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Journal articles on the topic 'Amy Joy Luck Club'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Sun, Jiani. "The Miniature of The Second Sex in The Joy Luck Club." Learning & Education 10, no. 2 (September 16, 2021): 118. http://dx.doi.org/10.18282/l-e.v10i2.2298.

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The Joy Luck Club written by Amy Tan describes the stories of four mothers and daughters in which the concept the Other raised by Simon de Beauvoir in The Second Sex is indicated as they fought for themselves.

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KOSTOVA-PANAYOTOVA, Magdalena. "WHEN FATE PLAYS MAHJONG (AMY TAN ‘THE JOY LUCK CLUB’)." Ezikov Svyat (Orbis Linguarum), ezs.swu.v20i2 (May 30, 2022): 299–305. http://dx.doi.org/10.37708/ezs.swu.bg.v20i2.15.

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The article considers the way of formation of the concept of comparative literature today as associated with crossing borders, rejecting binary oppositions, striving for openness, expanding and breaking the canon. Amy Tan, a Chinese descent writer, is one of the new American literature writers whose novels convey the consequences of inclusion in the literary canon and the complex cultural hybridity of the dioecious author, who is not "white," is and is a woman. The game of mahjong (the meanings of which are sparrows or a flock of sparrows) is not only their way of having fun but also their way to challenge destiny, to reshuffle and rearrange the "tiles," or the "hand" life has given them in a patriarchal preordered world; to connect the similar signs and to change what was written just as the game itself changes according to their moves. Although different from one another, the four „sparrows” are strong enough and smart enough to stand tall against misery and create a new life both for themselves and their daughters. Precisely why the hope for passing the baton to the next generation, the care, and the joy are at the core of the novel's main messages. This hope is realized through the mother-daughter relationship, which occupies a central place in the story, pushing away all other relationships (mothers-sons, fathers-daughters, and husband-wife), and the emotional center of the described world: eight separate yet interconnected lives. This novel is a parable about how mothers, through their memory, history, imagination, remain inside their daughters, how human experience, pain, and hope are transmitted, and in this way, the parable has universal characteristics.

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3

Zamruddin, Mardliya Pratiwi. "The Representation of Amy Tan's Background in Her Novel The Joy Luck Club." ELS Journal on Interdisciplinary Studies in Humanities 2, no. 4 (January 29, 2020): 633–44. http://dx.doi.org/10.34050/els-jish.v2i4.9156.

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Discourse stylistics focuses upon the largely implicit and highly ideological ‘background’ of the text. Mind style that is one of the traits of stylistics is going to be taken into account of doing the analysis since this research aims to find out about how the mind style of Amy Tan is shaped by her background in her way of writing and producing the novel The Joy Luck Club. The term ‘mind style’ (Leech and Short, 2007) is particularly appropriate where the choices made are consistent through a text or part of a text. This research is questioned whether or not Amy Tan’s Chinese background have influenced the novelist’s style as represented in her novel, The Joy Luck Club. This research describes the novel with a focus on the characters’ mind style in a stylistic and narrative approach. This research aims to attain the influence from the backgrounds of the novelist and the way the background affect the novelist’s style in producing literary work. The descriptions and explanations of scrutinizing the novel are hoped to provide examples of doing discourse stylistics to literary works. The specific use of Chinese words, the repetition use of pronouns, the presentation of Chinese superstitions have put so much contributions in shaping Amy Tan’s style in her works. Through her literary works, the novelist is able to show her readers linguistic journey through her wordplay style.

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4

Back, Angela. "“The Joy Luck Club” and guidance for Chinese young people in Australian Schools." Journal of Psychologists and Counsellors in Schools 4 (November 1994): 107–14. http://dx.doi.org/10.1017/s1037291100001953.

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“The Joy Luck Club” by Amy Tan, focuses upon some of the issues which are on-going concerns for Chinese students from a variety of Chinese countries when living in Western societies. Amy Tan would probably agree with Hsien Rin (1975) that “the Chinese have a remarkable capacity to incorporate other cultural components into the self and to formulate a double identity, all the while maintaining a deep sense of being Chinese” (p.155). Her characters certainly incorporate many of the American values and take on its protective colouring. The novel traces the way four sets of daughters – all Western women, professionals, born in America – are forced to explore their Chineseness through their relationships with their mothers. Amy Tan's quartet of American-born women are glimpsed as teenagers reacting against the ‘otherness’ which their ethnic background has loaded them with, struggling to find an identity for themselves apart from their families' (and particularly their mothers') views of what being a good daughter involves. It is only later, as they face up to some of the insecurities of adulthood, that they appreciate the strengths of Chinese family life and explore what it means to be Chinese.

