Relevant bibliographies by topics / Alfred Ernest

Academic literature on the topic 'Alfred Ernest'

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Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Alfred Ernest"

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McClean, A. N. "Dr Alfred Ernest Tinkler." Sexually Transmitted Infections 67, no. 3 (June 1, 1991): 267. http://dx.doi.org/10.1136/sti.67.3.267.

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James, D. Geraint. "Alfred Ernest Jones (1879–1958)." Journal of Medical Biography 16, no. 2 (May 2008): 71. http://dx.doi.org/10.1258/jmb.2006.006034.

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Jeffries, Martin O. "The source and calving of ice island ARLIS-II." Polar Record 28, no. 165 (April 1992): 137–44. http://dx.doi.org/10.1017/s0032247400013437.

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AbstractOn the basis of existing data on the dimensions, shape, surficial geology, and glaciological structure of ice island ARLIS-II, used in combination with aerial photographs of northernmost Ellesmere Island taken in 1950 and 1959, the source of the ice island is positively identified as the Alfred Ernest Ice Shelf. The duration of the recent drift of ‘Hobson's Choice’ ice island from the vicinity of the Alfred Ernest Ice Shelf to northern Ellef Ringnes Island, used as a model for the duration of the drift of ARLIS-II between the same points, suggests ARLIS-II broke off the ice shelf in approximately 1955.
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Powell, John L. "Powellʼs Pearls: Alfred Ernest Maylard (1855–1947)." Journal of Pelvic Medicine and Surgery 14, no. 6 (November 2008): 455–56. http://dx.doi.org/10.1097/spv.0b013e3181901aad.

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Slater, S. D. "Alfred Ernest Maylard, 1855–1947: Glasgow Surgeon Extraordinaire." Scottish Medical Journal 39, no. 3 (June 1994): 86–90. http://dx.doi.org/10.1177/003693309403900312.

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This account concerns Alfred Ernest Maylard, 1855 — 1947, a surgeon of exceptional ability and a man with extraordinary energy and drive. He was appointed to the Victoria Infirmary, Glasgow, when it opened in 1890 and made an outstanding clinical and academic contribution, particularly in abdominal surgery. His organisational talents were remarkable and manifest in his influence not just upon the hospital's developments but also upon Glasgow's medical life in general. In his spare time he was a keen mountaineer and was the driving force behind the formation of the Scottish Mountaineering Club in 1889 and its first secretary and later president. He was a prolific writer in all these fields, his eminence as scientific surgeon being recognised by election to the Fellowship of the Royal Society of Edinburgh and his contribution to mountaineering by the vice-presidency of the Royal Scottish Geographical Society.
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Weaver, Mike. "Alfred Stieglitz and Ernest Bloch: Art and hypnosis." History of Photography 20, no. 4 (December 1996): 293–303. http://dx.doi.org/10.1080/03087298.1996.10443677.

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Marković-Peković, Vanda. "The first modern pharmacy in Banja Luka: The Brammer family, three generations of pharmacists." Scripta Medica 51, no. 4 (2020): 284–91. http://dx.doi.org/10.5937/scriptamed51-28772.

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Pharmacy activity in Bosnia and Herzegovina was regulated in 1879 by an Order of the Provincial Government, at the beginning of the Austro-Hungarian occupation. The pharmacy owner had to have a doctorate in chemistry or a master's degree in pharmacy obtained at an Austro-Hungarian faculty. The Law on Pharmacies was adopted in 1907. The first modern pharmacy in Banja Luka was opened by Moritz Brammer in 1879. The pharmacy was inherited by his son Robert, who had sons, Ernest, Hans and Alfred, pharmacists. Ernest inherited father's pharmacy, where he worked as of 1921. Hans, also a writer and a publicist, worked in this pharmacy (1921-1930). He emigrated to Israel in 1949. Before World War II, Alfred owned a pharmacy and a drugstore in Zagreb. The Brammer family, a well-known one in Banja Luka, contributed greatly to the cultural and social development of the city in the time in which they lived.
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Mrozowicki, Michał Piotr. "Tannhäuser réhabilité (V) – « La quatrième » devant la presse parisienne – Ernest Van Dyck et les autres." Cahiers ERTA, no. 27 (2021): 85–109. http://dx.doi.org/10.4467/23538953ce.21.033.14386.

