Relevant bibliographies by topics / Amanda (Amanda Jane)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Amanda (Amanda Jane)'

Author: Grafiati
Published: 20 February 2023

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Journal articles on the topic "Amanda (Amanda Jane)"

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Tuggey, Justin, and Andrea Norris. "Amanda Jane Tuggey (née Scotney)." BMJ 336, no. 7655 (May 29, 2008): 1255.7–1255. http://dx.doi.org/10.1136/bmj.39582.644826.be.

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Swanson, R. N. "The Written World: Past and Place in the Work of Orderic Vitalis. By Amanda Jane Hingst." Heythrop Journal 52, no. 3 (April 7, 2011): 474–75. http://dx.doi.org/10.1111/j.1468-2265.2011.00663_19.x.

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Green, J. A. "The Written World: Past and Place in the Work of Orderic Vitalis, by Amanda Jane Hingst." English Historical Review 127, no. 528 (September 28, 2012): 1190–91. http://dx.doi.org/10.1093/ehr/ces189.

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Pullin, Naomi. "Women and Petitioning in the Seventeenth-Century English Revolution: Deference, Difference and Dissent, by Amanda Jane Whiting." English Historical Review 133, no. 560 (December 15, 2017): 184–85. http://dx.doi.org/10.1093/ehr/cex375.

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Bitomsky, Jane. "Women and Petitioning in the Seventeenth-Century English Revolution: Deference, Difference, and Dissent by Amanda Jane Whiting." Parergon 33, no. 1 (2016): 254–56. http://dx.doi.org/10.1353/pgn.2016.0047.

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Albu, Emily. "Amanda Jane Hingst . The Written World: Past and Place in the Work of Orderic Vitalis . Notre Dame, Ind. : University of Notre Dame Press . 2009 . Pp. xxiii, 272. $40.00." American Historical Review 115, no. 4 (October 2010): 1204–5. http://dx.doi.org/10.1086/ahr.115.4.1204.

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Zaret, David. "Women and Petitioning in the Seventeenth-Century English Revolution: Deference, Difference, and Dissent. Amanda Jane Whiting. Late Medieval and Early Modern Studies 25. Turnhout: Brepols, 2015. xxvi + 368 pp." Renaissance Quarterly 69, no. 4 (2016): 1528–29. http://dx.doi.org/10.1086/690392.

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Thomas, Hugh M. "The Written World: Past and Place in the Work of Orderic Vitalis. By Amanda Jane Hingst. Notre Dame, Ind.: University of Notre Dame Press, 2009. xxiv+272 pp. $40.00 paper." Church History 79, no. 2 (May 18, 2010): 429–31. http://dx.doi.org/10.1017/s0009640710000132.

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Laliberté, Micheline. "Marie Jane Losier, Pour l’espoir et la dignité des lépreux à Tracadie : Amanda Viger, religieuse hospitalière, Moncton, Les Éditions de la Francophonie, 2003, 269 p. Traduit de l’anglais par Bertille Beaulieu. 25 $." Études d'histoire religieuse 71 (2005): 136. http://dx.doi.org/10.7202/1006626ar.

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Major, Philip. "Authorship and Authority: The Writings of James VI and I by Jane RickardBlack Lives in the English Archives, 1500-1677: Imprints of the Invisible by Imtiaz HabibFlaunting: Style and the Subversive Male Body in Renaissance England by Amanda Bailey." Modern Language Review 104, no. 1 (2009): 165–67. http://dx.doi.org/10.1353/mlr.2009.0384.

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Dissertations / Theses on the topic "Amanda (Amanda Jane)"

1

Sundqvist, Jill. "Fan fictions eller adaptioner? : Om Amy Heckerlings spelfilm Clueless (1996) och Debra White Smiths roman Amanda (2006) mot Jane Austens roman Emma (1815)." Thesis, Högskolan Dalarna, Litteraturvetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:du-16449.

