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Books on the topic 'Alice, Abi'

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Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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1

Multimedia Research Tool Makes 400-Year-Old Exploits Come Alive (ABC-Clio's Resourcelink Series). ABC-Clio, 2000.

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2

Boden, Margaret A. 2. General intelligence as the Holy Grail. Oxford University Press, 2018. http://dx.doi.org/10.1093/actrade/9780199602919.003.0002.

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A host of state-of-the-art AI applications exist, designed for countless specific tasks and used in almost every area of life, by laymen and professionals alike. Many outperform even the most expert humans. In that sense, progress has been spectacular. But the AI pioneers were also hoping for systems with general intelligence. ‘General intelligence as the Holy Grail’ explains why artificial general intelligence is still highly elusive despite recent increases in computer power. It considers the general AI strategies in recent research—heuristics, planning, mathematical simplification, and different forms of knowledge representation—and discusses the concepts of the frame problem, agents and distributed cognition, machine learning, and generalist systems.
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Krisch, Patricia Zita. A House Alive with Words: Stories from the ABC Program, a path to college for inner-city youth. Deason Press, 2015.

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4

Cox, Fiona. Ovid's Presence in Contemporary Women's Writing. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198779889.001.0001.

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This monograph explores an understudied aspect of classical reception—the extraordinary response to Ovid on the part of contemporary women writers. To date, work on classical reception has focused predominantly upon the second-wave feminism preoccupations of recovering the silenced female voices and establishing a woman’s perspective within canonical works. This monograph extends this work by examining the intersections between Ovid’s imaginative universe and the political and aesthetic agenda of third-wave feminism. Ovid enters a new phase of feminism which emphasizes the imperatives of social responsibility and democratization of learning, while also exploring the fluidity of gender boundaries and the ways in which new virtual universes have modified our attitudes to both sexuality and fame. Authors selected for particular case studies include A. S. Byatt, Ali Smith, Marina Warner, Yoko Tawada, Alice Oswald, Saviana Stanescu, Mary Zimmerman, Jo Shapcott, Marie Darrieussecq, Josephine Balmer, Averill Curdy, Clare Pollard, Michèle Roberts, and Jane Alison. Through an analysis of the novels, memoirs, short stories, poems, plays, and translations/adaptations of these writers, Cox opens up the field of classical reception to third-wave feminism, while also casting new light upon the extraordinary plasticity of Ovid’s writing and the acuity of his psychological imagination.
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Grimm, Joshua. Ex Machina. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781800348301.001.0001.

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Ex Machina (2014) impressed critics and audiences alike with its bold ideas and all-too-realistic depiction of the unexpected consequences of constructing a sentient being. In his feature directorial debut, Alex Garland uses efficient storytelling, a compelling narrative, and heady concepts to create a modern science fiction masterpiece that explores gender, scientific advancement, and the very concept of humanity, all in a compelling, suspenseful film. Artificial intelligence has long been a sci-fi staple, but here, Garland posits what would happen if, for once, humans, rather than AI, were the real villains. In exploring Ex Machina's ideas about consciousness, embodiment, and masculinity, all through the lens of a misogynist mad scientist, Joshua Grimm argues the result is a fascinating, truly unique film that immediately established Garland as a breakout voice in the landscape of science fiction film.
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Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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Contemporary Musicians: Profiles Of The People In Music (Contemporary Musicians). Thomson Gale, 2005.

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8

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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9

Pilchak, Angela M. Contemporary Musicians: Profiles Of The People In Music (Contemporary Musicians). Thomson Gale, 2005.

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Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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11

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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12

Pilchak, Angela M. Contemporary Musicians: Profiles Of The People In Music (Contemporary Musicians). Thomson Gale, 2005.

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13

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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14

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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15

Pilchak, Angela M. Contemporary Musicians. Thomson Gale, 2004.

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16

Pilchak, Angela M. Contemporary Musicians. Thomson Gale, 2007.

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Pilchak, Angela M. Contemporary Musicians. Thomson Gale, 2006.

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18

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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19

Pilchak, Angela M. Contemporary Musicians. Thomson Gale, 2006.

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