Relevant bibliographies by topics / An essay on abjection

Academic literature on the topic 'An essay on abjection'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "An essay on abjection"

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Ferreday, Debra. "Anorexia and Abjection: A Review Essay." Body & Society 18, no. 2 (May 24, 2012): 139–55. http://dx.doi.org/10.1177/1357034x12440830.

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Middleton, Jason. "A Rather Crude Feminism." Feminist Media Histories 3, no. 2 (2017): 121–40. http://dx.doi.org/10.1525/fmh.2017.3.2.121.

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Postfeminist ideology “takes feminism into account” by framing liberal feminist principles as already achieved, thus preempting a more radical feminist politics that it constructs as both unpleasant and irrelevant. In a corresponding mode, postfeminist cultural objects derive their power in part by preempting feminist critique with irony. It is precisely this ideological double bind that the comedian Amy Schumer confronts. This essay analyzes how Schumer develops a feminist critique of the knotty problems of postfeminist ideology. Postfeminism casts feminism as abject, as the “repulsive and disgusting” monster that perpetually endangers the “empowered” postfeminist woman of today. But Schumer inverts this construction: in her show's sketches, postfeminism as an ideological formation materializes in an array of comic abjections to which Schumer's persona is subject. In short, the condition of postfeminism is one of abjection. The comic hyperbole of Schumer's character's abjections, combined with her uncritical complicity, invokes for the viewer feminist solutions.
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Singh, Vikash, and Jason Torkelson. "Caste, Race, and Abjection: An Essay on Sub-humanity." Humanity & Society 44, no. 3 (July 14, 2020): 243–67. http://dx.doi.org/10.1177/0160597620930922.

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This article discusses continuities between the discourse of caste in ancient India, the racialization constitutive of the Enlightenment, and a similarly exclusionary, overdetermined conception of worthlessness—the lazy, immoral, deviant minorities—evident in contemporary racism as much as in the abandonment of a global underclass. We argue that the negative marking of a social condition or group as inferior and subhuman (on all kinds of grounds, moral, aesthetic, and intellectual) has been constitutive of the paradigms in which these societies subsist. The practices and project of all that is good is shadowed by this negative, its infectious, abominable presence. Analytically bringing together the politics of the homo sacer with the social psychology of abjection, we argue that such exclusion is as vested in politics and economic interests as in their psychic correspondences.
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Carvalho, Fernanda Sousa. "BREAKING CODES OF SEXUALITY: ANGELA CARTER’S VAMPIRE WOMEN." Em Tese 16, no. 3 (December 31, 2010): 184. http://dx.doi.org/10.17851/1982-0739.16.3.184-191.

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This essay analyzes the depiction of vampire women in Angela Carter’s “The loves of Lady Purple” and “The lady of the house of love.” Exploring the vampires’ potential of abjection, this depiction subverts patriarchal ideologies about women’s sexuality.
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Simon, Robert. "Transcendence and Abjection in Vergílio Alberto Vieira’s Cleptopsydra." Journal of Lusophone Studies 5, no. 2 (December 19, 2020): 141–57. http://dx.doi.org/10.21471/jls.v5i2.356.

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In the present essay, I examine Portuguese poet Vergílio Alberto Vieira’s 2018 collection, Cleptopsydra, an explicit parody on Camilo Pessanha’s Clepsidra (1920). Within the collection, the poetic voice moves beyond the rigidity of Pessanha’s form through a series of sublime, transcendent, but ultimately earthbound symbols. This tension between form, symbol, and transcendence likewise exists in the work of several of Vieira’s contemporaries, and I suggest an openly transnational and translinguistic link between them. Finally, I discuss how contemporary Portugal has come to serve as both a challenge and a point of articulation for Vieira’s poetics.
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Budge, Gavin. "“Art’s Neurosis”: Medicine, Mass Culture and the Romantic Artist in William Hazlitt." Articles, no. 49 (April 9, 2008): 0. http://dx.doi.org/10.7202/017856ar.

