Dissertations / Theses on the topic 'Anais Nin'
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Tookey, Helen Jane. "Playing a thousand roles : Anais Nin, fictionality and femininity." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342945.
Full textMichael, Christine. "Embodied borders : auto erotica in the writings of Anais Nin." Thesis, Cardiff University, 2006. http://orca.cf.ac.uk/54308/.
Full textWatson, Bruce Wallace. "Androgyny and Dominance: Gender Construction in Anaïs Nin's Erotica Series." Thesis, Virginia Tech, 1999. http://hdl.handle.net/10919/42182.
Full textMaster of Arts
Fox, Stacey Jade. "The idea of madness in Dorothy Richardson, Leonora Carrington and Anais Nin." University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0194.
Full textAnderson, Emma Kate School of English UNSW. "Representations of female sexuality in chick-lit texts and reading Anais Nin on the train." Awarded by:University of New South Wales. School of English, 2006. http://handle.unsw.edu.au/1959.4/27319.
Full textDunbar, Erin. "The Sacred and the Profane: Nin, Barnes, and the Aesthetics of Amorality." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11047/.
Full textTaylor, Clare L. "Female cross-gendered behaviour in the fiction of Radclyffe Hall, Anais Nin, H.D. and Djuna Barnes." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302589.
Full textMansbridge, Pamela. "Metaphor, male/female theorists, and the "birth rites" of women, the reclamation projects of Sylvia Plath, Anais Nin and Maya Deren." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ59915.pdf.
Full textZucchi, Vanessa. "A tessitura do desejo : corpo, sexualidade e erotismo nos contos de Ana?s Nin." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2014. http://tede2.pucrs.br/tede2/handle/tede/2161.
Full textThe eroticism always has been present in written culture once it is an essential element of the human condition and appears even when it is absent. However, this universe is composed from elements that cause discomfort, not just pragmatic, but theoretical. This dissertation aims to enter this obscure and marginal field. So, considering the eroticism as part of the text s structure and also a representation of a social and individual phenomenon, it was analyzed the Erotica of Ana?s Nin. For this, the approach was based on the philosophical conception of Bataille, with an intersection of the concepts of body (Le Breton) and sexuality (Foucault). After, it was made a brief introduction of the eroticism in literature, in order to legitimize and consolidate the erotic literary tradition, in which is inserted the writer Ana?s Nin. Finally, the literary corpus is compound by tales of the collections Delta of Venus and Little birds, and it was analyzed from the theoretical framework developed with the thinkers above cited.
O erotismo sempre esteve presente na cultura escrita, uma vez que, sendo um elemento essencial da condi??o humana, manifesta-se mesmo na sua aus?ncia. Contudo, esse universo ? constru?do a partir de elementos que geram um desconforto, n?o apenas pragm?tico, mas te?rico. Nessa perspectiva, esta disserta??o tenciona adentrar esse campo ainda t?o obscuro e marginal. Considerando o erotismo tanto como parte da tessitura textual de uma obra liter?ria, quanto como representa??o de um fen?meno social e pessoal, objetivou-se analisar a constru??o do erotismo na literatura er?tica de Ana?s Nin. Para isso, o erotismo foi abordado atrav?s da concep??o filos?fica de Georges Bataille, em uma intersec??o com os conceitos de corpo (David Le Breton) e sexualidade (Michel Foucault). No segundo momento, realizou-se uma breve introdu??o da presen?a do erotismo na literatura, com objetivo de legitimar e consolidar a exist?ncia de uma tradi??o liter?ria er?tica, na qual se insere a escritora Ana?s Nin. Por fim, o corpus liter?rio, composto por contos selecionados das colet?neas Delta de V?nus e Passarinhos, foi analisado a partir do quadro te?rico desenvolvido com os pensadores supracitados.
Swanson, Ginger. "The other woman| Explored through 100 years of film, the psychic landscape of dreams, and the lived experiences of Anais Nin and Sabina Spielrein." Thesis, Pacifica Graduate Institute, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3687860.
