Academic literature on the topic 'Allegoria moderna'
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Journal articles on the topic "Allegoria moderna"
Crisp, Peter. "The Pilgrim’s Progress: Allegory or novel?" Language and Literature: International Journal of Stylistics 21, no. 4 (November 2012): 328–44. http://dx.doi.org/10.1177/0963947012444953.
Full textCampbell, Julie. "Allegories of Clarity and Obscurity: Bunyan's and Beckett's." Samuel Beckett Today / Aujourd'hui 24, no. 1 (December 1, 2012): 89–103. http://dx.doi.org/10.1163/18757405-024001006.
Full textOrgad, Zvi. "Prey of Pray: Allegorizing the Liturgical Practice." Arts 9, no. 1 (December 30, 2019): 3. http://dx.doi.org/10.3390/arts9010003.
Full textMaskarinec, Malika. "Allegory and Analogy in Menzel’s The Iron Rolling Mill." Zeitschrift für Kunstgeschichte 84, no. 1 (March 1, 2021): 58–77. http://dx.doi.org/10.1515/zkg-2021-1003.
Full textAckerman, Alan. "The Prompter’s Box: Modern Drama’s Allegories of Allegory." Modern Drama 49, no. 2 (May 2006): 1–8. http://dx.doi.org/10.3138/md.49.2.1.
Full textAckerman, Alan. "The Prompter’s Box: Modern Drama’s Allegories of Allegory." Modern Drama 49, no. 2 (May 2006): 147–54. http://dx.doi.org/10.3138/md.49.2.147.
Full textAckerman, Alan L. (Alan Louis). "The Prompter's Box: Modern Drama's Allegories of Allegory." Modern Drama 49, no. 2 (2006): 147–54. http://dx.doi.org/10.1353/mdr.2006.0058.
Full textGrillo, Jennie. "The Envelope and the Halo: Reading Susanna Allegorically." Interpretation: A Journal of Bible and Theology 72, no. 4 (September 13, 2018): 408–17. http://dx.doi.org/10.1177/0020964318784242.
Full textBrenner, Athalya. "To See Is To Assume: Whose Love Is Celebrated in the Song of Songs?1." Biblical Interpretation 1, no. 3 (1993): 265–84. http://dx.doi.org/10.1163/156851593x00160.
Full textRussell, Jesse. "The bear myth in Edmund Spenser’s Faerie Queene." Reinardus / Yearbook of the International Reynard Society 31 (December 31, 2019): 115–34. http://dx.doi.org/10.1075/rein.00028.rus.
Full textDissertations / Theses on the topic "Allegoria moderna"
Ferrari, Sarah. "Le ragioni culturali del "dipingeremoderno". Paesaggio, ritratto e allegoria a Venezia negli anni di Giorgione." Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3423769.
Full textIl lavoro consiste in un’analisi approfondita del rinnovamento culturale e artistico che interessa Venezia tra la fine del Quattrocento e l’inizio del Cinquecento. Particolare attenzione è stata data ad alcune istanze culturali che si ritiene possano aver svolto un ruolo significativo in relazione alle novità dell’arte di Giorgione: la penetrazione della filosofia neoplatonica dentro e fuori le aule universitarie, l’importanza del dibattito intorno alla questione dell’immortalità dell’anima (la rinascita di Avicenna quale interprete della filosofia aristotelica), l’avvento di una nuova filologia promossa da Ermolao Barbaro, la fortuna della letteratura pastorale (Teocrito e l’Arcadia di Sannazaro) e il successo della lingua volgare (gli Asolani di Bembo). La tesi non intende, pertanto, perseguire uno studio monografico su Giorgione, ma proporre una lettura delle sue opere fondata su un dialogo serrato con il vivace clima intellettuale dell’epoca
Winthrop, Emily. "Allegories of the Modern: The Female Nude in Art Nouveau." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4203.
Full textCulatti, Marcella <1972>. "La raffigurazione delle arti in Italia: le allegorie della pittura e della scultura in epoca moderna." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/612/1/culatti_tesi.pdf.
Full textCulatti, Marcella <1972>. "La raffigurazione delle arti in Italia: le allegorie della pittura e della scultura in epoca moderna." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2007. http://amsdottorato.unibo.it/612/.
Full textBrummer, Esther Elliott. "The development of the Nuptial Allegory in early modern Venice." Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609942.
Full textSpadaro, Katrina Lucia. "Epistemologies of Play: Folly, Allegory, and Embodiment in Early Modern Literature." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/25949.
Full textZlatescu, Andrei-Paul. "Prospero's planet, magic, utopian and allegorical injuctions in the rise of the modern state." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq30837.pdf.
