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Journal articles on the topic 'Alberti'

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Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2024

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1

Lyons, Claire L., and Giovanna Maria Forni. "Monumenti antichi di Roma nei disegni di Alberto Alberti." American Journal of Archaeology 97, no. 3 (July 1993): 588. http://dx.doi.org/10.2307/506386.

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2

Buonafalce, Augusto. "THE ALBERTI EXHIBITION." Cryptologia 20, no. 2 (April 1996): 132–34. http://dx.doi.org/10.1080/0161-119691884834.

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3

Whitfield, J. H. "ALBERTI IN THEINTERCENALII:DEFUNCTUS." Italian Studies 46, no. 1 (January 1991): 58–68. http://dx.doi.org/10.1179/its.1991.46.1.58.

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4

Benelli, Francesco. "Review: La Roma di Leon Battista Alberti by Leon Battista Alberti." Journal of the Society of Architectural Historians 65, no. 2 (June 1, 2006): 280–82. http://dx.doi.org/10.2307/25068267.

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5

Contarino (book author), Rosario, and Lorenzo Bartoli (review author). "Leon Battista Alberti moralista." Quaderni d'italianistica 13, no. 2 (October 1, 1992): 301–4. http://dx.doi.org/10.33137/q.i..v13i2.10127.

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6

Fiore, Francesco Paolo, and N. Adams. "Review: Leon Battista Alberti." Journal of the Society of Architectural Historians 54, no. 2 (June 1, 1995): 228–32. http://dx.doi.org/10.2307/990969.

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7

Alberti, K. G. M. M. "Reply from K.G.M.M. Alberti." Diabetic Medicine 12, no. 8 (August 1995): 724. http://dx.doi.org/10.1111/j.1464-5491.1995.tb00580.x.

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8

Bassi, Simonetta. "Shakespeare lettore di Alberti?" Viator (English and Multilingual Edition) 41 (January 2010): 363–76. http://dx.doi.org/10.1484/j.viator.1.100738.

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9

Lawson, James. "Alberti on Florence Cathedral." Word & Image 18, no. 1 (January 2002): 332–47. http://dx.doi.org/10.1080/02666286.2002.10404833.

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10

Schioppa, Andrea. "Derivations and Alberti representations." Advances in Mathematics 293 (April 2016): 436–528. http://dx.doi.org/10.1016/j.aim.2016.02.013.

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11

Kutya, S. A. "Salomon Alberti (1540-1600)." Morphologia 9, no. 3 (September 25, 2015): 144–46. http://dx.doi.org/10.26641/1997-9665.2015.3.144-146.

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12

Simon, Gerard. "Optique et perspective : Ptolémée, Alhazen, Alberti / Optics and perspective : Ptolemy, Alhazen, Alberti." Revue d'histoire des sciences 54, no. 3 (2001): 325–50. http://dx.doi.org/10.3406/rhs.2001.2128.

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13

SCAGLIA, GUSTINA. "INSTRUMENTS PERFECTED FOR MEASUREMENTS OF MAN AND STATUES ILLUSTRATED IN LEON BATTISTA ALBERTI'S DE STATUA." Nuncius 8, no. 2 (1993): 555–96. http://dx.doi.org/10.1163/182539183x00703.

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Abstracttitle RIASSUNTO /title L'articolo discute la storia e l'importanza del trattato DE STATUA di Alberti. Particolare rilievo dato agli strumenti, perfezionati da Alberti stesso, per misurare una figura umana o una statua.

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14

KHARITONOVA, NATALIA. "El viaje transatlántico de Rafael Alberti en 1935." Bulletin of Hispanic Studies: Volume 98, Issue 4 98, no. 4 (April 1, 2021): 339–56. http://dx.doi.org/10.3828/bhs.2021.20.

