Relevant bibliographies by topics / Allegorical

Academic literature on the topic 'Allegorical'

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Published: 4 June 2021
Last updated: 10 March 2023

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Journal articles on the topic "Allegorical"

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Piehler, Paul. "The Rehabilitation of Prophecy: On Dante's Three Beasts." Florilegium 7, no. 1 (January 1985): 179–88. http://dx.doi.org/10.3138/flor.7.011.

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Out of the range of learned commentary helpful in the understanding of Dante’s allegory I select, as a not entirely arbitrary starting point, Joseph Mazzeo's wide-ranging exploration of allegorical exegesis, entitled "Allegorical Interpretation and History."'1’ This article, published in 1978, is notable for the unusually clear and firm distinction it draws between allegorical interpretation of texts, normally sacred texts, not actually designed to be read allegorically, and what Mazzeo terms "constructed allegory," that is, "The works of our literary tradition which demand to be understood as allegory rather than simply allowing allegorical interpretation . .(p. 17). After clarifying this essential but all too often obscured distinction, Mazzeo goes on to point out that constructed allegory "should generally be understood as following typological patterns rather than the more abstract and unhistorical patterns of allegorical exegesis.""Typolog-ical" allegory he defines as allegory that "assumes the existence of a central paradigmatic story, of a sacred or near-sacred character, set in the past and assumed to be historical . .(p. 17).
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DAVIS, ANNE. "Allegorically Speaking in Galatians 4:21–5:1." Bulletin for Biblical Research 14, no. 2 (January 1, 2004): 161–74. http://dx.doi.org/10.2307/26422709.

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Abstract This study examines Paul's phrase "allegorically speaking" in Gal 4:24, suggesting that the following passage is not the literary genre of narrative allegory, a method of Greek rhetoric, or a method of interpretation known as "typology." Instead, the study examines another ancient allegorical technique that employed two literary devices to startle the reader and act as markers leading to the Hebrew Scriptures for deeper spiritual interpretations. Furthermore, because these allegorical markers are clustered together in Gal 4:24–28, one can recognize the literary structure. By identifying the method of Paul's argument and the literary structure of the passage, this study promotes further examination of the meaning of these verses by following the allegorical markers to the Hebrew Scriptures.
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DAVIS, ANNE. "Allegorically Speaking in Galatians 4:21–5:1." Bulletin for Biblical Research 14, no. 2 (January 1, 2004): 161–74. http://dx.doi.org/10.2307/bullbiblrese.14.2.0161.

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Abstract This study examines Paul's phrase "allegorically speaking" in Gal 4:24, suggesting that the following passage is not the literary genre of narrative allegory, a method of Greek rhetoric, or a method of interpretation known as "typology." Instead, the study examines another ancient allegorical technique that employed two literary devices to startle the reader and act as markers leading to the Hebrew Scriptures for deeper spiritual interpretations. Furthermore, because these allegorical markers are clustered together in Gal 4:24–28, one can recognize the literary structure. By identifying the method of Paul's argument and the literary structure of the passage, this study promotes further examination of the meaning of these verses by following the allegorical markers to the Hebrew Scriptures.
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Constantinou, Marios. "Allegorical Materialism." Angelaki 16, no. 1 (March 2011): 63–78. http://dx.doi.org/10.1080/0969725x.2011.564364.

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Abugideiri, Hibba. "Allegorical Gender." American Journal of Islam and Society 13, no. 4 (January 1, 1996): 518–35. http://dx.doi.org/10.35632/ajis.v13i4.2296.

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IntroductionIn the last decade, a number of monographs and forays in the field ofMuslim women’s studies have attempted to examine the place of theMuslim woman in the interpretive heritage of Islamic exegetical texts, particulythe hadith tufsir literature from the period of classical Islam.’ The figureof Eve (Hawwa’ in Qur’anic terminology) is an inevitable topic of discussionin all of these scholarly studies, primarily due to her definitive rolein the evolution of gender categories in the Islamic exegetical texts, and,subsequently, how this role has become an indicator of direction for theMuslim woman’s identity. The figure of Eve, in short, as articulated byMuslim classical exegetes, has not ony defined the identity of Muslimwoman; it has also set the parameters for how that identity has been forged.Yet, the traditional view of Eve portrays woman as both physically andmentally inferior to man, as well as spiritually inept. This classical interpretationof Eve has come to be endowed with sacred authority, more so byvirtue of its place in our Islamic past than by any Qur’anic sanction.This is not to imply that all of the medieval classical writings on Islamconstitute a monolithic whole. After all, the sources of the Shari‘ah, namely,the Qur’an and the hadith, historically have been highly adaptable texts:In the case of the Qur’an, its directives are general, broad, and flexiblein most cases; therefore they could be translated into the termsof a specific social reality of each generation of interpreters.Concerning the hadith . . . given the inevitable gap between theactual and the idealized. . . it is not surprising that the Hadith containsan abundance of varied and often contradictory traditions, ...
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Ashworth, William B. "Allegorical Astronomy." Sciences 25, no. 5 (September 10, 1985): 34–37. http://dx.doi.org/10.1002/j.2326-1951.1985.tb02795.x.

