and others. From knowing Abujamra\'s carreer and extra-filmic relations between his music and the different contexts and conditions of composition and production for records and films, this study also aims to understand the place of the composer in the filmmaking process in Brazil. It proposes an aesthetic and contextual analysis of fictional feature films whose scores are signed by Abujamra, linked to his biography and Brazilian and foreign theoretical formulations about film sound and music.
Hera, Daniel [Verfasser], and André [Akademischer Betreuer] Zimmermann. "Leiterplattenbasiertes Packaging zur Systemintegration mittels Film-Assisted Transfer Molding / Daniel Hera ; Betreuer: André Zimmermann." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2018. http://d-nb.info/1162893648/34.
Full textTigervall, Carina. "Folkhemsk film : Med ”invandraren” i rollen som den sympatiske Andre." Doctoral thesis, Umeå : Sociologiska institutionen, Umeå universitet, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-457.
Full textBernard, de Courville Florence. "Problématique du double cinématographique dans Oedipe roi de Pier Paolo Pasolini, Hiroshima mon amour d'Alain Resnais et dans les analyses critiques d'André Bazin." Paris 3, 2004. http://www.theses.fr/2004PA030144.
Full textEdipo Re by Pier Paolo Pasolini, Hiroshima mon amour by Alain Resnais and reviews by André Bazin are the testimonies of a theory which tackles the problem of mimesis in the ²cinema modernity ²; this modernity has been raised by Gilles Deleuze. Those three systems are the basis of a questioning about the representation and imitation in cinema, within Jacques Rancière calls ² the ‘aesthetic’ form of art², a questioning based on the first texts dealing with mimesis : the works by Plato and Aristotle. Let’s bring forward the following hypothesis : modern cinema has emphasized a paradox entitled ² double cinématographique ², implying that cinema is both a duplication – a perfect reproduction of an original, a reproduction which copies the world to become one and the same thing – and a grotesque replica of a matter, a misleading resemblance, and a derisory imitation of an original. This double status implies that the cinema duplication is ruled by a logic of similarity and difference, a logic of presence and absence. This emergence of mimesis leads to the following awareness : the cinema replica does not only mean reproducing or trying to reproduce according to the homoïosis logic, hence the necessity of studying the consequences of the insertion of this antiquity concept in the "cinema modernity" notion
Seyferth, Immanuel [Verfasser]. "Zwischen Dokumentation und Fiktion: Die Kongoreise von André Gide und Marc Allégret / Immanuel Seyferth." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2020. http://d-nb.info/1217974199/34.
Full textCavalcante, André Bezerra. "Programa de microcrédito no nível local: uma alternativa de política pública para ampliar as oportunidades de negócio dos micro e pequenos empreendimentos formais e informais." reponame:Repositório Institucional do FGV, 2002. http://hdl.handle.net/10438/5194.
Full textO microcrédito e o microempreendedor no nível local são os objetos de estudo desta dissertação. Seu objetivo central é verificar a possibilidade de um programa de microcrédito ser alternativa viável de política pública de geração de emprego e renda com capacidade de ampliar as oportunidades para realização de negócio dos microempreendimentos formais e informais no contexto local. Para tanto, é realizada uma descrição e análise do programa de microcrédito do Município de Santo André (SP), em desenvolvimento desde maio de 1998.
Carlsson, David. "Skapandet av minnen i US-amerikansk och kinesisk krigsfilm under efterkrigstiden." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-54011.
Full textGoritsas, Helen. "Beyond the limits of the auteur: on the possibility of an encounter theory of modern cinema." Thesis, The University of Sydney, 2012. http://hdl.handle.net/2123/9493.
Full textKlossek, André [Verfasser], and Martin [Akademischer Betreuer] Kittler. "Optical characterization of thin-film Si solar cells and knowledge transfer from bulk mc-Si / André Klossek. Betreuer: Martin Kittler." Cottbus : Universitätsbibliothek der BTU Cottbus, 2013. http://d-nb.info/1045604135/34.