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5

Ahmed, Mona A. M. Ahmed. "Pluralism, Acculturation and Assimilation in Amy Tan's The Joy Luck Club." Egyptian Journal of English Language and Literature Studies 8, no. 1 (December 1, 2017): 269–302. http://dx.doi.org/10.21608/ejels.2017.134019.

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6

Heung, Marina. "Daughter-Text/Mother-Text: Matrilineage in Amy Tan's "Joy Luck Club"." Feminist Studies 19, no. 3 (1993): 596. http://dx.doi.org/10.2307/3178102.

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7

Kareem, Ammar Ali, and Dr Fazel Asadi Amjad. "Cultural Clash and Self-Discovery: A Multicultural Study of Amy Tan’s the Joy Luck Club." International Journal of Psychosocial Rehabilitation 24, no. 03 (February 28, 2020): 82–89. http://dx.doi.org/10.37200/ijpr/v24i3/pr200759.

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8

Gallego, Mar. "Female Identity and Storytelling in Louise Erdrich's Tracks and Amy Tan's the Joy Luck Club." Philologia Hispalensis 2, no. 13 (1999): 131–37. http://dx.doi.org/10.12795/ph.1999.v13.i02.13.

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9

Yuan, Henan. "Trauma, Recovery, and Identity Construction in Amy Tan’s The Joy Luck Club." NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 78 (February 28, 2021): 297–317. http://dx.doi.org/10.21087/nsell.2021.02.78.297.

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10

Eli Park Sorensen. "Post-Migrant Subjectivity and Secondary Loss: Amy Tan’s The Joy Luck Club." Jungang Journal of English Language and Literature 54, no. 4 (December 2012): 563–77. http://dx.doi.org/10.18853/jjell.2012.54.4.023.

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11

Xu, Ben. "Memory and the Ethnic Self: Reading Amy Tan's The Joy Luck Club." MELUS 19, no. 1 (1994): 3. http://dx.doi.org/10.2307/467784.

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12

TANRITANIR, BÜLENT CERCİS. "STRUGGLE FOR AN IDENTITY IN AMY TAN S THE JOY LUCK CLUB." Journal of International Social Research 10, no. 48 (February 28, 2017): 123–28. http://dx.doi.org/10.17719/jisr.2017.1484.

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13

Tangapiwut, Napat. "Women’s Fate and Faith as Told in Amy Tan’s the Joy Luck Club." MANUSYA 15, no. 1 (2012): 35–49. http://dx.doi.org/10.1163/26659077-01501003.

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Culturally, women, regarded as weak, submissive and emotional social entities, are destined to be silent and inferior to men in a patriarchal society; however, this long-established position for women has caused them shame which today has turned into angst, leading them to question traditions, breaking their silence, revealing their painful yet rebellious experience by means of storytelling, as well as encouraging and hoping for their descendants through self-assertion have a better future. The female Chinese American writer, Amy Tan, with her first renowned novel telling stories of Chinese diaspora in America, The Joy Luck Club (1989), expresses the writer’s faith in women’s better opportunities when they are able to articulate their needs and strengthen their self-determination. This paper discusses women’s fate and faith as shown through different Chinese-immigrant mothers’ life stories that are revealed to their American-born daughters who face a dilemma in life. The mothers’ stories aim to empower their daughters and help them find solutions. Storytelling is an important means for the Chinese-immigrant mothers to communicate with their daughters, inuring the children to back to their ethnic roots, to better knowing about themselves thereby ensuring them their right to choose for their own happiness. To sum up, even if women are fated to be born at a disadvantage, they can have faith in themselves if they struggle hard enough for the chance and change. More or less, women’s fate and faith are likely to go hand in hand like two sides of the same coin, as do sorrow and joy in a person’s life.

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14

Yuan, Henan. "Chinese American Women’s Traumas and Healing in Amy Tan’s The Joy Luck Club." Modern Studies in English Language & Literature 63, no. 2 (May 31, 2019): 237–59. http://dx.doi.org/10.17754/mesk.63.2.237.

