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Books on the topic 'And irony'

Author: Grafiati

Published: 9 March 2023

Last updated: 10 March 2023

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1

Colebrook, Claire. Irony. New York, NY: Routledge, 2003.

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2

Irony. London: Routledge, 2004.

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3

Barbarlar: Diğer ironi = Barbarians : other irony. Beyoğlu, İstanbul: Türkiye İş Bankası Kültür Yayınları, 2011.

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4

Garber, Frederick, ed. Romantic Irony. Budapest: Akadémiai Kiadó, 1988. http://dx.doi.org/10.1075/chlel.viii.

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5

McNamara, Sallie. Tatler's Irony. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76914-1.

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6

Michael, Donaghy. Irony 1,2. Monaghan: Market House Gallery, 1994.

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7

Frederick, Garber, ed. Romantic irony. Budapest: Akadémiai Kiad́o, 1988.

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8

Michelle, Hartman. Irony and irreverence. Beaumont, Texas: Lamar University Press, 2015.

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9

Troubadours and irony. Cambridge [England]: Cambridge University Press, 1989.

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10

MacDowell, James. Irony in Film. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-32993-6.

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11

Ruiz Gurillo, Leonor, and M. Belén Alvarado Ortega, eds. Irony and Humor. Amsterdam: John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/pbns.231.

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12

Allen, Richard. Hitchcock's romantic irony. New York: Columbia University Press, 2007.

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13

Martin, Mabel W. The ultimate irony. London, KY: Janze Publications, 1997.

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14

Barbe, Katharina. Irony in context. Amsterdam: J. Benjamins Pub., 1995.

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15

Gaunt, Simon. Troubadours and irony. Cambridge: Cambridge University Press, 2008.

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16

Birney, Earle. Essays on Chaucerean irony. Toronto: University of Toronto Press, 1985.

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17

Contingency, irony, and solidarity. Cambridge: Cambridge University Press, 1989.

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18

Garmendia, Joana. Irony. University of Cambridge ESOL Examinations, 2020.

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19

Lynch, Jack. Irony. Edited by Jack Lynch. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199600809.013.41.

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20

Söderquist, K. Brian. Irony. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199601301.013.0019.

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21

Colebrook, Claire. Irony. Routledge, 2004. http://dx.doi.org/10.4324/9780203634127.

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22

Garmendia, Joana. Irony. Cambridge University Press, 2018.

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23

Colebrook, Claire. Irony. Taylor & Francis Group, 2004.

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24

Colebrook, Claire. Irony. Taylor & Francis Group, 2004.

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25

Colebrook, Claire. Irony. Taylor & Francis Group, 2004.

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26

Irony. iUniverse, Incorporated, 2009.

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27

Irony. Cambridge University Press, 2018.

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28

Colebrook, Claire. Irony. Taylor & Francis Group, 2004.

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29

Hines, J. R. B. Irony. Independently Published, 2021.

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30

Nicholson, Theophilus. Irony. Independently Published, 2017.

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31

Colebrook, Claire. Irony. Taylor & Francis Group, 2004.

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32

Irony. Routledge, 2003.

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33

Garmendia, Joana. Irony. Cambridge University Press, 2018.

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34

Irony. iUniverse, Incorporated, 2009.

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35

Giallongo, Rebecca Ann. Irony. AuthorHouse, 2005.

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36

Ferrari, G. R. F. Situational Irony. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198798422.003.0005.

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When a situation feels like a story, we call it ironic. It seems audience-directed, though we know it is not. On the other hand, a large class of situations that strike people as ironic are simple incongruities, with no apparent connection to how stories work. This chapter therefore proposes a model that applies equally to ironies of simple incongruity and story-like ironies of peripety. It is the play of the mundane against the surprising (and not surprise alone) that makes a situation ironic. This characteristic of situational irony bears comparison with how, in stories, surprises that a plot holds in store must emerge from a plausible nexus of events, rather than springing from nowhere. It turns out, however, that ironies of simple incongruity manifest the same pattern: what makes their incongruity exquisite is that it shows up against a mundane background. Situational ironies ‘speak’ to their audiences, then, in the manner of a three-quarters-on intimation.

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37

Ritual Irony. Cornell University Press, 2019. http://dx.doi.org/10.1353/book.68530.

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38

Schoentjes, Pierre, and Katrien Lievois. Translating Irony. Academic & Scientific Publishers, 2011.

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39

Blood, Wendy L. Cruel Irony. Outskirts Press, Incorporated, 2011.

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40

Corneille's Irony. Rookwood Press, 2007.

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41

Kornheiser, Tony. Pumping Irony. Random House Value Publishing, 1997.

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42

Blind Irony. Xlibris Corporation LLC, 2012.

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43

Divine Irony. Susquehanna University Press, 2000.

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44

Sacerdoti, Sacerdoti. Irony Through Psychoanalysis. Karnac Books, 1992.

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45

Lear, Jonathan. Case for Irony. Harvard University Press, 2011.

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46

Case for Irony. Harvard University Press, 2014.

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47

Newmark, Kevin. Irony on Occasion. Fordham University Press, 2022. http://dx.doi.org/10.1515/9780823291878.

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48

Young, Dannagal Goldthwaite. Irony and Outrage. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190913083.001.0001.

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This book explores the aesthetics, underlying logics, and histories of two seemingly distinct genres—liberal political satire and conservative opinion talk—making the case that they should be thought of as the logical extensions of the psychology of the left and right, respectively. One genre is guided by ambiguity, play, deliberation, and openness, while the other is guided by certainty, vigilance, instinct, and boundaries. While the audiences for Sean Hannity and John Oliver come from opposing political ideologies, both are high in political interest, knowledge, and engagement, and both lack faith in some of the United States’ core democratic institutions. This book illustrates how the roles these two genres play for their viewers are strikingly similar: galvanizing the opinion of the left or the right, mobilizing citizens around certain causes, and expressing a frustration with traditional news coverage while offering alternative sources of information and meaning. However, the book proposes that these genres differ in a crucial way: in their capacity to be exploited by special interests and political elites. The book concludes that due to the symbiotic relationship between conservative outrage and the psychological and physiological characteristics of the right, conservative outrage is uniquely positioned as a mechanism for successful elite propaganda and mobilization—in a way that liberal satire is not.

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49

Allen, Richard. Hitchcock's Romantic Irony. Columbia University Press, 2007.

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50

Mellor, Anne K. English Romantic Irony. iUniverse, 1999.

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