Relevant bibliographies by topics / Amy Joy Luck Club

Academic literature on the topic 'Amy Joy Luck Club'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Amy Joy Luck Club"

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Sun, Jiani. "The Miniature of The Second Sex in The Joy Luck Club." Learning & Education 10, no. 2 (September 16, 2021): 118. http://dx.doi.org/10.18282/l-e.v10i2.2298.

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The Joy Luck Club written by Amy Tan describes the stories of four mothers and daughters in which the concept the Other raised by Simon de Beauvoir in The Second Sex is indicated as they fought for themselves.
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KOSTOVA-PANAYOTOVA, Magdalena. "WHEN FATE PLAYS MAHJONG (AMY TAN ‘THE JOY LUCK CLUB’)." Ezikov Svyat (Orbis Linguarum), ezs.swu.v20i2 (May 30, 2022): 299–305. http://dx.doi.org/10.37708/ezs.swu.bg.v20i2.15.

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The article considers the way of formation of the concept of comparative literature today as associated with crossing borders, rejecting binary oppositions, striving for openness, expanding and breaking the canon. Amy Tan, a Chinese descent writer, is one of the new American literature writers whose novels convey the consequences of inclusion in the literary canon and the complex cultural hybridity of the dioecious author, who is not "white," is and is a woman. The game of mahjong (the meanings of which are sparrows or a flock of sparrows) is not only their way of having fun but also their way to challenge destiny, to reshuffle and rearrange the "tiles," or the "hand" life has given them in a patriarchal preordered world; to connect the similar signs and to change what was written just as the game itself changes according to their moves. Although different from one another, the four „sparrows” are strong enough and smart enough to stand tall against misery and create a new life both for themselves and their daughters. Precisely why the hope for passing the baton to the next generation, the care, and the joy are at the core of the novel's main messages. This hope is realized through the mother-daughter relationship, which occupies a central place in the story, pushing away all other relationships (mothers-sons, fathers-daughters, and husband-wife), and the emotional center of the described world: eight separate yet interconnected lives. This novel is a parable about how mothers, through their memory, history, imagination, remain inside their daughters, how human experience, pain, and hope are transmitted, and in this way, the parable has universal characteristics.
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Zamruddin, Mardliya Pratiwi. "The Representation of Amy Tan's Background in Her Novel The Joy Luck Club." ELS Journal on Interdisciplinary Studies in Humanities 2, no. 4 (January 29, 2020): 633–44. http://dx.doi.org/10.34050/els-jish.v2i4.9156.

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Discourse stylistics focuses upon the largely implicit and highly ideological ‘background’ of the text. Mind style that is one of the traits of stylistics is going to be taken into account of doing the analysis since this research aims to find out about how the mind style of Amy Tan is shaped by her background in her way of writing and producing the novel The Joy Luck Club. The term ‘mind style’ (Leech and Short, 2007) is particularly appropriate where the choices made are consistent through a text or part of a text. This research is questioned whether or not Amy Tan’s Chinese background have influenced the novelist’s style as represented in her novel, The Joy Luck Club. This research describes the novel with a focus on the characters’ mind style in a stylistic and narrative approach. This research aims to attain the influence from the backgrounds of the novelist and the way the background affect the novelist’s style in producing literary work. The descriptions and explanations of scrutinizing the novel are hoped to provide examples of doing discourse stylistics to literary works. The specific use of Chinese words, the repetition use of pronouns, the presentation of Chinese superstitions have put so much contributions in shaping Amy Tan’s style in her works. Through her literary works, the novelist is able to show her readers linguistic journey through her wordplay style.
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Back, Angela. "“The Joy Luck Club” and guidance for Chinese young people in Australian Schools." Journal of Psychologists and Counsellors in Schools 4 (November 1994): 107–14. http://dx.doi.org/10.1017/s1037291100001953.