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15

Wang, Xiaotao. "Transnationalism in Maxine Hong Kingston’s China Men and Amy Tan’s The Joy Luck Club." Journal of Education and Culture Studies 4, no. 2 (May 20, 2020): p122. http://dx.doi.org/10.22158/jecs.v4n2p122.

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Chinese American literature is commonly interpreted as the narrative of the living experiences of Chinese Americans. Under the past nation-state research paradigm, Chinese American literature critics both in China and America are preoccupied with the “assimilation” of immigrants and their descendants in Chinese American literature texts, they argue that Chinese culture is the barrier for the immigrants to be fully assimilated into the mainstream society. But putting Chinese American literature under the context of globalization, these arguments seem inaccurate and out of date. This article examines the transnational practices and emotional attachments in Maxine Hong Kingston’s China Men and Amy Tan’s The Joy Luck Club to show that the identity in these two works are neither American nor Chinese, but transnational. Thus, Chinese American literature is not the writing of Chinese Americans’ Americanness, but a celebration of their transnationalism.

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16

Fickle, T. "American Rules and Chinese Faces: The Games of Amy Tan's The Joy Luck Club." MELUS: Multi-Ethnic Literature of the United States 39, no. 3 (June 5, 2014): 68–88. http://dx.doi.org/10.1093/melus/mlu024.

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17

Fadla, Sara, and Yousef Awad. "Memory Mechanisms in Tan’s The Joy Luck Club and Darraj’s The Inheritance of Exile." Journal of Critical Studies in Language and Literature 2, no. 2 (January 19, 2021): 11–21. http://dx.doi.org/10.46809/jcsll.v2i2.54.

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This article discusses the mechanisms of memory and the schemes of transcending past recollections in Chinese American novelist Amy Tan’s The Joy Luck Club (1989) and Arab American novelist Susan Darraj’s Inheritance of Exile (2007). Both texts highlight the dialectical representations of remembrance in diasporic narratives. Consequently, the article underscores the intersectionality of memory, healing, and ethnic identity in both novels. Tan’s and Darraj’s novels foreground memory narratives in which self-recovery and wholeness of identity are closely examined. The paper is a comparative study that examines the dialectics and divergent forces of memory representations in Tan’s and Darraj’s novels through scrutinizing the power of remembering in strengthening and/or justifying the characters’ enchantment of the present or their glorifying of the past.

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18

Williany, Vania, and Didimus E. Turuk. "Spivak�s Strategic Essentialism Reading on Amy Tan�s �The Red Candle�." Indonesian Journal of English Language Studies (IJELS) 5, no. 1 (December 12, 2019): 11–17. http://dx.doi.org/10.24071/ijels.v5i1.2309.

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This paper analyzes the struggle of a Chinese-American woman in The Red Candle, one of the vignettes in Amy Tans novel The Joy Luck Club (1989). The main character namely Lindo Jong, is confined with patriarchy and tradition and is forced to marry her fiance at her teenage. Fascinatingly, Lindo can free herself from the arranged marriage and her oppressive new family by a clever scheme. Spivaks strategic essentialism is then applied to scrutinize this particular issue. Indeed, by strategic essentialism, Lindo still upholds her value as a Chinese woman and her respect to her filial piety, also, she can obtain her own independence as a woman.Keywords: Chinese-American woman, patriarchy, tradition, strategic essentialism

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19

Hu, Zhihua, and Maria Teresa Roberto. "Tradução do Hibridismo: Análise da Versão Portuguesa de “The Joy Luck Club” de Amy Tan." Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 72, no. 2 (May 31, 2019): 245–72. http://dx.doi.org/10.5007/2175-8026.2019v72n2p245.

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As a writer of American literature, while being of Chinese extraction, Amy Tan was born and raised in the United States. In her works, we sometimes notice the appearance of marks of the Chinese language, which is sometimes evident in the discourse of a bilingual person. In addition, her works are also full of cultural words strongly linked to traditional Chinese culture that, when translated, find lexical gaps in the target language, producing divergence and loss of meaning. Through the analysis of linguistic and cultural hybridity in the Portuguese translation of The Joy Luck Clubby her, we intend to highlight how these hybrid phenomena are transposed from the source text to the target text, to help readers better understand the functions and translational results of these hybrid phenomena.