Full textKörner, André [Verfasser], and Michael [Akademischer Betreuer] Gissenwehrer. "Theatralisierung der Lebenswelt durch Reality TV Formate : die Simulation im grellen Licht der Wirklichkeit / Andre Körner. Betreuer: Michael Gissenwehrer." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2015. http://d-nb.info/1105373800/34.
Full textFilip, Hallbäck. "Humour Noir (eller svart humor) : Termens upphovsperson kliver in i filmvetenskapens värld." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-70590.
Full textAndré, da Rocha Andreza [Verfasser], and Christer [Akademischer Betreuer] Petersen. "The Birth of Brazilianism : the stereotypical representation of Brazil in the context of cultural imperialism and media concentration [[Elektronische Ressource]] / Andreza André da Rocha. Betreuer: Christer Petersen." Cottbus : Universitätsbibliothek der BTU Cottbus, 2013. http://d-nb.info/1031666990/34.
Full textPozzo, Ezequiel Dal. "O problema do mal repensado : uma abordagem filos?fico-teol?gica em Andr?s Torres Queiruga." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2017. http://tede2.pucrs.br/tede2/handle/tede/7718.
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Evil has always been a problem that has given both philosophy and religions thinking. This task is not finished. We will here reflect the problem of evil in its condition of inevitability, sustained in the finitude and limit of the reality of creation itself. We will depart from evil as a reality that affects every human being, independent of his beliefs, demystifying the classic dilemma of Epicurus. Through the concept of pisteodic?ia we will perceive that each person, group, or religion will find its answers and ways of dealing with evil. To speak of theodicy we will distinguish the "short way" and the "long way". The first portrays the traditional view of theology, where, even in the contradiction between arguments, it helps to maintain trust in God despite evil. The "long way" wants to show a logical faith, with coherence of arguments. It wants to guarantee the reasonableness of theodicy, built from the assumption of the autonomy of terrestrial realities demonstrating the action of God Love in the world, as Antimal. This continued action guarantees the creature, not the elimination of all evils in this world, but the fullness of eternity. This itinerary makes it possible to rethink various theological theories, among them original sin, the miracle, the holocaust and hell, as well as a new image of God translated into new language.
O mal sempre foi tema para discuss?es e reflex?es tanto para a filosofia, quanto para as religi?es. Essa tarefa n?o est? acabada. Refletiremos aqui o problema do mal em sua condi??o de inevitabilidade, sustentada na finitude e no limite da pr?pria realidade da cria??o. Partiremos do mal como uma realidade que afeta todo ser humano, independente de suas cren?as, desmistificando o cl?ssico dilema de Epicuro. Atrav?s do conceito de pisteodic?ia perceberemos que cada pessoa, grupo ou religi?o vai encontrando suas respostas e maneiras de lidar com o mal. Para falar de teodiceia distinguiremos a ?via curta? e a ?via longa?. A primeira retrata a vis?o tradicional da teologia, em que mesmo na contradi??o entre os argumentos, ajuda a manter a confian?a em Deus, apesar do mal. A ?via longa? quer mostrar uma f? l?gica, com coer?ncia de argumentos. Quer garantir a razoabilidade da teodiceia, constru?da a partir do pressuposto da autonomia das realidades terrestres demostrando a a??o do Deus Amor no mundo, como Antimal. Essa a??o continuada garante a criatura, n?o a elimina??o de todos os males nesse mundo, mas a plenitude da eternidade. Esse itiner?rio possibilita repensarmos v?rios termos teol?gicos, entre eles, o pecado original, o milagre, o holocausto e o inferno, assim como permite uma nova imagem de Deus, traduzida tamb?m em linguagem nova.
Ström, Axel. "American Sniper: En propagandafilm för den amerikanska krigsmakten : En kvalitativ diskursanalys av en patriotisk krigsfilm." Thesis, Högskolan Dalarna, Bildproduktion, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27061.
