Relevant bibliographies by topics / Alto saxophone

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Alto saxophone'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "Alto saxophone"

1

Moore, Keith A. "Constructing alto saxophone multiphonic space." Journal of the Acoustical Society of America 136, no. 4 (2014): 2203. http://dx.doi.org/10.1121/1.4899990.

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Cochran, Alfred W., Donald Martino, and Charles Wuorinen. "Concerto for Alto Saxophone and Orchestra." Notes 49, no. 1 (1992): 361. http://dx.doi.org/10.2307/897263.

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Wytko, Joseph, Leon Stein, Paul Creston, and Bernhard Heiden. "Sextet for Alto Saxophone and Woodwind Quintet." American Music 3, no. 2 (1985): 249. http://dx.doi.org/10.2307/3051650.

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Cochran, Alfred W., Leslie Bassett, and Chester Biscardi. "Duo Concertante: Five Movements for Alto Saxophone and Piano." Notes 47, no. 1 (1990): 223. http://dx.doi.org/10.2307/940565.

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Sweeney-Turner, Steve. "Salonen: Mimo 2; YTA 1-3; Alto Saxophone Concerto; Floof." Musical Times 135, no. 1821 (1994): 719. http://dx.doi.org/10.2307/1003207.

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Colinot, Tom, Philippe Guillemain, Christophe Vergez, Jean-Baptiste Doc, and Patrick Sanchez. "Multiple two-step oscillation regimes produced by the alto saxophone." Journal of the Acoustical Society of America 147, no. 4 (2020): 2406–13. http://dx.doi.org/10.1121/10.0001109.

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Rosen, Jerome, Brian Fennelly, and William Albright. "Corollary II for Alto Saxophone in E-Flat and Piano (1988)." Notes 48, no. 1 (1991): 298. http://dx.doi.org/10.2307/941842.

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Kemp, Connor, and Gary Scavone. "Mechanical, anatomical and modeling techniques for alto saxophone reed evaluation and classification." Wood Science and Technology 54, no. 6 (2020): 1677–704. http://dx.doi.org/10.1007/s00226-020-01224-y.

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Piatek, Stephanie, Jürgen Hartmann, Petra Günther, Daniela Adolf, and Egbert J. Seidel. "Influence of Different Instrument Carrying Systems on the Kinematics of the Spine of Saxophonists." Medical Problems of Performing Artists 33, no. 4 (2018): 251–57. http://dx.doi.org/10.21091/mppa.2018.4037.

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AIMS: Back strain is a common musculoskeletal complaint affecting musicians, which may be related to unsuitable playing positions causing fatigue and muscle tension. In this study, three saxophone-carrying systems (neck-strap, shoulder-strap, and Saxholder) were examined for their effects on spinal column kinematics. METHODS: The influence of saxophone-carrying systems was investigated in 14 physically healthy alto saxophonists using ultrasound topometry. Additional tests were performed on 1 subject to examine the influence of the different weights of alto, tenor, and baritone saxophones with
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Kalyn, James. "Six etudes pour deux saxophones altos, and: Six etudes d'audition pour trois saxophones en 2 cahiers, and: Six etudes d'audition pour quatre saxophones en 3 cahiers, and: Jumbled Mirrors [for] Saxophone Quartet, and: Trois esquisses pour quatuor de saxophones, and: Fractions du silence--premier livre (Pierre, neige, eau...) pour quatre saxophones (2 saxophones sopranos, 1 saxophone alto et 1 saxophone tenor), and: Saxophonquartett (1995), and: It's Lovely Once You're In for Saxophone Quartet, and: Kentucky." Notes 61, no. 4 (2005): 1106–12. http://dx.doi.org/10.1353/not.2005.0063.

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Dissertations / Theses on the topic "Alto saxophone"

1

Stonaker, Ben Floyd Mobberley James. "Diversions for alto saxophone and orchestra." Diss., UMK access, 2007.

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Thesis (M.M.)--Conservatory of Music. University of Missouri--Kansas City, 2007.<br>"A thesis in music composition." Typescript. Advisor: James Mobberley. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 12, 2007. Online version of the print edition.
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2

Trittin, Brian Lynn. "Annotated bibliography of selected unaccompanied alto saxophone literature." Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186269.

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This document annotates 23 unaccompanied alto saxophone compositions, including original works and transcriptions. Selection of these pieces was based on the following criteria: (1) works which are commonly performed, (2) works by major composers, and (3) works which are important in terms of innovative performance techniques. Each annotation provides a synopsis of the composition, biographical information about the composer, pertinent information about the composition (dedication, duration, etc.), discussion about various performance considerations, a brief analysis, and concluding statements
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Toro-Tóbon, Carlos I. "Fundamental dissonance: concertino for alto saxophone and sinfonietta." Diss., University of Iowa, 2019. https://ir.uiowa.edu/etd/6868.

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Fundamental Dissonance, an original composition scored for alto saxophone and sinfonietta, explores the concept of dissonance not only in the traditional musical sense related to tonality, but as a general principle indispensable for variety and creation. The particular perspective of this concept that can be found in the early work of the Hungarian philosopher, aesthetician, and literary historian Georg Lukács has given a specific direction to my creative process. In one of his first writings, The Theory of the Novel (1914), Lukács presents the idea of dissonance in the following terms: “Ever
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4

Kallestad, Scott D. "An Annotated Bibliography of Selected Repertoire for Alto Saxophone and Piano for Developing College-Level Alto Saxophonists, with an Analysis of Yvon Bourrel's Sonate Pour Alto Saxophone Et Piano." Thesis, connect to online resource, 2005. http://www.unt.edu/etd/all/Dec2005/kallestad%5Fscott%5Fd/index.htm.

