Academic literature on the topic 'Alice'

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Journal articles on the topic "Alice"

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Branco, Sinara de Oliveira, and Walter Vieira Barros. "Alice Lobo / Wolf-Alice." Revista Letras Raras 7, no. 2 (September 29, 2018): 351–59. http://dx.doi.org/10.35572/rlr.v7i2.1143.

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Se esta menina maltrapilha, com aros malhados, pudesse falar como nós ela diria que é um lobo, mas ela não sabe falar, embora uive quando está só – mas, uivar não é a palavra adequada, pois ela é jovem o suficiente para fazer o barulho que os filhotes fazem, borbulhante, delicioso, como uma panela com banha quando vai ao fogo. Às vezes, os ouvidos aguçados de seus parentes adotivos podem ouvi-la através do abismo irreparável da ausência; eles respondem da longínqua floresta de pinheiros e do pico da montanha. Os contrapontos deles cruzam o céu noturno; eles estão tentando falar com ela, mas eles não conseguem porque ela não entende a linguagem deles, mesmo sabendo como usá-la, pois, ela não é um lobo, apesar de ter sido amamentada por um.
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Tamen, M. "ALICE--MUTTON: MUTTON--ALICE." Common Knowledge 16, no. 2 (April 1, 2010): 346–50. http://dx.doi.org/10.1215/0961754x-2009-112.

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Conway, Matthew J., and Randy Pausch. "Alice." ACM SIGGRAPH Computer Graphics 31, no. 3 (August 1997): 58–59. http://dx.doi.org/10.1145/262171.262209.

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Pausch, Randy. "Alice." ACM SIGCSE Bulletin 40, no. 1 (February 29, 2008): 1. http://dx.doi.org/10.1145/1352322.1352137.

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Vercellin, for the ALICE collaborat, E. "ALICE." European Physical Journal A 19, S1 (February 2004): 223–28. http://dx.doi.org/10.1140/epjad/s2004-03-037-5.

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Pausch, Randy, and Clifton Forlines. "Alice." ACM SIGGRAPH Computer Graphics 34, no. 2 (May 2000): 42–43. http://dx.doi.org/10.1145/351440.351452.

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Schmidt, P. "ALICE." Theater 26, no. 3 (December 1, 1996): 27–50. http://dx.doi.org/10.1215/01610775-26-3-27.

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Pleumeekers, Bèr. "Alice." Huisarts en Wetenschap 50, no. 10 (October 2007): 758–59. http://dx.doi.org/10.1007/bf03085320.

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Mena, Shayla. "Alice." Anesthesia & Analgesia 137, no. 1 (June 16, 2023): 247. http://dx.doi.org/10.1213/ane.0000000000006276.

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Ren, Jennifer. "Disappearing Out of Existence: An Examination of Identity in East of Eden." Steinbeck Review 20, no. 1 (June 2023): 60–72. http://dx.doi.org/10.5325/steinbeckreview.20.1.0060.

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Abstract In John Steinbeck’s East of Eden, Cathy Ames is initially identified as a monster. However, both Cathy and Steinbeck reveal the disarming normalness of her psyche. Scholars tend to simply accept the label of “monster” without fully examining the formation of Cathy’s identity. To truly understand Cathy, it is important to examine her connection to Alice—both the Alice from Alice in Wonderland and Alice Trask. My paper will examine the formation of Cathy’s identity through the millennial lens of perspective. In the twenty-first century, people are increasingly trying to see things from other people’s perspective. However, more than half a century ago, Steinbeck was already questioning how tolerant or judgmental people should be in labeling another person’s identity. He creates Cathy to be a horrifying monster who unexpectedly has the qualities of a fictional child, Alice in Wonderland, and a meek housewife, Alice Trask. Furthermore, both Alices contain the key to Cathy’s deepest desire—the anti-monstrous desire to disappear out of existence. By connecting Cathy’s story to the two Alices, Steinbeck shows how elusive yet familiar another individual’s identity can be.
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Dissertations / Theses on the topic "Alice"

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Arnavas, Francesca. "Cognitive Alice : Lewis Carroll's Alice books in dialogue with narratology." Thesis, University of York, 2018. http://etheses.whiterose.ac.uk/22070/.