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Chintescu, Maria Cristina. "Mothers and Daughters in Amy Tan’s The Kitchen God’s Wife and The Joy Luck Club." Philologia 18, no. 18 (2020): 41–50. http://dx.doi.org/10.18485/philologia.2020.18.18.4.

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21

Kadhim, Nibras Jawad. "LIVING BETWEEN TWO WORLDS: COMMUNICATION AND CULTURAL IDENTITY IN AMY TAN'S THE JOY LUCK CLUB." International Journal of Research in Social Sciences and Humanities 11, no. 1 (February 20, 2021): 140–63. http://dx.doi.org/10.37648/ijrssh.v11i01.010.

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22

Davis, Rocío G. "Wisdom (un)heeded : Chinese mothers and American daughters in Amy Tan's "The Joy Luck Club"." Cuadernos de Investigación Filológica 19 (July 16, 2013): 89. http://dx.doi.org/10.18172/cif.2335.

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23

Cui, Jiahui. "The Differences of Family Education between China and the United States in The Joy Luck Club." Journal of Education, Teaching and Social Studies 4, no. 1 (February 28, 2022): p18. http://dx.doi.org/10.22158/jetss.v4n1p18.

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Along with the development of globalization, cultural differences among different countries have been brought into our focus. Family education, plays an irreplaceable role in our educational process, and is also a special and essential aspect in various cultures. This paper will analyze the differences of family education between the Chinese culture and American culture through Amy Tan’s work The Joy Luck Club. The differences mainly include the aspects of aim of education, content of education, requirements of education, views of family relationship and different ways used in education. Through comparing the different results brought by different styles of family education, it helps readers to learn cultural differences between China and the United States in the aspect of family education, and make them respect different cultures and realize the importance of family education.

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24

Wang, Chenying. "LA RETROTRADUCCIÓN DE LA LITERATURA CHINOAMERICANA A LA CULTURA CHINA: ANÁLISIS COMPARATIVO DE LAS VERSIONES CHINAS DE THE JOY LUCK CLUB DE AMY TAN." Entreculturas. Revista de traducción y comunicación intercultural, no. 7-8 (January 1, 2016): 67–91. http://dx.doi.org/10.24310/entreculturasertci.vi7-8.11328.

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Amy Tan, autora representativa de la literatura chinoamericana, logró abrir al público chino la puerta que conduce al mundo maravilloso en que viven los seres in-between. En este trabajo, estudiaremos la retrotraducción a la cultura china de The Joy Luck Club, novela más exitosa de la misma autora, comparando sus tres versiones chinas con el fin de analizar las distintas estrategias traslativas que adoptan las traductoras: mantener lo distintivo de la cultura chinoamericana con el fin de hacer a los lectores chinos tener en cuenta la diferencia que existe entre la cultura chinoamericana y la china o preservar la pureza de la cultura china, omitiendo o corrigiendo lo que no le parece “auténtico” a la traductora desde un punto de vista tradicional china.

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25

Borhan, Abbasali, and Alireza Anushiravani. "Third-Space Encounters and Unexpected Forms of Resistance in Amy Tan's The Joy Luck Club." International Letters of Social and Humanistic Sciences 69 (May 2016): 107–18. http://dx.doi.org/10.18052/www.scipress.com/ilshs.69.107.

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This paper sets out to investigate Amy Tan'sThe Joy Luck Club, a liminal work written in-between cultures, in the light of Homi Bhabha’s concept of the third space as a site of transformation and transvaluation. It is argued that Tan’s novel is implicated in unexpected forms of resistance as a result of its placement in the borderland of cultures. Thus, exploring the discursive fissures and ideological ruptures inscribed in the novel, the authors seek to bring to fore how the very mainstream accounts of Chinese culture and orientalist archive of knowledge in which the work is embedded are contested in the third-space enounters between subjects of different cultures. Orientalism, Western feminism, American Dream, and multiculturalism are some of the major discourses whose truthfulness and serenity are shown to be precarious and open to questioning, hence the recuperation of the subaltern’s voice through this contrapuntal reading.

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Liu, Yuanyuan, and Lingling Liu. "Interpretation of the Mother-Daughter Relationship in the Joy Luck Club from the Perspective of Transitivity System." English Literature and Language Review, no. 56 (June 10, 2019): 97–102. http://dx.doi.org/10.32861/ellr.56.97.102.

