Relevant bibliographies by topics / Altoviti

Academic literature on the topic 'Altoviti'

Author: Grafiati
Published: 9 March 2023
Last updated: 11 March 2023

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Journal articles on the topic "Altoviti"

1

Novikov, Tatyana, and Irina Murav'eva. "Portret Altoviti." World Literature Today 79, no. 1 (2005): 104. http://dx.doi.org/10.2307/40158839.

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Barnes, Bernadine, David Alan Brown, Jane Van Nimmen, and Giorgio Vasari. "Raphael and the Beautiful Banker: The Story of the Bindo Altoviti Portrait." Sixteenth Century Journal 37, no. 4 (December 1, 2006): 1230. http://dx.doi.org/10.2307/20478231.

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BAGGS, BOB. "RAPHAEL & THE BEAUTIFUL BANKER: THE STORY BEHIND THE BINDO ALTOVITI PORTRAIT." Art Book 13, no. 2 (May 2006): 30–32. http://dx.doi.org/10.1111/j.1467-8357.2006.00663.x.

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Henry, Tom. "Raphael, Cellini, and a Renaissance Banker. The Patronage of Bindo Altoviti Raphael and the Beautiful Banker. The Story of the Bindo Altoviti Portrait Gondola Days: Isabella Stewart Gardner and the Palazzo Barbaro Circle." Journal of the History of Collections 18, no. 1 (March 31, 2006): 89–90. http://dx.doi.org/10.1093/jhc/fhl004.

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5

Paoletti, John T. "Alan Chong, Donatella Pegazzano, Dimitrios Zikos, eds. Raphael, Cellini, and a Renaissance Banker: The Patronage of Bindo Altoviti. Boston: Isabella Stewart Gardner Museum 2003 xxii + 488 pp. index. append. illus. chron. n.p. ISBN: 0-914660-20-9." Renaissance Quarterly 58, no. 01 (2005): 198–200. http://dx.doi.org/10.1353/ren.2008.0655.

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6

Najcer Sabljak, Jasminka. "Prizori iz Slavonije i Srijema u opusu austrijskog slikara Franza Alta." Radovi Instituta za povijest umjetnosti, no. 42 (January 2019): 153–66. http://dx.doi.org/10.31664/ripu.2018.42.11.

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Austrijski slikar Franz Alt (1821.–1914.) sin je slikara Jakoba Alta (1789.–1872.) i brat poznatijeg pejzažista i akvarelista Rudolfa Alta (1812.–1905.). Na svojim putovanjima po Slavoniji i Srijemu izradio je veliki broj skica, crteža i akvarela s motivima iz tih krajeva – pejzažima, vedutama, interijerima plemićkih salona. Altova djela nastala tijekom nekoliko njegovih posjeta osim umjetničke vrijednosti sadržavaju i komponentu dokumentarno-povijesnih likovnih ‘putopisa’, važnih za poznavanje gospodarskih i kulturnih prilika na rumsko-retfalačkom vlastelinstvu obitelji Pejačević i vukovarskom vlastelinstvu obitelji Eltz. Pronađeno je dvadesetak Altovih djela s prikazima perivoja i tzv. Zimmerbilder dvorca u Retfali, krajolika rumskog vlastelinstva te prizora iz vukovarskog dvorca koji su do sada bili u privatnom vlasništvu ili javnim ustanovama, no netočno identificirani kao prizori drugih slavonskih dvoraca. Osim pejzaža i interijera Alt je izradio i nekoliko portreta članova obitelji Pejačević i Eltz. Altova slavonska i srijemska djela pridonose boljem poznavanju njegova opusa, svjedočeći ujedno o kolekcionarskoj praksi plemićkih obitelji istočne Hrvatske.
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كاظم شبوط المسعودي, استبرق. "التباين الكمي والنوعي لخصائص المياه الجوفية في ناحية الدجيلي." Journal of Education College Wasit University 1, no. 42 (February 19, 2021): 144–66. http://dx.doi.org/10.31185/eduj.vol1.iss42.2021.

