Journal articles: 'Alfred Ernest'

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McClean, A. N. "Dr Alfred Ernest Tinkler." Sexually Transmitted Infections 67, no. 3 (June 1, 1991): 267. http://dx.doi.org/10.1136/sti.67.3.267.

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James, D. Geraint. "Alfred Ernest Jones (1879–1958)." Journal of Medical Biography 16, no. 2 (May 2008): 71. http://dx.doi.org/10.1258/jmb.2006.006034.

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Jeffries, Martin O. "The source and calving of ice island ARLIS-II." Polar Record 28, no. 165 (April 1992): 137–44. http://dx.doi.org/10.1017/s0032247400013437.

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AbstractOn the basis of existing data on the dimensions, shape, surficial geology, and glaciological structure of ice island ARLIS-II, used in combination with aerial photographs of northernmost Ellesmere Island taken in 1950 and 1959, the source of the ice island is positively identified as the Alfred Ernest Ice Shelf. The duration of the recent drift of ‘Hobson's Choice’ ice island from the vicinity of the Alfred Ernest Ice Shelf to northern Ellef Ringnes Island, used as a model for the duration of the drift of ARLIS-II between the same points, suggests ARLIS-II broke off the ice shelf in approximately 1955.

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Powell, John L. "Powellʼs Pearls: Alfred Ernest Maylard (1855–1947)." Journal of Pelvic Medicine and Surgery 14, no. 6 (November 2008): 455–56. http://dx.doi.org/10.1097/spv.0b013e3181901aad.

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Slater, S. D. "Alfred Ernest Maylard, 1855–1947: Glasgow Surgeon Extraordinaire." Scottish Medical Journal 39, no. 3 (June 1994): 86–90. http://dx.doi.org/10.1177/003693309403900312.

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This account concerns Alfred Ernest Maylard, 1855 — 1947, a surgeon of exceptional ability and a man with extraordinary energy and drive. He was appointed to the Victoria Infirmary, Glasgow, when it opened in 1890 and made an outstanding clinical and academic contribution, particularly in abdominal surgery. His organisational talents were remarkable and manifest in his influence not just upon the hospital's developments but also upon Glasgow's medical life in general. In his spare time he was a keen mountaineer and was the driving force behind the formation of the Scottish Mountaineering Club in 1889 and its first secretary and later president. He was a prolific writer in all these fields, his eminence as scientific surgeon being recognised by election to the Fellowship of the Royal Society of Edinburgh and his contribution to mountaineering by the vice-presidency of the Royal Scottish Geographical Society.

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Weaver, Mike. "Alfred Stieglitz and Ernest Bloch: Art and hypnosis." History of Photography 20, no. 4 (December 1996): 293–303. http://dx.doi.org/10.1080/03087298.1996.10443677.

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Marković-Peković, Vanda. "The first modern pharmacy in Banja Luka: The Brammer family, three generations of pharmacists." Scripta Medica 51, no. 4 (2020): 284–91. http://dx.doi.org/10.5937/scriptamed51-28772.

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Pharmacy activity in Bosnia and Herzegovina was regulated in 1879 by an Order of the Provincial Government, at the beginning of the Austro-Hungarian occupation. The pharmacy owner had to have a doctorate in chemistry or a master's degree in pharmacy obtained at an Austro-Hungarian faculty. The Law on Pharmacies was adopted in 1907. The first modern pharmacy in Banja Luka was opened by Moritz Brammer in 1879. The pharmacy was inherited by his son Robert, who had sons, Ernest, Hans and Alfred, pharmacists. Ernest inherited father's pharmacy, where he worked as of 1921. Hans, also a writer and a publicist, worked in this pharmacy (1921-1930). He emigrated to Israel in 1949. Before World War II, Alfred owned a pharmacy and a drugstore in Zagreb. The Brammer family, a well-known one in Banja Luka, contributed greatly to the cultural and social development of the city in the time in which they lived.

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Mrozowicki, Michał Piotr. "Tannhäuser réhabilité (V) – « La quatrième » devant la presse parisienne – Ernest Van Dyck et les autres." Cahiers ERTA, no. 27 (2021): 85–109. http://dx.doi.org/10.4467/23538953ce.21.033.14386.

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Tannhäuser rehabilitated (V) – « La quatrième »’s image in the parisian press –Ernst Van Dyck and the others The fifth part of the cycle is devoted to the presentation of the main Parisian musical critics’ opinions on the Tannhäuser’s performance at Palais Garnier on May 13th, 1895, conducted by Paul Taffanel and directed by Alexander Lapissida. If these journalists – such as Jacques Weber of Le Temps, Catulle Mendès of La Revue de Paris, Hippolyte Fierens-Gevaert of Journal des débats, Paul Dukas of La Revue hebdomadaire, Ferdinand Le Borne of Le Monde artiste, Henry Gauthier-Villars of L’Écho de Paris, Alfred Bruneau of Gil Blas, and some others that are recalled in the article, were not unanimous on various aspects of this production, all of them considered Ernest Van Dyck, interpreting the title role, as the principle triumphator of the evening.

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Beebe, John. "On VideoNorth by Northwest. Written by Ernest Lehman . Directed by Alfred Hitchcock ." San Francisco Jung Institute Library Journal 22, no. 2 (August 2003): 75–78. http://dx.doi.org/10.1525/jung.1.2003.22.2.75.

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Kola, Adam F. "How Should One Write about Masters?" Nauki o Wychowaniu. Studia Interdyscyplinarne 8, no. 1 (June 30, 2019): 70–89. http://dx.doi.org/10.18778/2450-4491.08.06.