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Cordell, Jacqueline. "Priming text function in personification allegory: A corpus-assisted approach." Language and Literature: International Journal of Stylistics 27, no. 3 (August 2018): 218–39. http://dx.doi.org/10.1177/0963947018788516.

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Current linguistic examination of allegory focuses on its cognitive structure as conceptual metaphor, with its linguistic form realised in the absence of a target domain (Crisp, 2001; 2008). The present study addresses the intersection of conceptualisation and form in examining how personification allegory functions within a literary context as either fictional world or thematic elements. Central to this is the idea of lexical priming, which suggests that readers are both textually and experientially primed to interpret personified referents allegorically or non-allegorically depending on their contextual use. In this article I draw on Mahlberg and McIntyre’s (2011) framework for literary text function to take an integrated cognitive-corpus approach to exploring allegorical function through the lens of lexical priming, with corpus analysis revealing the patterns on which these cognitive primings are textually based. To this end, real-world examples of personification allegory are drawn from the Middle English allegorical poem Piers Plowman relative to a corpus of other late medieval poetic literature. My main findings suggest that the textual functionality attributed to allegorical referents is neither mutually exclusive nor directly correlative to a particular textual pattern, but rather contingent on the degree of animacy-based priming evidenced in their core semantic meaning or textual foregrounding. These results additionally indicate that function-based primings depend on the type of allegory appearing in the text (i.e. property versus class allegory).
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Sutandio, Anton. "The Politics of Religion in Sisworo Gautama Putra’s and Joko Anwar’s Pengabdi Setan." k@ta 21, no. 1 (June 21, 2019): 24–32. http://dx.doi.org/10.9744/kata.21.1.24-32.

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This research compares two films, the original Pengabdi Setan and its remake, in the context of politics of religion to show how the two films depict the issue of religion at two different eras based on the released years of the two films. The display of religion in the two films is viewed as an allegorical representation as well as critical responses to the socio-political situation of the two eras. Separated by almost four decades, Joko Anwar’s nostalgic remake and the original film subtly converse with each other, share distinctive similarities yet also polarized differences that underlie their endeavor to allegorically bring back and relive public memory of certain national trauma; that is repression during the New Order regime and marginalization of the minority in contemporary Indonesia. By focusing on the films’ cinematography and mise-en-scene, this research attempts to locate those allegorical moments within the depiction of religious practice that challenge, criticize or accentuate the dominant ideology of their respective eras. Keywords: allegorical moment, religion, national trauma, politicization
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Bafoev, Farruh S. "ALLEGORICAL IMAGES IN FOLK PROVERBS." European International Journal of Multidisciplinary Research and Management Studies 02, no. 09 (September 1, 2022): 106–11. http://dx.doi.org/10.55640/eijmrms-02-09-24.

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Allegorical images, which are the basis of figurative thinking, first appeared in oral creativity, and then began to be used in individual creativity. This article analyses the essence, types and meanings of animal images found in the text of folk proverbs. The above theoretical provisions are based on the example of Uzbek and German folk proverbs. The meanings of allegorical images in the folklore of the two peoples are compared and certain conclusions are drawn.
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Crawford, Jason. "Langland's Allegorical Modernity." English Studies 95, no. 6 (August 18, 2014): 597–619. http://dx.doi.org/10.1080/0013838x.2014.942087.

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Dissertations / Theses on the topic "Allegorical"

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Brittain, William Delaplaine. "An allegorical park." Thesis, Virginia Polytechnic Institute and State University, 1990. http://hdl.handle.net/10919/53252.