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Det huvudsakliga syftet med min uppsats var att utifrån originalverket Emma (1815) avJane Austen kunna bedöma vad två verk som inspirerats av romanen bör klassificeras som.De två verken var romanen Amanda (2006) av författaren Debra White Smith ochspelfilmen Clueless (1995) av regissören Amy Heckerling. Till min hjälp har jag lästaktuell forskning inom de två termerna adaption och fanfiction och utifrån detta gjort enjämförande analys på verken. Resultatet blev oväntat vagt, det visade sig att begreppen lågnärmre varandra än vad jag trott från början. Båda verken kan till viss del ses som enadaption på originalverket, på samma sätt som de även kan ses som fanfiction. Slutsatsenär dock att de båda verken passar bäst in under termen profic, som är en underkategoriinom fanfiction där författaren/regissören tjänar pengar på sin modifikation och intepublicerat verket i exempelvis ett obetalt nätforum som hobbyaktivitet.
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Wiesenthal, Amanda Alice [Verfasser], Jan-Peter [Akademischer Betreuer] Hildebrandt, Christian [Akademischer Betreuer] Müller, Jan-Peter [Gutachter] Hildebrandt, and Michael [Gutachter] Weber. "Osmotolerance and studies of underlying mechanisms in Theodoxus fluviatilis / Amanda Alice Wiesenthal ; Gutachter: Jan-Peter Hildebrandt, Michael Weber ; Jan-Peter Hildebrandt, Christian Müller." Greifswald : Ernst-Moritz-Arndt-Universität, 2018. http://d-nb.info/1163394173/34.

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Connor, Amanda(Amanda Jane). "Memory and pattern : an interrogation of the privacy of consciousness through visual practice." Thesis, 2004. https://eprints.utas.edu.au/19175/1/whole_ConnorAmandaJane2004_thesis.pdf.

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In less than three years, I have accumulated over a million words in journal entries. The written outpourings constitute an intensely private realm, and yet I have sought to express the essence of the content and process of my written records, providing it with a visual form. My work features wooden constructions, including objects resembling letters of the alphabet, onto which I have transcribed hand-written fragments of text from the journal. The central investigation of my project concerns a dichotomy between creative expression and the privacy of consciousness, exploring the capacity of realms of creative expression to deal with this tension. Through artistic practice and through reference to other work, I have been evaluating the potential of employing a visual language, incorporating written text, to transcend the dilemma of expressing that which lies in a highly personal realm, but is nevertheless indicative of a craving to reach beyond the barrier of loneliness and isolation. The voice meanders in an incessant dialogue between concealment and revelation that finds its visual metaphor in the palimpsest. The creation of a haphazardly organized alphabet demonstrates the awkwardness of language and its limitations as a tool to penetrate beyond the surface of perception to objective truths, while the volume of written text expresses the relentless nature of a search for personal truth, which is specifically focussed on understanding the dialogue between ones perception and that which one perceives, in particular, embodiments of consciousness that exist outside of ones own. I have utilized moving images to enhance and magnify the issue of subjectivity. This component was explored at a later stage of my research, and marks a significant development in my thinking, in which I encountered a more optimistic understanding of the potential fluidity of subjectivity, distinct from earlier inclinations to regard the subjective realm as a fixed enclosure. The work's function is to glorify the dilemma without solving it, aiming to induce in the viewer a mesmerized awareness of the mystery and complexity of human experience.
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Ruler, Amanda Jane. "Culture of nursing homes : an ethnomethodological study / Amanda Jane Ruler." Thesis, 2000. http://hdl.handle.net/2440/19726.

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Bibliography: leaves 309-334.
Examines the culture of two nursing homes using an ethnographic method which is underpinned by ethnomethodology as a philosophical approach. The study shows how older and disabled people are seen to deviate from social norms and how society responds to their situation. Future directions for aged care are suggested, and include evidence based practice, primary nursing and the evolution of a nurse practitioner focussed model of care, with adequate support for nurses.
Thesis (Ph.D.) -- University of Adelaide, Dept. of Clinical Nursing, 2000
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Griffith, Emily. "Three women's formative experiences in art : Amalia Mesa-Bains, Miriam Schapiro and Jaune Quick-to-See Smith." Thesis, 2002. http://spectrum.library.concordia.ca/1944/1/MQ78006.pdf.