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The aim of the paper is to answer the question: how should one write about masters? It is a question about the narrative strategies of authors writing about masters. The presented analysis is based on five examples: (1) John A. Hall’s Ernest Gellner: An Intellectual Biography, (2) Anita Burdman Feferman and Solomon Feferman’s Alfred Tarski: Life and Logic, (3) Edmund Leach’s Lévi-Strauss, (4) Andrzej Walicki’s Idee i ludzie. Próba autobiografii [Ideas and People. An Attempt at an Autobiography], and (5) Dialogues by Roman Jakobson and Krystyna Pomorska. Each text presents different rhetorical devices, authorial relations to the master, and academic aims. The paper concludes with a critical comparison of the five examples (with the addition of some other minor cases also discussed in the paper).

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Watt, Paul. "Musical and Literary Networks in the Weekly Critical Review, Paris, 1903–1904." Nineteenth-Century Music Review 14, no. 1 (January 10, 2017): 33–50. http://dx.doi.org/10.1017/s1479409816000276.

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Published in 1903 and 1904 the Weekly Critical Review was a typical ‘little magazine’: it was produced on a shoestring with a small readership, with big editorial ambition. Its uniqueness lay in its claim to be a literary tribute to the entente cordiale (and it enjoyed the imprimatur of King Edward VII), but more importantly, it was a bilingual journal, which was rare at the time even for a little magazine. The Weekly Critical Review aimed to produce high-quality criticism and employed at least a dozen high-profile English and French writers and literary critics including Rémy de Gourmont (1858–1915), Arthur Symons (1865–1945) and H.G. Wells (1866–1946). It also published articles and musical news by four leading music critics: English critics Alfred Kalisch (1863–1933), Ernest Newman (1868–1959) and John F. Runciman (1866–1916) and the American James Huneker (1857–1921).Why did these critics write for the Weekly Critical Review? What did the articles in the WCR reveal about Anglo-French relations, about the aspirations of the English and French music critics who wrote for it, and about the scholarly style of journalism it published – a style that was also characteristic of many other little magazines? And in what ways were those who wrote for it connected? As a case study, I examine the ways in which Ernest Newman’s literary and musical networks brought him into contact with the journal and examine the style of criticism he sought to promote.

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Fischer, Thomas. "La “gente decente” de Bogotá. Estilo de vida y distinción en el siglo XIX visto por viajeros extranjeros." Revista Colombiana de Antropología 35 (January 1, 1999): 36–69. http://dx.doi.org/10.22380/2539472x.1309.

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La tesis de este ensayo es que, a partir de la segunda mitad de los años 1830, un grupo bogotano empezó a diferenciarse de manera ostentosa del resto de la población urbana y de las otras partes del país, dando importancia al exclusivismo en su aspecto físico y poniendo de relieve el refinamiento de los gustos. Esta tesis se quiere confirmar mediante el modelo de "distinción" elaborado por Pierre Bourdieu. Como fuentes se utilizan principalmente dos libros, publicados en las últimas dos décadas del siglo diecinueve, por el geógrafo Alfred Hettner y el experto en humanidades Ernest Rothlis berger. Estos dos científicos hicieron una mirada etnográfica bastante detallada a la gente decente de Bogotá. Si bien el tipo de fuentes tiene sus límites, lo cual se discute en el artículo, salta a la vista la precisión en algunos aspectos y el esfuerzo por dar juicios equilibrados. Estas fuentes se completan con las observaciones de otros viajeros. También se incluyen referencias a los resultados de la literatura bibliográfica. Con todo, el estilo de vida tipo europeo cultivado por las capas altas de Bogotá servía a la reproducción de las desigualdades.

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KLAUTKE, EGBERT. "THE FRENCH RECEPTION OFVÖLKERPSYCHOLOGIEAND THE ORIGINS OF THE SOCIAL SCIENCES." Modern Intellectual History 10, no. 2 (July 11, 2013): 293–316. http://dx.doi.org/10.1017/s1479244313000024.

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This article reconstructs French readings and debates of German approaches toVölkerpsychologie. Irrespective of its academic credentials,Völkerpsychologiewas a symptomatic approach during a transformative period in German, and indeed European, intellectual history: based on the idea of progress—both scientific and moral—and on the belief in the primordial importance of theVolk, it represented the mindset of “ascendant liberalism” in an almost pure form. The relevance and importance ofVölkerpsychologiecan be gauged from a list of scholars and intellectuals who discussed its merits as well as its problems. Moreover, the reception ofVölkerpsychologiewas not restricted to German academics: it was in France where central elements ofVölkerpsychologiehad the most profound effect on scholars who tried to establish a social science. Some of the best-known French academics and intellectuals of the late nineteenth and the early twentieth centuries—Théodule Ribot, Célestin Bouglé, Ernest Renan, Alfred Fouillée, Emile Durkheim, and Marcel Mauss—commented extensively on the works of Moritz Lazarus, Heymann Steinthal and Wilhelm Wundt, and developed their concepts of a “social science” that would reach beyond traditional philosophy, philology and history in a close dialogue with their German colleagues. HenceVölkerpsychologiewas not a German oddity, but an integral part of the debates that led to the establishing of the modern social sciences, as its French reception shows.

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Guskov, Nikolaj. "VAMBA’S NOVEL “THE PRINCE AND HIS ANTS” IN A LITERARY CONTEXT." Children's Readings: Studies in Children's Literature 21, no. 1 (2022): 86–108. http://dx.doi.org/10.31860/2304-5817-2022-1-21-86-108.