Full textDebei, Audrey. "A aporia da cidadania em tempos neoliberais: estudo da Instituição Assistencial Educacional Amélia Rodrigues em Santo André - SP." Pontifícia Universidade Católica de São Paulo, 2008. http://tede2.pucsp.br/handle/handle/2879.
Full textThe main objective of this research is Instituição Assistencial Educacional Amélia Rodrigues, located in Santo André-SP. The context of this search is the period which takes 1989 to 2002, and refers to social policies that were developed in Santo André's district, once they are an inflection point in approach of "social issues", as much to the project of reconstruction of district' s identities, thus of the project Regional Strategic Planning. This research seeked, in these programs, comprehend the emphasize to the volunteer work within a critical point of view about the roll of Non Governamental Organizations (NGO's) into the execution of neoliberal policies. The organization was founded in 1979, as bunâ1e up activities promoted by Social Assistant Department of "Centro Espírita Bezerra de Menenzes", which emerges as an organization that blows the line between traditional philanthropy and the redeployment into "social entrepreneurs", especially during the decades of 1980 and '1990. As long as the institution consolidate e rearrangements to the "third sector" administrative way, lined up to district strategic planning. In this way, is possible to detect an aporia between the speech based on citizenship, at the same time theirs focus in social management built obstac1es to theirs programs and activities, in the sense of goes beyond the line of social needs, taking down the emancipation perspective of struggle
O principal objetivo desta pesquisa centrou-se na Instituição Assistencial Educacional Amélia Rodrigues ,localizada no município de Santo André - SP. O contexto da pesquisa abrange o período que vai de 1989 a 2002, e refere-se às políticas sociais mais amplas desenvolvidas no município, visto que as mesmas constituem-se em um ponto de inflexão importante tanto para a abordagem das questões sociais, quanto para a reflexão sobre a reconstrução da identidade no município por intermédio do Plano Estratégico Regional. Procurou-se ver, nestes programas, a ênfase dada à questão do voluntariado no interior de uma perspectiva crítica sobre o papel das Organizações Não-Governamentais (ONGs) na implementação das políticas neoliberais. Fundada em 1979, através dos desdobramentos das atividades promovidas pelo departamento de Assistência Social do "Centro Espírita Dr. Bezerra de Menezes", emerge como uma entidade exemplar que rompeu o limiar entre a "filantropia tradicional" e o "empreendedorismo social", sobretudo nos anos que vão de 1980 a 1990. Ao se reestruturar ao padrão de gestão do chamado "terceiro setor", alinha-se ao planejamento estratégico municipal. Nesta trajetória, é possível detectar ~ma aporia entre um discurso voltado para a cidadania, ao mesmo tempo em que seu foco na gestão social constitui-se em obstáculo aos beneficiários de seus programas e atividades, no sentido de ultrapassarem os limites de suas carências sociais, esmaecendo o horizonte da emancipação social
Billaut, Manon. "André Antoine, metteur en scène de la réalité. Une expérimentation appliquée au cinéma (1915-1928)." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA170.
Full textAndré Antoine’s place in theatre history is earned through his 1887 founding of the Théâtre-Libre and revolutionizing of modern mise en scène, but it is cinema that occupied the last part of his life as he made eight films between 1915 and 1922 for the Société cinématographique des auteurs et gens de lettres (“Film Society of Authors and Men of Letters”) and then for the Société d’éditions cinématographiques (“Society of Film Editions”), before devoting himself to theatre and film critic in several newspapers. These late years left few traces in film history, and both his films and his critical and theoretical writings remain largely unknown. Inspired by Emile Zola’s naturalist theories, Antoine took to the new art form a rigorous method based on the experience of environment. He clashed with avant-garde trends which were making their way to cinema in the early 1920s. This thesis highlights the experimental value of Antoine’s cinema, which gives a special role to research, observation and experience, by demonstrating the convergence of his special method with practices and discourse animating cinema at the turn of the World War I, a key moment of its legitimation as an art form. This study is based on in-depth analysis of Antoine’s films, his personal archives, production notes, as well as numerous texts he wrote on cinema between 1915 and 1928, the climactic year in the struggle for authorship recognition between Antoine and filmmakers of the First avant-garde
Borg, Kristian. "Blåvitt begär : Postkoloniala läsningar av finskhet, klass och genus i svensk film." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-21752.
