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Books on the topic 'Ancient Near Eastern art'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Ancient Near Eastern Art. Berkeley: University of California Press, 1995.

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2

Museum, British, ed. Ancient Near Eastern art. London: Published for the Trustees of the British Museum by British Museum Press, 1995.

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3

Critical approaches to ancient Near Eastern art. Boston: De Gruyter, 2014.

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4

Brown, Brian A., and Marian H. Feldman, eds. Critical Approaches to Ancient Near Eastern Art. Berlin, Boston: DE GRUYTER, 2013. http://dx.doi.org/10.1515/9781614510352.

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5

Gunter, Ann C., ed. A Companion to Ancient Near Eastern Art. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118336779.

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6

sTEFANIA mAZZONI Near Eastern helmets of the Iron Age. Oxford, England: J. and E. Hedges, 2001.

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7

Ali, Mousavi, ed. Ancient Near Eastern art at the Los Angeles County Museum of Art. Los Angeles]: Los Angeles County Museum of Art, 2012.

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8

Muscarella, Oscar White. The lie became great: The forgery of ancient Near Eastern cultures. Groningen: Styx, 2000.

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9

Musée du Louvre. The royal city of Susa: Ancient Near Eastern treasures in the Louvre. New York: Metropolitan Museum of Art, 1992.

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10

Benzel, Kim. Art of the ancient Near East: A resource for educators. New York: Metropolitan Museum of Art, 2010.

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11

New York. Bronze and iron: Ancient Near Eastern artifacts in the Metropolitan Museum of Art. New York: The Museum, 1988.

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12

Joan, Aruz, and Metropolitan Museum of Art (New York, N.Y.), eds. Ancient art in miniature: Near Eastern seals from the collection of Martin and Sarah Cherkasky. New York: Metropolitan Museum of Art, 1987.

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13

The ancient Near East: An anthology of texts and pictures. Princeton, N.J: Princeton University Press, 2011.

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14

Keel, Othmar. The symbolism of the biblical world: Ancient Near Eastern iconography and the Book of Psalms. Winona Lake, Ind: Eisenbrauns, 1997.

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15

Keel, Othmar. The symbolism of the Biblical world: Ancient Near Eastern iconography and the Book of Psalms. New York: Crossroad, 1985.

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16

Museum of Fine Arts, Boston. A table of offerings: 17 years of acquisitions of Egyptian and ancient Near Eastern art by William Kelly Simpson for the Museum of Fine Arts, Boston. Boston, Mass: The Museum, 1987.

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17

Victoria, National Gallery of, ed. Ancient Near Eastern glyptic in the National Gallery of Victoria, Melbourne, Australia. Jonsered: Paul Aströms Förlag, 2001.

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18

Keel, Othmar. The symbolism of the biblical world: Ancient Near Eastern iconography and the Book of Psalms. Winona Lake, Ind: Eisenbrauns, 1997.

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19

Protest or propaganda: War in the Old Testament book of Kings and in contemporaneous ancient Near Eastern texts. Leiden: Brill, 2008.

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20

Klingbeil, Martin. Yahweh fighting from heaven: God as warrior and as God of heaven in the Hebrew psalter and ancient Near Eastern iconography. Fribourg, Switzerland: University Press, 1999.

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21

1921-, Finn David, ed. Egyptian sculpture: Cairo and Luxor. Austin: University of Texas Press, 1989.

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22

1921-, Finn David, and British Museum, eds. Egyptian sculpture: Cairo and Luxor. London: British Museum Publications, 1990.

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23

Museum, St Louis Art. Egyptian and Near Eastern art. St. Louis, Mo: Saint Louis Art Museum, 1990.

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24

Ancient Near Eastern history and culture. 2nd ed. New York: Pearson/Longman, 2009.

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25

Ancient Near Eastern history and culture. New York, NY: Longman, 2003.

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26

Stiebing, William H., and Susan N. Helft. Ancient Near Eastern History and Culture. Third edition. | New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315542331.

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27

New York. Egypt and the ancient Near East. New York: The Museum, 1987.

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28

Porada, Edith. Man and Images in the Ancient Near East. Wakefield, R.I: Moyer Bell, 1995.

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29

Leick, Gwendolyn. A dictionary of ancient Near Eastern mythology. London: Routledge, 1998.

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30

Gunter, Ann C. Companion to Ancient near Eastern Art. Wiley & Sons, Incorporated, John, 2018.

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31

Companion to Ancient near Eastern Art. Wiley & Sons, Incorporated, John, 2018.

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32

Cheng, Jack, and Marian Feldman, eds. Ancient Near Eastern Art in Context. BRILL, 2007. http://dx.doi.org/10.1163/ej.9789004157026.i-522.

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33

Gunter, Ann C. Companion to Ancient near Eastern Art. Wiley & Sons, Incorporated, John, 2018.