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Thesis (D.M.A.)--University of North Texas, 2005.<br>System requirements: Adobe Acrobat Reader. Accompanied by 3 recitals, recorded Sept. 18, 1995, Mar. 11, 1996, and Mar. 22, 2004. Includes bibliographical references (p. 90-95).
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Feldkamp, Timothy Lee. "Developing the altissimo register of the soprano, alto, and tenor saxophones /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1990.

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6

Miller, Gregory E. "The Saxophone Music of Frederick Fox: An Annotated Bibliography with an Analysis of S.A.X. for Solo Alto Saxophone and Saxophone Quartet." Thesis, connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9751.

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Cain, Joren. "Rediscovering Fernande Decruck's Sonate en ut# pour saxophone alto (ou alto) et orchestre: A Performance Analysis." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28401/.

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French composer Fernande Decruck (1896-1954) composed over forty works for the saxophone, but her music fell into obscurity soon after her death. In recent years, the Sonate en ut# pour saxophone alto (ou alto) et orchestre (1943) has been rediscovered, performed, and recorded by prominent concert saxophonists. This document takes a historical approach by examining Decruck's biography, as well as a theoretical approach to provide a deeper understanding and appreciation of her work through analysis. The first four chapters of this document provide biographical background on Decruck, her caree
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Jenkins, Chester James Jenkins. "A Conductor’s and Performer’s Guide to Steven Bryant’s Concerto for Alto Saxophone." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1524180086531008.

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Yun, Yeomin. "The Sound of Saxophone from South Korea:A Performer’s Guide to Young Jo Lee’s Sori No.10 for alto saxophone." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1415631920.

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McElhaney, Carla Budzian. "The saxophone and piano version of Ingolf Dahl's Concerto for alto saxophone : a guide to performance for the collaborative pianist /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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Books on the topic "Alto saxophone"

1

Frank, Andrew. Alto rhapsody: For alto saxophone. Mobart Music, 1987.

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2

Wuorinen, Charles. Saxophone quartet, soprano, alto, tenor, and baritone saxophones. C.F. Peters, 1997.

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3

Tull, Fisher. Dialogue: For saxophone duet (alto and tenor). Southern Music Co., 1989.

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Dickson, Amy. The Chester alto saxophone anthology. Chester Music, 2017.

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5

Albright, William. Sonata, alto saxophone and piano. Henmar Press, 1990.

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6

Haddad, Don. Saxophone soliloquy: For E♭ alto saxophone and piano. Shawnee Press, 1987.

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7

Solal, Martial. Pièce de collection: Saxophone alto seul. Misterioso, 1995.

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8

Martino, Donald. Concerto for alto saxophone and orchestra. Dantalian, 1990.

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9

Berkeley, Michael. Keening: For alto saxophone and piano. Oxford University Press, 1995.

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10

Samuel, Adler. Soundings: For alto saxophone and piano. Southern Music Co., 1990.

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Book chapters on the topic "Alto saxophone"

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Chapman, Con. "Prologue." In Rabbit's Blues. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190653903.003.0001.

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The rationale for a biography of Johnny Hodges is given; namely, confusion and contradictory accounts as to basic facts about him ranging from his birth date to his given name to the spelling of his surname to the instrument that he played on a regular basis in person and on recordings. Hodges’s reticence is cited as an explanation; he was not a talkative man, rarely gave interviews, and revealed little when he did. Despite the fact that he was a very private man, he could be recognized around the world by the sound of a single note he produced on the alto saxophone, a claim made about many musicians in both jazz and other genres, but only rarely true.
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van Delden, Ate. "Back to the California Ramblers and Bert Lown." In Adrian Rollini. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825155.003.0016.

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Rollini joins his old partner Ed Kirkeby and starts a new band at the New California Ramblers Inn but depression business is poor. Rollini gets a serious disease and Prohibitionagents raid the place. He recovers from this dip andeven gets acontract to make records under his own name, playing both bass saxophone and vibraphone. Also Bert Lown reappears and Rollini plays gigs andmakes records again. But freelancing adds welcome money to his income when he is asked by Leo Reisman and Joe Venuti and has a session under his own name again. Better times are around the corner when President Roosevelt ends Prohibition.
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van Delden, Ate. "The California Ramblers Grown Up." In Adrian Rollini. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496825155.003.0006.

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Kirkeby develops the concept of the "band-within-a-band" andin 1923 the first recordings by the Varsity Eight, a small unit from the California Ramblers are made. The full band also debuts on radio that year and on one occasion, Rollini recorded with saxophone virtuoso Rudy Wiedoeft. Engagements by the full band include the annual dance of the Talking Machine Men aswell as a charity event at the Roseland and a grand re-opening of the massive Hippodrome Theatre. At the start of 1924, the California Ramblers Inn was refreshed with new drapes and carpets to be ready for guests during the hot summer.
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Conference papers on the topic "Alto saxophone"

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Celentano, Frank, Nicholas May, Edward Simoneau, Richard DiPasquale, Zahra Shahbazi, and Sina Shahbazmohamadi. "3D Printing for Manufacturing Antique and Modern Musical Instrument Parts." In ASME 2016 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/imece2016-66652.

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Professional musicians today often invest in obtaining antique or vintage instruments. These pieces can be used as collector items or more practically, as performance instruments to give a unique sound of a past music era. Unfortunately, these relics are rare, fragile, and particularly expensive to obtain for a modern day musician. The opportunity to reproduce the sound of an antique instrument through the use of additive manufacturing (3D printing) can make this desired product significantly more affordable. 3D printing allows for duplication of unique parts in a low cost and environmentally
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