Journal articles on the topic 'American Folk and Theatre'
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Blackstone, Sarah. "The Theatre Museum of Repertoire Americana." Theatre Survey 41, no. 1 (May 2000): 89–93. http://dx.doi.org/10.1017/s0040557400004403.
Slavíčková, Petra. "Hurston's "real Negro theatre": participation observation of African American folk." Brno Studies in English 41, no. 2 (2015): 91–107. http://dx.doi.org/10.5817/bse2015-2-6.
Biers, Katherine. "Practices of Enchantment: The Theatre of Zora Neale Hurston." TDR/The Drama Review 59, no. 4 (December 2015): 67–82. http://dx.doi.org/10.1162/dram_a_00497.
Senelick, Laurence. "Offenbach, Wagner, Nietzsche: the Polemics of Opera." New Theatre Quarterly 32, no. 1 (January 7, 2016): 3–18. http://dx.doi.org/10.1017/s0266464x15000822.
Rapetti, Valentina. "Singing back to the Bard: A conversation on Desdemona with Rokia Traoré." Journal of Adaptation in Film & Performance 13, no. 3 (December 1, 2020): 337–44. http://dx.doi.org/10.1386/jafp_00035_7.
Sussman, Sally, and Tony Day. "Orientalia, Orientalism, and The Peking Opera Artist as ‘Subject’ in Contemporary Australian Performance." Theatre Research International 22, no. 2 (1997): 130–49. http://dx.doi.org/10.1017/s030788330002054x.
Scuderi, Antonio. "The Gospel According to Dario Fo." New Theatre Quarterly 28, no. 4 (November 2012): 334–42. http://dx.doi.org/10.1017/s0266464x12000632.
Mouton Kinyon, Chanté. "Foregrounding (Lost) Rituals in the Irish and Harlem Renaissances: John Millington Synge, Zora Neale Hurston, and the Transatlantic Gesture." Modern Drama 65, no. 4 (December 1, 2022): 499–521. http://dx.doi.org/10.3138/md-65-4-1128.
MARCUS, KENNETH H. "Mexican Folk Music and Theater in Early Twentieth-Century Southern California: The Ramona Pageant and the Mexican Players." Journal of the Society for American Music 9, no. 1 (February 2015): 26–60. http://dx.doi.org/10.1017/s1752196314000534.
Luo, Jun, and Guijun Li. "A Culturalist Interpretation of the Dark Brothers’ Sound Bitterness in Hughes’s I, Too, Sing America." Studies in Linguistics and Literature 2, no. 1 (February 28, 2018): 27. http://dx.doi.org/10.22158/sll.v2n1p27.
Deaville, James. "African-American Entertainers in Jahrhundertwende: Vienna Austrian Identity, Viennese Modernism and Black Success." Nineteenth-Century Music Review 3, no. 1 (June 2006): 89–112. http://dx.doi.org/10.1017/s1479409800000367.
Dzivaltivskyi, Maxim. "Historical formation of the originality of an American choral tradition of the second half of the XX century." Aspects of Historical Musicology 21, no. 21 (March 10, 2020): 23–43. http://dx.doi.org/10.34064/khnum2-21.02.
Bogatyrev, Pyotr. "Czech Puppet Theatre and Russian Folk Theatre." TDR/The Drama Review 43, no. 3 (September 1999): 97–114. http://dx.doi.org/10.1162/105420499760347351.
FitzPatrick Dean, Joan. "Irish Stage Censorship in the 1950s." Theatre Survey 42, no. 2 (November 2001): 137–64. http://dx.doi.org/10.1017/s0040557401000072.
Ashton-Sikora, Martha, and Basavaraj S. Naikar. "The Folk Theatre of North Karnataka." Asian Folklore Studies 57, no. 1 (1998): 179. http://dx.doi.org/10.2307/1179018.
Nandakumar, Prema, and Basavaraj S. Naikar. "The Folk Theatre of North Karnataka." World Literature Today 71, no. 2 (1997): 470. http://dx.doi.org/10.2307/40153271.