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This article deals with the novel “The Prince and his Ants” (1893) by Luigi Bertelli (1860–1920), who wrote under the pseudonym of Vamba, who was one of the founders of classical Italian children’s literature, and whose work is little known in Russia. The plot about the adventures of a lazy boy turned into an ant is compared with other books about insects. The pretexts of the novel are the works of Alfred Brehm, Jean Henri Fabre, Frances Hubert, Carlo Emery, popular science articles in Italian children’s magazines, the novel “The Adventures of a Cricket” (1877) by Ernest Candez. Traditionally ants were portrayed either sympathetically or antipathically in the role of social and moral allegories (Bible, Virgil, Ovid, Aesop and other fabulists, Fransis Bacon, and others). Vamba’s innovation is that the educational, instructive and entertaining principles are inseparable from each other and are of equal importance. Although there is no direct evidence of the acquaintance of Russian writers with Vamba’s novel, a comparison of the texts suggests that this is one of the possible pretexts of famous children’s books about insects: “The Adventure of an little Ant” (1935) by Vitaly Bianki, “The Extraordinary Adventures of Karik and Valya” (1937) Jan Larri and “Barankin, be a (hu)man” (1962) Valery Medvedev. While differing in their views on the place of man among other animals, these texts are typologically close to Vamba’s creative principles.

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Norrbin, Stefan C. "New Findings in Long-Wave Research, Alfred Kleinknecht, Ernest Mandel, and Immanuel Wallerstein, St. Martin′s Press, New York, 1992, xii + 342 pp., index, $75.00." Journal of Comparative Economics 19, no. 2 (October 1994): 300–302. http://dx.doi.org/10.1006/jcec.1994.1097.

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Shingler, Martin. "Rich voices in talky talkies: The Rich Are Always with Us." Soundtrack 3, no. 2 (December 1, 2010): 109–15. http://dx.doi.org/10.1386/st.3.2.109_1.

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Darryl F. Zanuck produced The Rich Are Always with Us (Alfred E. Green, 1932) for Warner Bros. as a prestige star vehicle for Ruth Chatterton. Set among the New York high society, the picture features characters that, in addition to being wealthy, are clever, witty and well dressed, i.e. the smart set. They are adept at delivering banter in crisp articulate voices, speaking rapidly to signify intelligence, youth and modernity. This ultra-modern film had all the hallmarks of a prestige picture: a major star, a literary adaptation, stylish sets and props, elegant and fashionable costumes designed by Orry-Kelly, and some stunning cinematography by Ernest Haller. Nevertheless, it was shot quickly and cheaply, with a supporting cast made up largely of inexpensive contract players. As much as anything else, it was the rich voices of the cast that lent an air of distinction to this production, exploiting the audience's desire to hear smart talk delivered in voices that were full toned, highly modulated, carefully enunciated and refined. While this is not the kind of film most historians consider typical of Warners in the 1930s considering the likes of The Public Enemy (William Wellman, 1931), 42nd Street (Lloyd Bacon, 1931) and 20,000 Years in Sing Sing (Michael Curtiz, 1933) to be more representative this article reveals that there was a very different side to Warners' output during the early 1930s, one that sought to take advantage of Broadway talent and create articulate movies for upmarket audiences. This article, moreover, suggests that rich voices in talky talkies were a significant part of Warners' production strategy during the early 1930s and that New York's chattering classes provided the perfect subject for prestige talking pictures at this critical time of economic austerity.

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Orton, J. K. "Peter Michael Burridge Alfred Henry Dawes Ramji Gautam Robert John Grove-White Ernest Harold Carr Harper Richard Corfield Howard Kathleen Scott Hamish Watson James Wightman Gregory Cain Williams." BMJ 323, no. 7309 (August 18, 2001): 403. http://dx.doi.org/10.1136/bmj.323.7309.403.

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Medeiros, Constantino Luz de. "A mitologia grega (1803-1804)." Nuntius Antiquus 14, no. 2 (February 21, 2019): 241–52. http://dx.doi.org/10.17851/1983-3636.14.2.241-252.

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Tradução de texto: SCHLEGEL, Friedrich. Die griechische Mythologie (1803-1804). In: SCHLEGEL, Friedrich. Schriften und Fragmente. Ein Gesamtbild seines Geistes. (Hrsg. Ernst Behler). Stuttgart: Alfred Kröner Verlag, 1956, p. 14-20.

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Boulton, T. B. "Richard Stuart Atkinson Peter Alfred Boxall Thomas Ernest Ashdown Carr Thomas Charles Corson George Alexander Norman ("Buzz") Davis John Andrew Noble Emslie Michael Thomas Gillies Raymond George Harcourt William Stewart Kilpatrick Alan Roger Marsh." BMJ 320, no. 7234 (February 26, 2000): 583. http://dx.doi.org/10.1136/bmj.320.7234.583.

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Farooque, P., E. Barthes-Wilson, A. Price, J. Levi, K. Kelly, S. Sanders, G. Phillips, et al. "Martin Kwame Kari Kari Frimpong Alfred Jonathan Levi Edward Claude Lewis Ernest Donald Page Martin Roberts William Frederick Russell Raoul Peter Gauvain Sandon Thomas Smith Scott William Inglis Dunn Scott John Laing Stevenson Stanley Howard Taylor." BMJ 318, no. 7185 (March 13, 1999): 739. http://dx.doi.org/10.1136/bmj.318.7185.739.

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Knittel, Hartmut. "Alfred Gottwaldt: Ernst Spiro: Ein jüdischer Reichsbahndirektor." Zeitschrift für Unternehmensgeschichte 60, no. 2 (2015): 250–51. http://dx.doi.org/10.17104/0342-2852-2015-2-250.

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Siemsen, Hayo. "Alfred Binet – Ernst Mach: Similarities, Differences and Influences." Recherches & éducations, no. 3 (September 1, 2010): 351–403. http://dx.doi.org/10.4000/rechercheseducations.580.