Full textThe purpose of this organic inquiry and alchemical hermeneutic study was to explore the nature, essence, and archetype of the other woman with the goal of understanding how and why women become involved in triadic relationships. The study seeks to comprehend the lived experience of the other woman, including her history, character, behavior, ideologies, and desires. This study explored how and why other women are othered (i.e., cast out or rejected) in society, and the resultant effects upon them. A further goal of the work was to understand the dynamics of the triadic relationship from the other woman's point of view and to find ways to ease the pain experienced by all parties involved in and affected by these often complex and problematic relationships, which can lead to severe suffering, alienation, heartbreak, and in extreme cases, even murder or suicide.
Although she has been with us for eons, the other woman's true identity has been all but erased from existence. She has been buried in the shadows of society's taboos, relegated to the role of the scapegoat, and burdened with carrying negative projections of an ill-begotten stereotype. Using Carl Jung's theories of the archetypes and complexes and James Hillman and Pat Berry's archetypal psychology, the researcher explored and contrasted the lived experiences of the other woman stereotype and the other woman archetype portrayed in film over the last hundred years, as well as women in history, including pioneering feminist, Anaïs Nin, and the mother of depth psychology, Sabina Spielrein. The other woman archetype proved to be elusive because her identity has been mostly usurped by negative stereotypes. Further, the problems resulting from othering the other woman do not rest in the dyad or in the triadic relationship, but originate with the problem of the imbalance of masculine and feminine energy on the planet.
The researcher concludes with the hope that the other woman can be re-visioned as just "another woman," on an individuation journey towards the Whole Woman archetype. Keywords: Affairs, Betrayal, Feminism, Film, Individuation, Infidelity, Othering, Whole Woman Archetype
Tookey, Helen. "Anaïs Nin, fictionality and feminity : playing a thousand roles /." Oxford (GB) : Clarendon press, 2003. http://catalogue.bnf.fr/ark:/12148/cb39077682k.
Full textCelerier, Patricia-Pia. "Anaïs Nin à Paris : les relations de l'écrivain avec Joaquin Nin, son père, Henry Miller, les docteurs René Allendy et Otto Rank, leur influence sur sa vie et sa création littéraire." Paris 4, 1987. http://www.theses.fr/1987PA040104.
Full textStudy of Anais Nin's personal and creative growth in Paris between 1931 and 1939 through her relationships with her father, Joaquin Nin, Henry Miller and her two Parisian psychoanalysts, René Allendy and Otto Rank. Evaluation of the four men's influence on her life and literary production. The birth of an artist in a man-made world
Charnock, Ruth Naomi Ekaterina. "Touching stories : performances of intimacy in the diary of Anaïs Nin." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/7547/.
Full textStevens, Nicholas David. "Lulu's Daughters: Portraying the Anti-Heroine in Contemporary Opera, 1993-2013." Case Western Reserve University School of Graduate Studies / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=case1497460068959016.
Full textANDRADE, Raquel Thomaz de. "A arte da memória: uma análise da escrita íntima de Anaïs Nin." Universidade Federal de Campina Grande, 2010. http://dspace.sti.ufcg.edu.br:8080/jspui/handle/riufcg/2154.
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No tocante à escrita íntima, Anaïs Nin emerge como uma das autoras com a obra mais vasta, tendo escrito – e posteriormente publicado – diários entre os anos de 1914 e 1974. Esse extenso relato confessional lhe deu certo destaque dentro do movimento feminista, ao mesmo tempo em que despertou críticas relacionadas ao seu narcisismo. Dessa forma, seu material íntimo surge como uma obra emblemática no que se refere às tensões do movimento de luta pelos direitos das mulheres. Pois, mesmo com sua postura narcisista e pretensamente passiva politicamente, as atitudes Nin iam de encontro aos valores de sua época. Esse fato remete a uma questão: até que ponto o comportamento da autora não pode ser considerado com uma atitude política, já que resistia a padrões de comportamento de sua época? Assim, esse trabalho tem como objetivo analisar a escrita íntima de Anais Nin, considerando as suas representações acerca do feminino, da vida pública, da política e da arte e a sua inserção num período de sua escrita; problematizando a relação entre os diários íntimos e as teorias acerca dos gêneros confessionais e discutindo a relação entre o ―ficcional‖ e o ―real‖ nas memórias da autora, bem como a utilização da vida privada de Nin para a construção de uma obra de arte e, conseqüentemente, da sua figura pública. As principais fontes da pesquisa foram os diários não expurgados, que tiveram uma publicação póstuma durante os anos de 1980 e 1990. A escolha não se deve somente por esses diários serem versões menos censuradas da escrita íntima da autora, como também por envolverem um período (1931 – 1939) em que Nin começa a demonstrar interesse na publicação da obra, bem como a tecer comentários mais aprofundados acerca de questões como arte e política. Dessa forma, o universo construído pela escrita íntima dessa escritora será analisado, levando em consideração o tempo histórico no qual ela estava inserida, com o intuito de observar as suas representações acerca da relação entre a mulher, os espaços público e privado, a arte e a política.