Sizova, Irina Igorevna. "Influence of Tolstoy’s Works on Folk Theatre." Filologičeskie nauki. Voprosy teorii i praktiki, no. 2 (February 2021): 294–306. http://dx.doi.org/10.30853/phil210044.
Pandey, Anjali. "PUPPETRY-THE TRADITIONAL FOLK THEATRE OF INDIA." International Journal of Research -GRANTHAALAYAH 5, no. 1 (January 31, 2017): 355–61. http://dx.doi.org/10.29121/granthaalayah.v5.i1.2017.1908.
Nekrylova, Anna. "The Leningrad puppet theatre and folk tradition." Contemporary Theatre Review 1, no. 1 (November 1992): 19–24. http://dx.doi.org/10.1080/10486809208568242.
Thiederman, Sondra B., and Clarence Meyer. "American Folk Medicine." Western Folklore 45, no. 3 (July 1986): 239. http://dx.doi.org/10.2307/1499447.
Nakienė, Austė. "Shifts in the Traditional Culture. Folksongs in the 21st Century City." Tautosakos darbai 49 (May 22, 2015): 171–92. http://dx.doi.org/10.51554/td.2015.29011.
Chaturvedi, Ravi. "Interdisciplinarity: A Traditional Aspect of Indian Theatre." Theatre Research International 26, no. 2 (June 15, 2001): 164–71. http://dx.doi.org/10.1017/s0307883301000177.
Fisher, James, Robert Brustein, and Irving Wardle. "Reimagining American Theatre." Theatre Journal 46, no. 3 (October 1994): 437. http://dx.doi.org/10.2307/3208636.
Krasner, David, Lisa M. Anderson, Nadine George-Graves, John Rogers Harris, Barbara Lewis, Henry Miller, and Harvey Young. "African American Theatre." Theatre Survey 47, no. 2 (September 12, 2006): 191–97. http://dx.doi.org/10.1017/s0040557406000159.
Parekh, Pratham, and Mahalaxmi Tiwari. "Folk Theatre as a Mean of Resistance and Social Change: A Sociological Inquiry About Inception and Need for Revitalization of Bhavai." ECS Transactions 107, no. 1 (April 24, 2022): 1933–42. http://dx.doi.org/10.1149/10701.1933ecst.
Phukon, Pranab, and Satyakam Borthakur. "‘Third Theatre’: A Media Closer to the Folk." Asian Journal of Research in Social Sciences and Humanities 5, no. 2 (2015): 148. http://dx.doi.org/10.5958/2249-7315.2015.00032.5.
Onyenankeya, Kevin, and Abiodun Salawu. "Folk Theatre: a potent vehicle for rural transformation." Journal of Multicultural Discourses 13, no. 4 (October 2, 2018): 348–61. http://dx.doi.org/10.1080/17447143.2019.1566344.
Vandermeer, Philip, and Kip Lornell. "Introducing American Folk Music." Notes 50, no. 3 (March 1994): 991. http://dx.doi.org/10.2307/898573.
Barber, C. Renate. "African American folk healing." Journal of the Royal Anthropological Institute 15, no. 3 (September 2009): 655–56. http://dx.doi.org/10.1111/j.1467-9655.2009.01577_24.x.
Fusco, Gianna. "Queer as American Folk." Comparative American Studies An International Journal 16, no. 3-4 (July 3, 2019): 154–73. http://dx.doi.org/10.1080/14775700.2019.1664104.
Ware, Frederick. "African American Folk Healing." Pneuma 30, no. 2 (2008): 367–68. http://dx.doi.org/10.1163/157007408x346717.
Villegas, Juan. "Historicizing Latin American Theatre." Theatre Journal 41, no. 4 (December 1989): 505. http://dx.doi.org/10.2307/3208011.
Aziz, Amna, Aniqa Rashid, Aqsa Aslam, Iqra Nazish, and Khadija Majeed. "RE (VIEWING) THREE-DIMENSIONAL WORLD OF PAKISTAN’S FOLK THEATRE ARTIST IN SAEED’S FORGOTTEN FACES: A PSYCHOANALYTICAL CRITIQUE." Humanities & Social Sciences Reviews 9, no. 3 (June 1, 2021): 671–78. http://dx.doi.org/10.18510/hssr.2021.9366.