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Tannhäuser rehabilitated (V) – « La quatrième »’s image in the parisian press –Ernst Van Dyck and the others The fifth part of the cycle is devoted to the presentation of the main Parisian musical critics’ opinions on the Tannhäuser’s performance at Palais Garnier on May 13th, 1895, conducted by Paul Taffanel and directed by Alexander Lapissida. If these journalists – such as Jacques Weber of Le Temps, Catulle Mendès of La Revue de Paris, Hippolyte Fierens-Gevaert of Journal des débats, Paul Dukas of La Revue hebdomadaire, Ferdinand Le Borne of Le Monde artiste, Henry Gauthier-Villars of L’Écho de Paris, Alfred Bruneau of Gil Blas, and some others that are recalled in the article, were not unanimous on various aspects of this production, all of them considered Ernest Van Dyck, interpreting the title role, as the principle triumphator of the evening.
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Beebe, John. "On VideoNorth by Northwest. Written by Ernest Lehman . Directed by Alfred Hitchcock ." San Francisco Jung Institute Library Journal 22, no. 2 (August 2003): 75–78. http://dx.doi.org/10.1525/jung.1.2003.22.2.75.

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Kola, Adam F. "How Should One Write about Masters?" Nauki o Wychowaniu. Studia Interdyscyplinarne 8, no. 1 (June 30, 2019): 70–89. http://dx.doi.org/10.18778/2450-4491.08.06.

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The aim of the paper is to answer the question: how should one write about masters? It is a question about the narrative strategies of authors writing about masters. The presented analysis is based on five examples: (1) John A. Hall’s Ernest Gellner: An Intellectual Biography, (2) Anita Burdman Feferman and Solomon Feferman’s Alfred Tarski: Life and Logic, (3) Edmund Leach’s Lévi-Strauss, (4) Andrzej Walicki’s Idee i ludzie. Próba autobiografii [Ideas and People. An Attempt at an Autobiography], and (5) Dialogues by Roman Jakobson and Krystyna Pomorska. Each text presents different rhetorical devices, authorial relations to the master, and academic aims. The paper concludes with a critical comparison of the five examples (with the addition of some other minor cases also discussed in the paper).
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Dissertations / Theses on the topic "Alfred Ernest"

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Dawson, Sian. "A lost legacy : a critical assessment and catalogue of the illustrated work of Ernest Aris : Alfred Ernest Walter George Aris (22 April, 1882-1963) children's author, illustrator and commercial artist." Thesis, Cardiff University, 2011. http://orca.cf.ac.uk/19515/.