On regard of intimate works, Anaïs Nin emerges as one of the most prolific authors, having written – and later published – journals between the years of 1914 and 1974. This extensive fictional report gave her a certain highlight within the feminist movement, while awakened criticism towards her narcissism. Consequently, her intimate material comes as an emblematic work concerning the strains within the fight for the women‘s rights. Because, even with a narcissistic and a passive political posture, Nin‘s stances went against the period values. This fact lead us to a question: how far the writer‘s behavior is as a political attitude, since it resisted the contemporary behavior patterns? Thus, this work aspires to analyze Anaïs Nin intimate writings, considering her representations concerning the feminine, public life, politics and art and her insertion within the writing‘s time; questioning the relationship between the intimate journals and the theories on the confessional genres and discussing the relationship between ―fictional‖ and ―real‖ amidst the writers memoir, as well as the use of Nin‘s private life in the makeup of her composition and, consequently, of her public figure. The main research sources were the unexpurgated diaries, which had a post mortem publication during the years of 1980 and 1990. The choice was not made only after the fact that these diaries are less censured versions of the writer‘s intimate work, but also after their coverage a period of time (1931-1939) in which Nin starts to show interest in the work‘s publication, as well as commenting art and politics in a deeper way. Thus, the universe built by this writer‘s journals will be analyzed, taking her historical insertion, aiming her representations on the relationship between the woman, the public and private spaces, art and politics.
Bludsztejn, Chantal. "Vision du féminin dans "Les cités intérieures" d'Anaïs Nin." Toulouse 2, 1987. http://www.theses.fr/1987TOU20112.
Full textA major work in the fiction of Anais Nin, the collection of "The cities of the interior3, composed of five books (Ladders to fire, Children of the albatross, The four-chambered heart, A spy in the house of love, Seduction of the Minotaur) was published in 1961 and introduces three women who represent the ideas of this writer: Djuna, Lillian and Sabina. The study of "The perception of womanhood" in this work is arranged like a triptych: the first part, "The quintessence of womanhood", unveils the kaleidoscopic silhouettes of these characters which are reflected indefinitely by mirrors and glances in a motley patchwork of physical details and in whirl of objects. It shows the affinities which grow between these women, searching for their essential being, and the natural elements (water, air, fire, earth) and reveals the plasticity of a conquered space adapted to their femininity. In the second part, "woman, a social being", the social side of women attached to the world of the arts and themselves artists (Lillian a pianist, Djuna a dancer and Sabina an actress) is analyzed: especially the relationships of identification and rivalry which the women create between themselves and the ties which unite men and women who, through their education, are faced with a certain code of behaviour. The third part, "A feminine writing" highlights the interferences linking the diary, the interior world, with the novels, the outside world. It shows the stylistic procedure used by Anais Nin to translate the complexity of a consciousness - metaphors, aesthetic references, the playful working of the memory and dreams -. It also underlines the state of conflict felt by the characters, the autobiographical projections of an author, in their desire to abandon a role of a character in order to acquire the status of a person
Bloshteyn, Maria R. "The pornographers and the prophet, Henry Miller, Anaïs Nin, and Lawrence Durrell reading Dostoevsky." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0018/NQ27280.pdf.
Full textRehme, S. ""The multimedia of our unconscious life" : Anaïs Nin and the synthesis of the arts." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1407702/.
Full textDunbar, Erin Armintor Deborah Needleman. "The sacred and the profane Nin, Barnes, and the aesthetics of amorality /." [Denton, Tex.] : University of North Texas, 2009. http://digital.library.unt.edu/permalink/meta-dc-11047.
Full textFunk, Gisela. "The sealed room : Lou Andreas-Salomé and Anaïs Nin : a study in the genesis of fiction." Thesis, University of Warwick, 1988. http://wrap.warwick.ac.uk/35753/.