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“The Joy Luck Club” by Amy Tan, focuses upon some of the issues which are on-going concerns for Chinese students from a variety of Chinese countries when living in Western societies. Amy Tan would probably agree with Hsien Rin (1975) that “the Chinese have a remarkable capacity to incorporate other cultural components into the self and to formulate a double identity, all the while maintaining a deep sense of being Chinese” (p.155). Her characters certainly incorporate many of the American values and take on its protective colouring. The novel traces the way four sets of daughters – all Western women, professionals, born in America – are forced to explore their Chineseness through their relationships with their mothers. Amy Tan's quartet of American-born women are glimpsed as teenagers reacting against the ‘otherness’ which their ethnic background has loaded them with, struggling to find an identity for themselves apart from their families' (and particularly their mothers') views of what being a good daughter involves. It is only later, as they face up to some of the insecurities of adulthood, that they appreciate the strengths of Chinese family life and explore what it means to be Chinese.
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Ahmed, Mona A. M. Ahmed. "Pluralism, Acculturation and Assimilation in Amy Tan's The Joy Luck Club." Egyptian Journal of English Language and Literature Studies 8, no. 1 (December 1, 2017): 269–302. http://dx.doi.org/10.21608/ejels.2017.134019.

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Heung, Marina. "Daughter-Text/Mother-Text: Matrilineage in Amy Tan's "Joy Luck Club"." Feminist Studies 19, no. 3 (1993): 596. http://dx.doi.org/10.2307/3178102.

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Kareem, Ammar Ali, and Dr Fazel Asadi Amjad. "Cultural Clash and Self-Discovery: A Multicultural Study of Amy Tan’s the Joy Luck Club." International Journal of Psychosocial Rehabilitation 24, no. 03 (February 28, 2020): 82–89. http://dx.doi.org/10.37200/ijpr/v24i3/pr200759.

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Gallego, Mar. "Female Identity and Storytelling in Louise Erdrich's Tracks and Amy Tan's the Joy Luck Club." Philologia Hispalensis 2, no. 13 (1999): 131–37. http://dx.doi.org/10.12795/ph.1999.v13.i02.13.

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Yuan, Henan. "Trauma, Recovery, and Identity Construction in Amy Tan’s The Joy Luck Club." NEW STUDIES OF ENGLISH LANGUAGE & LITERATURE 78 (February 28, 2021): 297–317. http://dx.doi.org/10.21087/nsell.2021.02.78.297.

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Eli Park Sorensen. "Post-Migrant Subjectivity and Secondary Loss: Amy Tan’s The Joy Luck Club." Jungang Journal of English Language and Literature 54, no. 4 (December 2012): 563–77. http://dx.doi.org/10.18853/jjell.2012.54.4.023.

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Dissertations / Theses on the topic "Amy Joy Luck Club"

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Golchin, Simin. "The Process of Identity Formation in Amy Tan's The Joy Luck Club : Amy Tan´s The Joy Luck Club." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-10648.

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Like most ethnic and multicultural narratives, Amy Tan’s The Joy Luck Club revolves around the development of an identity in which immigrant experience and all the questions of ethno- cultural identity that attend to it play central roles. The aim of this essay is to investigate the process of identity formation of the second-generation Chinese immigrant daughters who encounter Chinese culture at home while having the immediate experience of living in America, with a focus on the cultural, language and generational gaps that exist between the Chinese mothers and their American- born daughters. This study is guided by a theoretical framework that combines postcolonial theory and a number of established theories of identity construction including the concept of hybrid identity in order to analyze and explore the American-born daughters’ identity creation. Based on this analysis, this paper presents evidence that an identity formation process that involves cultural hybridization has occurred and the outcome of this identity formation is that of a hybrid identity.
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Balakireva, Victoria. "The Mah Jong Game of Life : Storytelling, Identity and Orientalist Discourse in Amy Tan’s The Joy Luck Club." Thesis, Malmö universitet, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-45260.

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This project examines the connection between the representations of Chinese American women and the Orientalist discourse, as depicted in Amy Tan’s The Joy Luck Club. Using a deconstructive and intersectional approach, the project focuses on four interconnected constituents that regulate the novel’s main structural and thematic elements: Narrative Structure; Mother-Daughter Relationships; Language, Writing and Identity; and Feminist Affirmations. The project’s aim is to understand the logic of the novel’s representation by juxtaposing and analyzing the contrasting arguments within each of the sections. Though somewhat inconclusive, this project addresses the ambiguity of Tan’s work in hopes of expanding the critical understanding of the novel.
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Curton, Carman C. "Women Becoming: a Feminist Critical Analysis of Mother-Daughter Relationships in Amy Tan's "The Joy Luck Club" and "The Kitchen God's Wife"." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc500230/.