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The Joy Luck Club written by Amy Tan depicts the lifestyle of foreign citizens of Chinese origin. It consists of many stories in which children born in the United States but educated in a Chinese way are destined to have some conflicts with their Chinese born parents due to different environments they were born in. This thesis, based on functional grammar put forward by Halliday, endeavors to focus on the analysis of the mother-daughter interaction in one of the four families—Jing-mei Woo’s family from the perspective of transitivity system so as to shed light on the personalities of these characters. After carrying out the corresponding analysis, a conclusion can be made that the daughter is a person with her own mind and she pursues freedom and independence all her life, while her mother is a person attaching great importance to the obedience from her daughter.

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27

Hamilton, Patricia L. "Feng Shui, Astrology, and the Five Elements: Traditional Chinese Belief in Amy Tan's The Joy Luck Club." MELUS 24, no. 2 (1999): 125. http://dx.doi.org/10.2307/467703.

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Afandi, Mujad Didien. "The Shift in Gender Roles in Amy Tan’s 'The Joy Luck Club' and Khaled Hosseini’s 'The Kite Runner'." Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya 8, no. 1 (December 10, 2020): 1. http://dx.doi.org/10.26714/lensa.8.1.2018.1-21.

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The unfair gender roles under patriarchal system are constructed to preserve gender inequality between men and women. Gender role practices extend gradually to maintain the male hegemony to make women powerless because female traditional gender roles (femininities) create dependency to men. Men are assigned to masculinities equipped with power, whereas women are ascribed to femininities to set boundaries that limit their movement. Yet, the increase of female awareness of gender equality has changed this situation. Gender roles are gradually shifting from traditional to modern as the opportunities to receive education and job open widely to develop women's roles that enable them to give financial contribution to the family. This study was purposed to analyze the shift in gender roles in 'The Joy Luck Club' and 'The Kite Runner'. This study used qualitative design in which Chinese traditional gender roles were described using Confucian perspective, whereas Afghan traditional gender roles were exposed in Islamic perspective. Moreover, Karl Marx's conflict theory was used to analyze the shift in gender roles in both novels. The results of study found that the construction of traditional gender roles in both China and Afghanistan was influenced mostly by patriarchy which perceives men as more superior than women. However, the dynamic changes of gender roles, especially femininities, supported by the increase of female education and occupation provide women with more power to achieve development. Further studies are encouraged to analyze other gender roles which have not discussed in this study.

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Harrison, Patricia Marby. "Genocide or Redemption? Asian American Autobiography and the Portrayal of Christianity in Amy Tan's The Joy Luck Club and Joy Kogawa's Obasan." Christianity & Literature 46, no. 2 (March 1997): 145–68. http://dx.doi.org/10.1177/014833319704600203.

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Kordel, Patrycja. "The Transformation of the Mother-Daughter Relationship in Amy Tan’s The Joy Luck Club and The Bonesetter’s Daughter." Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre 2, no. 2 (December 30, 2014): 21–28. http://dx.doi.org/10.18778/2353-6098.2.10.

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The mother/daughter bond is the central subject of Amy Tan’s two powerful books, The Joy Luck Club and The Bonesetter’s Daughter. Tensions that arise in the novels between a Chinese mother and her Chinese-American daughter are often described by the critics as being the result of two important factors. One is based on the misunderstandings caused by the generational gap, while the other comes from the cultural gap. For a Chinese-born mother the American reality instigates various confusions, as she still views her life with the eyes of her traditional Chinese upbringing. On the other hand, her daughter lacks any profound knowledge about her Chinese ethnicity, which makes her unable to recognize the influences of her mother’s Chinese past over their relationship. But in her novels Tan portrays also the relationship between the Chinese immigrant mother and her mother in China. Their relationship, which grew up exclusively on the grounds of the Chinese culture, is characterized by empathy and appreciation. In this paper I am going to discuss the change that occurred to the mother-daughter relationship after it has been replanted into a different cultural context. The line of argument will reveal in what ways the mother-daughter relationship underwent a significant transformation.

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31

Saint-Martin, Lori. "« Ta mère est dans tes os » : Fae Myenne Ng et Amy Tan ou le passage des savoirs entre la Chine et l’Amérique." Études littéraires 28, no. 2 (April 12, 2005): 67–80. http://dx.doi.org/10.7202/501122ar.