Full textLoiselle, André. "The function of Andre Brassard's film "Il etait une fois dans l'Est" in the context of Michel Tremblay's "Cycle des Belles-soeurs"." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/28421.
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Theatre and Film, Department of
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Cristiani, Valentina. "“Ad ogni donna pensata come amore in un attimo di libertà” Fabrizio De André tra due mondi: Georges Brassens e Leonard Cohen." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/16480/.
Full textLanderos, de Casolari Leopoldina <1958>. "Estudio lingüístico, transcripción y edición del Regimiento de tomar la altura del polo en la mar y cosas tocantes a la navegación de Andrés García de Céspedes." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2021. http://amsdottorato.unibo.it/9883/1/landeros_de_casolari_leopoldina_tesi.pdf.
Full textThe study of the Regiment's language included the identification of graphic phonetic peculiarities, morphosyntactic structures, the discursive aspect and the specific lexicon. With the manuscript and its publication of 1606, we prepared a critical edition. We used the AntCon (2019) and TagAnt (2015) programs by Anthony Laurence for computer language processing. When doing the transcription, we found an unexpected number of peculiarities graphic-phonetic in relation to current use: 39 vowels and 77 consonants, some of them had not been indicated by the experts. The structure predominant syntactic is the relative. The most used subordinating conjunctions are causals, concessive and temporals. The words that order the speech are primeramente, últimamente y finalmente; the discourse connectors are de hecho, entonces, para mí. The author tends to use cultisms, the largest number of frequencies in the specific lexicon are from the field of Astronomy and Geometry, and a large number of the words present a complex structure (372). The number of lemmas divided by the total of the words in a text allow obtain its lexical wealth; that of the Regiment is 0.047, that means, very low. Comparing the text of the manuscript with its publication of 1606 we find differences graphic-phonetic, morphosyntactic, lexical, omissions, paraphrased ideas and content changes. In the case of a manuscript, it was imperative to make a paleographic study that would allow us to determine the authorship of the work, since at first glance two types of calligraphy are observed. For this, we had to identify Garcia de Céspedes's writing by comparing other handwritten works of his. This is how we found a book that is not his, it appears with his name, but he did not translate it or comment on it: Theóricas de planetas de Iorge Purbachio con el comento de Andrés García de Céspedes.
Studiare la lingua del Regimiento comprendeva l’identificazione delle peculiarità grafico-fonetiche, le strutture morfosintattiche, l’aspetto discorsivo e il lessico specifico; con il manoscritto e la sua pubblicazione del 1606 abbiamo fatto l’edizione critica. Abbiamo usato i programmi AntCon (2019) e TagAnt (2015) di Anthony Laurence per il processamento linguistico informatico. Facendo la trascrizione abbiamo trovato un numero inaspettato di peculiarità grafico-fonetiche in relazione all’uso attuale: 39 vocaliche e 77 consonantiche; alcune di loro non sono state indicate dagli esperti. La struttura sintattica predominante è la relativa. Le congiunzioni subordinati più usate sono le causali, le concessive e le temporali; gli ordinatori del discorso sono primeramente, últimamente y finalmente e i connettori del discorso sono de hecho, entonces e para mí. L’autore usa tendenzialmente cultismi, il maggior numero di frequenze del lessico specifico sono del campo dell’astronomia e della geometria e un numero significativo dei vocaboli hanno una struttura complessa (372). Il numero dei lemmi diviso fra il totale delle parole di un testo permette di ottenere la sua ricchezza lessicale; quella del Regimiento è 0,047, vale a dire, molto bassa. Confrontando il testo del manoscritto con quello della pubblicazione del 1606 abbiamo trovato differenze non soltanto grafico-fonetiche, ma anche morfosintattiche e lessicali, oltre ad omissioni, idee parafrasate e cambiamenti di contenuto. Trattandosi di un manoscritto era imperante fare uno studio paleografico (non era stato fatto prima) che ci permettesse d’identificare l’autore dell’opera, giacché a prima vista si osservano due tipi di calligrafia; per questo abbiamo dovuto identificare la scrittura di García de Céspedes attraverso la comparazione di altre opere manoscritte sue. È stato così che abbiamo trovato un libro che non è suo, appare con il suo nome, ma egli non lo ha tradotto né commentato: Theóricas de planetas de Iorge Purbachio con el comento de Andrés García de Céspedes.