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Vetter, W. "Ernst Ludwig Kirchner: Porträt Dr. Alfred Döblin, 1912." Praxis 91, no. 40 (2002): 1631. http://dx.doi.org/10.1024/0369-8394.91.40.1631.

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Cohn, Richard. "Uncanny Resemblances: Tonal Signification in the Freudian Age." Journal of the American Musicological Society 57, no. 2 (2004): 285–324. http://dx.doi.org/10.1525/jams.2004.57.2.285.

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Early twentieth-century psychological theorists (Ernst Jentsch, Sigmund Freud) associated the uncanny with the occlusion of the boundary between real and imaginary, and with the defamiliarization of the familiar. Their music-theoretic contemporaries (Heinrich Schenker, Ernst Kurth, Alfred Lorenz) associated reality with consonance, imagination with dissonance. Late Romantic composers frequently depicted uncanny phenomena (in opera, song, and programmatic instrumental music) through hexatonic poles, a triadic juxtaposition that inherently undermines the consonant status of one or both constituents. Quintessentially familiar harmonies become defamiliarized liminal phenomena that hover between consonance and dissonance, thereby embodying the characteristics they are called upon by composers to depict. Examples of uncanny triadic juxtapositions are drawn from music of Gesualdo, Monteverdi, Haydn, Wagner, Mahler, Grieg, Richard Strauss, Sibelius, Puccini, Ravel, and Schoenberg.

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Reynolds, D. F., L. A. Lees, R. Bessant, M. Hartog, J. G. Cunniffe, T. J. Jones, P. L. Frank, et al. "Flora Bridge Barrie Alfred Ernest Chapman Amiya Kumar Chatterjee Hugh Wordsworth Cornford Cecil Francis Cunniffe Edward Casburn Davies John Harvey Green Joseph Donovan Hamlett Robert ("Bob") High Raymond Lowe King Frederick Lanceley Edmond Rene Lecutier Alastair William Maxwell Matthew Robert ("Matt") Neely." BMJ 316, no. 7136 (March 28, 1998): 1023. http://dx.doi.org/10.1136/bmj.316.7136.1023.

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Barbosa, Maria Aparecida. "Estalos nas vigas - Literatura e desenhos de Alfred Kubin." Caderno de Letras, no. 29 (November 6, 2017): 35. http://dx.doi.org/10.15210/cdl.v0i29.9277.

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O propósito deste artigo é documentar a pesquisa em andamento sobre a literatura e a arte visual de Alfred Kubin. Procede a um levantamento das afinidades dessa obra, pensando no grupo expressionista Cavaleiro Azul, do qual ele participou nos primórdios, e também no ensaio de Ernst Jünger que o eleva a síntese da geração de artistas do expressionismo. Das afinidades com a vanguarda ressalta-se a linguagem que estende o campo semântico da palavra ao sentido da visão com a recorrência à descrição de imagens da pintura. Aponta igualmente a correspondência com o artista brasileiro Oswaldo Goeldi. Finalmente apresenta a tradução de um trecho do romance de sua autoria, Die andere Seite/O Outro Lado.

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Maia, Nathália Cristina Medeiros. "A Importância Cultural da Arte na visão de Susanne Langer." Cadernos Cajuína 6, no. 4 (April 24, 2021): 351. http://dx.doi.org/10.52641/cadcaj.v6i4.547.

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Este artigo tem como objetivo apresentar a perspectiva de Susanne K. Langer sobre a importância cultural da arte, a partir da obra <em>Ensaios Filosóficos</em>, mais especificamente, a partir da conferência pronunciada na Universidade de Siracusa em 1958. Este trabalho tem como foco principal a identificação das formas simbólicas da arte, para que possamos distingui-las do simbolismo discursivo, assim como tem o propósito de investigar os tipos de expressão humana conforme a teoria estética de Langer, com base em algumas das suas influências mais importantes, tais como: Alfred North Whitehead e Ernst Cassirer.

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Schürg, Andrea. "DGSM-Aktionstag 2018 „Erholsamer Schlaf”: Schichtarbeit bleibt ein Problem." Schlaf 07, no. 03 (October 2018): 157–58. http://dx.doi.org/10.1055/s-0038-1675298.

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Anlässlich des diesjährigen Aktionstages „Erholsamer Schlaf” erinnerte die DGSM, passend zum Thema unter dem Nachthimmel im Mannheimer Planetarium, erneut an die gesamtgesellschaftliche Bedeutung eines gesunden Schlafes. Durch den frühen Arbeitsbeginn in Deutschland leiden viele Beschäftigte unter Schlafmangel und verminderter Leistungsfähigkeit. 80 % der Beschäftigten klagen über Schlafprobleme. Man schätzt den durch Fehlzeiten verursachten Produktivitätsausfall auf 1,6 % des Bruttosozialprodukts oder 60 Mrd. Euro. Wie Dr. Alfred Wiater, Präsident der DGSM, betonte, müsse allerdings klar zwischen behandlungsbedürftigen Schlafstörungen und reinen Befindlichkeitsstörungen unterschieden werden. Immerhin 6 % der Deutschen leiden jedoch an Schlafstörungen, die dringend therapiert werden müssten. Und genau hier sieht Dr. Wiater aktuell einen großen Handlungsbedarf, da die meisten Krankenkassen sich weigern, adäquate Therapien für Patienten mit Schlafstörungen zu bezahlen.

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Huttenlauch, Anna Blume. "Street Scenes and other Scenes from Berlin - Legal Issues in the Restitution of Art after the Third Reich." German Law Journal 7, no. 10 (October 1, 2006): 819–31. http://dx.doi.org/10.1017/s2071832200005137.