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Deux romans de jeunes Chinoises-Américaines, Bone de Fae Myenne Ng et The joy Luck Club d'Amy Tan, illustrent à merveille une nouvelle tendance de la littérature américaine : l'émergence d'un nouveau corpus d'oeuvres rédigées en anglais par des immigrants de première ou de deuxième génération. Occupées à concilier un passé chinois qu'elles ne connaissent qu'à travers les récits de leurs parents et un présent américain dans lequel elles s'inscrivent en quelque sorte de biais, les protagonistes de ces romans ont à passer de la Chine à l'Amérique, du chinois à l'anglais, de l'oral à l'écrit. Il est également question de la manière dont le rapport à l'héritage chinois (et à la mère qui en est l'emblème) donne lieu à une construction identitaire complexe et mobile, le tout imprimant au roman sa forme particulière.

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El-Sameea’ Monir, ZeinabAbd. "Testimony and Memory Narrative of Traumatic Events as A Way to Survive in Amy Tan’s The Joy Luck Club." مجلة کلیة الآداب جامعة الفیوم 18, no. 18 (June 1, 2018): 855–83. http://dx.doi.org/10.21608/jfafu.2018.62023.

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Marc Singer. "Moving Forward to Reach the Past: The Dialogics of Time in Amy Tan's The Joy Luck Club." Journal of Narrative Theory 31, no. 3 (2001): 324–52. http://dx.doi.org/10.1353/jnt.2011.0063.

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34

Bhandari, Nagendra Bahadur. "Reinventing Cultural Identities in Diaspora: A Mother-Daughter Dyad in Tan's Narratives." Tribhuvan University Journal 32, no. 1 (July 1, 2018): 261–72. http://dx.doi.org/10.3126/tuj.v32i1.24792.

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Immigrants suffer problematic cultural identities due to their bicultural allegiances to their host and native cultures. They can not be totally free from their ‘being’, the shared cultural and historical experiences. As a result, they follow their cultural practices of native country even in their diasporic existences. At the same time, they adopt and follow the cultural practices of the host country. In fact, they are living in the cultural third space simultaneously oscillating between two cultures. In such cultural in-between’s, the first generation and the second generation immigrants undergo different experience in diaspora. In this article, Chinese American writer Amy Tan’s two fictions namely The Joy Luck Club and The Bonesetter’s Daughter are analyzed focusing on cultural identities of second generation immigrants. The second generation in these narratives is the daughters of Chinese immigrant mothers. Their relationship with their mothers unfolds their simultaneous attraction and distraction to the both native and host culture. Consequently, their cultural identities remain unstable, blurred and in the processes of transformation in the cultural third space of diaspora.

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35

Salah Mohammed Fayek, Ehab. "Empowering Women in Patriarchal Societies: A Feminist Study of Amy Tan's Novels The Joy Luck Club and The Kitchen God's Wife." مجلة کلیة الآداب جامعة الفیوم 16, no. 16 (July 1, 2017): 792–802. http://dx.doi.org/10.21608/jfafu.2017.63513.

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36

Artemieva, Polina Sergeevna. "Communicative and Discoursive Aspect of the Study of the Symbol of Culture (based on the novel «The Joy Luck Club» by Amy Tan)." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 14, no. 2 (2014): 9–12. http://dx.doi.org/10.18500/1817-7115-2014-14-2-9-12.

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37

Jiang, Shan. ""Implications of the Expressions in Amy Tan’s Works in the Perspective of Feminism: Focusing on The Joy Luck Club, The Kitchen God’s Wife, and The Bonesetter’s Daughter"." Journal of Humanities and Social sciences 21 13, no. 4 (August 30, 2022): 1603–16. http://dx.doi.org/10.22143/hss21.13.4.112.

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38

KOYUNCU CANİŞ, Fatma. "MOTHER-DAUGHTER BONDS (MOTHERHOOD) IN AMY TAN'S NOVELS THE KITCHEN GOD'S WIFE AND THE JOY LUCK CLUB AND IN DOROTHY ALLISON'S NOVELS BASTARD OUT OF CAROLINA AND CAVEDWELLER." Journal Of History School 7, no. XVIII (January 1, 2014): 235–45. http://dx.doi.org/10.14225/joh550.