Dindic, Sabina. "”Det är roligt att provocera mina elever” : - En studie om hur gymnasielärare inom historieämnet använder sig av film och andra populärkulturella material i sin undervisning." Thesis, Jönköping University, Högskolan för lärande och kommunikation, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-53307.
Full textMagnuson, Markus Amalthea. "The Dig : De grafiska äventyrsspelen som flyktigt medium." Thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-179044.
Full textSjölund, Jonna. "Colin Nutleys filmskapande utifrån svenska filmkritiker : en receptionsstudie." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-101200.
Full textBikowski, André [Verfasser], Recardo [Akademischer Betreuer] Manzke, Klaus [Akademischer Betreuer] Ellmer, and Marius [Akademischer Betreuer] Grundmann. "The relation between the deposition process and the structural, electronic, and transport properties of magnetron sputtered doped ZnO and Zn1-xMgxO films / Andre Bikowski. Gutachter: Recardo Manzke ; Klaus Ellmer ; Marius Grundmann." Berlin : Humboldt Universität zu Berlin, Mathematisch-Naturwissenschaftliche Fakultät I, 2014. http://d-nb.info/1053704054/34.
Full textAbrahamsson, Daysury. "Colombianer på bioduken : Representationen av tre Hollywoodproducerade actionfilmer." Thesis, Linköping University, Department for Studies of Social Change and Culture, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-21157.
Full textThe purpose of the thesis was to analyse three action films; Collateral Damage from 2002; Clear and Present Danger from 1994; and Scarface from 1983, in order to see how Colombians are represented in these movies.The action genre comprises of different stereotypes where the hero and the villain are represented in conjunction to each other. The analysis is about the way the films content and form are used to uphold the representation of Colombians, but also the villain and the hero more generally.
Critical Discourse Analysis was used, as main method, and the concepts of denotation and connotation guided the analysis. . The main conclusion is that the three movies reproduced an already established collective stereotype of Latin Americans, stereotype that includes both Colombia and Colombians.
Syftet med uppsatsen var att analysera tre actionfilmer: Collateral Damage från 2002; Clear and Present Danger från 1994; och Scarface från 1983 för att se hur Colombianer representeras i filmerna. Actiongenren består av olika stereotyper där främst actionhjälten och skurken ställs i relation till varandra. Analysen gick ut på att se på vilket sätt filmernas innehåll och form användes för att framhäva främst representationen av colombianerna, men även skurken och hjälten.
Som metod användes en kritisk diskursanalys där begreppen denotation och konnotation var vägledande.
Analysen visade att filmerna reproducerade en redan etablerad kollektiv stereotyp bild av latinamerikaner, som inkluderar både Colombia och colombianer.
Servel, Charlotte. "Le cinéma burlesque, une autre origine du surréalisme : les pratiques des surréalistes analysées au prisme des films burlesques pendant les années folles." Thesis, Université de Paris (2019-....), 2020. http://www.theses.fr/2020UNIP7081.