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This analysis of Tan's first two novels reveals that her female characters suffer from the strains critics like Amy Ling say result from the double paradox of filling the roles of mother or daughter as minority women in a white, male society. Recognizing this double paradox offers Tan's characters, and her readers, the opportunity to resolve the conflicts between mothers and daughters in The Joy Luck Club. Using the theories of psychologist Kathie Carlson helps readers understand how the protagonist of The Kitchen God's Wife resolves similar conflicts with her daughter and her own mother by seeking support from a mythic mother-figure, a Goddess of her own making.
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Hathaway, Rosemary Virginia. "Apart and a part : constructing identity in Maxine Hong Kingston's The Woman Warrior and Amy Tan's The Joy Luck Club." Connect to resource, 1991. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1261056219.

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Chen, Yongjiang. "From alienation to connection: the theme of alienation analyzed from a socialist feminist perspective in Amy Tan’s The Joy Luck Club." Thesis, Högskolan Dalarna, Engelska, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:du-16867.

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Wong, Ching-lun Helen. "Twice marginalized women's identities in a foreign land: an analysis of Jean Rhys's Wide Sargasso Sea and Amy Tan's the Joy Luck Club /." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31583994.

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Colón, Camille I. "Mother-daughter relationships in La casa de los espíritus and the Joy Luck Club an attempt to subvert patriarchal society in the quest for identity /." Diss., Connect to the thesis, 2004. http://thesis.haverford.edu/77/01/2004ColonC.pdf.

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Su, Suocai. "Inventing transnational Chinese American identities in Amy Tan's The Joy Luck Club, Shirley Geok-lin Lim's Among the white moon faces, and Shawn Hsu Wong's American knees." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1301632.

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My dissertation investigates how Chinese American writers invent transnational Chinese American identities in the 1980s and 1990s. In particular, I focus on Amy Tan's The JoyLuck Club (1989), Shirley Geok-lin Lim's Among the White Moon Faces: An Asian American Memoir of Homelands (1996), and Shawn Hsu Wong's American Knees(1995). 1 argue that Tan, Lim, and Wong challenge the conventional ideas of a singular, pure, and fixed identity but instead create Chinese American identities in the post-1965 era as multiple, hybrid, and constantly changing to accommodate to an open, diverse, and multicultural America. Specifically, in Tan's work, by describing both the conflicts and connections between the Chinese mothers and their American horn daughters, she represents a group of Chinese American women who transcend their cultural, generational, and linguistic differences to achieve an identity that connects the West with the East. In Lim's work, by portraying the domestic and international movements of herself as an immigrant, she reveals the long and painful process of negotiating multiple cultures and identities that enables her to change from a Chinese Malaysian to a new Asian American woman. In Wong's work, by focusing on how the fourth- and fifthgeneration of Chinese and/or Asian American men and women negotiate racial, ethnic, gender, and sexual identities, Wong meditates on what the term Asian American means in the new age. Together the three works reflect the range, diversity, and invention of contemporary Chinese American identities by Chinese American writers in the new era.
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Shultz, Rebekah Elizabeth. "The role of Taoism in the social construction of identity in The Joy Luck Club." CSUSB ScholarWorks, 2002. https://scholarworks.lib.csusb.edu/etd-project/2060.

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Wong, Ching-lun Helen. "Twice marginalized: women's identities in a foreign land: an analysis of Jean Rhys's Wide Sargasso Sea and AmyTan's the Joy Luck Club." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B31583994.

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Books on the topic "Amy Joy Luck Club"

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Harold, Bloom, ed. Amy Tan's Joy Luck Club. New York: Chelsea House, 2009.

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Amy Tan's The Joy Luck Club. Piscataway, N.J: Research & Education Association, 1996.

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Henriksen, John. Amy Tan's The Joy Luck Club. New York: Spark Pub., 2003.

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Harold, Bloom, ed. Amy Tan's The Joy Luck Club. New York: Chelsea House, 2010.

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C, Evans Robert, ed. The Joy Luck Club, by Amy Tan. Pasadena, Calif: Salem Press, 2010.

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Kramer, Barbara, and Barbara Kramer. Amy Tan, author of The Joy Luck Club. Springfield, N.J: Enslow Publishers, 1996.