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This article studies, from the perspective of Transatlantic Studies, literary works by Rafael Alberti along with archival documents concerning his travel to the Americas in 1935. In his poetry collection, 13 bandas y 48 estrellas. Poema del Mar Caribe and travel diary, ‘Encuentro en la Nueva España con Bernal Díaz del Castillo’, published in 1936, Alberti challenges the traditional perception of Latin American republics as former colonies. Although Alberti insists on his affiliation with the anti-imperialism of the Comintern, the article reveals an underlying conflict in the dialogue established by the Spanish poet within the American space. His writings rework components of conservative political doctrine such as Hispanoamericanismo and literary exoticism. In addition, Alberti exploits Hermann Keyserling’s conception of tellurism to shape his vision of the Americas. The article shows how the innovative message of solidarity with Latin America emerges in Alberti’s work on the basis of a complex ideological and aesthetic ground.

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15

Rey Carrasco, Iván, and Arturo Acero P. "Registros nuevos de peces cartilaginosos para el Caribe colombiano." Actualidades Biológicas 17, no. 63 (November 29, 2017): 36–39. http://dx.doi.org/10.17533/udea.acbi.330026.

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Se registra la captura de Hydrolagus alberti, Neoharriotta carri, Squalus cubensis, Anacanthobatis americanus y Gurgesiella atlantica, provenientes del talud continental (270 a 630 m) en la costa nororiental de Colombia. Se destaca la presencia de H. alberti, que no había sido registrada antes en el Caribe.

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16

Mineo, Fabrício Behrmann. "A relação entre pintura e natureza em Alberti." Humanidades em diálogo 6 (November 8, 2014): 101–16. http://dx.doi.org/10.11606/issn.1982-7547.hd.2014.106262.

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No tratado de Alberti sobre pintura, a ideia de natureza desempenha um papel fundamental. Para Alberti, o pintor deve aprender seu ofício através da observação da natureza. Neste artigo, apresentaremos alguns dos principais movimentos dos dois primeiros livros do Da pintura, tendo em vista a relação entre pintura e natureza. Inicialmente, abordaremos os rudimentos da pintura, com ênfase na perspectiva e considerando a concepção de pintura como janela, desenvolvida por Alberti. Em seguida, trataremos das três partes da pintura e suas relações com a natureza. Nesse ponto, a composição (uma das partes da pintura) aponta para uma noção de beleza que, de certo modo, excede a natureza.

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17

Lehmann, Phyllis Williams. "Alberti and Antiquity: Additional Observations." Art Bulletin 70, no. 3 (September 1988): 388. http://dx.doi.org/10.2307/3051174.

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18

Barriales-Bouche, Sandra. "Rafael Alberti in Post-Exile." Bulletin of Hispanic Studies 89, no. 1 (January 2012): 55–74. http://dx.doi.org/10.3828/bhs.2012.5.

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19

Gil Ávila, Carolina. "Poesía y pintura: Rafael Alberti." Biblioteca de Babel: Revista de filología hispánica 2 (March 3, 2021): 30–60. http://dx.doi.org/10.15366/bibliotecababel2021.2.003.

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El presente trabajo se centrará en hacer un repaso por los inicios de Rafael Alberti en la pintura en El Puerto de Santa María hasta que la poesía llamó a su puerta en Madrid, hecho que no significó el abandono total de su primera vocación para dedicarse a la segunda, sino la sucesiva unión y producción de grandes obras de arte. De este modo, nos basaremos en la recopilación de información biográfica y en un reducido análisis de la creación de Alberti en el exilio, en donde comienza su canto a la pintura, hasta su vuelta a España.

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20

Lehmann, Phyllis Williams. "Alberti and Antiquity: Additional Observations." Art Bulletin 70, no. 3 (September 1988): 388–400. http://dx.doi.org/10.1080/00043079.1988.10788579.

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21

Zimmermann, T. C. Price, and Cecil Grayson. "Studi su Leon Battista Alberti." Sixteenth Century Journal 31, no. 2 (2000): 560. http://dx.doi.org/10.2307/2671681.