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AbstractAlthough criticism has traditionally focussed on the Romantic celebration of artistic genius, there is also an emphasis on artistic abjection in Romantic writing. This essay argues that the Romantic theme of abjection is linked to the claims of early nineteenth-century Brunonian medicine that conditions of nervous over- and understimulation are the cause of diseases such as consumption and hypochondria, a case which is made with particular reference to the writings of William Hazlitt. Brunonian medical theory also informs Romantic period analyses of a newly emergent mass culture, enabling Romantic depictions of artistic abjection to be understood as a denial of the Romantic artist's involvement in a mediatization of experience which potentially distances the audience from the intuition of reality to which Romanticism ultimately appeals. This ambivalence about the position of the Romantic artist is reflected in the Romantic period debate surrounding the aesthetic category of the picturesque, which is shown to draw on Brunonian ideas about nervous stimulation in a way which makes it exemplary of conflicted Romantic attitudes towards the effects of mediatization.
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Chanter, Tina. "Abjection and the Constitutive Nature of Difference: Class Mourning in Margaret's Museum and Legitimating Myths of Innocence in Casablanca." Hypatia 21, no. 3 (2006): 86–106. http://dx.doi.org/10.1111/j.1527-2001.2006.tb01115.x.

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This essay examines the connections between ignorance and abjection. Chanter relates Julia Kristeva's notion of abjection to the mechanisms of division found in feminist theory, race theory, film theory, and cultural theory. The neglect of the co-constitutive relationships among such categories as gender, race, and class produces abjection. If those categories are treated as separate parts of a persons identity that merely interlock or intermesh, they are rendered invisible and unknowable even in the very discourses about them. Race thus becomes gender's unthought other, just as gender becomes the excluded other of race. Via an exploration of Margaret's Museum and Casablanca, the author shows why the various sexual, racial, and nationalist dynamics of the two films cannot be reduced to class or commodity fetishism, following Karl Marx, or psychoanalytic fetishism, following Sigmund Freud and Jacques Lacan. Whether they are crystallized in Marxist or Lacanian terms, fetishistic currencies of exchange are haunted by an imaginary populated by unthought, abject figures. Ejected from the systems of exchange consecrated as symbolic, fragmented, dislocated, diseased body parts inform and constitute meaning.
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Harrington, Thea. "The Speaking Abject in Kristeva'sPowers of Horror." Hypatia 13, no. 1 (1998): 138–57. http://dx.doi.org/10.1111/j.1527-2001.1998.tb01355.x.

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This essay analyzes the implications of the performative aspects of Julia Kristeva's Powers of Horror by situating this work in the context of similar aspects of her previous work. This construction and its relationship to abjection are integral components of Kristeva's notion of practice and as such are fundamental to her critique of Hegel and Freud.
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Harrison, Sheri-Marie. "Marlon James and the Metafiction of the New Black Gothic." liquid blackness 6, no. 2 (October 1, 2022): 62–85. http://dx.doi.org/10.1215/26923874-9930293.

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Abstract A reprint from a 2018 issue of the Journal of West Indian Literature devoted to Marlon James, this essay engages two of the West Indian writer's novels, John Crow's Devil and The Book of Night Women, under the rubric of the Gothic. By shifting focus from the violence of James's novels to the generic elements this violence engages, the essay argues that James's engagement with the Gothic better accounts for these two novels’ attention to issues of excessive violence, doubling, and feminine abjection and the way they perform a metafictional critique of the notion that nationalism can produce equitable sovereign subjectivity. While the Gothic offers James's interest in coercion, abjection, and the absence of choice a precise frame for rendering a world structured by neoliberalism, James also reworks the Gothic by offering a queerly affirmative version of its at times misogynistic interest in gender distinctions. Indeed, by ending all his novels with women as the figurative last person standing, James subverts the notion of the feminine abject as the Gothic trope associated with primordial chaos, presenting it instead as a possible way forward at a moment when the historical present is not seemingly graspable by existing paradigms.
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Cabaloue, Sophie. "La construcción del personaje lésbico en los relatos cubanos de Sonia Rivera-Valdés y Jacqueline Herranz-Brooks: de la “abyección” a la subversión." La Manzana de la Discordia 8, no. 1 (March 29, 2016): 89. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v8i1.1554.

