Relevant bibliographies by topics / Alberti

Academic literature on the topic 'Alberti'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Alberti"

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Lyons, Claire L., and Giovanna Maria Forni. "Monumenti antichi di Roma nei disegni di Alberto Alberti." American Journal of Archaeology 97, no. 3 (July 1993): 588. http://dx.doi.org/10.2307/506386.

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Buonafalce, Augusto. "THE ALBERTI EXHIBITION." Cryptologia 20, no. 2 (April 1996): 132–34. http://dx.doi.org/10.1080/0161-119691884834.

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Whitfield, J. H. "ALBERTI IN THEINTERCENALII:DEFUNCTUS." Italian Studies 46, no. 1 (January 1991): 58–68. http://dx.doi.org/10.1179/its.1991.46.1.58.

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Benelli, Francesco. "Review: La Roma di Leon Battista Alberti by Leon Battista Alberti." Journal of the Society of Architectural Historians 65, no. 2 (June 1, 2006): 280–82. http://dx.doi.org/10.2307/25068267.

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Contarino (book author), Rosario, and Lorenzo Bartoli (review author). "Leon Battista Alberti moralista." Quaderni d'italianistica 13, no. 2 (October 1, 1992): 301–4. http://dx.doi.org/10.33137/q.i..v13i2.10127.

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Fiore, Francesco Paolo, and N. Adams. "Review: Leon Battista Alberti." Journal of the Society of Architectural Historians 54, no. 2 (June 1, 1995): 228–32. http://dx.doi.org/10.2307/990969.

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Alberti, K. G. M. M. "Reply from K.G.M.M. Alberti." Diabetic Medicine 12, no. 8 (August 1995): 724. http://dx.doi.org/10.1111/j.1464-5491.1995.tb00580.x.

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Bassi, Simonetta. "Shakespeare lettore di Alberti?" Viator (English and Multilingual Edition) 41 (January 2010): 363–76. http://dx.doi.org/10.1484/j.viator.1.100738.

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Lawson, James. "Alberti on Florence Cathedral." Word & Image 18, no. 1 (January 2002): 332–47. http://dx.doi.org/10.1080/02666286.2002.10404833.

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Schioppa, Andrea. "Derivations and Alberti representations." Advances in Mathematics 293 (April 2016): 436–528. http://dx.doi.org/10.1016/j.aim.2016.02.013.

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Dissertations / Theses on the topic "Alberti"

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Syndikus, Candida. "Leon Battista Alberti : das Bauornament /." Münster : Rhema, 1996. http://catalogue.bnf.fr/ark:/12148/cb370972620.

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Morin, Pauline Marie. "Leon Battista Alberti : architect as Orator." Diss., Georgia Institute of Technology, 2002. http://hdl.handle.net/1853/22332.

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Montauban, Jannine. "El atlas poético de Rafael Alberti." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/113978.

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Capraroiu, Elena Gabriela. "La conexión rumana Alberti, Neruda, Lara /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1456284541&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Cerigioli, Marcelo Maciel. "Rafael Alberti: leituras do Museu do Prado." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-22082012-115640/.

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A presente dissertação analisa os livros sobre o Museu do Prado, A la pintura (1948) e Noche de guerra en el Museo del Prado (1956), ambos do escritor espanhol Rafael Alberti, escritos na Argentina, durante seu longo exílio. A investigação parte da contextualização de Alberti, que nos leva a uma aproximação ao tema, o Museu do Prado, tratado de maneira diferente nas duas obras. Na sequência, é analisado o livro A la pintura e, em seguida, a peça de teatro Noche de guerra en el Museo del Prado.
This study analyzes the books about the Prado Museum, A la Pintura (1948) and Noche de guerra en el Museo del Prado (1956), both of spanish writer Rafael Alberti, written in Argentina, during his long exile. The investigation parts from the context of Alberti, that leads to an approach to the subject, the Prado Museum, treated differently in the two books. In the sequence is analyzed the book A la pintura and then the piece of theater Noche de guerra en el Museo del Prado.
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Magiera, Halina. "Z zagadnień biografii i twórczości Kazimiery Alberti." Doctoral thesis, Katowice: Uniwersytet Śląski, 2017. http://hdl.handle.net/20.500.12128/5828.