Full textSilva, Camila Araujo da. "A escrita erÃtica na tela: a traduÃÃo de "Elena" de AnaÃs Nin na adaptaÃÃo fÃlmica de Delta of Venus." Universidade Federal do CearÃ, 2017. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=20308.
Full textAnaÃs Nin, autora nascida na FranÃa, mas radicada nos Estados Unidos, à tida como pioneira por ter escrito obras erÃticas do ponto de visto feminino. Nin ficou conhecida por descrever atos sexuais de uma forma metafÃrica. Em um de seus diÃrios, ela diz que tentou utilizar uma escrita feminina como forma de tomar espaÃo em um mundo que sempre foi liderado por homens. Esta pesquisa tem como objetivo analisar de que maneira uma de suas obras mais conhecidas, o livro de contos Delta of Venus, publicada em 1977, um ano apÃs a sua morte, foi retratada nas telas, pois o livro foi adaptado para a TV, em 1995, por Zalman King, diretor/produtor/roteirista de diversos filmes erÃticos, e, por isso, conhecido como rei do soft-core porn. Uma vez que um dos temas centrais da obra de Nin à o sexo, o trabalho aqui apresentado se fundamenta em Krzywinska (2006), que comenta a abordagem do tema no cinema, Willians (2004) e Alexandrian (1991), que discorrem sobre os estudos pornogrÃficos e a histÃria da literatura erÃtica. Cattrysse (1992), que seguindo a Teoria dos Polissistemas, de Even-Zohar (1990), deu inÃcio ao processo de sistematizaÃÃo da adaptaÃÃo fÃlmica, serà utilizado para fundamentar o capÃtulo que trata sobre a adaptaÃÃo, assim como Hutcheon (2012) e Cartmell (2012). O propÃsito da presente pesquisa Ã, principalmente, perceber de que forma King transportou para as telas o texto tÃo caracterÃstico de Nin e de quais tÃcnicas ele se utilizou para tal. O contexto no qual a adaptaÃÃo fÃlmica se insere impossibilita a manutenÃÃo da qualidade literÃria de Nin, bem como a abordagem dos temas transgressores apresentados pela autora, no entanto, atravÃs da anÃlise de cenas retiradas do filme, à possÃvel perceber caracterÃsticas da autora presentes na adaptaÃÃo.
AnaÃs Nin, who was born in France but brought up in the United States, is considered a pioneer for having written erotica from a female point of view. Nin is known for describing sexual relations making use of metaphors. In one of her diaries, she said that she tried to use a feminine writing style as a way to gain space in a world that was always reigned by men. This research has as a goal to analyze in what ways her most well-known work, the book of short stories Delta of Venus, published in 1977, an year after her death, was portrayed on the screen, because her book was adapted for the TV in 1995, by Zalman King, director/producer/screenwriter of many erotic films and, as such, know as the king of soft-core porn. Once the main theme of her work is sex, the research here presented is grounded on Krzywinska (2006) that writes about the way the cinema approaches the theme and Williams (2004) and Alexandrian (1991) that comment on porn studies and the erotic literature history. Cattrysse (1992), who follows the Polysystem Theory by Even-Zohar (1990) and has started the systematization of film adaptation, will be used to substantiate the chapter that concerns the adaptation. As well as Hutcheon (2012) and Cartmell (2012). The purpose of this research is, first of all, to observe if King was able to keep Ninâs one of a kind text alive on the screen and which techniques he used in order to do so. The historical context to which the movie belongs to does not make it possible for the literary quality of Ninâs text to shine through, as well as the strong themes she writes about. However, by analyzing some chosen scenes from the movie, it is possible to perceive some characteristics of Ninâs writing in the adaptation.
Eriksson, Amanda. "Queera läckage i Henry & June ur Anaïs Nins ocensurerade dagbok." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-22346.
Full textNunes, Maria Julliana Galvão. "Expressão da Proteína P16 e Identificação do Papilomavírus Humano (HPV) em Lesões Intraepiteliais Anais." Universidade Federal de Pernambuco, 2012. https://repositorio.ufpe.br/handle/123456789/12643.