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Resumen: En este ensayo se analizan las obras de dos autoras cubanas de la diáspora, Sonia Rivera-Valdés y Jacqueline Herranz-Brooks, enfocando especialmente la temática lesbiana de estas narraciones, con especial atención a la forma como nos revelan la situación de las lesbianas en Cuba, sobre todo en el “Periodo especial”, a la vez que se convierte en un modo de subvertir la hete- rosexualidad obligatoria. De este modo se indaga sobre cómo en sus relatos se construye el sujeto “abyecto” (el personaje lésbico) en oposición al sistema heteronor- mativo y cómo este sujeto pasa de la “abyección” a la subversión, al desafiar la heterosexualidad obligatoria. Palabras clave: lesbianas, heterosexualidad obligatoria, abyección, narrativa cubanaThe Construction of the Lesbian Character in the Cuban Stories by Sonia Rivera-Valdés y Jacqueline Herranz-Brooks: from “abjection” to subversion Abstract: This essay analyzes the ways in which Cuban literature with lesbian themes by two exiled writers, Sonia Rivera-Valdés and Jacqueline Herranz-Brooks, reveals the situation of lesbians in Cuba, above all in the “Special Period,” and also becomes a way to subvert compulsory heterosexuality. Thus it enquires into the ways in which their stories construct the “abject” subject of the lesbian character in opposition to the heteronormative system and how this subject moves from abjection to subversion, in challenging compulsory heterosexuality.Key Words: lesbians, compulsory heterosexuality, abjection, Cuban narrative
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Dissertations / Theses on the topic "An essay on abjection"

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Howsam, Melissa Anne. "Reading Through Abjection." NCSU, 2003. http://www.lib.ncsu.edu/theses/available/etd-11212003-195541/.

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In this thesis, I read through Kristeva?s theory of the abject as a way of interpreting Cristina Garcia?s Dreaming in Cuban (1993) and interrogating common psychoanalytic readings of Christina Rossetti?s Goblin Market (1859) and Bram Stoker?s Dracula (1897). The purpose of each of these readings has been to gauge the usefulness of Kristeva?s theory as a critical tool and to determine what it allows us to achieve as literary critics and, even, as readers. Although Kristeva is clear about her desire to see women liberate themselves from the confining roles ascribed to them by psychoanalytic theory and patriarchal norms, she is not clear about how her theory can be used. Therefore, I apply her theory, specifically that of the abject, to these three fundamentally different texts in order to both investigate its usefulness and to determine what is, if anything, the triumphant result of its application (in terms of feminism).
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Tackitt, Alaina Dyann. "The Abjection of the Pythia." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3375.

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Recent academic research has garnered considerable popular interest on the matter of whether the Pythia, the Oracle of Delphi, was high. Current findings aim to prove that vapors emitted from beneath the tripod on which the Pythia prophesied were intoxicating, thereby causing her frenzied state and statements. Contemporary scientists' intense interest in proving that the Pythia was not prophetic evokes the question of why the once widely accepted, now generally rejected, idea that a female body can serve as a vessel for the words of the immortal deity holds such significance for modern science. When this curiosity is considered in light of Julia Kristeva's writings on abjection, numerous possibilities are made available. At its simplest, examining the abjection of the Pythia could explain why the voice of modern science is so interested in the words of these ancient women. At best, to consider an active process of abjection nearly three millennia in the making provides an opportunity to expand understandings and interpretations of both the Pythia and her role in the world, past and present, and the abject and its role in abjection beyond literature and theory.
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Ghita, Cristina. "Pastiche and Abjection in American Psycho." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23314.

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Wenk, Christian. "Abjection, madness and xenophobia in gothic fiction." Berlin : wvb, Wiss. Verl, 2008. http://d-nb.info/989569101/04.

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Muller, Lavonne Elorie. "Racism and Abjection in the (Post) Colony." Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/77484.

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This study examines Kristeva’s notion of abjection to understand the workings of colonial racism. Given the limitations of her Eurocentric standpoint, reference will also be made to the critiques and engagements with abjection by various other scholars. Abjection, when appropriately rethought, could prove to be a beneficial tool to diagnose the interior problems of racism within the historical context of settler-colonialism and apartheid with specific focus on racism within the contemporary South African context. Reference will also be made to the film, Get Out, to illustrate the persistence of the historically informed system of abject racism and to place emphasize the deficiencies of narrow interpretations of racism which overlook the broader domain of the psycho-social and institutionalised practices of racial abjection. I will elaborate on the proposed critical investigation by drawing parallels between film, specifically the 2017 horror film Get Out, and legislation, Prevention and Combating of Hate Crimes and Hate Speech Bill. In this sense, Get Out, will be considered as a narrative which questions South Africa’s contemporaneity as a (post)colonial and (post)apartheid state and the limits of the law by comparing and contrasting the film to, the recently approved, Prevention and combating of Hate Crimes and Hate Speech Bill. I intend to argue that the Prevention and Combating of Hate Crimes and Hate Speech Bill operates on a narrow level and that it is incapable of responding to structural racism as it fails to recognise the psycho-social dimension of racism and that abject racism continues into the (post)colonial context.
Dissertation (LLM)--University of Pretoria, 2020.
Jurisprudence
LLM
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Crous, Matthys Lourens. "Abjection in the novels of Marlene Van Niekerk." Doctoral thesis, University of Cape Town, 2013. http://hdl.handle.net/11427/10311.