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The news that Ernst Ludwig Kirchner's painting “Berliner Strassenszene“ (Berlin Street Scene) will be up for sale in New York on November 8, 2006 has stirred up the international art scene for the past two months. The sale was announced shortly after the Berlin state senate had returned the painting to the heirs of its original owners, Jewish art collectors Alfred and Tekla Hess. For the past 26 years the piece had been hanging in the Brücke Museum in Berlin and formed a cornerstone of the museum's expressionist collection. Bought, from public funds, in 1980, for a little over $ 1 Million US, the painting is expected to sell this fall for $ 18 Million to $ 25 Million US.

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López, Daniela Griselda. "Identidades y transformación del orden social: Actualidad del pensamiento de Alfred Schutz." Cuadernos de Filosofía Latinoamericana 31, no. 102 (January 1, 2010): 39. http://dx.doi.org/10.15332/s0120-8462.2010.0102.03.

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<p>El artículo se propone recuperar la potencialidad analítica de la perspectiva fenomenológica de Alfred Schutz, para reflexionar acerca de temas vinculados a “lo político, las identidades y la transformación del orden social. Para ello, desarrollaremos, en primer lugar, algunos lineamientos propuestos por Ernesto Laclau (1985; 1990) y Jacques Rancière (1996) en torno a esas nociones. Nos interesa particularmente plantear el momento del surgimiento del campo “lo político” en relación con el orden social y el rol que cumplen las identidades en ese surgimiento. En segundo lugar, se intentará establecer un diálogo entre estas perspectivas y la fenomenología schutziana a fin de arrojar la luz sobre esos ejes analíticos implícitos en la obra del autor.</p>

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Bullock, Marcus Paul, and Claudia Gerhards. "Apokalypse und Moderne: Alfred Kubin's "Die andere Seite" und Ernst Jungers Fruhwerk." German Studies Review 25, no. 1 (February 2002): 191. http://dx.doi.org/10.2307/1433308.

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Gliboff, Sander. "Ascent, Descent, and Divergence: Darwin and Haeckel on the Human Family Tree." Konturen 6 (September 16, 2014): 103. http://dx.doi.org/10.5399/uo/konturen.7.0.3523.

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In their pathbreaking discussions of the human family tree in the 1860s and 1870s, Ernst Haeckel and Charles Darwin had to account for both the ascent of the species and its diversification into races. But what was the cause and the pattern of diversification, and when did it begin? Did we attain a common humanity first, which all the races still share? Or did we split up as apes and have to find our own separate and perhaps not equivalent ways to become human? Using texts and images from their principal works, this essay recovers Haeckel’s and Darwin’s views on these points, relates them to the monogenist-polygenist debate, and compares them to Alfred Russel Wallace’s 1864 attempt at a compromise.

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Hanke, Michael Manfred. "Comunicação e Lebenswelt, racionalidade e experiência estética: uma discussão interdisciplinar e pragmatista." Galáxia (São Paulo), no. 35 (August 2017): 106–18. http://dx.doi.org/10.1590/1982-2554129276.

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Resumo Este artigo pretende discutir a tríade comunicação, racionalidade e experiência estética no contexto do Lebenswelt (mundo da vida), que é essencial para a condição social do ser humano e sua cultura. Enquanto a racionalidade tem sido um dos grandes temas da filosofia desde o início da antiguidade grega – e o termo latim ratio traduz, em conjunto com oratio, o grego λόγος (lógos) –, a atenção dada à comunicação e à experiência estética, como em Alfred Schütz e William James, é mais recente, assim como a racionalidade comunicativa de Jürgen Habermas. O texto tenta desenvolver enfrentamentos e uma discussão entre esses autores e outros como John Dewey, Ernst Cassirer e Vilém Flusser, baseados numa perspectiva pragmatista e fenomenológica do Lebenswelt, que é visto como uma rede produzida pelas trocas simbólicas e comunicativas.

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OSMOND-SMITH, DAVID, and BEN EARLE. "Masculine Semiotics: the Music of Goffredo Petrassi and the Figurative Arts in Italy during the 1930s." Twentieth-Century Music 9, no. 1-2 (March 2012): 11–37. http://dx.doi.org/10.1017/s1478572212000187.

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AbstractDuring the 1930s a particular emphasis was placed within fascist Italy upon cultural evolution towards the ‘new man’. Although this was in part articulated verbally by a fascist philosopher such as Giovanni Gentile, this new masculine sensibility received much of its most persuasive embodiment through the visual arts and music. Unsurprisingly, major musical figures of the era such as Alfredo Casella and the youthful Goffredo Petrassi were strongly aware of sympathies and complementarities between the two media – and the same is true of painters such as Enrico Prampolini and Fortunato Depero, or a sculptor such as Ernesto Thayaht, all of whose work is called upon in this study. (DO-S).

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Mrozowicki, Michał Piotr. "Tannhäuser rehabilitated (III) – Eugène d’Harcourt’s concert." Cahiers ERTA, no. 25 (2021): 81–104. http://dx.doi.org/10.4467/23538953ce.20.024.13548.

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In November and December 1894, a few months before the work’s reappearance on the Parisian stage, its very important selection (including especially the entire first and third acts) was presented by the count Eugène d’Harcourt, – by the way member of the elitist Jockey’s Club – during his “eclectic concerts” at the rue Rochechouart’s Salle de Concerts. The author of the article recalls juridical and artistic controversies provoked by these executions of Wagner’s opera. Tannhäuser’s fourth performance at Paris Opera’s stage was preceded, in the spring of 1895, by many publications, books and articles devoted to Wagner’s masterpiece. The most important, Étude sur « Tannhäuser » de Richard Wagner. Analyse et guide thématique, was written by Alfred Ernst and Élie Poirée who tried to show the value of Tannhäuser, considered already as a musical drama and an important stage of the composer’s evolution.