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This thesis examines the formative experiences of three significant contemporary women artists: Amalia Mesa-Bains, Miriam Schapiro and Jaune Quick-to-See Smith. Of particular interest is the question of how did their lives impact their vision of art and their place within the art world. By highlighting the similarities and differences in their artists' lives and careers, I show how art has played a formative role in their development as both women and as artists. This thesis was inspired, in part, by my course work at Concordia University. There, my professors taught me the importance of intertwining theory and practice in art education. When I moved to New York City in September of 1998 I was given the opportunity to see firsthand that fusion, at the Steinbaum Krauss Gallery where I worked. Bernice Steinbaum, the owner of the gallery, is a legendary supporter of women in America's art movement and has been for decades. The nature of my position at the gallery gave me the opportunity to engage in long conversations with the three artists I focus on in this thesis. I have not selected these artists randomly and, therefore, cannot declare any wide generalizations as a result of this work. However it is my belief that the words of these three women accurately describe the way many women artists see themselves and their role in art education
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Books on the topic "Amanda (Amanda Jane)"

1

Brewer, Susan. Fashionable World of Amanda Jane Dolls. Virtual Valley Publications, 2022.

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Russell, Charlotte Murray. Cook Up a Crime (Jane Amanda Edwards Mysteries). Rue Morgue Press, 1998.

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3

The Message of the Mute Dog (Jane Amanda Edwards Mysteries). Rue Morgue Press, 2001.

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4

Amanda Black: : la campana de Jade. Barcelona: B de Blok, 2022.

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5

GOMEZ-JURADO JUAN/MONTES BARBARA GOMEZ-JURADO JUAN/MONTES BARBARA. Amanda Black 4 - La Campana de Jade. B de Blok (Ediciones B), 2022.

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6

Grange, Amanda, Linda Berdoll, and Sharon Lathan. Jane Austen's Pride and Prejudice Sequel Bundle : 3 Reader Favorites : Mr. Darcy Takes a Wife by Linda Berdoll; Mr. Darcy's Diary by Amanda Grange; and Mr. and Mrs. Fitzwilliam Darcy: Two Shall Become One BySharon Lathan. Sourcebooks, Incorporated, 2010.

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Book chapters on the topic "Amanda (Amanda Jane)"

1

Ehrenfeld, David. "Jane Austen and the World of the Community." In Swimming Lessons. Oxford University Press, 2002. http://dx.doi.org/10.1093/oso/9780195148527.003.0041.

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For two weeks now, I have wallowed in sinful luxury, rereading the six completed Jane Austen novels (especially my favorite parts), basking in the warmth and wit of her collected letters, eagerly absorbing the details of her life from her best biographies, and attentively following the arguments of her leading literary critics. I also saw the recent movie versions of Sense and Sensibility and Persuasion, falling in love with Emma Thompson and Amanda Root in quick succession, and finished off my orgy with viewings of the BBC videos of Sense and Sensibility, Emma, Mansfield Park, Northanger Abbey, and Pride and Prejudice. Throughout—at least when I could remember to pay attention—I had two questions in mind. What does Jane Austen have to say about people, communities, and nature? And what is the cause of her resurgent popularity? Perhaps, I allowed myself to think, the questions are related. Answering the questions proved not so simple, but I did have fun trying. Sam and I read Aunt Jane’s letter, dated 8 Jan. 1817, to her nine-year-old niece Cassy, beginning: . . . Ym raed Yssac I hsiw uoy a yppah wen raey. Ruoy xis snisuoc emac ereh yadretsey, dna dah hcae a eceip fo ekac . . . . . . I read the amusingly mordant comments she could write about her neighbors, such as the one in her letter of 3July 1813 to her brother Francis, mentioning the “respectable, worthy, clever, agreable Mr Tho. Leigh, who has just closed a good life at the age of 79, & must have died the possesser of one of the finest Estates in England & of more worthless Nephews and Neices [sic] than any other private Man in the United Kingdoms.” I read the last chapters of Pride and Prejudice, Emma, and Persuasion each three times. I read once again about Catherine Morland’s cruel expulsion from Northanger Abbey, and about the ill-omened trip of Fanny Price, the Bertram sisters, and the Crawfords to the Rushworth estate, Sotherton, with its seductive, if too regularly planted, wilderness. And again I was privileged to accompany Emma Woodhouse, Miss Bates, Frank Churchill, and Mr. Knightly on the tension-charged picnic to Box Hill, surely one of the highest peaks in English literature.
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You might also be interested in the extended bibliographies on the topic 'Amanda (Amanda Jane)' for particular source types:
Journal articles
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