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1

Hubbell, Patricia. Black all around! New York: Lee & Low Books, 2003.

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2

Christine, Lawrie, ed. Block busters. Minneapolis: Stone Arch Books, 2008.

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3

Hudleston, Sarah. George Pemba, against all odds. Johannesburg: Jonathan Ball Publishers, 1996.

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4

ICP-Bard Program in Advanced Photographic Studies and Conveyor Arts, eds. All the black language. New York: School of the International Center of Photography, 2018.

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5

James, Elisabeth Sheryl. All Black voices count. Jackson, Miss: Town Square Books, 1998.

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6

Sammy Younge, Jr.: The first black college student to die in the black liberation movement. Washington, D.C: Open Hand Pub., 1986.

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7

The black sun. Jerusalem: KIP International publishing, 2014.

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8

Sutton, Sally. A is for All Black. Auckland [N.Z.]: Reed, 2006.

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9

George, Marsha Washington. Black radio--: Winner takes all. [Philadelphia, Pa.]: Xlibris, 2001.

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10

Howitt, Bob. Black: Where it belongs. Auckland: HarperCollins, 2011.

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11

Howitt, Bob. Black: Where it belongs. Auckland: HarperCollins, 2011.

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12

SOS/Calling All Black People: A Black Arts Movement Reader. Amherst: University of Massachusetts Press, 2014.

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13

All fall down. London: Marion Lloyd, 2013.

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14

Lafontaine, Pierre. Chevrolet small-block V-8 ID guide: Covers all Chevy small-block engines since 1955. Osceola, WI, USA: Motorbooks International, 1996.

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15

Palenski, Ron. Men in black: The first 500 tests. Auckland, New Zealand: Hodder Moa, 2013.

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16

Peterson, Carl. 2001 all grade U.S. plate block value estimates: Regular and commemorative issues from 1881 to 1965, and all airmails. Lake Ridge, VA]: C. Peterson, 2001.

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17

Black & white and pieced all over. Cincinnati, Ohio: Krause Publications, 2009.

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18

We are all the Black boy. Chicago: Tia Chucha Press, 1991.

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19

Block-Buster Quilts - I Love House Blocks: 14 Quilts from an All-Time Favorite Block. That Patchwork Place, 2017.

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20

Burns, Karen M. I Love Star Blocks: 16 Quilts from an All-Time Favorite Block. Martingale & Company, 2017.

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21

Barold, S. Serge. Atrioventricular conduction abnormalities and atrioventricular blocks: ECG patterns and diagnosis. Edited by Giuseppe Boriani. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198784906.003.0453.

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The diagnosis of first-degree and third-degree atrioventricular (AV) block is straightforward but that of second-degree AV block is more involved. Type I block and type II second-degree AV block are electrocardiographic patterns that refer to the behaviour of the PR intervals (in sinus rhythm) in sequences (with at least two consecutive conducted PR intervals) where a single P wave fails to conduct to the ventricles. Type I second-degree AV block describes visible, differing, and generally decremental AV conduction. Type II second-degree AV block describes what appears to be an all-or-none conduction without visible changes in the AV conduction time before and after the blocked impulse. The diagnosis of type II block requires a stable sinus rate, an important criterion because a vagal surge (generally benign) can cause simultaneous sinus slowing and AV nodal block, which can resemble type II block. The diagnosis of type II block cannot be established if the first post-block P wave is followed by a shortened PR interval or by an undiscernible P wave. A narrow QRS type I block is almost always AV nodal, whereas a type I block with bundle branch block barring acute myocardial infarction is infranodal in 60–70% of cases. All correctly defined type II blocks are infranodal. A 2:1 AV block cannot be classified in terms of type I or type II block, but it can be AV nodal or infranodal. Concealed His bundle or ventricular extrasystoles may mimic both type I or type II block (pseudo-AV block), or both
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22

All Fall Down. Candlewick Press, 2014.

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23

Grant, Stuart A., and David B. Auyong, eds. Ultrasound Guided Regional Anesthesia. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780190231804.001.0001.