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39

Igeleke, Ebony, Maya Marie, Kristina Huddleston, and Stephen Fife. "The Joy Luck Club." Journal of Feminist Family Therapy 22, no. 3 (August 24, 2010): 236–41. http://dx.doi.org/10.1080/08952833.2010.499757.

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40

Fong, Yem Siu, and Amy Tan. "The Joy Luck Club." Frontiers: A Journal of Women Studies 11, no. 2/3 (1990): 122. http://dx.doi.org/10.2307/3346838.

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Nevins, A., and R. Fong. "The Joy Luck Club." Gerontologist 35, no. 2 (April 1, 1995): 284–85. http://dx.doi.org/10.1093/geront/35.2.284a.

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Yeh, Nick (Chi-Shu). "Watching Joy Luck Club: Theorizing the Anachronism." International Journal of the Humanities: Annual Review 8, no. 2 (2010): 311–20. http://dx.doi.org/10.18848/1447-9508/cgp/v08i02/42859.

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Conceison, Claire A. "Translating Collaboration: "The Joy Luck Club" and Intercultural Theatre." TDR (1988-) 39, no. 3 (1995): 151. http://dx.doi.org/10.2307/1146470.

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Shear, Walter. "Generational Differences and the Diaspora inThe Joy Luck Club." Critique: Studies in Contemporary Fiction 34, no. 3 (April 1993): 193–99. http://dx.doi.org/10.1080/00111619.1993.9933826.

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Yi, Liu. "The Voice of a Feminist: The Joy Luck Club." Comparative Literature: East & West 5, no. 1 (March 2003): 217–25. http://dx.doi.org/10.1080/25723618.2003.12015649.

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Zhou, Geng. "The Eco-discourse Analysis of The Joy Luck Club." English Literature and Language Review, no. 56 (June 15, 2019): 103–10. http://dx.doi.org/10.32861/ellr.56.103.110.

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Abstract:

This paper spotlights one of the most influential Chinese American novels, ‘The Joy Luck Club’. Broadly adhering to the principles and orientations of Eco-discourse analysis and using Halliday’s systemic-functional grammar as a framework of analysis, this study uncovers ideologies pointing to an asymmetrical power structure between the mother and the daughter and discusses the underlying Chinese philosophy of mother, which helps daughter find her genuine identity. This paper concludes with revealing the true contradiction behind the conflict of mother-daughter, i.e., the two distinct value systems, and expect people to think and act ecologically, promoting the development of eastern eco-ideology.

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Gao, Zheng. "Chinese Elements in The Joy Luck Club and Conceptual Blending." OALib 08, no. 02 (2021): 1–15. http://dx.doi.org/10.4236/oalib.1107139.

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Yin, Jing. "Constructing the Other: A Critical Reading ofThe Joy Luck Club." Howard Journal of Communications 16, no. 3 (July 2005): 149–75. http://dx.doi.org/10.1080/10646170500207899.

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Wei, Jiaoliu. "The Impact of the Characters’ Traumatic Memories on Their Family Patterns in The Joy Luck Club." Theory and Practice in Language Studies 12, no. 2 (February 1, 2022): 388–94. http://dx.doi.org/10.17507/tpls.1202.23.

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In recent years, the study of The Joy Luck Club cannot get rid of the words “cultural conflict between the East and the West”, “post-colonial feminism”, “Chinese identity”, “mother-daughter relationship”. And Tan’s The Joy Luck Club on the surface seems to write about the mode of getting along with mothers and daughters and their difficult life under the conflicts of the two cultural backgrounds between China and the United States. But making a deep analysis, the family formed by them has a unique family model, and in addition to Chinese and Western cultural conflicts and other factors that affect these four families, there is also the traumatic memory of the mothers and daughters. This paper attempts to analyze the traumas of four couples of mothers and daughters in the novel, explore the sources of these traumas. Furthermore, it will explore the impact of these traumas on the relationship between mothers and daughters, and then find out what kind of family model will be formed by the traumatized mothers and daughters.

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Souris, Stephen. ""Only Two Kinds of Daughters": Inter-Monologue Dialogicity in The Joy Luck Club." MELUS 19, no. 2 (1994): 99. http://dx.doi.org/10.2307/467727.

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