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Ernest Alfred Walter George Aris FZS, SGA, (1882-1963) was born in Islington and moved to Bradford where he spent his formative years and attained a diploma at the Bradford Technical College of Fine Art in 1900. Aris was a professionally trained commercial artist, author, and prolific illustrator of 170 children’s and natural history books. He also illustrated over 250 books for other authors, including Enid Blyton, Beatrix Potter, and May Byron, as well as contributing to a number of leading periodicals, magazines and newspapers. Aris was not a member of any of the active artists’ clubs or societies and was possibly shunned by his contemporaries and peers, who considered him unoriginal and an unscrupulous opportunist. Volume I of this thesis seeks to examine these suggestions and assesses why Aris’s name, despite his significant output, has remained relatively anonymous and why much of his legacy appears to have been unidentified, overlooked or forgotten. Chapter 1 discusses the historical influences of anthropomorphism on Aris’s style and those of his immediate predecessors. I have categorised Aris’s books into three periods for this appraisal and examined his technical attributes and qualities, together with his trademark features and characteristics, with the purpose of identifying what makes Aris’s creative design instantly recognisable and his output of illustration so distinctive. Chapter 2 discusses Aris’s relationship with the children’s author and illustrator, Beatrix Potter. Aris holds a unique place in history in that he was commissioned by Beatrix Potter to provide illustrations for her book and was the only artist with whom she seriously contemplated a professional working partnership (1916). However, Frederick Warne and Beatrix Potter later accused Aris of plagiarism and of exploiting any opportunity to achieve a commercial advantage. There is an argument to suggest that Aris’s affiliation with Potter and the allegations of plagiarism had a significant impact on his long term reputation and was possibly the reason for adopting the pseudonym Robin A. Hood. Chapter 3 examines the creative scope and features of Aris’s prestigious commercial partnerships. These start from the beginning of his professional career at the turn of the twentieth century, which coincided with the technical development and advancement of the colour picture postcard. Aris was at the forefront of this revolution, designing several series of comic and humorous postcards for leading printers that are now associated with and representative of a bygone era. In 1915 Aris was commissioned to design six tram posters, which were selected by Frank Pick at London Transport, as part of the National Collection of Posters. Pick single handedly revolutionised poster art in Britain and was responsible for establishing the national collection, where these posters now reside and have remained forgotten and out of sight for the last century. In the 1920s the trend for collecting novelty cigarette cards enabled Aris to produce a number of outstanding natural history designs as well as the infamous Frisky series, where his mischievous sense of humour is much evident in his trademark characters. Perhaps Aris’s final and greatest legacy, however, lies in the legendary Cococubs campaign for Bournville Children’s Cocoa, which was described as ‘one of the cleverest publicity schemes of the year.’1 The success of the advertising campaign meant demand outstripped supply of the product, as youngsters eagerly sought the ‘free toy in every tin’ promotional figurines that Aris designed (1934-1936). Volume II of this thesis comprises of a unique catalogue of Aris’s creative output over fifty years and spans a range of commercial fields of art. The catalogue is divided into four parts. Part one consists of Aris’s literary publications, with a detailed bibliographic record and image of the cover of each book that he wrote and illustrated under his own name and pseudonyms, as well as prominent books Aris illustrated for other eminent authors and a compendium list of books Aris illustrated for authors and other publications. Part two is a record of Aris’s commercial work, including the early series of pictorial postcards that he completed for leading quality publishers at the start of his career (1904-1909) and the six pictorial natural history posters, which Aris was commissioned to undertake for the London Transport tram system (1915). Part three comprises of Aris’s collectables and contains the four unique series of cigarette cards that Aris designed for leading tobacco manufacturers (issued 1929-1935). Part four includes a comprehensive description of each of the limited editions and subtle colour variants of the Cococub lead figurines inserted into Bournville Children’s Cocoa (1934-1936). The aim of the thesis is to justify why I believe Aris deserves further merit for his contribution within the field of illustration and commercial artwork. I have sought to highlight the factors that make his contribution and the success of his creative designs within these different fields so significant. 1 The Grocery and the Provision Merchant Journal, November 1934, p. 276.
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Le, Bruso Arnauld. "Villes et architectures coloniales au Viet Nam (1860-1945)." Paris 4, 1999. http://www.theses.fr/1999PA040061.

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Cette étude offre un panorama de la création architecturale au Viet Nam durant la période coloniale, de 1860 à 1945. Dans un premier temps, elle décrit la mise en place des services en charge de l'architecture puis retrace la création des villes en s'attachant à observer les relations de l'urbanisme colonial avec la science urbaine telle qu'elle s'exprime alors en Europe. Dans un deuxième temps, soixante-deux notices de bâtiments classés selon l'évolution chrono-stylistique offre un échantillonnage représentatif de l'architecture d'époque coloniale au Viet Nam.
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Christov, Florian Boris [Verfasser], Alfred [Akademischer Betreuer] Hager, Rüdiger [Akademischer Betreuer] Lange, and Ernst J. [Akademischer Betreuer] Rummeny. "Hat der extrakardiale Conduit die mittel- bis langfristigen funktionellen Ergebnisse und die Lebensqualität nach totaler cavopulmonaler Anastomose verbessert? / Florian Boris Christov. Gutachter: Rüdiger Lange ; Alfred Hager ; Ernst J. Rummeny. Betreuer: Alfred Hager." München : Universitätsbibliothek der TU München, 2014. http://d-nb.info/1052308015/34.

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Meyer, Daniel Raulet Gérard. "Le roman utopique de langue allemande 1918-1949 /." Créteil : Université de Paris-Val-de-Marne, 2007. http://doxa.scd.univ-paris12.fr:8080/theses-npd/th0394905.htm.

