Relevant bibliographies by topics / American Shakespeare Center (Staunton, Va.)

Academic literature on the topic 'American Shakespeare Center (Staunton, Va.)'

Author: Grafiati
Published: 27 July 2024
Last updated: 29 July 2024

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Journal articles on the topic "American Shakespeare Center (Staunton, Va.)"

1

Sloboda, Noel. "Thrive Presented by the American Shakespeare Center at the Blackfriars Theater, Staunton, VA, and: Twelfth Night Presented by the American Shakespeare Center at the Blackfriars Theater, Staunton, VA (review)." Shakespeare Bulletin 41, no. 1 (March 2023): 178–84. http://dx.doi.org/10.1353/shb.2023.a907997.

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Frankovich, Nora. "As You Like It Presented by the American Shakespeare Center at the Blackfriars Theater, Staunton, VA (review)." Shakespeare Bulletin 41, no. 1 (March 2023): 139–43. http://dx.doi.org/10.1353/shb.2023.a907999.

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Meyer, John M. "“Nor doth this wood lack worlds of company:” the American Performance of Shakespeare and the White-Washing of Political Geography." Multicultural Shakespeare: Translation, Appropriation and Performance 26, no. 41 (December 30, 2022): 119–46. http://dx.doi.org/10.18778/2083-8530.26.08.

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The paper examines the spatial overlap between the disenfranchisement of African Americans and the performance of William Shakespeare’s plays in the United States. In America, William Shakespeare seems to function as a prelapsarian poet, one who wrote before the institutionalization of colonial slavery, and he is therefore a poet able to symbolically function as a ‘public good’ that trumps America’s past associations with slavery. Instead, the modern American performance of Shakespeare emphasizes an idealized strain of human nature: especially when Americans perform Shakespeare outdoors, we tend to imagine ourselves in a primeval woodland, a setting without a history. Therefore, his plays are often performed without controversy—and (bizarrely) on or near sites specifically tied to the enslavement or disenfranchisement of people with African ancestry. New York City’s popular outdoor Shakespeare theater, the Delacorte, is situated just south of the site of Seneca Village, an African American community displaced for the construction of Central Park; Alabama Shakespeare Festival takes place on a former plantation; the American Shakespeare Center in Staunton, Virginia makes frequent use of a hotel dedicated to a Confederate general; the University of Texas’ Shakespeare at Winedale festival is performed in a barn built with supports carved by slave labor; the Oregon Shakespeare Festival takes place within a state unique for its founding laws dedicated to white supremacy. A historiographical examination of the Texas site reveals how the process of erasure can occur within a ‘progressive’ context, while a survey of Shakespearean performance sites in New York, Alabama, Virginia, and Oregon shows the strength of the unexpected connection between the performance of Shakespeare in America and the subjugation of Black persons, and it raises questions about the unique and utopian assumptions of Shakespearean performance in the United States.
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4

Stevens, Andrea. "The American Shakespeare Center 2007 Actors' Renaissance Season and the ASC 2007 Summer/Fall Season 2007 at the Blackfriars Playhouse, Staunton, Virginia." Shakespeare Bulletin 26, no. 1 (2008): 181–86. http://dx.doi.org/10.1353/shb.2008.0037.

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Quarmby, Kevin A. "Review of Shakespeare'sAll's Well That Ends Well(directed by Ralph Alan Cohen for the American Shakespeare Center) at the Blackfriars Playhouse, Staunton, Virginia, USA, 25 October 2013." Shakespeare 10, no. 3 (March 17, 2014): 332–35. http://dx.doi.org/10.1080/17450918.2014.890640.

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6

Mooney, Barbara Burlison. "Book ReviewsAndrew S. Dolkart. Biography of a Tenement House in New York City: An Architectural History of 97 Orchard Street. Santa Fe, NM, and Staunton, VA: Center for American Places (distributed by University of Virginia Press), 2006. 142 pp.; 47 black‐and‐white and 14 color illustrations. $35.00." Winterthur Portfolio 42, no. 4 (December 2008): 298–303. http://dx.doi.org/10.1086/592802.

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7

Davis, Matthew M. "Review of Shakespeare’s Romeo and Juliet (Directed by José Zayas for the American Shakespeare Center) at the Blackfriars Playhouse, Staunton, Virginia, 25 February 2022." Shakespeare, May 18, 2023, 1–4. http://dx.doi.org/10.1080/17450918.2023.2197864.

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Books on the topic "American Shakespeare Center (Staunton, Va.)"

1

Shakespeare in the Theatre: The American Shakespeare Center. Bloomsbury Publishing Plc, 2017.

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Karim-Cooper, Farah, Bridget Escolme, Paul Menzer, and Peter Holland. Shakespeare in the Theatre: The American Shakespeare Center. Bloomsbury Publishing Plc, 2017.

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Shakespeare in the Theatre: Shakespeare Theatre Company. Bloomsbury Publishing Plc, 2024.

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Shakespeare in the Light: Essays in Honor of Ralph Alan Cohen. Rowman & Littlefield Publishers, Incorporated, 2019.

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Shakespeare in the Theatre: Nicholas Hytner. Bloomsbury Publishing Plc, 2017.

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Karim-Cooper, Farah, Bridget Escolme, Stephen Purcell, Conor Hanratty, and Peter Holland. Shakespeare in the Theatre: Yukio Ninagawa. Bloomsbury Publishing Plc, 2020.

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Shakespeare in the Theatre: Peter Hall. Bloomsbury Publishing Plc, 2019.

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Shakespeare in the Theatre: Peter Hall. Bloomsbury Publishing Plc, 2019.

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Shakespeare in the Theatre: Tina Packer. Bloomsbury Publishing Plc, 2024.

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Shakespeare in the Theatre: Peter Hall. Bloomsbury Publishing Plc, 2019.

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