Full textSwannack, Frank Ian. "The political allegory of lovesickness and the lovesick womb in early modern studies, with an emphasis on Spenser." Thesis, University of Salford, 2010. http://usir.salford.ac.uk/26930/.
Full textTemple, Camilla Isabel Eva. "Inscription, ecphrasis and allegory : the reception of the ancient Greek epigram and the Renaissance emblem in early modern English literature." Thesis, University of Bristol, 2016. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.738195.
Full textPaiva, Juliana Zanetti de. "Os nossos antepassados, de Italo Calvino, como alegoria do sujeito moderno." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269949.
Full textDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-27T13:30:16Z (GMT). No. of bitstreams: 1 Paiva_JulianaZanettide_M.pdf: 24170742 bytes, checksum: 3d3f48b1a21422af2dcf63d63f7ccaa0 (MD5) Previous issue date: 2015
Resumo: O objetivo do nosso estudo é refletir sobre as três personagens principais da obra Os nossos antepassados como figurações alegóricas do sujeito moderno. O percurso que escolhemos percorrer foi apresentar alguns elementos sobre Calvino e a relação entre real e ficional na sua trajetória a partir do ponto de vista da crítica italiana. Em seguida, como existem várias definições e entendimentos acerca do que se pode definir por modernidade, explicitamos em quais concepões nos apoiamos neste estudo. Quanto à discussão acerca das concepções de alegoria, foi mais frutífero para nosso estudo problematizar esse conceito com base nas elaborações de Walter Benjamin. Por acharmos que a obra calviniana em análise mantém uma relação tensa com o contexto social da época de sua escrita, buscamos situar tal contexto, notadamente a especificidade da modernidade italiana, destacando alguns acontecimentos históricos na época da escrita das três histórias, com destaque para o debate sobre o neorrealismo italiano. Em seguida, apresentamos algumas das análises realizadas sobre a obra em estudo e procedemos à nossa análise. A divisão de Medardo, entendida por nós como mutilação, é relacionada aos conceitos de indivíduo concreto, particular e forma-sujeito burguesa abstrata e universal. Para nós, a dinâmica da vida social moderna é também uma dinâmica da subjetividade, em que a forma social pretende exigir dos indivíduos o constante apagamento de seus rastros de individualidade em proveito de uma forma de subjetividade geral e abstrata. Entretanto, os indivíduos concretos não são máquinas que apagam sua história de vida em proveito do social, ou seja, existem tensões que para nós são advindas dessa mutilação entre as exigências do todo social universal e a vida particular. Cosme, por sua vez, é por nós interpretado tanto como uma alegoria do sujeito moderno da Razão Instrumental com sua tendência a submeter o mundo aos imperativos da Razão quanto como uma desilusão-aporia em relação a essa racionalidade: não se sabe se Cosme está desiludido porque não conseguiu fazer o mundo ser guiado pela Razão ou porque notou na racionalização do mundo também as raízes da irracionalidade. Agilulfo nos parece uma imagem alegórica do que se poderia chamar de armadura de caráter do sujeito moderno, de uma abstração de subjetividade, pois o cavaleiro expressa a negação da individualidade do ser humano, em proveito de uma forma-sujeito apta à vida moderna, um sujeito que tem ações e pensamentos em consonância com o ritmo moderno, com a aceitação da realidade vivida sem realizar atritos com ela
Abstract: The aim of our study is to reflect on the three main characters of the work Os Nossos Antepassados as allegorical figurations of the modern subject. The route we choose to follow was to present a brief overview of Calvino and the relationship between the real and the fictional in his trajectory from the point of view of the Italian criticism. After that, as there are several definitions and understandings of what can be defined as modernity, we made explicit in which conceptions we are supported in this study. For the discussion about allegory conceptions, it was more fruitful to discuss this concept based on Walter Benjamin¿s elaborations. As we think that Calvino¿s work, in analysis here, keeps a tense relation with the social context of his writing period, we seek to situate such context, notably the specificity of Italian modernity, highlighting some historical events at that period when those three stories were written, emphasizing the debate on the Italian neorealism. Then, we present some of the performed analyzes on the work in study and proceeded to our analysis. Medardo¿s division, understood by us as mutilation, it is related to the concepts of concrete individual, particular and abstract bourgeois and universal subject-form. For us, the dynamics of modern social life is also a dynamic of the subjectivity, where the social form intendeds to require the individuals the constant erasing of their traces of individuality in favor of a form of general and abstract subjectivity. However, the concrete individuals are not machines that erase their life story for the benefit of social, i.e., there are tensions that for us come from this mutilation between the demands of the whole universal social and the private life. Cosme, in turn, is interpreted by us both as an allegory of the modern subject of the Instrumental Reason with his tendency to submit the world to the imperatives of the Reason and as a disappointment-aporia for this rationality: it is not known if Cosme is disappointed because he could not make the world be guided by the Reason or because he also noticed in the world's rationalization the roots of irrationality. Agilulfo seems an allegorical picture of what might be called the modern subject character armor, a subjectivity abstraction as the cavalryman expresses the denial of the individuality of the human being, in favor of a subject-form capable to the modern life, a subject that has actions and thoughts in line with the modern rhythm, accepting the experienced reality without making friction with it
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Books on the topic "Allegoria moderna"
Pinottini, Marzio. Simbolo e allegoria nell'estetica moderna. Roma: Bulzoni, 1999.