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Thèse de doctorat : Études germaniques : Paris 12 : 2003.
Version électronique uniquement consultable au sein de l'Université Paris 12 (Intranet). Titre provenant de l'écran-titre. Bibliogr. : 790 réf.
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Heine, Philipp David [Verfasser], Ruth [Akademischer Betreuer] Florack, Ruth [Gutachter] Florack, and Simone [Gutachter] Winko. "Die Literatur und der Kampf um die Weltanschauung : Ein Beitrag zur Literatur-und Intellektuellengeschichte der Zwischenkriegszeit am Beispiel von Alfred Döblin und Ernst Jünger / Philipp David Heine ; Gutachter: Ruth Florack, Simone Winko ; Betreuer: Ruth Florack." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2019. http://d-nb.info/1188025244/34.

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Heine, Philipp David Verfasser], Ruth [Akademischer Betreuer] [Florack, Ruth [Gutachter] Florack, and Simone [Gutachter] Winko. "Die Literatur und der Kampf um die Weltanschauung : Ein Beitrag zur Literatur-und Intellektuellengeschichte der Zwischenkriegszeit am Beispiel von Alfred Döblin und Ernst Jünger / Philipp David Heine ; Gutachter: Ruth Florack, Simone Winko ; Betreuer: Ruth Florack." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2019. http://d-nb.info/1188025244/34.

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Aouad, Lahrech Oumama. "La ville et le citadin dans le roman hispano-américain actuel." Paris 10, 1988. http://www.theses.fr/1988PA100150.

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L'objectif du travail est de dégager l'image de la ville et du citadin hispano-américains actuels au travers des métropoles évoquées dans les romans suivants: Mexico dans la region mas transparente et camion de pile (C. Fuentes); Caracas dans pais portatil (A. Gonzalez Leon); une ville colombienne dans al pie de la ciudad (M. Mejia Vallejo); Lima dans la ciudad y los perros (M. Vargas llosa) et un mundo para Julius (A. Bryce Echenique) et Buenos Aires dans adan buenosayres (L. Marechal) et sobre heroes y tumbas (E. Sabato). Le travail est divisé en quatre parties: le cadre géographique, l'étude de la société, l'analyse de la communication urbaine et l'exploration des poétiques narratives. Les paysages désordonnés, contrastes et inachevés traduisent les innombrables problèmes d'une croissance urbaine incontrôlée. L'analyse de la société urbaine romanesque révèle une structure fondamentalement tripartite et fortement hiérarchisée: la masse flottante de la classe moyenne oscille entre l'indécente opulence de l'oligarchie et l'extrême dénuement du peuple. Dans l'espace urbain code, répressif et aliénant, règnent la violence et l'indifférence. La dimension mythique et symbolique des romans traduit le besoin universel de sacraliser l'espace ou vit l'individu. Les structures baroques et éclatées des récits, leurs styles expressionnistes sont l'expression métaphorique de l'inquiétante brutalité urbaine
The aim of this study is to elucidate the image of the present Hispanic American cities and the city dweller through the following novels: Mexico in la region mas transparente and cambio de piel, c. Fuentes; caracas in pais portatil, a. Gonzalez leon; a Columbian metropolis in al pie de la ciudad, M. Mejia Vallejo; Lima in la ciudad y los perros, M. Vargas Llosa, and un mundo para Julius, A. Bryce Echenique; and Buenos Aires both in adan buenosayres, L. Marechal, and sobre heroes y tumbas, E. Sabato. The work is divided into four parts: the geographic frame, the study of the society, the urban communication analysis and the exploration of the poetical narratives. The disorganized and contrasted urban landscapes reflect the innumerable problems of an uncontrolled urban growth. The analysis of the romantic urban society reveals a structure fundamentally tripartite and strongly graded: the floating middle-class mass wavers between the indecent wealth of the oligarchy and the extreme dearth of the people. Violence and indifference prevail in the coded, repressive and off-putting urban space. Some myths and symbols, the narratives baroque and glaring structures, their expressionist styles are the metaphoric expression of the alarming brutality of the urban reality
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Meyer, Daniel. "Le roman utopique de langue allemande : 1918-1949." Paris 12, 2003. https://athena.u-pec.fr/primo-explore/search?query=any,exact,990003949050204611&vid=upec.