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[see document for drawing on left side of page] node monument edge genius loci "Curving back on myself I create again and again" -Bagavad Gita
Master of Architecture
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Folkerth, Wes 1964. "Nathaniel Hawthorne's subversive use of allegorical conventions." Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56665.

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The literary and socio-political environments of early nineteenth-century America demanded from Hawthorne a new formulation of the allegorical mode, which in turn afforded him means to critique that same historical situation. His metonymic and realistic uses of allegorical techniques invert the emphasis of traditional allegory, permitting him subversively to critique the idealist principles of contemporary historiography and the Transcendentalist movement. Hawthorne's discontent with antebellum historiography's conflation of the Puritan colonists and the Revolutionary fathers, and with Transcendentalism's disregard for the darker side of human nature, led him to critique these idealisms in his fictions. His appropriation of allegorical conventions allowed him to enact this critique subversively, without alienating the increasingly nationalistic American reading public. This subversive program exerts a global influence on Hawthorne's work. The first chapter of this thesis defines my use of the term "allegory." The second situates Hawthorne within the allegorical tradition, the third within the American ideological context. The last two chapters identify and discuss Hawthorne's appropriations of the allegorical conventions of personification and procession as they are found in each of the three forms in which he most commonly wrote: the sketch, the tale, and the historical romance.
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Goodwin, Thomas William. "A crypto-allegorical theory of psychoanalytic reading." Thesis, University of Sheffield, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522437.

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Slefinger, John T. "Refashioning Allegorical Imagery: From Langland to Spenser." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu150048449869678.

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Ullén, Magnus. "The half-vanished structure : Hawthorne's allegorical dialectics /." Uppsala : [Uppsala universitet], 2001. http://catalogue.bnf.fr/ark:/12148/cb392291809.

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Dawson, David. "Allegorical readers and cultural revision in ancient Alexandria /." Berkeley (Calif.) ; Los Angeles (Calif.) ; Oxford : University of California press, 1992. http://catalogue.bnf.fr/ark:/12148/cb37062348w.

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Jenckes, Katharine Miller. "Borges, Benjamin, and the allegorical writing of history /." view abstract or download file of text, 2001. http://wwwlib.umi.com/cr/uoregon/fullcit?p3035568.

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Thesis (Ph. D.)--University of Oregon, 2001.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 228-233). Also available for download via the World Wide Web; free to University of Oregon users.
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Gummesson, Katja. "William Blake's The Chimney Sweeper : - A Stylistic and Allegorical Study." Thesis, Högskolan i Halmstad, Sektionen för lärarutbildning (LUT), 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-19773.

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Vaccaro, Jacob. "Mythical, historical and allegorical narratives in Till we have faces." Diss., Connect to the thesis, 1998. http://hdl.handle.net/10066/1477.

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Liddle, Helena Francisca Gaspar. "Thread of Scottishness : mapping the allegorical tapestry of Scottish literature." Thesis, University of Edinburgh, 2006. http://hdl.handle.net/1842/6579.

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Scottish authors throughout the ages have linked their art to their nationality. When the contemporary writer A. L. Kennedy observes, 'I believe that fiction with a thread of Scottishness in its truth has helped me to know how to be myself as a Scot,' she pinpoints the value of literature for both her predecessors and peers. However, the idea of Scottish literature as an autonomous and coherent national literature is controversial. Questions concerning self-sufficiency, unity, and value continue to haunt the idea of a Scottish literary tradition. Many studies have attempted to address the stereotype of Scottish literature's fragmentation and its place as a sub-category within English literature; however, few critical works have considered specific literary forms as constituting a basis for the Scottish literary consciousness. 'A Thread of Scottishness' argues that Scottish literature uniquely sustains an allegorical framework traceable from the Middle Ages and the Renaissance to the present. Chapter one discusses allegory's history, definition and relationship with the reader. Chapters two, three, and four focus upon the specific theoretical strands of the Scottish allegorical form: nature, nationalism, and morality, respectively. Each of these three chapters begins with a discussion of works from the medieval period and follows the progression of the Scots' use of allegory through time. More modern works, including S. Ferrier's Marriage, R. L. Stevenson's The Master of Ballantrae, N. Shepherd's The Weatherhouse, are shown to reflect the narrative traditions of medieval and Renaissance texts, such as R. Henryson's Morall Fabillis and The Testament of Cresseid, King James I's The Kingis Quair, and Sir D. Lindsay's Ane Satyre of the Thrie Estaitis. Thus, through a consideration of the use of allegory within specific Scottish texts, I posit continuity for Scottish literature as a whole.
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Books on the topic "Allegorical"

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Vijayakrishnan, K. Pūrṇapuruṣarthacandrodayam: Sanskrit allegorical drama. Kochi: Sukr̥tīndra Oriental Research Institute, 2015.