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22

Schioppa, Andrea. "Metric currents and Alberti representations." Journal of Functional Analysis 271, no. 11 (December 2016): 3007–81. http://dx.doi.org/10.1016/j.jfa.2016.08.022.

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23

Tonnesmann, Andreas, and Candida Syndikus. "Leon Battista Alberti. Das Bauornament." Zeitschrift für Kunstgeschichte 61, no. 3 (1998): 446. http://dx.doi.org/10.2307/1482999.

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24

Turísticos, Estudios. "Alberti Barceló, Fernando (1870-1950)." Revista de Estudios Turísticos, no. 201 (September 10, 2023): 135–37. http://dx.doi.org/10.61520/et.2012014.1216.

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25

Riklius, Tomas. "Classical texts in the art treatises of early Modern Period." Literatūra 61, no. 3 (December 20, 2019): 98–108. http://dx.doi.org/10.15388/litera.2019.3.8.

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This paper discusses the quotation frequency and reference strategies of Leon Battista Alberti, Federico Borromeo, and Gabriele Paleotti. These three Catholic art theoreticians of Early Modern period engaged Classical texts as the point of reference and expertly manipulated the Classical sources to provide contextual arguments in the formation of their own artistic theories. Alberti, Borromeo, and Paleotti directly alluded or referred to Pliny the Elder, Plutarch, Xenophon, Strabo, Aulus Gellius, and other Classical sources rather extensively. This can be noticed from various quotation strategies applied in Alberti, Borromeo, and Paleotti treatises and by statistical data on quotation frequency in Alberti’s De pictura, Paleotti’s Discorso intorno alle immagini sacre e profane, and Borromeo’s De pictura sacra.

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26

BOLTENKOV, EUGENY V. "Typification and taxonomic notes on three irises names (Iridaceae) described from Central Asia." Phytotaxa 424, no. 4 (November 22, 2019): 262–66. http://dx.doi.org/10.11646/phytotaxa.424.4.6.

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Nomenclature issues of three irises names described from Central Asia (Iris alberti, I. eulefeldii, and I. humilis f. foliata) are here discussed. Particularly, a second-step lectotypification for I. alberti and lectotypifications for I. eulefeldii (a taxonomic synonym of I. scariosa) and I. humilis f. foliata (a taxonomic synonym of I. longiscapa) are provided.

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27

Crespo López, Mario. "poesía de Rafael Alberti (de "Marinero en tierra" a "Pleamar")." BOLETÍN DE LA BIBLIOTECA DE MENÉNDEZ PELAYO 85, Único (December 10, 2009): 447–79. http://dx.doi.org/10.55422/bbmp.550.

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El presente texto reproduce el discurso de Leopoldo Rodríguez Alcalde dado en el Ateneo santanderino en el año 1949. Versa sobre la poesía de Rafael Alberti y su relación con el mar, del significado de sus elementos poéticos y de las conexiones metafóricas con otros escritores como García Lorca, Rubén Darío y Antonio Machado. Es un discurso relevante porque se dio en la época de la posguerra y no sufrió ninguna censura, pues además fue acogido por la institución oficial del Ateneo. Rodríguez Alcalde ensalza la figura de Alberti, narrando datos de su biografía que marcaron su obra, y establece similitudes con otros poetas coetáneos. Así, a lo largo del discurso, compara los poemas de Alberti desde el poemario Marinero en tierra al de Pleamar.

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28

Riquelme Pomares, Jesucristo. "Escrito en el aire... para seguir pisando suelo. Cartas inéditas de Ferrari a Rafael Alberti (1963-1965)." Anales de Literatura Española, no. 35 (June 1, 2021): 159. http://dx.doi.org/10.14198/aleua.2021.35.08.