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This dissertation’s main purpose is twofold, on the one hand it gives new insights into the construction and meaning of Lewis Carroll’s Alice books, on the other hand it makes a contribution to the field of cognitive narratology, furnishing a complete practical example of the application of cognitive narratology’s tools to a relevant literary work. I take the Alice books as a case study to illuminate the working of cognitive narratology as an interdisciplinary project, relying both on classical narrative studies and on methods taken from the cognitive field. This focus also serves a synthetic view of cognitive narratology itself, which is in its essence a combination of the revaluation of classic narrative concepts and the introduction of new ones. A useful theoretical concept to give a general understanding of my methodology as the tying together of different overlapping approaches, is the idea of the Alice books as a cognitive playground, a huge mental landscape where different intellectual suggestions and speculations coexist with experientiality and affections. Wonderland and the Looking-Glass land are thus presented as fantastical cognitive playgrounds where different minds interact with each other creating the big and complex aesthetic space of the literary text. Each of my chapters examines a specific topic in relation to the minds of the author, the readers and the characters. After a preface and a first chapter outlining the main theoretical currents of cognitive narratology and pointing out the special fit of the Alice books for this kind of analysis, the subsequent chapters are: “Virtual Alice”, “Mirrored Alice”, “Emotional Alice”, and “Unnatural Alice”, each of them offering different, although interconnected, insights into the peculiar dialogue which can be established between the Alices and the cognitive narratological approach.
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Brastow, Katherine A. "Why Ask Alice?" Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/692.

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An introduction to Alice scholarship, including a brief biography of the author Charles Lutwidge Dodgson, under the pseudonym Lewis Carroll, as well as the subject matter. An examination of Alice's Adventures in Wonderland's genre, as well as an in-depth analysis of the text as a children's story.
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Nunes, Maria Augusta Vilalba. "Alice nas Cidades." Florianópolis, SC, 2011. http://repositorio.ufsc.br/xmlui/handle/123456789/95307.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2011
Made available in DSpace on 2012-10-25T23:58:04Z (GMT). No. of bitstreams: 1 294491.pdf: 4127892 bytes, checksum: 5fc466b69438171416cb8ce91d71d82b (MD5)
A partir da análise do filme Alice nas Cidades do diretor alemão Wim Wenders, formulo questões sobre o cinema e as imagens, problematizando a relação do olhar na sociedade moderna. Tendo em vista que somos constantemente submetidos a uma proliferação incessante de imagens, em consequência disso temos também sofrido a perda de um olhar mais atento, que possa questionar os códigos visuais e possibilite uma visão crítica em relação a eles. Sendo o cinema a base da pesquisa, meu suporte teórico principal é a filosofia do cinema de Gilles Deleuze, de modo que as propostas criadas por ele em Cinema 1: A Imagem-Movimento e Cinema 2: A Imagem-Tempo fundamentam a grande maioria dos capítulos deste trabalho. Primeiramente procuro entender os principais conceitos sobre as imagens cinematográficas formulados pelo autor em Cinema 1, em que ele trabalha apoiado nos filmes e nos diretores do que ele intitula cinema clássico, e a partir do qual ele desenvolve sua teoria da imagem-movimento e suas variações; logo, analiso Cinema 2, livro em que Deleuze trabalha a partir do intitulado cinema moderno, e descreve como este se enquadraria dentro do que ele chama de a imagem-tempo. A seguir, me concentro em entender o porquê de considerar Alice nas Cidades um filme mais ligado a imagem-tempo do que a imagem-movimento. Faço também referência à inter-relação entre cinema e história, bem como desenvolvo analogias entre fragmentos do filme e outras formas de expressão como a literatura, fotografia e as artes plásticas, de forma a tramar uma análise abrangente do filme, onde as relações improváveis viraram possibilidades de leitura.
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Hagemann, Helen. "Silhouettes of Alice." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2006. https://ro.ecu.edu.au/theses/345.

