Books on the topic 'American music'

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1

Malone, Bill C. Southern music/American music. Lexington, KY: University Press of Kentucky, 2002.

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2

1952-, Stricklin David, ed. Southern music/American music. Lexington, Ky: University Press of Kentucky, 2003.

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3

Leibovitz, Annie. American music. London: Jonathan Cape, 2003.

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4

Mendelsohn, Jane. American music. New York: Alfred A. Knopf, 2010.

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5

American music. New York: Random House, 2003.

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6

Leibovitz, Annie. American music. New York: Random House, 2004.

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7

Martin, Chris. American music. Port Townsend, Wash: Copper Canyon Press, 2007.

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8

American music. New York: Vintage Contemporaries, 2011.

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9

American music. New York: Alfred A. Knopf, 2010.

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10

Mendelsohn, Jane. American music. New York: Alfred A. Knopf, 2010.

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11

American Minimal Music. London: Kahn & Averill, 1998.

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12

American popular music. Madison, Wis: Brown & Benchmark, 1993.

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13

Robert, Santelli, George-Warren Holly, and Brown Jim 1950-, eds. American roots music. New York, N.Y: H.N. Abrams, 2001.

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14

Afro-American music. London: Dryad Press, 1987.

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15

Joyner, David Lee. American popular music. 2nd ed. New York, NY: McGraw-Hill, 2003.

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16

American popular music. 3rd ed. Boston: McGraw-Hill Higher Education, 2008.

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17

American music is. Cambridge, MA: Da Capo Press, 2004.

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18

1923-1991, Smith Harry Everett, ed. American folk music. [Washington, DC: Smithsonian Folkways Recordings, 1997.

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19

Hentoff, Nat. American music is. Cambridge, MA: Da Capo Press, 2003.

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20

(Firm), Ginger Group, ed. American roots music. [New York, N.Y.?]: Ginger Group, 2003.

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21

Levin, Monroe. Clues to American music. Washington: Starrhill Press, 1992.

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22

African American music, spirituals: The fundamental communal music of Black Americans. 3rd ed. Culver City, Calif: Ikoro Communications, 2003.

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23

Candelaria, Lorenzo F. American music: A panorama. 3rd ed. Belmont, CA: Thomson/Schirmer, 2007.

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24

Diamond, Beverley. Native American music in eastern North America: Experiencing music, expressing culture. New York: Oxford University Press, 2008.

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25

Sablosky, Irving L. American Music. Univ of Chicago Pr (Tx), 1985.

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26

Stricklin, David, and Bill C. Malone. Southern Music/American Music. University Press of Kentucky, 2003.

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27

Stricklin, David, and Bill C. Malone. Southern Music/American Music. University Press of Kentucky, 2021.

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28

Stricklin, David, and Bill C. Malone. Southern Music/American Music. University Press of Kentucky, 2014.

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29

Carlin, Richard. American Popular Music: Folk (American Popular Music). Checkmark Books, 2007.

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30

Falanga, Patricia. American Music. Xlibris Corporation LLC, 2011.

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31

American Music. Copper Canyon Press, 2007.

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32

Eagle, Sonia. American music. Longman, 1991.

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33

Mendelsohn, Jane. American Music. Knopf Doubleday Publishing Group, 2010.

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34

Mendelsohn, Jane, and Carrington MacDuffie. American Music. Blackstone Pub, 2010.

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35

Leibovitz, Annie. American Music. Penguin Random House, 2010.

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36

Kingman, Daniel. American Music. Schirmer Books, 1998.

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37

Falanga, Patricia. American Music. Xlibris Corporation LLC, 2011.

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38

American Music. UXL, 2006.

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39

Graziano, John. Three Centuries of American Music: A Collection of American Sacred and Secular Music : American Chamber Music (Three Centuries of American Music). G K Hall, 1991.

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40

American Victorian Choral Music (Recent Researches in American Music). A-R Editions, 2005.

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41

Burnim. African American Music. Routledge, 2014. http://dx.doi.org/10.4324/9781315857671.

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42

Rethinking American Music. University of Illinois Press, 2019.

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43

Bomberger, E. Douglas. Making Music American. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190872311.001.0001.

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Nineteen seventeen, the year the United States entered World War I, was transformative for American musical culture. The European performers who had dominated classical concert stages for generations came under intense scrutiny, and some of the compositions of Austro-German composers were banned. This year saw the concurrent rise of jazz music from a little-known regional style to a national craze. Significant improvements in recording technology facilitated both the first million-selling jazz record and the first commercial recordings of full symphony orchestras. In a segregated country, as the US military wrestled with how to make use of several million African Americans who had registered for the draft, James Reese Europe broke down racial barriers with his Fifteenth New York National Guard Band. This book tells the story of this year through the lives of eight performers: orchestral conductors Karl Muck and Walter Damrosch, violinist Fritz Kreisler, pianist Olga Samaroff, contralto Ernestine Schumann-Heink, jazz cornetists Dominic LaRocca and Freddie Keppard, and army bandmaster James Reese Europe. Their individual stories, traced month by month through the eventful year of 1917, illuminate the larger changes that convulsed the country’s musical culture and transformed it in uniquely American ways.
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44

Ammons, Mark. American Popular Music. Twain Media, Incorporated Publishers, Mark, 2010.

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45

Joyner, David Lee. American Popular Music. 2nd ed. McGraw-Hill Humanities/Social Sciences/Languages, 2002.

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46

Browner, Tara, and Thomas L. Riis, eds. Rethinking American Music. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042324.001.0001.

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Abstract:
Only since the 1970s have the variety of American musical styles and sounds have been allowed to stand on their own two feet in the academic world. Recent efforts to place American music-making within new or heretofore neglected contexts are diverse and inevitably shift our consciousness about music’s meaning and impact in culture. This volume contains a series of commentaries or glosses, chapters about American music broadly understood that seek especially to explore four critical factors beyond the the familiar categories defined by repertory or biography alone: the impact of performance; the role of patronage in the creation of musical objects and events; personal identity; and how larger cultural/ethnographic contexts (community values, ethnic markers, and social relations) determine certain musical results. A related concern in many of the chapters is the way music is disseminated within listening communities—how it was made “popular”—and how it continues to exert a lasting influence across the rest of the globe. The topics to be found here are wide ranging and include many genres and perspectives (hymnody, concert music, jazz, country music, hip-hop, Tin Pan Alley, and Broadway song and dance, among other types), but each chapter is focused on specific performers, patrons, works, conditions, or institutions within its cultural context.
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47

American Music Teacher. Creative Media Partners, LLC, 2021.

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48

Howard, John. Our American Music. Reprint Services Corp, 1993.

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49

Lupton, Peggy. American Music Workbook. Kendall Hunt Publishing Company, 2016.

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50

Levereff, Les. American Music Legends. Cracker Barrel, 2005.

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