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El artista plástico argentino León Ferrari y el escritor Rafael Alberti se conocieron, en 1959, durante el exilio americano del poeta español. Desde 1962 Ferrari ilustró composiciones literarias de Alberti: en 1964 publican el libro conjunto Escrito en el aire. Ambos artistas mantuvieron una fluida correspondencia de fina amistad. Publicamos cinco cartas inéditas, dirigidas por Ferrari a Alberti, entre 1963 y 1965, en las que el argentino comenta varios asuntos de interés creativo del arte contemporáneo: la elaboración de obras pictóricas, montajes e instalaciones y los asuntos polémicos que las inspiran: la denuncia política y social. Ferrari se enfrenta con vehemencia a la guerra de Vietnam, a la Iglesia católica enajenante, reaccionaria y cómplice de injusticias y desequilibrios económicos que se perpetúan y al poder inicuo y capitalista.

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29

Carvalho, Mayra Moreyra. "Poética e política: Rafael Alberti, tradutor de Charles Baudelaire." Cadernos de Tradução 40, no. 2 (May 19, 2020): 153–73. http://dx.doi.org/10.5007/2175-7968.2020v40n2p153.

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Discutem-se no artigo os aspectos estéticos e políticos da tradução do poeta espanhol Rafael Alberti (1902-1999) para os então denominados Diários íntimos, de Charles Baudelaire, em 1943. Para tanto, considera-se o prólogo escrito por Alberti e a relação entre poetas e poéticas que este gesto tradutório sugere, além do momento em que o texto foi traduzido, que corresponde ao exílio do poeta na Argentina após a Guerra Civil Espanhola.

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30

Besancon, Alain. "Irina Alberti Ilovaïskaia etLa Pensée russe." Commentaire Numéro94, no. 2 (2001): 429. http://dx.doi.org/10.3917/comm.094.0429.

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31

López Castro, Armando. "El discurso elegíaco de Rafael Alberti." Estudios Humanísticos. Filología, no. 27 (December 1, 2005): 119. http://dx.doi.org/10.18002/ehf.v0i27.2708.

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32

Marsh, David. "Leon Battista Alberti at the Millennium." Renaissance Quarterly 55, no. 3 (2002): 1028–37. http://dx.doi.org/10.2307/1261564.

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33

Joost-Gaugier, Christiane L., Leon Battista Alberti, Martine Furno, and Mario Carpo. "Leon Battista Alberti: Descriptio urbis Romae." Sixteenth Century Journal 32, no. 1 (2001): 206. http://dx.doi.org/10.2307/2671438.

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34

Frank, Maria Esposito. "Leopardi Lettore Di Leon Battista Alberti." Italian Culture 9, no. 1 (January 1991): 183–95. http://dx.doi.org/10.1179/itc.1991.9.1.183.

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35

Bevilacqua, Marco Giorgio, and Kim Williams. "Alberti and Military Architecture in Transition." Nexus Network Journal 16, no. 3 (October 2, 2014): 523–41. http://dx.doi.org/10.1007/s00004-014-0213-9.

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36

Montoya Alberti, Hernando, and Gonzalo Leo. "Entrevista al Dr. Hernando Montoya Alberti." Advocatus, no. 003 (September 25, 1999): 169–75. http://dx.doi.org/10.26439/advocatus2000.n003.2275.

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37

Helali, Imen. "La notion de linéaments chez Alberti." Les Pages du laa 13, no. 35 (August 24, 2023): 1–31. http://dx.doi.org/10.14428/lpl.v13i35.75903.