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This thesis comprises three sections. Section One is a novel Silhouettes of Alice, divided into four parts. Parts I and II are set in the fifties and sixties, and Part IV is set in the twenty-first century. The novel highlights the formative years of a girl's life from the age of five to twelve years, leaving home at twenty, and later, at mid-life, getting divorced and starting over. Section Two is a collection of twenty poems that form part of the creative writing component, a new work entitled Country Girl. Section Three is an essay on Views from the Veranda: Visual Maps of Place, Culture and Identity. This area of research highlights the veranda as a significant cultural contribution to the Australian way of life, place and identity. The veranda is featured in both manuscripts, and is integral to themes of love, home, friendship and familial guardianship. In the essay, by utilizing several authors' works, I discuss how the veranda acts as a caesura, a pause on the edge of the house, a reflective space where families interact, educate, communicate, and socialize. The research into the veranda, especially Philip Drew's work Veranda: Embracing Place, has facilitated my inquiry into the social, physical and cultural significance of the veranda. The essay also utilizes Gaston Bachelard's The Poetics of Space, primarily for theoretical insights into spatial environments, and his philosophical and metaphysical theories on intimate places where the mind rests, evoking the imagination, memories and daydreams - the writer's essential tools .
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Loizides, Constantinos A. "Jet physics in ALICE." Stuttgart Ibidem-Verl, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2672387&prov=M&dok_var=1&dok_ext=htm.

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Jägare, Nina. "Alice tur och retur." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-64490.

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Moore, Paege Alessandra. "Alice Walker, a literary genealogist." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0028/MQ34318.pdf.

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Wenker, Stefanie. "Alice Walkers Romanwerk : eine Untersuchung zu Ganzheit(lichkeit) und Womanism /." Frankfurt am Main [u.a.] : Lang, 2000. http://www.gbv.de/dms/bs/toc/315900253.pdf.

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Figueredo, Marcel Araujo Silva. "Estudo da produção de J/ com o experimento ALICE utilizando o calorímetro eletromagnético." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/43/43134/tde-17102014-132527/.

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Neste trabalho, obteve-se a medida da seção de choque de produção de J/ com pT > 5 GeV/c em rapidez central (|y| < 0, 7), valendo-se de eventos selecionados pelo trigger do calorímetro eletromagnético (EMCal) do experimento ALICE-LHC, em colisões prótonpróton com s = 7 TeV. Essa medida é importante pela possibilidade de se estudar modelos de produção de estados de heavy-quarkonium, além de servir como referência para o estudo da produção de J/ em colisões Pb-Pb, nas quais forma-se o Plasma de Quarks e Glúons (QGP Quark Gluon Plasma). Essa medida foi separada em 4 intervalos de pT , obtendo-se assim um espectro de pT do J/ para pT > 5 GeV/c. Os valores obtidos da seção de choque diferencial (d2/dpT dy) foram: 0.42 ± 0,11(est.) ± 0,13(sis.) b GeV/c para pT entre 5 e 7 GeV/c, 0,18 ± 0,03(est.) ± 0,04(sis.) b GeV/c para pT entre 7 e 9 GeV/c, 0,041 ± 0,008(est.) ± 0,008(sis.) b GeV/c para pT entre 9 e 11 GeV/c e 0,014 ± 0,003(est.) ± 0,005(sis.) b GeV/c para pT entre 11 e 14 GeV/c. Esses valores são compatíveis com cálculos da QCD não relativística (NRQCD) e com o modelo de evaporação de cor (CEM). Além disso, na região de intersecção de pT , os resultados são compatíveis com aqueles obtidos pelo experimento ALICE (para baixo momento) e com as medidas obtidas pelo experimento ATLAS (para pT > 6 GeV/c). Além disso, por intermédio da reconstrução do vértice de decaimento do J/, foi possível estimar a fração de J/s que vieram de decaimentos de mésons B (fB). Os valores obtidos foram: fB = 0,267 ± 0,114 (hpT i = 7,15 GeV/c), fB = 0,338 ± 0,116 (hpT i = 10,7 GeV/c), fB = 0,271 ± 0,087 (hpT i = 8,5 GeV/c), que são compatíveis, dentro das incertezas experimentais, com valores obtidos no experimento ATLAS. Um último estudo realizado foi a viabilidade de medida de J/ com valor de pT > 6 GeV/c em colisões Pb-Pb. Para isso, valendo-se do sistema de trigger de L1 do EMCal, foram obtidos 93 ± 16 J/ reconstruídos em uma região de centralidade de 20-60%.
This work presents the measurement of the J/ production with pT > 5 GeV/c at midrapidity (|y| < 0.7) with the ALICE experiment in 7 TeV proton-proton collisions, using the electromagnetic calorimeter (EMCal) triggered events. This measurement is very important due to the possibility of studying models that predict the heavy quarkonium production, and it also provides baseline results to be compared with the J/ production in PbPb, where the Quark Gluon Plasma (QGP) is formed. This measurement was separated into 4 pT bins in order to reproduce a J/ pT spectrum. The differential cross section (d2/dpT dy) results achieved were: 0.42 ± 0.11(est.) ± 0.13(sys.) b GeV/c for pT between 5 and 7 GeV/c, 0.18 ± 0.03(est.) ± 0.04(sys.) b GeV/c for pT between 7 and 9 GeV/c, 0.041 ± 0.008(est.) ± 0.008(sys.) b GeV/c for pT 9 and 11 GeV/c and 0,014 ± 0,003(est.) ± 0,005(sis.) b GeV/c for pT between 11 and 14 GeV/c. These values are compatible with Non-Relativistic (NRQCD) and Color Evaporation model (CEM) predictions. Besides, they are also compatible with results from ALICE (low pT ) and with ATLAS results (for pT > 6 GeV/c). This work also shows the measurement of the fraction of non-prompt J/ (fB). The results were: fB = 0,267 ± 0,114 (hpT i = 7,15 GeV/c), fB = 0,338 ± 0,116 (hpT i = 10,7 GeV/c), fB = 0,271 ± 0,087 (hpT i = 8,5 GeV/c), which are compatible with ATLAS results. The last study made in this work was the feasility of the measurement of J/ in Pb-Pb collisions for pT > 6 GeV/c, using the EMCal L1 Gamma trigger. Considering events from the centrality region 20-60%, 93 ± 16 J/s were reconstructed.
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Navin, Sparsh. "Diffraction in ALICE and trigger efficiencies." Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/2961/.

