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1

Schmidt, K. P. Lärmminderung am Arbeitsplatz II: Beispielsammlung. Dortmund: Bundesanstalt für Arbeitsschutz, 1988.

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2

Karl-Marx-Städter Seminar über Festkörpermechanik und Bruchmechanik (70th 1986). Forschungsziele, Wege und Ergebnisse auf dem Gebiet der Körperschallentstehung, Ausbreitung und Abstrahlung: Vorträge anlässlich des 70. Karl-Marx-Städter Seminars über Festkörpermechanik und Bruchmechanik am 14. Mai 1986. Karl-Marx-Stadt: Akademie der Wissenschaften der DDR, Institut für Mechanik, 1986.

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3

Lärm an der Grenze: Fluglärm und Umweltgerechtigkeit am Beispiel des binationalen Flughafens Basel-Mulhouse. Stuttgart: Steiner, 2007.

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4

Erzähltes Wissen: Die Isländersagas in der Möðruvallabók (AM 132 fol.). Frankfurt am Main: Lang, 2001.

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5

Hastenrath, Jutta. Rezeptive Kompetenz: Aspekte der passiven Sprachbeherrschung am Beispiel des Altnordischen. Neuried: Ars una, 1994.

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6

Kutenplon, Deborah. Young adult fiction by African American writers, 1968-1993: A critical and annotated guide. New York: Garland Pub., 1995.

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7

Fleischman, Paul. Joyful Noise/I am Phoenix. Audio Bookshelf, 2001.

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8

Fleischman, Paul. Joyful Noise / I am Phoenix. Audio Bookshelf, 2001.

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9

Fleischman, Paul. Joyful Noise and I Am Phoenix. HarperChildrensAudio, 2003.

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10

Fleischman, Paul. Joyful Noise and I Am Phoenix. HarperChildrensAudio, 2003.

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11

Fleischman, Paul. Joyful Noise and I Am Phoenix/Audio Cassette. Caedmon Childrens Books, 1990.

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12

Beratungsbüro, Müller-BBM GmbH Schalltechnisches, North Rhine-Westphalia (Germany). Landesanstalt für Immissionsschutz., Ruhrgas AG Essen, and North Rhine-Westphalia (Germany). Ministerium für Umwelt, Raumordnung und Landwirtschaft., eds. Lärmschutz bei Wärmepumpen mit Verbrennungsmotoren: Dargestellt am Beispiel von Gasmotor-Wärmepumpen grösserer Leistung im Wohn- und Gewerbebau. [Düsseldorf]: Der Minister für Umwelt, Raumordnung und Landwirtschaft des Landes Nordrhein-Westfalen, 1988.

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13

Sprenger, Rolf-Ulrich. Abschatzung der innovativen Wirkungen umweltpolitischer Instrumente: Dargestellt am Beispiel des Systems Strassenverkehr (Ifo Studien zur Umweltokonomie). Ifo-Institut, 1998.

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14

I am Reading: Noisy Neighbours. Macmillan Childrens Books, 2010.

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15

(Illustrator), Colin West, ed. Sniffer's Golden Nose (I Am Reading). Kingfisher, 2006.

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16

Eiríks saga rauða: Texti Skálholtsbókar AM 557 4to. Reykjavík: Hið íslenzka fornritafélag, 1985.

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17

Fonneland, Trude. The Shamanistic Association. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190678821.003.0006.

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On March 13, 2012, a local shamanic association concerned with preserving Sámi and Norse shamanic traditions was granted status as a distinct religious community by the County Governor of Troms, northern Norway. In this chapter, I am concerned with what kinds of local, national, and global trends and discussions that have contributed to the formation of this particular local group. I also examine the process related to the Association’s development of shamanistic ceremonies and rituals.
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18

Why Am I So Noisy? Why Is She So Shy? Modern Learning Press, 1990.

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19

Halldórsson, Ólafur, and Københavns universitet Universitetsbiblioteket, eds. The Saga of King Olaf Tryggvason: AM 62 fol. Copenhagen: Rosenkilde and Bagger, 1993.

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20

(Editor), Fred L. Hord, Scott Jonathan Lee (Editor), and Jonathan Scott Lee (Editor), eds. I Am Because We Are: Readings in Black Philosophy. University of Massachusetts Press, 1995.

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21

L, Hord Fred, and Lee Jonathan Scott, eds. I am because we are: Readings in Black philosophy. Amherst: University of Massachusetts Press, 1995.

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22

(Editor), Jonathan Scott Lee, and Fred L. Hord (Editor), eds. I Am Because We Are: Readings in Black Philosophy. University of Massachusetts Press, 1995.

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23

editor, Swindell Todd, ed. I am going to fly through glass: Selected poems of Harold Norse ; illustrated with photographs of the poet. 2014.

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24

Barbour, Charles. Conclusion: Secretions. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424998.003.0006.

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The image is Francesca Woodman’s, a New York artist who worked in the 1970s and early 1980s, until she killed herself at the age of twenty-two. It is a photographic self-portrait. She is a woman holding a mirror up to her face – a fairly common trope in our artistic tradition, and one with which Woodman often engaged and manipulated throughout her tragically brief career. But the reflective side of the mirror is not directed at her, as we often see in such pictures. Rather, it is directed at us, or whoever happens to be looking at the image. In the mirror, we should see our face, or us looking back at ourselves, narcissistically, no doubt, or confidently self-aware. But we do not see ourselves. Rather, we see her back and the back of her head. In other words, and paradoxically, she faces us with her back turned towards us. She looks out at us looking at her refusing to look at us. Or is that the best and most felicitous interpretation? I am not sure. For, obviously, with the back of the mirror pressed up against her nose, she cannot see us either. We look at her not looking at us, facing forward, with her back to us. Or, perhaps, we somehow occupy her position, turning her back on herself, even as she, or we, are still able to watch her do so. We watch her ...
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25

Kutenplon, Deborah, Ellen Olmstead, and Ellen Olmstead. Young Adult Fiction by African American Writers, 1968-1993: A Critical and Annotated Guide. Taylor & Francis Group, 2015.

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