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Si les textes s’éclairent à lumière indirecte de leur contexte et de leur intertexte, le sens propre de leur message n’est saisissable que dans le réseau des paraphrases et des périphrases qu’ils énoncent eux-mêmes ; les textes s’auto-expliquent. Imen Helali interroge la signification du vocable linéaments dans le De re aedificatoria. Prolongeant les discussions terminologiques qu’a suscitées l’usage de ce mot par Alberti, elle propose une lecture systématique et croisée de deux passages du premier livre et du prologue. Produisant des échos loin dans le texte du traité, elle fait entendre la nature à la fois mentale et formelle des linéaments et réfute la thèse de Susan Lang selon laquelle il s’agirait de « plans de sol », d’une représentation graphique des édifices projetés sur un plan horizontal. Confrontant sa lecture à celles des nombreux spécialistes qui se sont penchés sur la question, Imen Helali déplace les lignes d’interprétation du texte d’Alberti et produit quelques avancées notables dans la théorie de l’architecture. Imen Helali est architecte, diplômée par l’Ecole Nationale d’Architecture et d’Urbanisme (ENAU) de l’Université de Carthage (Tunisie) et détentrice d’un Master de Recherche en Architecture. Depuis 2019, elle conduit une thèse de doctorat sur le thème des limites à l’ENAU et au Département de Langues et Littératures françaises et romanes de l’Université de Liège (Belgique).

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38

Caye, Pierre, and Elane Ribeiro Peixoto. "Traduzir De re aedificatoria de Alberti." Paranoá, no. 35 (October 23, 2023): 1–12. http://dx.doi.org/10.18830/issn.1679-0944.n35.2023.07.

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Este artigo é um relato feito por Pierre Caye sobre a tradução do De re aedificatoria de Leon Battista Alberti do latim para o francês realizado por ele em parceria com Françoise Choay. A tradução, intitulada L’Art d’édifier, foi publicada em 2004 pela Maison du Seuil. O texto a seguir rememora a rotina que envolveu os tradutores durante os 15 anos dispensados no trabalho e, nos quais, encontros semanais eram realizados para a comparação dos mesmos trechos traduzidos que, submetidos ao escrutínio, ofereciam as bases para um resultado consensual. Durante os anos em que esse trabalho foi realizado , uma rede de colaboração foi se construindo com a participação de especialistas em Leon Battista Alberti, consolidando parcerias perenes. O artigo apresenta uma reflexão sobre a tradução, caminhos metodológicos possíveis e aproxima o trabalho do tradutor a um canteiro de obras, à semelhança do discurso albertiano.

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39

Ricci, Maria Teresa. "De la famille marchande à la cour princière: I Libri della Famiglia de Leon Battista Alberti." Renaissance and Reformation 37, no. 2 (January 1, 2001): 55–65. http://dx.doi.org/10.33137/rr.v37i2.8690.

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This article concerns a major work by Alberti in the tradition of treatises on household management. The first three books construct the ideal bourgeois domestic economy around the family; the fourth and last book shows that this ideal is being supplanted by the courtly model, whose centre of gravity is not the family but the court. But Alberti does not idealize the courtly life, as do most of the household treatises of the sixteenth and seventeenth centuries.

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40

D’Agostino, Mário Henrique Simão. "Qual a meta?" Revista Limiar 2, no. 3 (March 24, 2019): 165–203. http://dx.doi.org/10.34024/limiar.2014.v2.9271.

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A prescrição das igrejas de planta central, no tratado De re aedificatoria, tem suscitado indagações várias sobre a religiosidade de Leon Battista Alberti. Em simultâneo ao otimismo do tratadista com as “invenções” e “progressos” humanos, um elenco de escritos descerram juízos pessimistas sobre as instituições sociais e a vida em comum. Perquirir as diferentes modalidades compreendidas pela epistemologia de Alberti permite melhor perfilar as visões de natureza, de ordem cívica e do sagrado próprias do humanista.

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41

Sølvará, Hans Andrias. "Tilboðið, Alberti og danska stjórnin – ein søga um eina politiska mytu / „The Offer“, Alberti and the Danish Government – Story of a Political Myth." Fróðskaparrit - Faroese Scientific Journal 59 (January 11, 2017): 20. http://dx.doi.org/10.18602/fsj.v59i0.41.