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تناولت دراسة البحث التباين الكمي والنوعي للمياه الجوفية في ناحية الدجيلي ضمن محافظة واسط. من خلال اختيار ((10 آبار موزعة في منطقة الدراسة وتحليل مياهها كيميائياً وفيزيائياً لشهر نيسان لعام . 2019 وبينت النتائج تباين في الخصائص النوعية للمياه لاختلاف مواقعها إذ تتراوح قيمة التوصيلية الكهربائية ( (ECبين (1071-7274) us/cm.وتتراح قيمة امتزاز الصوديوم بين (103-3.33) مليمكافيء/لتر. كما أظهرت النتائج اختلاف قيم الايونات موقعياً لكل المؤشرات المدروسة إذ تراوحت قيم التوصيل الكهربائي بين (1071-7274) us/cmوتراوحت قيم نسبة المغنيسيوم (mg) ما بين ( (54-99ملغرام/لتر.اما الاملاح الذائبة الكلية (TDS) فقد تراوحت قيمتها بين (998-1691 ) ملغرام /لتر.والكلورايد (CL) تراوحت قيمه بين (90-262) ملغرام/لتر. وهناك ايضاً اختلافات موقعية لكل المؤشرات المدروسة وفقاً لاستعمال مياه الابار والظروف المحيطة بها أظهرت قيم العناصر لعينات المياه صلاحيتها لأغراض الشرب. كما تم اعتماد تقييم مدى صلاحية المياه للري على المتغيرات الهيدروكميائية المتمثلة بالأملاح المذابة ونسبة الصوديوم إلى الكالسيوم والبيكاربونات إلى الكالسيوم والمغنسيوم على كلاً من النبات والتربة ويعتمد أيضاً على نسبة امتزاز الصوديوم (SAR) وعلى كاربونات الصوديوم المتبقية (RSC) وهي من المعايير الأكثر أهمية في جودة المياه . وقد أُستخدم ايضاً مخطط ويلكوكس ((,1954 wilicox)) لتصنيف المياه الجوفية لاغراض الري يتم إعداده بوساطة رسم النسبة المئوية الصوديوم (Na%) مقابل رسم التوصيلة الكهربائية (EC) وتبين بأن ( (90%من المواقع تقع ضمن الفئة الجيدة الى الممتازة وما نسبته( (10%منها تقع ضمن الفئة الغير ملائمة. فضلاً عن كل من المؤشرات الهيدروجيوكيميائية المتمثلة بنسبة امتزاز الصوديوم ((SAR)) ومؤشر التبادل القاعدي ( (R1) Base-exchange index) وتصنيف المياه من حيث النشأة (Meteoric genesis index (R2)). وهناك أيضاً معاييراستخدمت لتقييم المياه الجوفية وذلك بحساب (Na%, P1,). ولتقييم المياه لأغراض الري واظهرت النتائج بأن معظم عينات المياه الجوفية صالحة للري. أما بالنسبة الى صلاحية مياه الابار للاستخدام الحيواني قد استخدم تصنيف (Altoviski, 1962) الذي يعتمد على تراكيز الأيونات الرئيسة الموجبة والسالبة والأملاح الذائبة والعسرة الكلية فقد تبين بأن جميع عينات المياه ولكل المواقع تقع ضمن الفئة الجيدة جداً حسب المحددات العالمية
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8

"Raphael, Cellini & a Renaissance banker: the patronage of Bindo Altoviti." Choice Reviews Online 42, no. 04 (December 1, 2004): 42–2012. http://dx.doi.org/10.5860/choice.42-2012.

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"Raphael and the beautiful banker: the story of the Bindo Altoviti portrait." Choice Reviews Online 43, no. 08 (April 1, 2006): 43–4440. http://dx.doi.org/10.5860/choice.43-4440.

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Dissertations / Theses on the topic "Altoviti"

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LEGE', ALICE SILVIA. "LES CAHEN D'ANVERS EN FRANCE ET EN ITALIE. DEMEURES ET CHOIX CULTURELS D'UNE LIGNÉE D'ENTREPRENEURS (I CAHEN D'ANVERS IN FRANCIA E IN ITALIA. DIMORE E SCELTE CULTURALI DI UNA DINASTIA DI IMPRENDITORI)." Doctoral thesis, Università degli Studi di Milano, 2020. http://hdl.handle.net/2434/726976.