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The aim of the thesis is recalling the name of Kazimiera Alberti (1898-1962), a well-known poet, novelist, playwright as well as a unique institution of both social and cultural life of the interwar 1920s period. Not only was she excluded from the afterwar literary circulation, but hardly remembered later on as well. The following study, even though with a far-fetched assumption that it is only an attempt of a presentation or a sort of reconnaissance, requiring configuration of the following terms: a biography and literary production. Moreover, it also required a certain methodological rules concerning the presenting countable experiences of the woman and the writer as one, whose life, divided by World War II, has been portrayed as two main stages: the span in Poland and the emigration (1945-1962). Presently, easily accessible literary production including sparse biographical data is revolving around the former. As for the latter one the contrary - The correspondence, lengthy to some extent, and a series of documentaries, quite sophisticated as far is reception is concerned, aiming rather at an Italian reader. Therefore, in the preface, there has also been a certain attempt at reconciling with different attitudes presenting the dynamics of the views aiming in turn at the biographer’s position in the literary studies, in the context of the last decade and such theorists as Janusz Sławiński, Edward Balcerzan, Leslie A. Fiedler, James C. Clifford, Ryszard Nycz. Needless to say that all the questions have been settled and firmly binded by the feminist criticism. The innovative biographical formula whose reading in correlation with experience displacing pure theory, as well as the candour for interdisciplinary approach, is fundamental in this view. By the will of Maria Grabowiecka (Alberti’s friend) and afterwards her daughter Elżbieta Szańkowska, two volumes of Alberti’s personal documents went public. Volume 1, having been a property of IBL PAN Library, Warsaw since 1977 consists of simple draft notebooks with systematically and chronologically collected press-clippings. The first part of the dissertation entitled Reception of Kazimiera Alberti’s Literary Creation in the 1920s Interwar Period’s Literary Criticism Press is based on those very clippings. This Cronicle of Alberti’s works as such has enabled grouping them according to popularity ratings, artism, literary competence, creation and influences as well as conventionality, ingenuity, linguistic review structure, reflecting the social order beyond the text. Volume 2, donated in 2006 to the Adam Mickiewicz’s Literature Museum, Warsaw, consists of Alberti’s personal correspondence and photographs. Barely readable, covered with time patina records of the author are a crucial reference of the second part of the thesis: From Kazimiera Alberti’s Biographical Issues.It is not a reconstruct following strictly the chronology events. It tends to have been organized by a problematic approach and the focus revolving around the notions of: the Gift, the Motion, the Loss. Moreover, according to the “innovative biographic formula” established rules and “the poet of experience” those ones are thoroughly compiled in the third, interpretational part of the thesis: From Kazimiera Alberti’s Literary Creation Seven poetry volumes constitute Alberti’s the pre-war literary work (Bunt lawin – The Avalanches’ Mutiny, 1927; Mój film – My Movie, 1927; Pochwała życia i śmierci – The Praise of Life and Death, 1930; Godzina kalinowa – The Viburnum Hour,1935; Usta Italii – The Mouth of Italy, 1936; Więcierz w głębinie – The Kiddle in the Depth, 1937; Serce zwierzęce – The Animal Heart, 1939), three novels (Tatry, narty, miłość – The Tatra Mountains, Skis, Love, 1928; Ghetto potępione. Powieść o duszy żydowskiej – Ghetto the Condamned. A Tale of Jewish Soul, 1931; Ci, którzy przyjdą. Powieść mieszczańska – Those Who Shall Come. Bourgeois Novel, 1934) as well as a typewriter’s script for a theatre play Wiosna w domu (Spring at Home) whose opening night took place in 1937 in Poznań. Being so diversified in terms of themethat oeuvre creates obviously a number of rendering possibilities. Though, the invitation to a dialogue in the context of the feminist theories are beamed by all the works in order to be able to deal with such an abundant literary composition and find a compromise between the subject domain as such and the critical domain in monographic works, I have ventured an interpretation of the volume of Mój film andthe novel Ghetto potępione. Focusing on the notion of the Gift I tend to be referring to the Ci, którzyprzyjdą and chosen literary extracts deriving from various works. The reference list in terms of contexts marking this part of the thesis is quite noticeable. As for the feminist criticism and the biological woman cult, the name of Mary Daly occurs in the context, as well as of the author of the Sensual Philosophy – Jolanta Brach-Czaina. Due to the more complex, psychoanalytical aspects and numerous translations Krystyna Kłosińska is also widely quoted in that matter. Invoking an avant-garde, Hélène Cixous’s language and Elizabeth Grosz’s corporal feminism are also widely justified. Interdisciplinary approach is in turn conducted with Julia Kristeva focusing on "abject" domain and "a subject-in-progress", with Michel Foucault and Marc Augé roaming around no-man's-lands and other nomadic areas or with not tagged as a popular name though classic Carl Gustav Jung. The author of the dissertation is far from an assumption that the thesis should be considered as complementary and closed in form, therefore, with the form called Instead of the conclusion, by means of references to the concepts of nomadic subjects by Rosi Braidotti, she points out the fields which require additional research, both in reference to Alberti's life, as well as to her literary creation, regardless of the relations between these two notions.
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Swan, Alan. "Les oeuvres en prose de Rafael Alberti." Bordeaux 3, 1987. http://www.theses.fr/1987BOR30037.