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ALICE is built to measure the properties of strongly interacting matter created in heavy-ion collisions. In addition, taking advantage of the low pT acceptance in the central barrel, ALICE is playing an important role in understanding pp collisions with minimum bias triggers at LHC energies. The work presented in this thesis is based on pp data simulated by the ALICE collaboration and early data collected at a center-of-mass energy of 7 TeV. A procedure to calculate trigger efficiencies and an estimate of the systematic uncertainty due to the limited acceptance of the detector are shown. A kinematic comparison between Monte Carlo event generators, PYTHIA 6, PYTHIA 8 and PHOJET is also presented. To improve the description of diffraction in PYTHIA, a hard diffractive component was added to PYTHIA 8 in 2009, which is described. Finally a trigger with a high efficiency for picking diffractive events is used to select a sample with an enhanced diffractive component from pp data. These data are compared to Monte Carlo models, and the results are summarized with an estimate of the systematic uncertainty.
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Books on the topic "Alice"

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Carvalho, Ana Albani de, Alice Brueggemann, Cristina Barth Moré, Marisa Veeck, and Blanca Brites. Alice Brueggemann & Alice Soares. Porto Alegre, RS: Galeria de Arte Mosaico, 1998.

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Albaari, A. K. Alice. [Bloomington, IN?]: Xlibris, 2010.

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Mannuzzu, Salvatore. Alice. Torino: Einaudi, 2001.

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Goldberg, Whoopi. Alice. New York: Bantam Books, 1992.

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Getchell, Robert. Alice. Burbank, Calif: Warner Bros. Entertainment, 2012.

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Johnson, Bonnie. Alice. Salem, NH: Christine L. Johnson Consulting, 2003.

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Janoski, Margarette. Alice. Gahanna, Ohio: Twin Creeks Press, 2010.

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Goldberg, Whoopi. Alice. London: Pavilion Books, 1993.

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Baker, Jamie Curtis. Alice Alive. CreateSpace Independent Publishing Platform, 2015.

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Naylor, Phyllis Reynolds. RELUCTANTLY ALICE (Alice). Yearling, 1992.

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Book chapters on the topic "Alice"

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Vercellin, E. "ALICE." In Perspectives in Hadronic Physics, 223–28. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-642-18801-5_37.

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Marques, Joan. "Alice." In Stories to Tell Your Students, 32–34. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230370432_15.

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Nischik, Reingard M. "Munro, Alice (geb. Alice Laidlaw)." In Metzler Autorinnen Lexikon, 375–76. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_260.

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Wisker, Gina. "Alice Walker." In Post-Colonial and African American Women’s Writing, 75–89. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-0-333-98524-3_4.