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Founding member of a banking network related to the actual BNP Paribas Group, Meyer Joseph Cahen (1804-1881), adopted the “d’Anvers” when he settled in Paris in 1849. Born in Bonn, of an Ashkenazi family, he made his fortune in the Belgian city to which he associated his name, and he continued his career in France. Owner of Nainville’s castle (Essonne) and of the Petit Hôtel de Villars (Paris), he became a naturalized French citizen in 1865. The next year, he obtained the title of Count, bestowed upon him by the King of Italy Victor-Emmanuel II, thanks to the economic support he offered to the Italian Unification. Nineteen years later, King Humbert I surpassed his predecessor and raised Meyer Joseph’s eldest son, Édouard (1832-1894), to the status of Marquis of Torre Alfina. If his siblings – Emma (1833-1901), Louis (1837-1922), Raphaël (1841-1900) and Albert (1846-1903) – enrooted their pathways in the French capital, the eldest lived between Florence, Naples and Rome: he was one of the great investors involved in the urban renovation of the Italian capital, after the fall of the papacy. In France, as well as in Italy, art, and especially architecture, served to legitimize the recent nobility of a family that wished to express the fullness of its civil rights. As targets of the anti-Semitic press, the Cahen d’Anvers family experienced the consequences of the Dreyfus Affair and the horrors of the racial laws. Before the latter, they adopted what could be defined as a “top-down model of integration”. This thesis focuses on its mechanisms and development. After tracing the patriarch’s origins, it analyses the family’s matrimonial policies and it continues with an exploration of Cahen d’Anvers’ “choices” in the vast field of culture. In their salons, the readers will meet Guy de Maupassant, Paul Bourget, Marcel Proust and Gabriele D’Annunzio, as well as Auguste Renoir and Léon Bonnat. Twelve mansions offered a perfect stage for these intellectual gatherings. As a public manifestation of the family’s economic and social power, the historicist eclecticism of these properties aimed to represent the owners as a new phalanx of the old nobility. While Forge-Philippe’s manor (Wallonia), Gérardmer’s chalet (Vosges) and Villa della Selva (Umbria) expressed a certain openness to the twentieth century novelties, the three residences rented by the family (Hôtel du Plessis-Bellière, Paris; Palazzo Núñez-Torlonia, Rome; Château de la Jonchère, Yvelines) and the two properties of Meyer Joseph, as well as Rue de Bassano’s mansion (Paris) or the castles of Champs (Seine-et-Marne), Bergeries (Essonne) and Torre Alfina (Latium) dressed up their nineteenth century spaces with Ancien Régime motifs. Thanks to their historical knowledge and taste, the architects Destailleur, Giuseppe Partini and Eugène Ricard, as well as the landscapers Henri and Achille Duchêne, were able to bend the Middle Age, the Renaissance and the 18th century’s “grammars” to their patrons’ taste and ambitions.
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Books on the topic "Altoviti"

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Corso, Michela. Vasari per Bindo Altoviti: Il Cristo portacroce = Vasari for Bindo Altoviti : the Christ carrying the Cross. Milano, Italia: Officina libraria, 2019.

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2

1937-, Van Nimmen Jane, and Raphael 1483-1520, eds. Raphael and the beautiful banker: The story of the Bindo Altoviti portrait. New Haven: Yale University Press, 2005.

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3

1957-, Chong Alan, Pegazzano Donatella, Zikos Dimitrios, Isabella Stewart Gardner Museum, and Museo nazionale del Bargello (Florence, Italy), eds. Raphael, Cellini & a Renaissance banker: The patronage of Bindo Altoviti. Boston: Isabella Stewart Gardner Museum, 2003.

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4

Mario, Pagni, ed. Il palazzo e il tempio: Palazzo Altoviti a Firenze : storia e simbologie. Siena (Italia): Betti editrice, 2012.

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Brown, David Alan. Raphael and the beautiful banker: The story of the Bindo Altoviti portrait. New Haven, CT: Yale University Press, 2005.

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6

Portret Altoviti. Vagrius (M.), 2004.

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7

irina, muravieva. Portrait de bindo altoviti. ED. J. CHAMBON, 2004.

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irina, muravieva. Portrait de bindo altoviti. ED. J. CHAMBON, 2004.

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9

Raphael, Cellini and Renaissance Banker: The patronage of Bindo Altoviti. Boston, Mass: Edizioni Electa, 2003.

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10

(Editor), Alan Chong, Donatella Pegazzano (Editor), and Dimitrios Zikos (Editor), eds. Raphael, Cellini & a Renaissance Banker: The Patronage of Bindo Altoviti. Isabella Stewart Gardner Museum, 2004.

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Book chapters on the topic "Altoviti"

1

D’Accone, Frank A. "Reclaiming the Past: Archbishop Antonio Altoviti’s Entrance into Florence in 1567." In Instruments, Ensembles, and Repertory, 1300-1600, 237–62. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.bceec-eb.1.100641.

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Rowland, Ingrid. "Chapter 1 Raphael’s Bankers: Agostino Chigi, Bindo Altoviti, and Jakob Fugger." In Space, Image, and Reform in Early Modern Art, 17–32. De Gruyter, 2021. http://dx.doi.org/10.1515/9781501513480-002.

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