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Graf, F. W. "Ernst Troeltsch's Evaluation of Max and Alfred Weber: Introduction and Translation of a Letter by Ernst Troeltsch to Heinrich Dietzel." Max Weber Studies 4, no. 1 (2004): 101–8. http://dx.doi.org/10.15543/mws/2004/1/7.

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Wendt, Reinhard. "Alfred Schultz – ein Hamburger Kaufmann in der Südsee. Globaler Handel, Weltpolitik und Alltag." Zeitschrift für Weltgeschichte 21, no. 1 (January 1, 2021): 155–83. http://dx.doi.org/10.3726/zwg0120208.

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Heinrich Wilhelm Alfred Schultz wurde 1873 in Hamburg geboren und starb dort 1944. Dazwischen liegt ein Leben in der Südsee. 1895 brach er dorthin auf, und für 47 Jahre bildeten nun vor allem Tonga und Samoa, aber auch Neuseeland den Mittelpunkt seines beruflichen und familiären Alltags. Vor dem Ersten Weltkrieg verdiente er gutes Geld als Manager der ,,Deutschen Handels- und Plantagengesellschaft der Südsee-Inseln“, kurz DHPG, und hatte sich auf einer kleinen Insel in den Tropen komfortabel eingerichtet. Dieser Existenz setzte der ,,infernal war“, wie ihn Schultz selber einmal nannte, ein Ende und bescherte ihm die Internierung in Neuseeland und seinem Arbeitgeber die Liquidation. Nun verlief sein Leben in weniger glücklichen Bahnen. Eine Rückkehr nach Deutschland kam für ihn aber nicht in Frage. Er hatte in der Südsee Wurzeln geschlagen, ohne jedoch die Kontakte zur alten Heimat abreißen zu lassen. Diese sah er wieder, nachdem er im Zweiten Weltkrieg erneut interniert wurde und im Austausch mit US-amerikanischen Kriegsgefangenen nach Hamburg zurückkehrte, wo er kurz darauf nach einem Bombenangriff starb.

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Pan, David. "The Struggle for Myth in the Nazi Period: Alfred Baeumler, Ernst Bloch, and Carl Einstein." South Atlantic Review 65, no. 1 (2000): 41. http://dx.doi.org/10.2307/3201924.

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Endocrinología, Diabetes & Metabolismo, Asociación Colombiana de. "Misceláneos." Revista Colombiana de Endocrinología, Diabetes & Metabolismo 2, no. 2 (March 26, 2017): 55–64. http://dx.doi.org/10.53853/encr.2.2.82.

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Terapia androgénica en hombres: pros (…para un consenso) Oscar M. Alba Abordaje diagnóstico: tumores neuroendocrinos gastroenteropancreáticos funcionales Luis Felipe Fierro Maya How to manage men with borderline testosterone levels Michael S. Irwig MD Hipertensión endocrina William Alfredo Jubiz Hazbum ¿Qué exámenes pedir y cómo interpretarlos en cinco patologías endocrinas importantes? Guillermo Latorre-Sierra Medición de la asociación de disruptores con enfermedad tiroidea Ángela Liliana Londoño, Beatriz Restrepo Cortés, Juan Farid Sánchez, Adolfo León Bayona, Patricia Landázuri, Alejandro García Ríos Tratamiento de la disfunción eréctil de origen endocrino- metabólico Ernesto Augusto Moscoso Martínez Enfoque del paciente con hiponatremia Freddy Niño Prato Causas endocrinas de fatiga Miguel Augusto Omeara Novoa Disruptores endocrinos en obesidad y tiroides Beatriz Restrepo Cortés. PhD

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Rohmer, Stascha. "Selbsterkenntnis und Symbol. Zu Alfred North Whiteheads konstruktivismus-kritischer Deutung des Symbolischen." Philosophisches Jahrbuch 124, no. 2 (2017): 170–89. http://dx.doi.org/10.5771/0031-8183-2017-2-170.

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Abstract: According to Whitehead, symbolic references fulfil an important role not only in human culture and civilization, but also in the process of natural evolution. Contrary to philosophers such as Ernst Cassirer, who think that the process of symbolization is an exclusive characteristic of the human mind and the human being, Whitehead develops his theory of symbolization as part of a natural philosophy. He states his own philosophy of nature as an “introversion of the philosophy” of Kant and as a “critique of pure feeling”. Whitehead criticizes Kant’s thinking and especially his transcendental idealism, because Kant’s theory lacks an explanation of how the subject that is involved in the activity of observing nature develops within the evolutionary process of nature. Whereas Kant simply presupposes the observing subjectivity, Whitehead wishes to explain how the subject emerges as a result of an evolutionary process in a self-creating nature. In this creative process, symbolism is a fundamental aspect. The assumption that there are two modes of “perceptive experience” is a special characteristic of Whiteheads theory of symbolism. Following this assumption, higher organisms not only have experiences in the mode of senseperception but also in the mode of what Whitehead calls “causal efficacy”. In the United States, Whiteheads most famous students, Susanne K. Langer and Nelson Goodman continued to develop his theory of symbolism, thus transforming it. In Germany, the philosopher Oswald Schwemmer pointed out the relevance of this theory for the philosophy of culture.

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Sokolovskiy, Sergey V. "Humans and Technologies: Assemblage Modes." Chelovek 32, no. 6 (2021): 86. http://dx.doi.org/10.31857/s023620070018010-8.