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Burnham, Philip. Amy Tan's The Joy Luck Club: Teacher's guide. Washington, D.C: National Endowment for the Arts, 2006.

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The Joy Luck club. New York: G.P. Putnam's Sons, 1989.

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Tan, Amy. The Joy Luck Club. New York: Ivy Books, 1990.

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The Joy Luck Club. New York: Putnam's, 1989.

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Book chapters on the topic "Amy Joy Luck Club"

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Birkle, Carmen. "Tan, Amy: The Joy Luck Club." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18753-1.

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Chandra, Giti. "Immigration and Identity: Maxine Hong Kingston’s The Woman Warrior and Amy Tan’s The Joy Luck Club." In Narrating Violence, Constructing Collective Identities, 73–104. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230233904_5.

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Tan, Amy. "The Joy Luck Club." In A World of Difference, 37–61. London: Macmillan Education UK, 2008. http://dx.doi.org/10.1007/978-1-137-11037-4_3.

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Meisel, Perry. "Black and Tan: DuBois, Faulkner, and The Joy Luck Club." In Criticism After Theory from Shakespeare to Virginia Woolf, 89–101. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003278528-8.

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"BECOMING CHINESE: RACIAL AMBIGUITY IN AMY TAN’S THE JOY LUCK CLUB." In Literature and Racial Ambiguity, 93–115. Brill | Rodopi, 2002. http://dx.doi.org/10.1163/9789004334229_006.

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"Love, Loss and Forgiveness in Amy Tan’s The Joy Luck Club." In Webbing Vicissitudes of Forgiveness, 103–10. BRILL, 2014. http://dx.doi.org/10.1163/9781848882775_010.

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"A Reader’s Guide to Amy: Tan’s The Joy Luck Club: Molly H.Isham." In The Asian Pacific American Heritage, 454–79. Routledge, 2012. http://dx.doi.org/10.4324/9780203344590-54.

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"Amy Tan, The Joy Luck Club, New York: G. P. Putnam's Sons, 1989." In The Twentieth-Century American Fiction Handbook, 328–31. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444393675.ch66.

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"7. "A Possible Sharing": Ethnicizing Mother-Daughter Romance in Amy Tan's The Joy Luck Club." In Family Plots, 113–28. University of Pennsylvania Press, 1995. http://dx.doi.org/10.9783/9781512816808-009.

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"Constructing the Other: A Critical Reading of The Joy Luck Club." In The Global Intercultural Communication Reader, 143–62. Routledge, 2007. http://dx.doi.org/10.4324/9780203934982-19.

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Conference papers on the topic "Amy Joy Luck Club"

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Wan, Yongkun. "On Chinese Cultural Symbols in The Joy Luck Club." In 8th International Conference on Social Network, Communication and Education (SNCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/snce-18.2018.135.

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He, Yanan. "Regrettable Pursuits: Dual Narrative Voice in the Joy Luck Club." In 2014 International Conference on Education, Management and Computing Technology (ICEMCT-14). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icemct-14.2014.15.

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Xiangliu, Chen. "DIFFERENCES BETWEEN CHINESE AND WESTERN ETHICS BASED ON THE JOY LUCK CLUB." In International Symposium on Multidisciplinary Inclusive Education, Management and Legal Services (ISMIEMLS). Volkson Press, 2018. http://dx.doi.org/10.26480/ismiemls.01.2018.54.56.

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Guo, Huiqin. "Differences of Marital View between China and America in The Joy Luck Club under Cultural Dimensions Theory." In 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccessh-18.2018.206.

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Duan, Jieqiong. "Study on Cultural Identity from the Comparison Between "A House for Mr. Biswas" and "The Joy Luck Club"." In Proceedings of the International Conference on Contemporary Education, Social Sciences and Ecological Studies (CESSES 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/cesses-18.2018.117.

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Tang, Xue. "Exploring the Cultural Differences Between the US and China in “The Joy Luck Club” Through the Lens of Family Values." In 7th International Conference on Humanities and Social Science Research (ICHSSR 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210519.125.

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Zhang, Wei, and Wenhui Dou. "Study on Translator’s Subjectivity in the Light of Steiner’s Fourfold Translation Motion: A Case Study of the Aggression on Cheng Naishan’s Chinese Version of the Joy Luck Club." In 5th International Symposium on Social Science (ISSS 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200312.007.

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