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<p>This article explores certain aspects of the socalled „offer“, which the Faroese selfrule leader and member of the Danish parliament, Jóannes Patursson, introduced to the Faroese Lagting in 1906. The „offer“, which according to Jóannes Patursson was given to him by the Danish government, would have given the Faroese Lagting greater administrative and financial selfrule in internal Faroese matters. The Faroese people rejected the offer in 1906, and the Danish legislative minister, Peter A. Alberti, who had signed the letter with the offer to the Lagting, was in 1908 forced to leave the government and was sentenced eight years imprisonment as a result of his involvement in a financial scandal. It has since been said that, according to the Danish government, the offer given to Jóannes Patursson was a private offer from Peter A. Alberti, of which the Danish government had no knowledge. This article argues, that the offer was given to Jóannes Patursson by the Danish government, and that the Danish government never accused Peter A. Alberti of having given Jóannes Patursson a private offer. This story is a myth, created later, totally without any historical foundation. Peter A. Alberti was a likely candidate to blame for an unsuccessful political offer, but in this case, he is certainly not guilty in any violation of governmental authority.</p>

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42

Ochoa-Quintero, Jose Manuel, Isabel Melo-Vásquez, Juan Alejandro Palacio-Vieira, and Ángela Maria Patiño. "Nuevos registros y notas sobre la historia natural del paujil colombiano Crax alberti al nororiente de la Cordillera Central Colombiana." Ornitología Colombiana, no. 3 (July 9, 2021): 42–50. http://dx.doi.org/10.59517/oc.e52.

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El pavón colombiano Crax alberti (Cracidae) es una especie endémica y en peligro crítico de extinción; la información disponible sobre la especie es escasa y es prioritario para su conservación actualizar el conocimiento sobre su distribución y situación. Presentamos aquí 33 registros de C. alberti y observaciones sobre su historia natural llevadas a cabo durante enero y febrero 1999, diciembre 2000 y enero 2001 en la zona nororiental de la Cordillera Central de los Andes, departamento de Antioquia, Colombia. Durante la época reproductiva, las vocalizaciones de “pujido” de los machos representaron la forma más efectiva de detectar la especie. También obtuvimos información local sobre la presencia, hábitos y creencias sobre la especie en diferentes zonas. Corroboramos la existencia de C. alberti en los municipios de Puerto Berrío y Remedios, y obtuvimos nuevos registros para los de Maceo y Anorí. Los bosques donde encontramos C. alberti poseen alta diversidad y heterogeneidad vegetal; los fragmentos de bosque más pequeños donde lo registramos tenían extensiones de unas 300 ha. Dos nidos encontrados en bosques secundarios, aparentemente los primeros descritos para la especie, eran plataformas no muy elaboradas con gran cantidad de lianas. La especie es conocida por los habitantes locales y sin duda puede ser utilizada como bandera para la conservación de los últimos remanentes de bosque en esta región.

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43

Santonja Gómez-Agero, Gonzalo. "Con Alberti y Bergamín por el sueño de España. (Vallejo al fondo)." Archivo Vallejo 1, no. 2 (December 28, 2018): 149–66. http://dx.doi.org/10.31381/archivovallejo.v1n2.5162.

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44

Colorado Castellary, Arturo. "La mirada múltiple. Imagen y tecnología en el arte moderno. Reseña de Alberto García Alberti." Fotocinema. Revista científica de cine y fotografía, no. 20 (January 30, 2020): 496. http://dx.doi.org/10.24310/fotocinema.2020.v0i20.7646.

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45

Hansen, Hans Lauge. "Modernismen i spansk poesi." K&K - Kultur og Klasse 26, no. 85 (January 10, 1998): 113–36. http://dx.doi.org/10.7146/kok.v26i85.21292.