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CAPES, FACEPE
A infecção pelo HPV (Papilomavírus humano) é o fator de risco mais comum para o desenvolvimento de Neoplasia Intraepitelial Anal (NIA). Além do fator viral deve-se considerar história de intercurso anal, infecção pelo HPV em outros sítios (vulvar, vaginal ou cervical) e tabagismo, bem como processos inflamatórios crônicos anorretais que, associados à imunodepressão, podem acelerar a divisão celular e dar origem à neoplasia. Objetivo: Identificar a presença do HPV e avaliar a expressão da proteína p16 em amostras anais de mulheres HIV negativas portadoras de lesões visíveis a anuscopia. Métodos: O estudo foi realizado com pacientes atendidas no Hospital de Câncer de Pernambuco, submetidas a anuscopia de magnificação. Diante da presença de lesões entre o canal anal e a zona de transição com o reto, realizava-se a coleta de células anais e biópsia. Foi extraído DNA para posterior análise da identificação do HPV através da Reação em Cadeia Polimerase (PCR), utilizando-se os primers GP5+/6+ e MY09/11 e genotipagem através do PapilloCheck®. Os fragmentos de tecido obtidos por biópsia foram submetidos a rotina histológica, corados pela Hematoxilina-Eosina e a reação imunohistoquímica para identificação da expressão da proteína p16. Resultados: Foram classificadas histologicamente 65 amostras e agrupadas como: I-Negativo para displasia: Ia-Normal, alterações benignas e/ou inflamatórias 52,31%, Ib-alterações proliferativas 41,54% e II-Neoplasias 6,15%. Entre os casos negativos para displasia 93.44% não apresentaram marcação para p16. Em 75% dos casos de neoplasias observou-se marcação nuclear e/ou citoplasmática, quanto ao padrão de marcação nesses casos verificou marcação em um terço e três terços do epitélio para NIA I e III, respectivamente. Todas as lesões com diagnóstico histológico de neoplasia apresentaram positividade para HPV para o método da PCR utilizando os primers GP5+/6+ e MY09/11. O primer GP5+/6+ mostrou-se mais eficiente para detecção do DNA-HPV em amostras anais do que o MY09/11. Foram genotipadas 82 amostras e destas 50% apresentaram positividade para 20 genótipos do HPV, sendo HPV6 (18.84%) o mais prevalente seguido por HPV16 (15.94%) e HPV53 (10.14%). Foi observada múltipla infecção em 24.64%, mostrando variação entre 2 – 8 tipos virais. Conclusões: O uso de ferramentas adicionais como método molecular (PCR e genotipagem) e imunohistoquímico associados ao exame histológico pode oferecer um diagnóstico do HPV mais preciso nas lesões intraepiteliais anais.
Kohlke, M. L. "Imperfect consummations : aspects of place and time in the short stories of Anaïs Nin, Angela Carter, and Margaret Atwood." Thesis, Swansea University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.637819.
Full textCelerier, Patricia-Pia. "Anaïs Nin à Paris les relations de l'écrivain avec Joaquin Nin, son père, Henry Miller, les docteurs René Allendy et Otto Rank, leur influence sur sa vie et sa création littéraire /." Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb376036989.
Full textPulis, Anne Elizabeth. "The vanishing inquiry : modernists in pursuit of spirit /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9974673.
Full textPaula, Damiana Pereira de. "O processo criativo e a personalidade criadora : um estudo da poética de Anaïs Nin no poema em prosa A Casa do Incesto." reponame:Repositório Institucional da UnB, 2016. http://repositorio.unb.br/handle/10482/20943.
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O universo ficcional da escritora Anaïs Nin se destaca no cenário literário pela sua poeticidade e lirismo bem como pela sua preocupação em desvendar o mundo da subjetividade humana por meio da criação de imagens e símbolos. Em sua vasta obra, a autora se dedicou à escrita de diários, romances experimentais, poema em prosa, contos, contos eróticos, cartas, crítica literária e ensaios. O objetivo da presente tese é analisar o tema da criação artística e da personalidade criadora no poema em prosa A casa do incesto. A abordagem estética do poema está centrada em dois aspectos: primeiramente realiza um estudo de suas influências - fortemente marcadas pelo movimento Surrealista, pelas ideias psicanalíticas, pela poesia Simbolista, sobretudo Rimbaud – e, em um segundo momento, explora a relação que o poema mantém com a escrita dos diários. _______________________________________________________________________________________________ ABSTRACT
The fictional universe created by Anaïs Nin is celebrated for its highly poetical and lyrical form, abounding with images and symbols through which the world of human subjectivity is revealed. Nin was a prolific writer and throughout her life published diaries, experimental novels, a prose poem, short-stories, erotica, letters, literary criticism and essays. The present thesis aims at analyzing the theme of artistic creation and the creative personality in the prose poem House of Incest. The aesthetic approach of the poem is focused on two different aspects: Firstly, it explores the influences of the Surrealist movement, psychoanalysis and Symbolism - especially Rimbaud. Secondly, it investigates the connections between the poem and the diaries.