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The article deals with the field of techno-somatic interaction modes and ongoing human biology transformations beyond the conventional biotechnological manipulations. There are three broad trends in dealing with the interface of the human body and technology: 1) "technicalization" of the body; 2) "somatization" of technical appliances and infrastructures in viewing them as "external organs"; 3) synthetic view on "humanity cum technical milieu" as a fundamental unit in human evolution, the unique way of being human. These trends are illustrated by the relevant positions of such philosophers of technology and body as Ernst Kapp, Alfred Espinas, Maurice Merleau-Ponty, and Bernard Stiegler, as well asof sociologists and anthropologists (Marcel Mauss, André Leroi-Gourhan). It is argued that the intrinsic technicity of humans is corroborated by the current evidence of the human body and technology continuing co-evolution that necessitates ethical expertise of all technical innovations as essentially "bio-technological".

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Flöter-Durr, Margarete, and Thierry Grass. "Alfred Schütz : une autre théorie de la pertinence et son application en traduction." Fachsprache 40, no. 1-2 (April 17, 2018): 63–78. http://dx.doi.org/10.24989/fs.v40i1-2.1603.

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Despite the work of Dan Sperber and Deirdre Wilson (1989), the concept of relevance has not enjoyed the popularity it deserved among translators as it appears to be more productive in information science and sociology than in translation studies. The theory of relevance provides underpinnings of a unified account of translation proposed by Ernst-August Gutt. However, if the concept of relevance should take into account all parameters of legal translation, the approach should be pragmatic and not cognitive: The aim of a relevant translation is to produce a legal text in the target language which appears relevant to the lawyer in the target legal system, namely a text that can be used in the same way as the original source text. The legal translator works as a facilitator from one legal system into another and relevance is the core of this pragmatic approach which requires translation techniques like adaptation rather than through-translation or calque (in the terminology of Delisle/Lee-Jahnk/Cormier 1999). This contribution tries to show that relevance theory, which was developed in the field of sociology by Alfred Schütz, could also be applied to translation theory with the aim of producing a correct translation in a concrete situation. Some examples extracted from one year of the practice of an expert law translator (German-French) at the Court of Appeal in the Alsace region illustrate our claim and underpin an approach of legal translation and its heuristics that is both pragmatic and reflexive.

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Adams, Katherine. "Du Bois, Dirt Determinism, and the Reconstruction of Global Value." American Literary History 31, no. 4 (2019): 715–40. http://dx.doi.org/10.1093/alh/ajz036.

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Abstract W. E. B. Du Bois wrote extensively about African-American cotton growers and the Southern Black Belt, beginning with the sociological studies he conducted while at Atlanta University. Over time, his approach to these subjects became increasingly literary and experimental. He made the region—and specifically its dirt—a medium for analyzing the history and dynamics of racial capitalism, and for imagining forms of value not grounded in the violent extraction and mystification of black labor power. In doing so Du Bois countered the blame narrative developed by white southerners like Alfred Holt Stone, who attributed soil exhaustion and economic stagnation to the “monstrocity” of self-possessed black labor. He dismantles racist figures of black encumbrance, nomadism, and decay in which antebellum theories of climate determinism were retooled to promote new forms of racial exploitation. This essay analyzes Du Bois’s dirt poetics in The Souls of Black Folk (1903) and The Quest of the Silver Fleece (1911). Drawing from Ernesto Laclau’s work on the rhetoricity of Marxist social movements, it examines the revolutionary forms of radical contingency that Du Bois discovers at the intersection of linguistic and economic value.

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Žukauskaitė, Audronė. "Bendroji organologija: tarp organizmo ir mašinos." Athena: filosofijos studijos 16 (December 30, 2021): 52–68. http://dx.doi.org/10.53631/athena.2021.16.4.

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In this article, I discuss the theory of organology, which examines the interaction between the organism and the machine. The term “organology” was proposed by Georges Canguilhem in his text “Machine and Organism”. Referring to his predecessors, such as Ernst Kapp, Alfred Espinas, and André Leroi-Gourhan, Canguilhem argues that tools and technologies can be understood as an extension of biological organisms. Thus, organology examines the relationships between organisms and machines as well as redefines machines as organs of the human species. In a similar manner, Simondon examines technical objects as belonging to general ontogenesis, which encompasses both living and non-living beings. Later, this idea is significantly elaborated by Bernard Stiegler who creates his own theory of “general organology” and asserts that human life can be maintained only through the invention of tools and the organization of the inorganic. The notion of “general organology” is taken further by Yuk Hui who argues that technical objects are becoming organic in the sense that they incorporate organic properties, such as recursivity and contingency. Thus, not only does “general organology” question the opposition between mechanism and vitalism but also inscribes technical objects into the continuum of living beings.

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Seminck, Vincent. "Nietzsche tegenover Schmitt : Het agonale tegenover het politieke denken." Algemeen Nederlands Tijdschrift voor Wijsbegeerte 112, no. 2 (July 1, 2020): 201–34. http://dx.doi.org/10.5117/antw2020.2.007.semi.

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Abstract Nietzsche versus Schmitt. Agonal versus political thinkingThis article concerns the reception of Friedrich Nietzsche by Carl Schmitt with regard to the concept of the agon. In the 1933 edition of Der Begriff des Politischen Schmitt states that there is a ‘great metaphysical opposition’ (große metaphysische Gegensatz) between his political thinking and agonal thinking, the latter of which is associated with Nietzscheans like Alfred Baeumler and Ernst Jünger. It is argued that this metaphysical opposition is best explained in light of Schmitt’s intellectual development from decisionist to concrete order thinker. Moreover, it is argued that the reception of Nietzsche’s concept of the agon by Schmitt took place through Baeumler. Nietzsche’s concept of the agon is best described as a measured productive struggle between opponents who are approximately equal to each other. In the reception of Nietzsche’s concept of the agon a shift of focus occurs from a struggle between individuals to a struggle between collectives. At the same time the social character of the agon is lost, which was expressed in the thought that the individual could only develop his talents in a struggle with others.