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Les romans utopiques de Brod, Hauptmann, Döblin, Hesse Werfel et Jünger peuvent prétendre à une place à part dans l’histoire de l’utopie : ils ne cherchent pas à véhiculer le plus efficacement possible un message politico-idéologique. Mais visent au contraire à brouiller sinon à interdire l’articulation d’un tel message par diverses stratégies narratives. Parallèlement à cet ancrage dans l’esthétique du roman moderne, tous présentent une structure cyclique qui renvoie à une conception précise de l’histoire et remet en question la notion de progrès. Cet anti-utopisme est nuancé par le dénouement qui investit le texte d’une charge mystique positive, entraînant une modification profonde de la portée de l’utopie. De telles caractéristiques situent cet ensemble dans le contexte de courants d’idées contemporains elles tendent à illustrer de façon emblématique une autodestruction de la raison dans un champ – l’utopie qui lui semblait réservé
The utopian novels written by Brod, Hauptmann, Döblin, Hesse, Werfel and Jünger share traits that give them a specific status within the history of utopia : their aim is not to voice a political or ideological message as efficiently as they can but to blur any such message or even dismiss it through various narrativ e strategies. This links them to the aesthetics of the modem novel. Furthermore. They all share a cyclical structure that relates to a specific theory of history and strongly queries the concept of progress. How such anti-utopianism is counterbalanced by the endings. Vhich invest the novels with positive, mystical bearings, thus radically modifying the compass of utopia. Such traits are characteristic of philosophical and literary trends contemporary with those novels, and tend to demonstrate a symptomatic self- destruction of reason in a field - utopia - which seemed to he its privileged sphere
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Fuechtner, Veronika. "Alfred Döblin and the Berlin Psychoanalytic Institute /." 2002. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3060213.

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Heine, Philipp David. "Die Literatur und der Kampf um die Weltanschauung." Doctoral thesis, 2019. http://hdl.handle.net/21.11130/00-1735-0000-0003-C120-E.

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Books on the topic "Alfred Ernest"

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Le voyageur attardé: Alfred Kubin, Henry Moore, Ernst Barlach. Bazas: Temps qu'il fait, 2012.

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Gerhards, Claudia. Apokalypse und Moderne: Alfred Kubins "Die andere Seite" und Ernst Jüngers Frühwerk. Würzburg: Königshausen & Neumann, 1999.

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Bräuninger, Werner. "Ich wollte nicht daneben stehen--": Lebensentwürfe von Alfred Baeumler bis Ernst Jünger : Essays. Graz: Ares Verlag, 2006.

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Bräuninger, Werner. "Ich wollte nicht daneben stehen--": Lebensentwürfe von Alfred Baeumler bis Ernst Jünger : Essays. Graz: Ares Verlag, 2006.

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Thomas, Kuzias, ed. Alfred Baeumler und Ernst Jünger: Mit einem Anhang der überlieferten Korrespondenz und weiterem Material. Dresden: Thelem, 2008.

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Auf den Spuren von Alfred Andersch und Ernst Barlach: "Sansibar oder der letzte Grund" und "Der Lesende Klosterschüler". Wismar: Godewind-Verlag, 2005.

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Colloque, du Centre Alfred Ernout (1992 Paris France). Les problèmes de la synonymie en latin: Colloque du Centre Alfred Ernout, Université de Paris IV, 3 et 4 juin 1992. Paris: Presses de l'Université de Paris-Sorbonne, 1994.

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Les Problèmes de la Synonomie en Latin (1992 Paris). Les Problèmes de la synonomie en latin: Colloque du Centre Alfred Ernout, Université de Paris IV, 3 et 4 juin 1992. Paris: Presses de l'Université de Paris-Sorbonne, 1994.

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Le syntagme nominal en Latin: Nouvelles contributions ; Actes de l'atelier du centre Alfred Ernout. Université de Paris-Sorbonne (Paris IV), 11 octobre 2008. Paris: Harmattan, 2010.

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Hoeges, Dirk. Die Menschenrechte und ihre Feinde: Deutsche Profile zwischen Kaiserreich und Bundesrepublik : Thomas Mann, Ernst Jünger, Martin Heidegger, Gottfried Benn, Carl Schmitt, Rudolf Borchardt, Stefan George, Rainer Maria Rilke, Alfred Toepfer, Neue Gefahren. 2nd ed. Köln: Machiavelli Edition, 2013.