Dubois, Boucheraud Simon. "Écritures du moi, genèse et créativité : les mises en scène d'Anaïs Nin (1931-1942)." Thesis, Montpellier 3, 2011. http://www.theses.fr/2011MON30034/document.
Full textTo camouflage her past, dissemble about her adulterous affairs, and conceal consensual incest with her father and a lifetime of brazen lies, the « selected pieces » that Anaïs Nin offers to readers as her Diary, as of 1966, bear only a tangential relationship to the manuscripts. Even the so-called unexpurgated diary, published posthumously and based on the typescripts that Nin made of her diaries, contains significant revisions and emendations. Among the hundred and ten-odd volumes of a protean, handwritten diary, this study brings to the fore what remains, but also what was added, leading us to question whether the resulting document can truly be called a « diary ». In attempting to capture her ever-elusive self, Nin composed her life, and even in the manuscripts, the imaginary played a great part in that process. From a vast corpus examined at UCLA and Northwestern university, this study focuses on the period from the beginning of The Diary (as distinct from The Early Diary), till Nin publishes The Winter of Artifice (1939, and 1942), a fictionalization of her life at a time when publishing the diary was impossible. This piece is also an attempt to deal with—and, Nin hoped, vanquish—the lingering conflict of the diary with time and that of the woman with her father. Comparing the drafts of this work, revised by Henry Miller, with the handwritten diaries and the anthumously and posthumously published versions enables us to fully seize the extent of Nin’s rewriting and self-censorship, as well as the scope of a creative approach which amounts to many stagings of the self that the diarist would later legitimatize by making Otto Rank’s psychoanalytical principles her own
Denk, Angelika. "Male and Female Reproductive Tactics in Mallards (Anas platyrhynchos L.)." Diss., lmu, 2005. http://nbn-resolving.de/urn:nbn:de:bvb:19-42673.
Full textWilberg, Claudia. "Untersuchungen zur Inhalationsnarkose mit Isofluran sowie mit Buprenorphinprämedikation bei der Warzenente (Anas platyrhynchos)." Diss., lmu, 2005. http://nbn-resolving.de/urn:nbn:de:bvb:19-41606.
Full textRemy, Felix Benedikt. "Tiergerechte Wasserversorgung von Pekingenten (Anas platyrhynchos f. domestica) unter dem Aspekt Tierverhalten und Tiergesundheit." Diss., lmu, 2005. http://nbn-resolving.de/urn:nbn:de:bvb:19-41761.
Full textCammareri, Corinne. "Altérité , maternité création chez les écrivains du 20ème siécle à nos jours." Paris 7, 2010. http://www.theses.fr/2010PA070090.
Full textWomen have that particular characteristic of being able to bringing forth life, of living it, and, all the while, of keeping a trace of it within their bodies. What happens to women's writing when it collides with the physical demands of motherhood and makes it so necessary for them to come to terms with their maternal passion? I decided to study the works of women writers such as Colette, Anais Nin, Marguerite Duras, Nancy Huston, Julia Kristeva, Christine Angot, Marie Darrieussecq and others, from the beginning of the 20th century to the present in order to follow as closely as possible the construction of a maternal discourse within their writing. These writers manage to use their art to go beyond the passion while passing on the language, the ability to think and to create to that other being, their child. They try to bridge the cleavage of maternal passion to avoid choosing between submission or sublimation. Traversing their inner experience, we are able to discover the love of these mothers as well as the sublimation of women
許雲龍. "Bisexual Trouble: Anais Nin''s Bisexual Desires in Henry and June." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/74667969851917751371.