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Includes bibliographical references.
In this thesis, three of Marlene van Niekerk's novels, translated from Afrikaans into English, are examined, with the focus on the representation of abjection in the texts under discussion.The theoretical point of departure of this study is Julia Kristeva's essay Powers of horror (1982), which addresses, in particular, the notion of abjection and how certain abject elements play a pivotal role in people's everyday lives. From a psychoanalytic perspective, abjection is viewed as a revolt against the mother and foregrounds particularly the influence of the maternal body over the subject. In this instance, the subject desires liberation from the hold of the maternal and seeks to subject the mother to abjection. Bodily fluids seeping out of the body, diseases, viruses, dirt and death (and in particular the corpse) are all elements that are encompassed in the concept of abjection. Manifestations of abjection in the form of the abject mother, abject spaces, abject bodies and the link between abjection and filth are comparatively analysed in the three texts. The thesis concludes by showing that Van Niekerk deliberately inscribes elements of the abject into her texts so as to transgress and deconstruct the norms associated with a patriarchal and racist society in South Africa. Van Niekerk also undermines the norms that underpin such a society: religious indoctrination, gender oppression and Othering. By writing her novel Triomf (1999) in a demotic register, Van Niekerk furthermore questions the prevalent assumptions about what is deemed proper language for writing a novel. Writing, for her, thus serves the purposes of abjecting, of rejecting the impositions of the symbolic order. Following the publication of her first collection of short stories, Die Vrou wat haar verkyker vergeet het [The woman who forgot her binoculars] in 1992, there was general consensus that the baroque nature of the language resulted in reader resistance to the text. This explains why she decided to write her first novel in the crude and obscene language of a low-class family, the Benades of Triomf.
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Porter, Whitney B. "John Waters: Camp, Abjection and the Grotesque Body." Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1292345547.

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Norin, Karl. "Master essay." Thesis, Kungl. Konsthögskolan, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-68.

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Mitt examensarbete består av en nerkyld utställning och en skriftlig essä som behandlar mejans arkitektur ur ett rättviseperspektiv.
[I examensarbetet ingår utställningen "Hobby deluxe/blood web/Schengen tour":] Jag ställer ut tre målningar av syntetisk päls som är bestrukna med båtepoxy och gjutna i en vakuumpåse. Dessa visas på en svampmålad vägg.

Examensarbetet består av en skriftlig del och en gestaltande del. Alternativ titel anger namnet förden gestaltande delen. 

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Pagojienė, Daiva. "Essay style." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2009~D_20090623_100350-16939.

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According to such functional stylistic features as social preserves, content and the prevailing function Lithuanian essays can be ascribed to three variations: publicistic, scientific and literary style. The major part of essays is dominated by the features of expressive and analytical sub-style of the publicistic style. Essays are also written in the field of liberal arts and natural sciences. In the analysed period the Lithuanian essay surpassed the dividing line between the publicistic and creative literature – texts of fictional content may be called essays.
Pagal tokius funkcinius stilistinius požymius kaip visuomenės veiklos sritis, turinys ir vyraujanti funkcija lietuvių esė galima priskirti trims atmainoms: publicistiniam, moksliniam ir meniniam stiliui. Didžiojoje jų dalyje vyrauja publicistinio stiliaus ekspresyviojo bei analitinio postilio požymiai. Rašoma esė ir humanitarinių bei gamtos mokslų srityje Tiriamuoju laikotarpiu lietuvių esė peržengė ribą, skiriančią publicistiką ir meninę literatūrą – esė pavadinami fikcinio turinio tekstai.
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Stjerne, Olle. "Master essay." Thesis, Kungl. Konsthögskolan, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-332.