Find full textRovereto, Museo d'arte moderna e. contemporanea di Trento e. Mito e allegoria: Nell'opera di Bonazza, Ratini, Disertori : Trento, MART, Palazzo delle Albere, 24 gennaio-31 marzo 2004 : breve guida. Trento [Italy]: MART, 2004.
Find full textAlessandra, Tiddia, ed. Mito e allegoria: Nell'opera di Bonazza, Ratini, Disertori : Trento, MART, Palazzo delle Albere, 24 gennaio-31 marzo 2004 breve guida. Trento: MART, 2004.
Find full textMuseo d'arte moderna e contemporanea di Trento e Rovereto. Mito e allegoria: Nell'opera di Bonazza, Ratini, Disertori : Trento, MART, Palazzo delle Albere, 24 gennaio-31 marzo 2004 : breve guida. Trento [Italy]: MART, 2004.
Find full textTarnowski, Glen. Modern allegories. Laguna Beach, California: Masterpiece Pub., 2007.
Find full textHunter, Lynette. Modern Allegory and Fantasy. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19692-0.
Full textAllegori wa airŏni sai. Sŏul-si: Hansin Munhwasa, 1999.
Find full textGiugliano, Antonello. Nietzsche, Rickert, Heidegger ed altre allegorie filosofiche. Napoli: Liguori, 1999.
Find full textGiugliano, Antonello. Nietzsche, Rickert, Heidegger ed altre allegorie filosofiche. Napoli: Liguori, 1999.
Find full textFisette, Serge. Joëlle Morosoli: Allegorie de la contrainte. [Toronto]: Glendon Gallery, York University, 1998.
Find full textBook chapters on the topic "Allegoria moderna"
v. Graevenitz, Gerhart. "Gewendete Allegorie Das Ende der „Erlebnislyrik“ und die Vorbereitung einer Poetik der modernen Lyrik in Goethes Sonett-Zyklus von 1815/1827." In Allegorie, 97–117. Wiesbaden: VS Verlag für Sozialwissenschaften, 1998. http://dx.doi.org/10.1007/978-3-663-11957-9_5.
Full textHellerstein, Marjorie. "Between The Acts: Virginia Woolf’s Modern Allegory." In Allegory Revisited, 201–11. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0898-0_14.
Full textHunter, Lynette. "Modern Allegory and Fantasy." In Modern Allegory and Fantasy, 181–201. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19692-0_5.
Full textHunter, Lynette. "Theories of Allegory." In Modern Allegory and Fantasy, 131–80. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19692-0_4.
Full textHunter, Lynette. "Introduction." In Modern Allegory and Fantasy, 1–4. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19692-0_1.
Full textHunter, Lynette. "Genre." In Modern Allegory and Fantasy, 5–38. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19692-0_2.
Full textHunter, Lynette. "Theories of Fantasy." In Modern Allegory and Fantasy, 39–129. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19692-0_3.
Full textLerner, Ross. "Allegories of Fanaticism." In Literature, Belief and Knowledge in Early Modern England, 153–72. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-71359-5_7.
Full textBurns, Edward. "Rhetorical Character: History and Allegory." In Character: Acting and Being on the Pre-Modern Stage, 39–89. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-09594-0_3.
Full textTambling, Jeremy. "‘A Paralysed Dumb Witness’: Allegory in Bleak House." In Dickens, Violence and the Modern State, 71–97. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1057/9780230378322_4.
Full textConference papers on the topic "Allegoria moderna"
Figura Lange, Karen, and Sandra Davis Lakeman. "An Allegory of Good Government: A Comparison of Gothic Siena and Modern Los Angeles." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.26.
Full textNissan, Ephraim. "Semitic-language names formed by semantic motivation from ‘less’, and their transcultural fortune: Whig leaders at Balliol as Dryden’s “sons of Belial”, and Swahili Mbilikimo for ‘Pygmy’." In International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/19.
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