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This clinically based, comprehensive textbook provides a detailed description of the most useful nerve blocks in ultrasound guided regional anesthesia. Four sections cover Basic Principles (including an appendix, “What Block for What Surgery?), Upper Limb Blocks, Lower Limb Blocks, and Trunk and Spine Blocks. The initial chapter provides a review of ultrasound physics that allows the practitioner to understand how to optimize the ultrasound machine to produce the best ultrasound images possible. This foundation, along with the clinical tips and step-by-step techniques for in-plane and out-of-plane needle guidance, make this instructive text useful for practitioners at all levels. The first chapter also includes seven Keys to Ultrasound Success and concludes with a clinical summary of which blocks to perform for specific surgeries or trauma situations. The specific blocks covered in the remaining chapters range from the classic femoral, interscalene, popliteal sciatic, and axillary blocks to more novel blocks such as the adductor canal, selective suprascapular, quadratus lumborum, and PECS blocks. Each block description includes a review of clinical anatomy, indications, positioning, and a step-by-step approach to ultrasound imaging and needle insertion. Ultrasound images are provided in both an unedited, clean version and a companion version that is clearly labeled, allowing the reader to compare the images side by side. Throughout the book, comprehensive photographs of ultrasound images, cadaver dissections, and patient positioning are provided, with vibrant, colorful annotations that significantly add to the clarity of instruction provided.
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24

Fury, Dalton. All Lines Black. St. Martin's Press, 2017.

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25

Hubbell, Patricia, and Don Tate. Black All Around! Lee & Low Books, Incorporated, 2011.

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26

Kamauesi, Zindika. Black All Over. Independently Published, 2018.

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27

Hubbell, Patricia, and Don Tate. Black All Around. Perfection Learning Corporation, 2003.

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28

Cutter, Weston. All Black Everything. New Michigan Press, 2012.

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29

Jensen, Susie. All Black - Lined Black Paper Journal. Independently Published, 2021.

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30

Block Print: All You Need to Know to Make Fine-Art Prints with Lino Blocks, Foam Blocks, and Stamp Sets. Quarto Publishing Group USA, 2016.

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31

Cullen, Ruth. The Little Black Book Of Beer. Peter Pauper Press, 2005.

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32

All Around The Block An Alphabet. David R. Godine Publisher, 2008.

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33

Press, Minkyo. Sleep All Day Block All Night: 3 Column Ledger. Independently Published, 2018.

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34

Press, Minkyo. Sleep All Day Block All Night: 4 Column Ledger. Independently Published, 2018.

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35

Press, Minkyo. Sleep All Day Block All Night: Unruled Composition Book. Independently Published, 2018.

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36

Oosterhout, Kyle Van. All Alone - Black Edition. Lulu Press, Inc., 2016.

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37

Drummond-Brown, Renee'. All Black: Poetry Book. Independently Published, 2021.

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38

Palenski, Ron, Neville McMillan, and Rod Chester. Men in Black. Hodder Moa, 2006.

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39

UG-ABLM = under God, All Black Lives Matter: UG-ALM = under God, All Lives Matter. Independently Published, 2020.

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40

Black: Seeing Black All Around Us (A+ Books). A+ Books, 2005.

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41

Miller, Vanessa. Best of All. Harlequin Enterprises ULC, 2013.

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42

Press, Minkyo. Sleep All Day Block All Night: Blank Guitar Tab Paper. Independently Published, 2018.

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43

Press, Minkyo. Sleep All Day Block All Night: Isometric Graph Half Inch. Independently Published, 2019.

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44

Press, Minkyo. Sleep All Day Block All Night: 6 Columns Columnar Pad. Independently Published, 2018.

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45

Alexander, Kianna. Love for All Time. Harlequin Mills & Boon, Limited, 2018.

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46

All Aboard for Black History. Media Materials, 1988.

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47

Paint Me Black All Over. Tate Publishing & Enterprises, 2012.

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48

Not All Gangsters Are Black . Paul George , 2019.

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49

Castle, Anna. Black & White & Dead All Over. Castle, Anna, 2015.

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50

Palovcik, Dianne. Not All Widows Wear Black. PageMaster Publication Services, Inc., 2022.

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