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Holz, Martin. "Miller, Alice." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14962-1.

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Lauret, Maria. "Alice Walker." In A Companion to Twentieth-Century United States Fiction, 489–96. Oxford, UK: Wiley-Blackwell, 2009. http://dx.doi.org/10.1002/9781444310108.ch47.

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Kreutzer, Eberhard. "Munro, Alice." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14377-1.

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Taylor (the Brothers Grimm), J. E. "Clever Alice." In Silver Magic, 59–61. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003297512-8.

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Farage, Amanda. "Meynell, Alice." In The Palgrave Encyclopedia of Victorian Women’s Writing, 1057–61. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78318-1_78.

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Nord, Christiane. "Alice abroad." In Benjamins Translation Library, 107. Amsterdam: John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/btl.17.11nor.

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Conference papers on the topic "Alice"

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Distler, Chari. "Piloting Alice in the Upper School." In Alice Symposium. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2581116.2532334.

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Harrison, John. "Alice in Virginia Beach, a Continuing Experiment." In Alice Symposium. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2581116.2532335.

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Mckenzie, W. Brett. "Pragmatism and Production." In Alice Symposium. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2581116.2532336.

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Shanahan, Joseph, and Daniela Marghitu. "Software Engineering Java Curriculum with Alice and Cloud Computing." In Alice Symposium. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2581116.2532337.

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South, David, Joseph E. Urban, Sabyne Peeler, Austin Ray, Kevin Thomas, Stephanie Graham, Shiloh Huff, et al. "DOROTHY." In Alice Symposium. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2581116.2532338.

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Barnes, Tiffany. "Keynote Address." In Alice Symposium. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2581116.2532339.

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Dann, Wanda, Tebring Daly, Don Slater, William Taylor, Anita Wright, and Eileen Wrigley. "ATE Project." In Alice Symposium. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2581116.2532340.

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Dasho, Kathleen, and Owen DeCleene. "The Story of Echo and Narcissus." In Alice Symposium. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2581116.2532341.

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Distler, Chari. "Who is Alice?" In Alice Symposium. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2581116.2532342.

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Schaeffer, André Gustavo. "Computer Programming in Public Spaces for Digital Inclusion Using Alice." In Alice Symposium. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2581116.2532343.

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Reports on the topic "Alice"

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Awes, Terry. ALICE electromagnetic calorimeter prototype test. Office of Scientific and Technical Information (OSTI), September 2005. http://dx.doi.org/10.2172/912644.

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Evenchick, C. A. Geology, Alice Arm, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1996. http://dx.doi.org/10.4095/207629.

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Evenchick, C. A., and P. S. Mustard. Geology, Alice Arm, British Columbia. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2006. http://dx.doi.org/10.4095/222157.

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Tyler, M., and R. Soltz. Kshort Production in ALICE at the LHC. Office of Scientific and Technical Information (OSTI), September 2013. http://dx.doi.org/10.2172/1093921.

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Harton, A., R. Carmona, M. Tyler, and R. Soltz. Strangeness Production in ALICE at the LHC. Office of Scientific and Technical Information (OSTI), September 2013. http://dx.doi.org/10.2172/1093922.

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Heinz, M., and R. Soltz. Systematic Error Study for ALICE charged-jet v2 Measurement. Office of Scientific and Technical Information (OSTI), July 2017. http://dx.doi.org/10.2172/1373665.

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Бережна, Маргарита Василівна. Психолінгвістичний образ Аліси у фільмі Т. Бертона Alice in Wonderland. Видавничий дім «Гельветика», 2021. http://dx.doi.org/10.31812/123456789/5828.