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Mallet, James. "Group selection and the development of the biological species concept." Philosophical Transactions of the Royal Society B: Biological Sciences 365, no. 1547 (June 12, 2010): 1853–63. http://dx.doi.org/10.1098/rstb.2010.0040.

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The development of what became known as the biological species concept began with a paper by Theodosius Dobzhansky in 1935, and was amplified by a mutualistic interaction between Dobzhansky, Alfred Emerson and Ernst Mayr after the second world war. By the 1950s and early 1960s, these authors had developed an influential concept of species as coadapted genetic complexes at equilibrium. At this time many features of species were seen as group advantages maintained by selection to avoid breakdown of beneficial coadaptation and the ‘gene pool’. Speciation thus seemed difficult. It seemed to require, more so than today, an external deus ex machina , such as allopatry or the founder effect, rather than ordinary within-species processes of natural selection, sexual selection, drift and gene flow. In the mid-1960s, the distinctions between group and individual selection were clarified. Dobzhansky and Mayr both understood the implications, but their views on species changed little. These group selectionist ideas now seem peculiar, and are becoming distinctly less popular today. Few vestiges of group selectionism and species-level adaptationism remain in recent reviews of speciation. One wonders how many of our own cherished views on evolution will seem as odd to future biologists.

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Duraković, Irma. "Anatomska zbirka pisca / Anatomy Collection of a Writer." Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, no. 25 (December 23, 2022): 135–54. http://dx.doi.org/10.46352/23036990.2022.135.

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In his novel Mensch gegen Mensch (1919), the Austrian writer Ernst Weiß opens the door to the figure of a doctor for the first time. The diseases that Weiß works with here are not only the fruit of the “writer’s imagination” but almost clearly mapped images from the conventional medicine books as well as the very experiences that Weiß acquired during his education and later practice as a surgeon in Vienna and Prague. In the novel Mensch gegen Mensch, the writer introduces the hero Alfred to the world of the Second Viennese Medical School, which on the one hand stands in the service of humans, and on the other excludes all that is not material: sensitivity and ultimately the very “soul”. While the clinical view focuses on the human body as the subject of research, the literary text puts humans at the centre of events and tries to expose what is invisible to the naked eye: the human psyche. Questions arise as to how Weiß portrays the early 20th-century medical discourse in the novel and what role he attributes to medicine in the research and understanding of a human.

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Matošević, Andrea. "Antropološka prolegomena i Filozofijski fragmenti “nulte godine”." Narodna umjetnost 58, no. 2 (December 14, 2021): 29–45. http://dx.doi.org/10.15176/vol58no202.

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U radu se analiziraju dodirne točke, teme zajedničke knjigama Dijalektika prosvjetiteljstva: filozofijski fragmenti Maxa Horkheimera i Theodora Adorna i Magični svijet: prolegomena jednoj priči magizma Ernesta De Martina. Upravo jer su objavljene u poratnom periodu, i to u razmaku od samo godine dana, 1947. odnosno 1948. godine, njih će, među ostalim publikacijama, talijanski povjesničar Carlo Ginzburg imenovati i smjestiti među knjige “nulte godine”. Iako se radi o filozofskom i antropološkom djelu, među njima postoje tematska preklapanja, no među njihovim autorima neće ni u budućim publikacijama doći do značajnijeg međusobnog uzimanja u obzir. Teme koje su im bliske, ali istovremeno i različito artikulirane jesu mit, magija, prosvjetiteljstvo i modernitet te se sadržajni paralelizam tih izrazito utjecajnih djela u ovome radu prepleće u jednu srodnu, ali ne odveć čvrsto povezanu cjelinu. Pored isticanja komplementarnosti rezultata do kojih su došli u teorijskim i empirijskim istraživanjima, u radu se uzima u obzir i publikacija Alfreda Sohn-Rethela koja im prethodi, te se smješta u suodnos s njihovim djelima.

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Kassab, Elizabeth Suzanne. "Phenomenologies of Culture and Ethics: Ernst Cassirer, Alfred Schutz and the Tasks of a Philosophy of Culture." Human Studies 25, no. 1 (March 2002): 55–88. http://dx.doi.org/10.1023/a:1014858006149.

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Esposito, Maurizio. "En el principio era la mano: Ernst Kapp y la relación entre máquina y organismo." Humanities Journal of Valparaiso, no. 14 (December 29, 2019): 117. http://dx.doi.org/10.22370/rhv2019iss14pp117-138.

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The relation between organisms and machines is very old. Over a century ago, the French historian and philosopher Alfred Victor Espinas observed that from the Greeks onwards the intelligibility of the organic world presupposed a comparison with technical objects. Aristotle, for instance, associated living organs with mechanical artefacts in order to understand animals ‘movements. In the modern period, Descartes, Borelli and other mechanists defended the idea that organisms are, in reality, machines. Today, philosophers and scientists still argue that the genome is like a software and the brain is like a computer. In this article I reconsider the relation between organisms and machines from the perspective of the German geographer and philosopher Ernst Kapp (1808-1896), one of the founding fathers of the Philosophy of Technology. Breaking with a long and venerable philosophical tradition, Kapp argued that machines are, in reality, “organic projections”. Organisms are not machines; they are an imitation or reflection of the organic world. First of all, I clarify the hypothesis of “organic projection” (including its virtues and limits). Secondly, I consider some of the philosophical consequences that such a hypothesis entails over the debate between machinists and anti-mechanists. Finally, and following the previous considerations, I defend the importance of reconnecting the philosophy of technology with philosophy of biology in order to better understand the development of contemporary biology.

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Journal articles on the topic 'Alfred Ernest'

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