Full text國立中興大學
外國語文學系
91
Bisexuality is a trouble. In a heterosexualized or homophobic society, it is hard to recognize other sexualities, such as bisexuality. Since it is a heterosexualized society, we cannot understand bisexuality without heterosexual disturbance. It means that heterosexual concept has penetrated into bisexual recognition. In addition, there are various concept of bisexuality: physiological, psychological and sexual. Since there are so many definitions, it is hard to define one’s bisexual identity with one single definition. Thus, we cannot define Anaïs Nin’s bisexuality by one single theory, either. In my thesis, I will use Sigmund Freud’s concepts of bisexual talent and heterosexualized bisexuality, Eve Sedgwick’s minoritizing and universalizing views of sexuality, and Judith Butler’s performativity of gender to read Nin’s bisexual relations with Hugo, Henry and June. Hugo is her husband, and Henry and June her lovers. In addition, her fragmentary self-writing as self-representation in her diary is also important for me to understand her bisexual desires. Within these approaches, I will conclude that a process of performance is the representation of her bisexuality. In other words, her performance is a real “out” for her bisexuality.
Olafson, Penny L. "A problematic growth story : the theory and practice of personality in The Diary of Anais Nin." 1986. http://hdl.handle.net/1993/28715.
Full textMansbridge, Pamela. "Metaphor, male/female theorists, and the "birth rites" of women, the reclamation projects of Sylvia Plath, Anais Nin and Maya Deren." 2000. http://hdl.handle.net/1993/2572.
Full textWatson, Bruce W. "Androgyny and dominance : gender construction in Anaïs Nin's erotica series /." 1999. http://scholar.lib.vt.edu/theses/available/etd-042299-214236.
Full textFrank, Erik Thomas. "Behavioral adaptations in the foraging behaviour of \(Megaponera\) \(analis\)." Doctoral thesis, 2019. https://nbn-resolving.org/urn:nbn:de:bvb:20-opus-156544.
Full textEin effizientes Furagierverhalten ist eine der wesentlichsten Voraussetzungen für die Überlebensfähigkeit von Tieren. Die Theorie des „Optimal Foraging“ versucht, das Furagierverhalten durch die übergreifende Frage zu verstehen: Wie sollten Tiere nach Futter suchen/jagen, um die Kosten zu minimieren und gleichzeitig die Gewinne zu maximieren? Soziale Insekten, die fast jede natürliche Nische durch diverse Strategien besetzt haben, bieten sich als ideale Gruppe an, um zu untersuchen, wie gut „Optimal Foraging“ ihr Verhalten und ihren Erfolg erklären kann. Da Spezialisierung oft zu einzigartigen Anpassungen in Morphologie und Verhalten führt, war das Jagdverhalten von Megaponera analis diesbezüglich sehr vielversprechend. Diese Ponerinae Ameisenart ist spezialisiert auf die Jagd von Termiten der Unterfamilie Macrotermitinae an ihren Futterstellen. Ihr Jagdverhalten wird durch eine Handvoll von einzelner Späher (10-20) geregelt, die nach Termiten-Futterstellen suchen, bevor sie zum Nest zurückkehren, um eine große Anzahl von Nestgenossinnen (200-500 Ameisen) zu rekrutieren. Die Ameisen folgen dann dem Späher in einer Kolonne zu den Termiten und zurück, diese Überfälle finden zwei bis fünf Mal am Tag statt. Es ist wahrscheinlich, dass Prädatoren von defensiver Beute kostenreduzierende Anpassungen entwickeln. Das evolutionäre Wettrüsten zwischen Termiten und Ameisen führte zu verschiedenen Abwehrmechanismen bei Termiten, z.B. eine Soldaten-Kaste, die sich auf die Bekämpfung von Raubtieren spezialisiert hat. Da M. analis ein hohes Verletzungsrisiko durch Termitensoldaten hat, haben sich bei ihr einige kostenreduzierende Anpassungen entwickelt. Ich zeige, dass ein einzigartiges Rettungsverhalten bei M. analis, bestehend aus verletzten Nestgenossinnen, die zum Nest zurückgetragen werden, die Mortalität reduziert. Diese verletzten Ameisen „rufen“ um Hilfe mit Pheromonen, die in ihren mandibularen Drüsenreservoirs vorhanden sind. Ein Modell, das dieses Rettungsverhalten