Full textThe birth of surrealism has been documented by several rich studies, mostly linking it to either the discovery of Freud and the unconscious, or to the main preceding poetic figures; without questioning the validity of these studies, this work aims to complete them with a new perspective, slapstick cinema. This thesis shows slapstick cinema’s role in the emergence of surrealism during the Années folles (1920s). Re-reading the surrealists’ cinema writing alongside slapstick movies, comparing them to contemporaneous reviews and scenarios, and expanding upon them with sources allowing to grasp their cinema experience, we can see slapstick cinema acting as a “stimulant” on surrealists, setting in motion their imagination, their writing, their body even. By singling out slapstick cinema as one of the origins of surrealism, this work aims to highlight the “burlesque” in surrealist practice. The first section looks at the surrealists’ movie-going habits and likens them to slapstick behavior. The second section focuses on the surrealists writing devoted to slapstick films and aims to show that Charlie & Cie were stimulants to the surrealist theory. The third and final section looks at the scenarios written by the surrealists and asks whether the slapstick angle fits the cinema industry of the Années folles
Weber, Minon. ""Do not fade, do not wither, do not grow old" : En adaptionsanalys av tid och rum i Sally Potters Orlando (1992)." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-104376.
Full textJoubé, Poreau Martine. "Biographie d'un artiste dramatique oublié : romuald Joubé (1876-1949)." Thesis, Pau, 2014. http://www.theses.fr/2014PAUU1005.
Full textThis project has been conceived to get out of oblivion Romuald Joubé (1876-1949). He was a professional dramatic artist and an ancestor of mine. Because of this familial and collective forgetting of the great works of Joubé, the main goal of this thesis is to reveal his biography. He became a famous and talented theatre and silent movie actor by crossing two world wars.This biography presents the evolution of Joubé as a young stage actor as well as the evolution of theatre and cinema during the first part of the twentieth century. From Saint-Gaudens (France) to Paris, and from Odéon to the Comédie-Française, Joubé met some of the great actors such as André Antoine, Sarah Bernhardt or Abel Gance. Even if he became famous at Paris, he did not forget his native region: Southwest of France and the Pyrénées. He created an open-air theater in this region. Until the end of his life, he promoted the open-air theatre. Joubé could play many different roles. He was also a silent film actor. Then in 1936, he got interested in radio. He accepted then sound films with Sacha Guitry. Tradition and modernity characterize this major and forgotten actor of the twentieth century. The biography of Joubé also brings us into the lives of artists of this period. Finally, Joubé, as an actor but also as a painter, a draughtsman and a defender of Gascon language. He will fight up to his dead to defend the quality art for all, without over forgetting his family and his region
NOWACKI, Kacper Wiktor. "La Dynamique de l'érotisme : étude comparative des Romans : La Marge d'André Pieyre de Mandiargues et la La Pornographie de Witold Gombrowicz." Doctoral thesis, Università degli studi di Bergamo, 2015. http://hdl.handle.net/10446/32799.
Full textLa recherche se focalise sur l’étude comparative de l’érotisme dans deux romans : La Marge d’André Pieyre de Mandiargues et La Pornographie de Witold Gombrowicz. Conformément à la nouvelle approche comparative (Apter, Casanova, Moretti) et dans une perspective culturelle et littéraire, le projet explore la façon dont l’érotisme peut être entendu (ou malentendu) dans l’histoire des idées, dans la critique littéraire et dans les œuvres littéraires. À partir d’une enquête épistémologique, de l’histoire contrastive du contexte littéraire franco-polonais et des enjeux critiques développés par Bataille, Foucault, Barthes et Deleuze, le projet montre les différences culturelles dans la représentation de l’érotisme littéraire. En outre, il compare la façon dont Mandiargues et Gombrowicz défendent la nécessité et le danger de l’érotisme dans la littérature, à travers leur écriture critique. Enfin, grâce à l’analyse des deux romans, l’étude tend à expliquer la dynamique de l’érotisme littéraire compris comme un thème tantôt descriptif tantôt narratif. Les deux romans montrent comment le rêve érotique peut être exploré à travers la temporalité narrative ou à travers l’espace et, par conséquent, comment ils peuvent conduire à des interprétations photographiques ou cinématographiques. Cette recherche vise à mettre en évidence le rôle de ces écrivains dans une discussion sur l’ars erotica contemporain dans la littérature mondiale et cherche à encourager l’étude de l’érotisme dans la littérature comparée.