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In this essay my aim is to understand the machinations of the action of taking a photograph and putting it in circulation, and what the role of a sculpture becomes in a world where this is possible. In a general sense, how does instant representation through photography activate sculpture? Can sculpture change photography, or is the connection a one-way feed? Can it be that this connection determines our lives to such an extent that the success of one medium informs the strength of the other?
Nej
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Books on the topic "An essay on abjection"

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Masculinity, psychoanalysis, straight queer theory: Essays on abjection in literature, culture, and film. New York, NY: Palgrave Macmillan, 2008.

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Bousset, Hugo. De geuren van het verwerpelijke: Essays. Amsterdam: J.M. Meulenhoff, 2004.

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Arya, Rina. Abjection and Representation. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9780230389342.

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Das, Saitya Brata, ed. Abjection and Abandonment. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-15-1029-8.

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Davis, Penny. Abjection and the female erotic. London: Chelsea College of Art and Design, 1999.

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Holdsworth, Nadine. English Theatre and Social Abjection. London: Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-59777-9.

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Bourg, Lionel. Dans la presente abjection des mondes. Montpellier: Cadex, 1990.

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Shimakawa, Karen. National abjection: The Asian American body onstage. Durham: Duke University Press, 2002.

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Auschwitz and afterimages: Abjection, witnessing, and representation. London: I. B. Tauris, 2011.

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Kumar, Pushpesh. Sexuality, Abjection and Queer Existence in Contemporary India. London: Routledge India, 2021. http://dx.doi.org/10.4324/9781003193531.

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Book chapters on the topic "An essay on abjection"

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Hodgetts, Darrin, and Ottilie Stolte. "Abjection." In Encyclopedia of Critical Psychology, 1–3. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_494.

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Elze, Jens. "Abjection." In Postcolonial Modernism and the Picaresque Novel, 177–211. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51938-8_6.

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Skourtes, Stephanie. "Visualizing Abjection." In Youth ‘At the Margins’, 369–84. Rotterdam: SensePublishers, 2015. http://dx.doi.org/10.1007/978-94-6300-052-9_18.

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Botting, Fred, and Scott Wilson. "Sovereign Abjection." In Bataille, 53–75. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-07713-4_4.

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Arya, Rina. "Unpacking Abjection." In Abjection and Representation, 16–39. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9780230389342_2.

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KRISTEVA, JULIA. "“APPROACHING ABJECTION,” FROM POWERS OF HORROR: AN ESSAY ON ABJECTION." In Classic Readings on Monster Theory, 67–74. Arc Humanities Press, 2018. http://dx.doi.org/10.2307/j.ctvfxvc3p.12.

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"“Approaching Abjection,” from Powers of Horror: An Essay on Abjection." In Classic Readings on Monster Theory, 67–74. ARC, Amsterdam University Press, 2018. http://dx.doi.org/10.1515/9781942401209-010.

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Ewara, Eyo. "The Psychic Life of Horror." In Bodies That Still Matter. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463722940_ewara.

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This essay explores how Julia Kristeva’s concept of abjection influences Judith Butler’s thinking about race and racism. I articulate how Butler presents racialized people as abjected in the formation of white subjectivity, but does not consider how abjection shapes the subjectivity of people of color subject to it. I argue that using abjection as a model for thinking about racialization in her work reifies the negative portrayal of people of color as abject and presents racism as a problem of white anxieties to be overcome instead of a problem of people of color’s harm that needs to be addressed.
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"‘Abjection … the Most Propitious Place for Communication’ Julia Kristeva , Powers of Horror: An Essay on Abjection (trans. Leon S. Roudiez ; New York : Columbia University Press, 1982), p. 127. : Celebrating the Death of the Unitary Subject." In Bodies, Lives, Voices : Gender in Theology. Bloomsbury Academic, 1998. http://dx.doi.org/10.5040/9781474293259.0016.

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"Abjection." In Julia Kristeva, 52–64. Routledge, 2004. http://dx.doi.org/10.4324/9780203634349-11.

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Conference papers on the topic "An essay on abjection"

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Zainal, Nasharuddin, and Muhammad Hafiz Abu Hassan. "Automated Essay Scoring (AES) using English Essay Question." In 2022 IEEE 20th Student Conference on Research and Development (SCOReD). IEEE, 2022. http://dx.doi.org/10.1109/scored57082.2022.9973989.

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Jeon, Sungho, and Michael Strube. "Countering the Influence of Essay Length in Neural Essay Scoring." In Proceedings of the Second Workshop on Simple and Efficient Natural Language Processing. Stroudsburg, PA, USA: Association for Computational Linguistics, 2021. http://dx.doi.org/10.18653/v1/2021.sustainlp-1.4.