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Morgan, Drowne Kathleen, ed. Encyclopedia of allegorical literature. Santa Barbara, Calif: ABC-CLIO, 1996.

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Dhaimeler, Didier Hamel. Bondan, allegorical images from Indonesia. Jakarta: Hexart Pub., 2012.

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Shockley, Ed. The box: An allegorical farce. New York: Playscripts, Inc., 2003.

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Aggarwal, Usha. Philosophical approach to Sanskrit allegorical dramas. New Delhi: Sultan Chand, 1988.

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Yin, Bin Yong. 100 Chinese two-part allegorical sayings. Taiwan: Ling Huo, 2003.

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Mills, Laura K. American allegorical prints: Constructing an identity. [New Haven, Conn.]: Yale University Art Gallery, 1996.

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Cottrell, Dana George. Genesis 1: The design and plan for the kingdom of Heaven : A, the beginning. Bloomington, IN: WestBow Press, 2010.

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Maurus, Rabanus. Allegorie sulla Scrittura. Città del Vaticano: Libreria editrice vaticana, 2002.

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Cottrell, Dana George. The seven days of creation. Lima, Ohio: Fairway Press, 1996.

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Book chapters on the topic "Allegorical"

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Haney, Kathleen. "Allegorical Time." In Allegory Revisited, 79–92. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0898-0_6.

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Hood, Walter J. "Allegorical Drawings." In Representing Landscapes, 185–91. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003183402-22.

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Kosok, Heinz. "The Allegorical War." In The Theatre of War, 121–26. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230590649_15.

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Yeung, Jessica Siu-Yin. "Ann Hui’s Allegorical Cinema." In Cultural Conflict in Hong Kong, 87–104. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-7766-1_6.

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Wouters, Dinah. "Allegorical Cognition through Words." In The New Middle Ages, 145–203. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-17192-5_6.

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Wouters, Dinah. "Allegorical Revelation through Prophecy." In The New Middle Ages, 205–46. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-17192-5_7.

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"Allegorical." In The Enemy, 80. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822389576-038.

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"Allegorical." In The Enemy, 80. Duke University Press, 2007. http://dx.doi.org/10.1215/9780822389576-037.

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"Allegorical." In The Enemy, 80. Duke University Press, 2007. http://dx.doi.org/10.2307/j.ctv1220pp5.40.

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"Allegorical politics." In Handel's Oratorios and Eighteenth-Century Thought, 202–32. Cambridge University Press, 1995. http://dx.doi.org/10.1017/cbo9780511470240.012.

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Conference papers on the topic "Allegorical"

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Dvoryanova, A. A., and A. I. Semenov. "Lexical unit “God ” in the names of the characters of school theater plays." In XXV REGIONAL SCIENTIFIC CONFERENCE STUDENTS, APPLICANTS AND YOUNG RESEARCHERS. Знание-М, 2020. http://dx.doi.org/10.38006/907345-63-8.2020.103.110.

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The article describes the names of allegories with the component “God” in the plays of school theaters of the late XVII century — early XVIII century. The meanings of the names of these images, the features of the names of allegorical figures and their functions are considered.
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An, ShuanJun, and SiYuan Li. "Two-part Allegorical Saying of Insect in Northeast Dialect and Its Cultural Implication." In 2021 International Conference on Social Development and Media Communication (SDMC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220105.271.

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An, ShuanJun, and SiYuan Li. "Two-part Allegorical Saying of Livestock in Northeast Dialect and Its Cultural Implication." In 2021 International Conference on Education, Language and Art (ICELA 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.200.

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Semenov, Aleksey, and Anastasiya Dvoryanova. "TWO GLORIES." In ЯЗЫК. КУЛЬТУРА. ПЕРЕВОД = LANGUAGE. CULTURE. TRANSLATION. Science and Innovation Center Publishing House, 2019. http://dx.doi.org/10.12731/lct.2019.31.