Särnbrink, My. "Arns makt : Representationer av makt, positivt kapital och livsmål i berättelserna om tempelriddaren Arn." Thesis, Linköpings universitet, Kultur, samhälle, mediegestaltning, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-70805.
Full textMy Särnbrink hette tidigare My Ravin.
FEDERICO, LUCA. "L'apprendistato letterario di Raffaele La Capria." Doctoral thesis, Università degli studi di Genova, 2020. http://hdl.handle.net/11567/1005664.
Full textWiegand, André [Verfasser]. "Optimierung der Wirtschaftlichkeit regionaler und lokaler Fernsehsender / vorgelegt von: André Wiegand." 2004. http://d-nb.info/97246395X/34.
Full textAndré, Alexander [Verfasser]. "Force-induced structural transitions in cross-linked deoxyribonucleic acid films / von Alexander André." 2007. http://d-nb.info/986683590/34.
Full textPetříková, Linda. "Proti adaptaci: za transdisciplinaritu a menšinový film." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-342309.
Full textDescheneaux, Audrée. "Idées, espoir et grande illusion : quand le compositeur s'engage." Thèse, 2011. http://hdl.handle.net/1866/8601.
Full textCette étude porte sur la musique de film des années 1930 en France, durant la décennie qui a vu naître et évoluer le cinéma parlant. Le cinéma de cette période y est appréhendé à travers son statut artistique et son rôle dans la transmission des idées. Dans le contexte de la crise économique et des bouleversements politiques et internationaux qui sévissent, les années 1930 offrent aux artistes, écrivains et compositeurs français, une opportunité de redéfinir leur rôle dans la cité, en intervenant à travers un médium nouveau. Ces circonstances, propices à la définition d’un nouvel engagement en arts, guident le choix de trois films à partir desquels sont analysées les contributions musicales et la démarche du compositeur en lien avec ses motivations et ses attentes face au cinéma. En se penchant sur l’aspect musical de ces films, l’auteure cherche à dégager le rôle de la musique au sein des processus de communication artistiques, dans le but de comprendre les moyens avec lesquels le compositeur défend ses idées tout en collaborant à celles du réalisateur. À quel point l’engagement du compositeur s’arrime-t-il à la réalité de l’industrie cinématographique? À quel point la musique permet-elle l’expression des idées au sein d’un art dont elle n’est qu’une composante? C’est à ces questionnements que cette recherche a voulu donner voix, tout en faisant une place privilégiée à la musique elle-même.
The subject of the present study is film soundtracks from the 1930s in France. The music under examination originated during a decade which saw the birth and early development of talking films. French cinematographic productions from this period are examined on the basis of their artistic status and their role in the transmission of ideas. The pandemic economic crisis, combined with international political upheavals, were actual incentives for artists, writers, and composers to redefine their societal role through an innovative artistic medium, and to give voice to new types of artistic engagement. The choice of the three cinematographic works in this study is based on these conditions; their soundtracks are analyzed in relation to composers’ motivations and expectations of what cinema had to offer them. By closely examining the musical components of these films, the author also aims to define the ways in which music, among other artistic communication processes, was a vehicle for composers to defend their own ideas while endorsing those of a film’s director and/or producer. At what point does the composer’s personal engagement coincide with the requirements of the film industry during the period under examination? What are the limitations of the musical expression of ideas, in the context of an art form in which music was only a component part? These questions are at the heart of this study, with the music itself as the primary focus of research.