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34

Feldman, Marian H., and Brian A. Brown. Critical Approaches to Ancient near Eastern Art. De Gruyter, Inc., 2013.

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35

Muscarella, Oscar White. Guide to the Collections: Ancient near Eastern Art. Yale University Press, 2012.

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36

Dorman, Peter F. Egypt and the Ancient near East. Yale University Press, 2005.

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37

Nissinen, Martti. Ancient Near Eastern Sources. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198808558.003.0002.

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This chapter constitutes a comprehensive and up-to-date overview of the available sources of the prophetic phenomenon in the ancient Near East. The texts are presented according to textual genres, which yield different kinds of information on prophets, their activities, prophetic oracles, and their interpretation. Lexical lists and omen texts associate prophets with temple personnel and people with liminal roles. Legal and administrative texts as well as ritual texts document the presence of prophets in temple communities, whereas letters report their performances to kings of Mari and Assyria. Written oracles provide examples of early transcripts of spoken oracles, whereas texts containing literary prophecy document their use and interpretation. Most of the texts are written in Akkadian, but even some West Semitic, Luwian (Tell Ahmar stele) and Egyptian texts (Report of Wenamun) are available.

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38

Gansell, Amy, and Ann Shafer, eds. Testing the Canon of Ancient Near Eastern Art and Archaeology. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190673161.001.0001.

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This volume addresses and problematizes the formation and transformation of the ancient Near Eastern art historical and archaeological canon. The “canon” is defined as an established list of objects, monuments, buildings, and sites that are considered to be most representative of the ancient Near East. In “testing” this canon, this project takes stock of the current canon, its origins, endurance, and prospects. Boundaries and typologies are examined, technologies of canon production are investigated, and heritage perspectives on contemporary culture offer a key to the future. Ultimately, this enterprise seeks to provide a framework for a re-conceptualization of ancient Near Eastern history and culture that is meaningful to a broad audience today. This book offers a vital benchmark and a collective path forward for the study and appreciation of Near Eastern cultural heritage, and it aims to provide a model for similar inquiries across art historical and archaeological fields.

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39

Winter, Irene, Jack Cheng, and Marian H. Feldman. Ancient near Eastern Art in Context: Studies in Honor of Irene J. Winter. BRILL, 2007.

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40

Irene, Winter, Feldman Marian H, and Cheng Jack, eds. Ancient Near Eastern art in context: Studies in honor of Irene J. Winter. Boston, MA: Brill, 2007.

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41

Testing the Canon of Ancient near Eastern Art and Archaeology. Oxford University Press, Incorporated, 2020.

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42

Muscarella, Oscar White. Bronze and Iron: Ancient Near Eastern Artifacts in the Metropolitan Museum of Art. Metropolitan Museum of Art, 1994.

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43

Muscarella, Oscar White. Bronze and Iron: Ancient near Eastern Artifacts in the Metropolitan Museum of Art. Yale University Press, 2012.

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44

Royal City of Susa: Ancient near Eastern Treasures in the Louvre. Yale University Press, 2013.

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45

Breath of Heaven, Breath of Earth: Ancient near Eastern Art from American Collections. Ford Museum of Art, Hallie, 2013.

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46

Harper, Prudence Oliver, and Joan Aruz. The Royal City of Susa: Ancient Near Eastern Treasures in the Louvre. Metropolitan Museum of Art, 1993.

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47

Harper, Prudence Oliver, Joan Aruz, and Francoise Tallon. The Royal City of Susa: Ancient Near Eastern Treasures in the Louvre. Metropolitan Museum of Art, 1992.

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48

Louvre, Musée du. The Royal City of Susa: Ancient Near Eastern Treasures in the Louvre. Metropolitan Museum of Art New York, 1992.

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49

(Editor), Jack Cheng, and Marian H. Feldman (Editor), eds. Ancient Near Eastern Art in Context: Studies in Honor of Irene J. Winter by Her Students (Culture and History of the Ancient Near East). Brill Academic Publishers, 2007.

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50

Quick, Laura. Deuteronomy 28 and Ancient Near Eastern Curses. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198810933.003.0002.

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Abstract:

This chapter reviews previous scholarship pertaining to the composition of Deuteronomy 28 in light of the ancient Near Eastern curse and treaty tradition, and in particular to the Neo-Assyrian text known as ‘Esarhaddon’s Succession Treaties’. The alleged relationship between the curses in Deuteronomy 28 and Esarhaddon’s Succession Treaties is important for the insights it provides concerning the dating and reasons behind the composition of the book of Deuteronomy. However, not all scholars are in agreement concerning the extent of the relationship: whether Deuteronomy 28 is a direct translation of the Succession Treaties, whether it appropriates the Treaties in an act of literary subversion, or even if the two texts are related at all. Since several important Aramaic inscriptions featuring curses have recently come to light, it is suggested that a new investigation of the problem is long overdue.

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