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46

Paoli, Michel. "Un abrégé de la pensée de Leon Battista Alberti en langue vernaculaire: les Sentenze pitagoriche." Renaissance and Reformation 38, no. 1 (January 1, 2002): 41–60. http://dx.doi.org/10.33137/rr.v38i1.8748.

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The purpose of this article is to analyze a short, little-known—yet notably rich—work of Leon Battista Alberti, in order, first, to grasp its relations to its classical model, the pseudo-Pythagorean Golden Verses, as well as to the rest of Alberti’s writing, and then to determine its nature. The author is thereby led to refute the theory that this is a treatise of esoteric hermeticism or a sort of prayer which might offer information about the religious beliefs of Alberti. An edition of the text and a translation into French are appended.

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47

Del Olmo Iturriarte, Almudena. "UT PICTURA POESIS: A LA PINTURA, DE RAFAEL ALBERTI." Signa: Revista de la Asociación Española de Semiótica 27 (April 9, 2018): 263. http://dx.doi.org/10.5944/signa.vol27.2018.18506.

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Resumen: A la pintura (1945-1967), de Rafael Alberti, es un ejercicio de écfrasis y es, ante todo, un homenaje a la pintura, primera vocación del poeta, a la que vuelve como otro paraíso perdido para defenderse de la barbarie de la historia y para expresar a través de la palabra poética su afirmación vitalista de las artes. Este artículo estudia el sentido del libro, analiza su estructura y ofrece una visión panorámica de los pintores a los que Alberti dedica poemas-homenaje, profundizando en algunos casos para valorar los distintos usos ecfrásticos.

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Solís Rebolledo, Patricia. "El concepto de espacio en la Antigüedad y su legado en el tratado De re aedificatoria de Leon Battista Alberti." Bitácora arquitectura, no. 33 (November 16, 2016): 24. http://dx.doi.org/10.22201/fa.14058901p.2016.33.57360.

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<p>Este trabajo presenta las fuentes de Leon Battista Alberti de sus conceptos espacio y lineamenta. El primero se retoma de la filosofía platónica y aristotélica, así como de la teoría arquitectónica vitruviana.<br />Respecto al segundo, se explora su uso por parte de Cicerón y Plinio. Profundizar en este conocimiento permitirá comprender e interpretar los problemas teóricos que Alberti planteó en el De re aedificatoria y De pictura, basados en su interés por la geometría, disciplina donde articuló su teoría del arte.</p>

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Mitrović, Branko. "Leon Battista Alberti, Mental Rotation, and the Origins of Three-Dimensional Computer Modeling." Journal of the Society of Architectural Historians 74, no. 3 (September 1, 2015): 312–22. http://dx.doi.org/10.1525/jsah.2015.74.3.312.

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One of the most fundamental assumptions of modern architectural practice is that all spatial relationships on a building are mathematically definable and can be systematically described by means of two-dimensional representations generated using procedures based on quantification. It is this assumption that makes three-dimensional computer modeling possible. In Leon Battista Alberti, Mental Rotation, and the Origins of Three-Dimensional Computer Modeling, Branko Mitrović analyzes the historical origins of this approach to visual communication about architectural works and its first explicit articulation in the work of Leon Battista Alberti.

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Dall'Arno, Michele, Francesco Buscemi, and Valerio Scarani. "Extension of the Alberti-Ulhmann criterion beyond qubit dichotomies." Quantum 4 (February 20, 2020): 233. http://dx.doi.org/10.22331/q-2020-02-20-233.

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The Alberti-Ulhmann criterion states that any given qubit dichotomy can be transformed into any other given qubit dichotomy by a quantum channel if and only if the testing region of the former dichotomy includes the testing region of the latter dichotomy. Here, we generalize the Alberti-Ulhmann criterion to the case of arbitrary number of qubit or qutrit states. We also derive an analogous result for the case of qubit or qutrit measurements with arbitrary number of elements. We demonstrate the possibility of applying our criterion in a semi-device independent way.

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