berücksichtigt, hilft dabei die wichtigsten Faktoren zu identifizieren, welche die Evolution dieses Rettungsverhaltens begünstigen. Ferner wird schwerverletzten Ameisen, die während des Kampfes zu viele Beine verloren haben, nicht geholfen. Interessanterweise wird dies nicht durch den Helfer reguliert, sondern durch die mangelnde Kooperation der verletzten Ameise. Des Weiteren beobachtete ich die Behandlung der Verletzten durch Nestgenossinnen im Nest durch intensives „Allogrooming“/lecken direkt an der Wunde. Eine Unterbindung der Behandlung erhöhte die Mortalität von 10% auf 80% innerhalb von 24 Stunden, höchstwahrscheinlich aufgrund von Infektionen. Die kollektive Entscheidungsfindung ist einer der Hauptmechanismen bei sozialen Insekten, durch die die Futtersuche reguliert wird. Allerdings spielt die individuelle Entscheidungsfindung, je nach Art des Furagierverhaltens, auch eine wichtige Rolle. In M. analis haben nur eine Handvoll von Individuen (die Späher) alle Informationen über die Futterstellen. Ich betrachtete daher die Vorhersagen, die durch „Optimal Foraging“ gemacht werden, um das Zusammenspiel von kollektiver und individueller Entscheidungsfindung bei diesem obligaten Gruppenjäger besser zu verstehen. Ich fand eine klare positive Beziehung zwischen Raubzugsgröße und Termitenabundanz an der Futterstelle. Außerdem erhöhte sich die Selektivität der Futterstelle mit der Entfernung zum Nest. Die Bestätigung der „Optimalen Foraging“ Theorie deutet darauf hin, dass einzelne Späher der Haupttreiber hinter Raubzugsgröße, Wahl und Raubzugsverhalten sein müssen. Dies bedeutet, dass in M. analis das Furagierverhalten nicht durch kollektive Entscheidungen, sondern durch individuelle Entscheidungen der Späher reguliert wird. So entschied 1% der Kolonie (10-20 Späher) das Schicksal und die Furagier-Effizienz der restlichen 99%. Die Arbeitsteilung ist einer der Hauptgründe des Erfolgs sozialer Insekten. Arbeiterpolymorphismus, Alterspolyethismus und Arbeitsteilung bei primitiveren Ameisen, wie den Ponerinen, blieben bisher jedoch meist unerforscht. Da M. analis sich auf eine defensive Beute spezialisiert hat, sind Anpassungen zur Reduzierung ihrer Furagierkosten zu erwarten. Ich zeige, dass die Arbeitsteilung und Kolonnenformation während der Jagd viel anspruchsvoller ist, als bisher angenommen. Die Kolonnenformation war bemerkenswert stabil: dieselben Ameisen nahmen ähnliche Positionen in späteren Raubzügen ein und die vorderen Ameisen kehrten sogar zu ihrer Position zurück, wenn diese absichtlich verändert wurde. Dies weist auf unbekannte Regulationsmechanismen für die Bildung der Kolonne hin. Darüber hinaus wurden die meisten der Raubzugsaufgaben nicht von vorgegebenen Mitgliedern des Raubzugs ausgeführt, sondern wurden je nach Bedarf während der Jagd verteilt. Meine Versuche zeigen, dass die Spezialisierung auf eine hoch defensive Beute zu sehr einzigartigen Anpassungen im Furagierverhalten einer Art führen kann. Ich erforschte experimentell den adaptiven Wert eines Rettungsverhaltens, das auf verletzte Nestgenossinnen bei sozialen Insekten fokussiert war. Dies beschränkte sich nicht nur auf die selektive Rettung von leicht verletzten Individuen, welche zurückgetragen wurden (wodurch das Prädationsrisiko reduziert wurde), sondern umfasst darüber hinaus eine differenzierte Behandlung im Nest. Ich zeige weiter, dass die meisten „Optimal Foraging“ Vorhersagen von einer Handvoll Individuen in M. analis erfüllt und reguliert werden. Schließlich postuliere ich die Hypothese, dass der kontinuierliche allometrische Größenpolymorphismus in M. analis eine größere Flexibilität bei der Aufgabenverteilung ermöglicht, die aufgrund der Unberechenbarkeit der Aufgabenanforderungen in einem unregelmäßigen System wie dem Jagen von Termiten in Gruppen Erforderlich ist. Alle meine Beobachtungen verbessern unser Verständnis des Verhaltens eines Gruppenjägers, das während der Jagd die Kosten zu minimieren und die Gewinne zu maximieren hat