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Makhambetova, Saule Kabdushevna, and Samal Nygmetovna Karymsakpaeva. "Developing argumentative essay skills." In Стратегические ориентиры развития Центральной Азии: история, тренды и перспективы. Екатеринбург: Уральский государственный педагогический университет, 2021. http://dx.doi.org/10.26170/ksng-2021-20.

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"Tracing the Cases of Abjection in William Shakespeare’s Romeo and Juliet and A Midsummer Night’s Dream." In Emirates Research Publishing. Emirates Research Publishing, 2016. http://dx.doi.org/10.17758/erpub.ea0516002.

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Contreras, Jennifer O., Shadi Hilles, and Zainab Abu Bakar. "Essay Question Generator based on Bloom’s Taxonomy for Assessing Automated Essay Scoring System." In 2021 2nd International Conference on Smart Computing and Electronic Enterprise (ICSCEE). IEEE, 2021. http://dx.doi.org/10.1109/icscee50312.2021.9498166.

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Ishioka, T., and M. Kameda. "Automated Japanese essay scoring system:jess." In Proceedings. 15th International Workshop on Database and Expert Systems Applications, 2004. IEEE, 2004. http://dx.doi.org/10.1109/dexa.2004.1333440.

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Pancorbo, Luis, and Ines Martin Robles. "Architectural Competitions. Architecture as Essay." In 107th ACSA Annual Meeting. ACSA Press, 2019. http://dx.doi.org/10.35483/acsa.am.107.53.

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Shapovalova, Tatiana. "Grammatical Design Of Newspaper Essay." In International Scientific and Practical Conference «MAN. SOCIETY. COMMUNICATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.02.155.

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Das, Lyla B., C. V. Raghu, G. Jagadanand, Ritu Ann Roy George, Priyamvada Yashasawi, N. A. Aakaash Kumaran, and Vinay Kumar Patnaik. "FACToGRADE: Automated Essay Scoring System." In 2022 IEEE International Conference on Industry 4.0, Artificial Intelligence, and Communications Technology (IAICT). IEEE, 2022. http://dx.doi.org/10.1109/iaict55358.2022.9887447.

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Zubaidah, Siti, Susriyati Mahanal, Mistianah, and Ahmad Fauzi. "Critical Thinking Embedded Essay Test." In International Conference on Biology, Sciences and Education (ICoBioSE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/absr.k.200807.036.

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Reports on the topic "An essay on abjection"

1

Himes, John M. Art of War Essay. Fort Belvoir, VA: Defense Technical Information Center, October 1989. http://dx.doi.org/10.21236/ada438287.

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Williams, C. Crystal Williams NNSA Essay. Office of Scientific and Technical Information (OSTI), August 2013. http://dx.doi.org/10.2172/1092508.

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Grossman, Herschel. Monetary Economics: A Review Essay. Cambridge, MA: National Bureau of Economic Research, April 1991. http://dx.doi.org/10.3386/w3686.

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Farmer, Roger E. A. The End of Alchemy: A Review Essay. Cambridge, MA: National Bureau of Economic Research, February 2017. http://dx.doi.org/10.3386/w23156.

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Noyes, H. AN ESSAY ON THE FOUNDATIONS OF PHYSICS. Office of Scientific and Technical Information (OSTI), July 1987. http://dx.doi.org/10.2172/1448359.

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Davison, Jacob August. Research Essay for the Goldwater Scholarship Application. Office of Scientific and Technical Information (OSTI), January 2017. http://dx.doi.org/10.2172/1340979.

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Razin, Assaf. The Struggle Towards Macroeconomic Stability: Analytical Essay. Cambridge, MA: National Bureau of Economic Research, May 2019. http://dx.doi.org/10.3386/w25816.

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Bartik, Timothy J. Place-Based Policy: An Essay in Two Parts. W.E. Upjohn Institute, May 2020. http://dx.doi.org/10.17848/pol2020-021.

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Dooley, Michael, David Folkerts-Landau, and Peter Garber. An Essay on the Revived Bretton Woods System. Cambridge, MA: National Bureau of Economic Research, September 2003. http://dx.doi.org/10.3386/w9971.

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Cochrane, John. Volatility Tests and Efficient Markets: A Review Essay. Cambridge, MA: National Bureau of Economic Research, January 1991. http://dx.doi.org/10.3386/w3591.

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