Watson, Anna. "‘A Good Night Out’: When Political Theatre Aims at Being Popular, Or How Norwegian Political Theatre in the 1970s Utilized Populist Ideals and Popular Culture in Their Performances." Nordic Theatre Studies 29, no. 2 (March 5, 2018): 87. http://dx.doi.org/10.7146/nts.v29i2.104615.
Deswal, Neerja. "Indian Folk Theatre : History and Relevance of its Revival." Journal of National Development 31, no. 1 (July 1, 2018): 173–78. http://dx.doi.org/10.29070/31/57450.
Rosa, Marco Camarotti. "Animation, Affirmation, Anarchy: Folk Performance in Brazil." New Theatre Quarterly 14, no. 54 (May 1998): 159–81. http://dx.doi.org/10.1017/s0266464x00011982.
HAENNI, SABINE. "‘A Community of Consumers’: Legitimate Hybridity, German American Theatre, and the American Public." Theatre Research International 28, no. 3 (October 2003): 267–88. http://dx.doi.org/10.1017/s0307883303001135.
Wilson, James L. "Clementine Hunter: American Folk Artist." Woman's Art Journal 15, no. 1 (1994): 54. http://dx.doi.org/10.2307/1358506.
Zaslavsky, Claudia. "Symmetry In American Folk Art." Arithmetic Teacher 38, no. 1 (September 1990): 6–12. http://dx.doi.org/10.5951/at.38.1.0006.
Watts, Sarah H., and Patricia Shehan Campbell. "American Folk Songs for Children." Journal of Research in Music Education 56, no. 3 (October 2008): 238–54. http://dx.doi.org/10.1177/0022429408327176.
Mullen, Patrick B. "Belief and the American Folk." Journal of American Folklore 113, no. 448 (2000): 119. http://dx.doi.org/10.2307/541285.
Howell, Joyce Bernstein. "Encyclopedia of American Folk Art." Journal of American Culture 27, no. 4 (December 2004): 442–43. http://dx.doi.org/10.1111/j.1542-734x.2004.148_12.x.
Walker, Ethel Pitts. "Incorporating African-American Theatre into the Basic Theatre Course." Theatre Topics 2, no. 2 (1992): 99–104. http://dx.doi.org/10.1353/tt.2010.0062.
Adelt, Ulrich. "Folk City: New York and the American Folk Music Revival." Journal of American History 104, no. 1 (June 2017): 243–44. http://dx.doi.org/10.1093/jahist/jax104.
Aune, Vigdis. "Our Lady’s Folk: Creating authoritative aesthetic communication in documentary theatre." Applied Theatre Research 5, no. 3 (September 1, 2017): 239–53. http://dx.doi.org/10.1386/atr.5.3.239_1.
Kardhares, Dhionysios, and Elias S. Demas. "Dance, Music, and Song in Heptanese Folk Theatre: The ZakynthianHomilia." Dance Chronicle 26, no. 3 (January 10, 2003): 311–31. http://dx.doi.org/10.1081/dnc-120025268.
Riis, Thomas, and Gerald Bordman. "American Musical Theatre: A Chronicle." Notes 50, no. 3 (March 1994): 985. http://dx.doi.org/10.2307/898570.
Clum, John M., Don B. Wilmeth, and Tice Miller. "Cambridge Guide to American Theatre." American Literature 66, no. 2 (June 1994): 412. http://dx.doi.org/10.2307/2928023.
Hornby, Richard. "Crisis in the American Theatre." Hudson Review 51, no. 1 (1998): 171. http://dx.doi.org/10.2307/3853158.
Manna, Anthony L. "Milestones in American Children's Theatre." Children's Literature Association Quarterly 17, no. 4 (1992): 39–41. http://dx.doi.org/10.1353/chq.0.1014.