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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Masculinity, psychoanalysis, straight queer theory: Essays on abjection in literature, culture, and film. New York, NY: Palgrave Macmillan, 2008.

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2

Bousset, Hugo. De geuren van het verwerpelijke: Essays. Amsterdam: J.M. Meulenhoff, 2004.

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3

Arya, Rina. Abjection and Representation. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9780230389342.

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4

Das, Saitya Brata, ed. Abjection and Abandonment. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-1029-8.

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5

Davis, Penny. Abjection and the female erotic. London: Chelsea College of Art and Design, 1999.

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6

Holdsworth, Nadine. English Theatre and Social Abjection. London: Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-59777-9.

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7

Bourg, Lionel. Dans la presente abjection des mondes. Montpellier: Cadex, 1990.

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8

Shimakawa, Karen. National abjection: The Asian American body onstage. Durham: Duke University Press, 2002.

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9

Auschwitz and afterimages: Abjection, witnessing, and representation. London: I. B. Tauris, 2011.

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10

Kumar, Pushpesh. Sexuality, Abjection and Queer Existence in Contemporary India. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003193531.

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11

1937-, Fletcher John, and Benjamin Andrew E, eds. Abjection, melancholia, and love: The work of Julia Kristeva. London: Routledge, 1990.

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12

Stand-up comedy in theory, or, Abjection in America. Durham, NC: Duke University Press, 2000.

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13

Attila, Kiss. The semiotics of revenge: Subjectivity and abjection in English Renaissance tragedy. Szeged, Hungary: Dept. of English, "József Attila" University, 1995.

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14

Techniques of subversion in modern literature: Transgression, abjection, and the carnivalesque. Gainesville: University of Florida Press, 1991.

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15

Chanter, Tina. The picture of abjection: Film, fetish, and the nature of difference. Bloomington: Indiana University Press, 2007.

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16

Extravagant abjection: Blackness, power, and sexuality in the African American literary imagination. New York: New York University Press, 2010.

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17

Scott, Darieck. Extravagant abjection: Blackness, power, and sexuality in the African American literary imagination. New York: New York University Press, 2010.

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18

Cage, John. Essay. Bremen: Kunsthalle Bremen, 1998.

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19

Fosse, Jon. Essay. Oslo: Samlaget, 2011.

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20

Boys in children's literature and popular culture: Masculinity, abjection, and the fictional child. New York: Routledge, 2008.

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21

Thomas, C. Masculinity, Psychoanalysis, Straight Queer Theory: Essays on Abjection in Literature, Mass Culture, and Film. Palgrave Macmillan Limited, 2008.

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22

Thomas, C. Masculinity, Psychoanalysis, Straight Queer Theory: Essays on Abjection in Literature, Mass Culture, and Film. Palgrave Macmillan, 2008.

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23

Hennefeld, Maggie, and Nicholas Sammond, eds. Abjection Incorporated. Duke University Press, 2019. http://dx.doi.org/10.1515/9781478003410.

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24

Shimakawa, Karen. National Abjection. Duke University Press, 2002. http://dx.doi.org/10.1215/9780822384243.

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25

Hennefeld, Maggie, and Nicholas Sammond, eds. Abjection Incorporated. Duke University Press, 2019. http://dx.doi.org/10.1215/9781478003410.

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26

Wells, Marion. Philomela’s Marks. Edited by Jonathan Post. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199607747.013.0015.

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This essay explores the significance of the mutual imbrication of ekphrasis and sexual violence in Shakespeare’s poetry. Beginning with a discussion of Philomela’s substitution of a woven picture (the teasingly opaque ‘purpureas notas’) for an oral account of violence in Ovid’s Metamorphoses, I analyse Shakespeare’s revision of this foundational story in Titus Andronicus. Arguing that in Shakespeare’s work ekphrasis functions as a gendered site of contestation between image and word in which the feminine image is organized and contained by the masculine ‘noting’ of an artist figure, I consider how Shakespeare’s other extensive use of the Philomela story in Cymbeline clarifies this pattern. My final texts, The Rape of Lucrece and The Winter’s Tale, allow me to unpack more fully the function of ekphasis in drawing attention to the predication of poetic representation on the abjection of the female body.