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Book chapters on the topic "Alfred Ernest"

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Eggers, Walter. "Cassirer, Ernst Alfred." In Encyclopedia of Contemporary Literary Theory, edited by Irena Makaryk, 270–71. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-075.

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Weber, Jan Robert. "Im »Niemandsland« der Literatur zwischen rechts und links. Zum Briefwechsel zwischen Alfred Andersch und Ernst Jünger." In Alfred Andersch, 313–31. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05482-1_16.

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Cerrato, Rocco. "Ernesto Buonaiuti e Alfredo Loisy." In Bibliothèque de l'Ecole des Hautes Etudes, Sciences Religieuses, 195–209. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.behe-eb.5.100032.

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Hübinger, Gangolf. "Max Weber, Alfred Weber und Ernst Troeltsch." In Max Weber 1864–1920, 271–94. Köln: Böhlau Verlag, 2016. http://dx.doi.org/10.7788/9783412506858-010.

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Rühl-Nawabi, Gabriele. "Pädagogische und therapeutische Grundlagen: Die Rezeption des individualpsychologischen Ansatzes Alfred Adlers durch Ernst Papanek." In Ernst Papanek - Pädagogische und therapeutische Arbeit, 33–40. Wien: Böhlau Verlag, 2015. http://dx.doi.org/10.7767/9783205794059-002.

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Bloch, Jan Robert. "Die Utopie der Natur im Rahmen der materialistischen Erkenntniskritik Alfred Sohn-Rethels und der utopischen Naturphilosophie Ernst Blochs." In Utopie: Ortsbestimmungen im Nirgendwo, 101–23. Wiesbaden: VS Verlag für Sozialwissenschaften, 1997. http://dx.doi.org/10.1007/978-3-322-95801-3_12.

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"Maylard, Alfred Ernest (1854–1947)." In Eponyms and Names in Obstetrics and Gynaecology, 267. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108421706.215.

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Cooper, Ian. "Last Supper." In Frenzy, 87–88. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781911325369.003.0005.

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This chapter looks at Alfred Hitchcock's last finished film, Family Plot (1976). Family Plot is an amusing light-hearted mystery which saw the Master return to sunnier climes (Northern California). But the notion that Hitchcock was mellowing is a false one. The last film he worked on, abandoned due to his failing health, was to be The Short Night. Based on the story of the escaped spy George Blake, starring Sean Connery, Clint Eastwood, or Walter Matthau playing opposite Liv Ullmann or Catherine Deneuve and set in London and Finland, the script was to be written by Ernest Lehman, the screenwriter of North by Northwest (1959). However, Lehman left the project over Hitchcock's desire to include a graphic rape scene. This is history repeating itself, as a similar row about sexual violence had led The Birds (1963) screenwriter Evan Hunter to walk out on Marnie (1964).
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Mupepi, Mambo. "Diamonds Are Not for Forever." In Advances in Human Resources Management and Organizational Development, 134–59. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-1961-4.ch010.

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This article seeks to understand how a family enterprise was structured and positioned and grew into a successful global mining house. The focus is on how talent was managed drawing ontology from the mining industry founded in 1873 in South Africa by British and Dutch colonists. The founding families are those of Deidrick and Johannes De Beer, Alfred Beit, Cecil Rhodes, Nathaniel Rothschild and Ernest Oppenheimer. The De Beer brothers sold out to Cecil Rhodes and his partners and the business was, amalgamated later with Anglo American Corporation. The business arrangement continued for four generations under the direction of the Oppenheimer family who were apprenticed by excellent craftsmen in the diamond trade, and educated in finance economics and law from Europe's best business schools, and a conducive segregated political environment which ended in a US Supreme Court judgment in 2012. However, the Oppenheimers nurtured the mining house to a successful international mining business that employs more than 20 000 people around the world today.
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"Rosenbaum, Alfred - Rosmer, Ernst." In Lexikon deutsch-jüdischer Autoren. Band 18: Phil - Samu, edited by Archiv Bibliographia Judaica e.V. Berlin, New York: DE GRUYTER SAUR, 2011. http://dx.doi.org/10.1515/9783110233780.326.

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