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У статті розглядаємо мовленнєвий портрет персонажа за психологічним архетипом «Амазонка» у фільмі Т. Бертона Alice in Wonderland (2010). За основу взято класифікацію архетипів В. Шмідт (2007). У роботі проаналізовано вчинки та мовлення Аліси Кігнслі, визначено риси характеру, які дозволяють віднести персонаж до психотипу «Амазонка», а також встановлено характерні особливості мовлення, які слугують безпосереднім проявом психотипу. Риси, які дозволяють віднести Бертонівську Алісу до архетипу «Амазонка»: 1) Аліса у фільмі феміністка і відстоює своє право на рівність з чоловіками наперекір суспільному осуду; 2) вона прийде на допомогу іншим, незважаючи на смертельну небезпеку для себе самої; 3) вона любить подорожувати та досліджувати нові землі; 4) вона не боїться провести ніч на самоті просто неба; 5) найбільший її страх – не бути здатною подбати про себе (фізично чи фінансово); 6) вона завжди прийме виклик від чоловіка і не відступиться, поки не переможе; 7) вона цінує жіночу дружбу, але має більше друзів серед чоловіків; 8) вона керується інтуїцією частіше, ніж логікою; 9) вона настільки сконцентрована на досягненні мети, що може сприйматися як байдужа і відчужена. Характерними для мовлення Аліси у фільмі Т. Бертона є такі елементи:1) окличні речення у поєднанні з апелятивами для привернення уваги адресата чи для формування директивів, що свідчить про силу волі, здатність приймати рішення і брати на себе відповідальність; 2) декларативи у формі окличних речень для емфатизації сенсу, а також під час висловлювання таких емоцій, як подив, гнів, роздратування, розпач, коли на її шляху до мети з’являються перешкоди; 3) прямі квеситиви, які вимагають відповіді від співрозмовника; 4) прямі та непрямі директиви як засіб реалізації лідерської функції персонажа; 5) складні речення з причинно-наслідковим зв’язком для демонстрації логіки мислення, заснованої переважно на інтуїції. У мовленні Аліси майже відсутні оцінні лексеми, відповідно, характерною є стриманість у висловлюваннях і оцінках; майже однакова частотність займенників першої особи однини та другої особи однини й множини демонструє, з одного боку, самодостатність, незалежність персонажа, вміння покладатися передусім на себе, а з іншого – піклування про інших, альтруїзм та концентрацію на потребах співрозмовника.
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Tan, K. P., E. E. Slatter, S. D. Hostetler, and J. Vizy. Exploring for the Future—Alice Springs hydrogeology synthesis report, Northern Territory. Geoscience Australia, 2021. http://dx.doi.org/10.11636/record.2021.007.

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9

Бережна, Маргарита Василівна. Мовленнєвий портрет Червоної Королеви у фільмі Т. Бертона Alice in Wonderland. Південноукраїнська організація «Центр філологічних досліджень», 2021. http://dx.doi.org/10.31812/123456789/4425.

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Дослідження присвячене мовленнєвому портрету Червоної Королеви, однієї з головних героїнь пригодницького фентезі-фільму Тіма Бертона 2010 року за мотивами однойменної книги Льюїса Керрола. За класифікацією В. Шмідт відносимо персонаж до архетипу «Горгона» (Gorgon). Серед її психологічних характеристик бачимо такі: персонаж не знає докорів сумління; вершить швидке (і як правило несправедливе) правосуддя; може бути засліплена гнівом; у відповідь на образу реагує емоційно та надмірно; поводиться як диктатор; вважає, що правді та закону не місце на полі бою; має у минулому давнішню психологічну травму чи глибоку образу; легковажна, агресивна, непостійна та дратівлива. У ході роботи вибрано 70 реплік, які належать Червоній Королеві. Серед особливостей її мовлення можна виокремити такі: 1) частотне використання окличних речень, що свідчить про емоційність, агресивність та дратівливість персонажа; 2) частотне використання директивів (переважно у вигляді речень з дієсловом у наказовому способі, модальним дієсловом або бездієслівних наказових речень). Вважаємо такі показники проявом диктаторської натури персонажа, впевненістю, що будь-яка її воля буде виконана; 3) частотне використання прямих запитань, які вимагають відповіді. Це свідчить про звичку завжди отримувати бажане, нестримність і легковажність у спілкуванні, порушення норм ввічливості; 4) використання оцінних та неполіткоректних лексем, що реалізується в експліцитних висловлюваннях, і свідчить про нестриманість і неввічливість, презирливе ставлення до оточуючих; 5) використання дієслів на позначення позитивних емоцій у відношенні до об’єктів, які у середньостатистичного глядача викликають відразу чи страх, що зумовлює формування негативного сприйняття глядачем.
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Carmona, R., and R. Soltz. Lambda and Anti-Labmda production in the ALICE experiment at the LHC. Office of Scientific and Technical Information (OSTI), September 2013. http://dx.doi.org/10.2172/1093894.

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