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The article discusses one of the many examples of the interaction of a word and a visual image. Given the peculiarities of the linguistic situation of the era of Peter I, the authors argue that the potential multiplicity of the image of the character Slava is due to the semantics of the name of this allegorical figure. The paired describing of Slava is probably the result of the ongoing Western European influence, offering new examples of the embodiment of this character, as well as the consequence of the development of this figure in Russian art as a satellite character.
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Khan, Sabariah Ahmad. "Allegorical narratives: redefining the evolution of ornamented aesthetic principles of Langkasukan art of the Malay Peninsula, Malaysia." In ISLAMIC HERITAGE ARCHITECTURE AND ART 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/iha160011.

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Байкадамова, М. С., and З. М. Нуржанова. "МЕТОНИМИЯ В ЯЗЫКЕ ПОЛИТИКА." In Proceedings of the XXVII International Scientific and Practical Conference. RS Global Sp. z O.O., 2021. http://dx.doi.org/10.31435/rsglobal_conf/25032021/7467.

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This article examines the features of the methods of metonymy as a mechanism of allegorical thinking in the language of politics. The authors give examples of metonymic synergistic models in a political context: product color, political concept; metonymic compression; name - product, name - political trend, political idea, political activity; synecdoche "part - whole", "whole - part". To carry out the linguistic analysis, material from newspapers, magazines, news sites and other sources was used. The authors come to the conclusion that cognitive metonymy in the process of implementing mental models performs, firstly, the function of concretizing abstract political ideas, social phenomena and clearly, vividly represents them, and secondly, reflects an assessment, acts as a means of political assessment and implements an axiological function, thirdly, it serves as a means of a language game, contributing to the emotionality and effectiveness of a political text.
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Rocaciuc, Victoria. "Book graphics in the creation of the fine artist Stefan Sadovnikov." In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.10.

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Since the 1980s, visual artist Stefan Sadovnikov has been involved in book graphics. In this field, the artist managed to approach various genres of literature: poetry, prose, scientific literature, etc. According to the illustrated topics, the graphic techniques approached by the graphic designer are: pencil, pen, gouache, including computer techniques. The strong part of his illustrations consists in appealing by the artist to the plastic principles related to the sign and symbol. Analyzing the book illustrations signed by the fine artist Stefan Sadovnikov, we notice a wide range of allegorical symbols and metaphors created by the artist based on various principles of agglutination, interference of shapes and plastic lines, specific especially to the thinking of sculpture artists. By plastically combining the human figure with the object, the artist personifies the ideas of home, city, music, poetry and love. The artistic image appears as a quintessence of the human character’s relations with the object. Thus, in several illustrations created by the fine artist Stefan Sadovnikov, inanimate objects came to life and features identical to human character and spirit.
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Bulycheva, E. "“MYTHOLOGICAL” AND “POETIC”: ON THE PROBLEM OF MYTHOPOETICS IN THE FINE ARTS OF THE 20TH CENTURY." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2563.978-5-317-06726-7/134-137.

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The multidimensionality of the visual arts of the twentieth century due to the radicalism of manifestations can be studied more reliably through the current field of interdisciplinary approaches including the analytics of mythopoetics. As a theoretical model for studying the mythopoetic work basis appears tobe a point of intersection of related cultural codes. Fine art while relying on the structural units of myth does not copy them directly,but translates them into the language of plastic images and enriches them with its specific stable elements. In this context they are equivalent tothe elements of the structure of the myth. The “poetic” in the free flight of imagination plays with the metaphorical nature of images tearing them away from reality. The “mythological” for all the whimsical and metaphorical images is experienced and perceived by the subject as an absolute reliable reality. The main feature of the mythopoetics of the visual arts of the 20th century is that the range of this interaction in the allegorical nature of images predetermines the variability and plurality of mythopoetic models that are used by artists.
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Ticleanu, Mircea. "THE�WARM�PHASES�OF�THE�CLIMATIC�CYCLE�OF�MINI-GLACIATIONS�(WITH�ABOUT�1,000�YEARS�PERIOD)�IN�ALLEGORICAL�MIRRORING:�THE�MYTH�OF�PHOENIX�BIRD." In SGEM2012 12th International Multidisciplinary Scientific GeoConference and EXPO. Stef92 Technology, 2012. http://dx.doi.org/10.5593/sgem2012/s01.v1044.

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