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27

Jay, Gregory S. Speaking of Abjection. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190687229.003.0007.

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The genre of the white liberal race novel was revived in 2009 by Stockett’s bestseller and its high-profile Hollywood film version. Much controversy broke out over the novel’s depiction of black maids in early 1960s Jackson, Mississippi, which was a center of Civil Rights activism and white backlash. Were these characters stereotypes or deconstructions of the “mammy” figure? The chapter demonstrates that the narrative sections told by the maids contain much subversion, and that even the white protagonist exhibits resistance to orthodox female gender norms. Understanding the novel also requires attention to its specific historical setting amidst the Civil Rights tumult in Mississippi and Alabama during the years in which the novel is set, including the attempt to integrate the universities in those two states and the assassination of Medgar Evers. These events belong to the theme of the necessity for change reiterated throughout the novel.

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28

Fletcher, John, and Andrew Benjamin, eds. Abjection, Melancholia and Love. Routledge, 2012. http://dx.doi.org/10.4324/9780203120545.

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29

Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature. Palgrave Macmillan, 2014.

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30

Arya, R. Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature. Palgrave Macmillan Limited, 2014.

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31

Arya, R. Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature. Palgrave Macmillan, 2014.

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32

Arya, Rina. Abjection and Representation: An Exploration of Abjection in the Visual Arts, Film and Literature. Palgrave Macmillan, 2014.

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33

Affective Medievalism: Love, Abjection and Discontent. Manchester University Press, 2020.

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34

Prendergast, Thomas A., and Stephanie Trigg. Affective Medievalism: Love, Abjection and Discontent. Manchester University Press, 2018.

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35

Gender and the Abjection of Blackness. SUNY Press, 2018.

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36

Morris, Bethany. Sexual Difference, Abjection and Liminal Spaces. Routledge, 2020. http://dx.doi.org/10.4324/9780429056260.

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37

Broeck, Sabine. Gender and the Abjection of Blackness. State University of New York Press, 2019.

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38

Prendergast, Thomas A., and Stephanie Trigg. Affective Medievalism: Love, Abjection and Discontent. Manchester University Press, 2018.

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39

Thorneycroft, Ryan. Reimagining Disablist and Ableist Violence As Abjection. Taylor & Francis Group, 2020.

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40

National Abjection: The Asian American Body Onstage. Duke University Press, 2002.

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41

Reimagining Disablist and Ableist Violence As Abjection. Taylor & Francis Group, 2020.

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42

Thorneycroft, Ryan. Reimagining Disablist and Ableist Violence As Abjection. Taylor & Francis Group, 2020.

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43

Thorneycroft, Ryan. Reimagining Disablist and Ableist Violence As Abjection. Taylor & Francis Group, 2022.

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44

Thorneycroft, Ryan. Reimagining Disablist and Ableist Violence As Abjection. Taylor & Francis Group, 2020.

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45

Thorneycroft, Ryan. Reimagining Disablist and Ableist Violence As Abjection. Taylor & Francis Group, 2020.

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46

Cast Down: Abjection in America, 1700-1850. University of Pennsylvania Press, 2016.

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47

Miller, Mark J. Cast Down: Abjection in America, 1700-1850. University of Pennsylvania Press, 2016.

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48

Shimakawa, Karen. National Abjection: The Asian American Body Onstage. Duke University Press, 2002.

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49

Creed, Barbara. Horror and the monstrous-feminine: An imaginary abjection. 1986.

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50

Lechte, John. Key Contemporary Concepts: From Abjection to Zeno's Paradox. SAGE Publications, Incorporated, 2002.

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