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Les proses de rafael alberti montrent une grande diversite de style et de contenu et aident a definir sa trajectoire poetique et personnelle. Huit etapes principales sont etudiees: les premiers proses et lettres de rute (1925). Un texte autobiographique et une conference d'avant-garde (1929). Un voyage de decouverte en europe et le reveil de l'engagement politique d'alberti (1931-1932). Deux voyages en urss (1931 et 1934). Un voyage en amerique et en amerique latine (1934-1935) les ecrits sur le theatre et le cinema. Les proses de la guerre civile. Les memoires et des journaux et des amis intimes. Les derniers chapitres de la arboleda perdida, parus entre 1984 et 1987 sont repertories et quatre textes oublies, dont un de maria teresa leon, sont inclus
Alberti's prose writings, which include many newspaper articles, show a great diversity of style and content and contribute towards the definition of his poetic and personal development. Eight main periods are studied: the proses and letters written at rute (1925). An autobiographical article and an avant-garde conference (1929). The discovery of europe and the awakening of alberti's political commitment (1931-1932). Two trips to the u. S. S. R. (1931 and 1934). A voyage to the u. S. A. And central america (1934-1935). Writings on the theatre and the cinema. Prose written during the civil war. Memoirs and intimate diaries and friends. The final part of la arboleda perdida, published in newspaper articles between 1984 and 1987, is summarized, and four forgotten texts (one of which is by maria teresa leon) are included
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Stolf, Serge. "Ironie et discours chez Leon Battista Alberti." Grenoble 3, 1994. http://www.theses.fr/1994GRE39033.

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Cette etude prend en consideration le discours ironique dans les oeuvres en latin ( pour une large part ) et en "volgare "de l. B. Alberti. L'ironie y est tout d'abord envisagee par la voie de l'intertextualite, puis dans sa relation avec les discours universaux (discours metaphysiqueet discours de la raison) dont elle met en question les certitudes omniscientes. Enfin, consideree dans sa dimension dialogique, elle souligne la necessite et les dfifficulttes d'une confrontation des savoirs, mais peut aussi assumer le statut incertain, entre dissimulation et synisme, d'une parole libre dejouant sanctions sociales et politques
This essay considers the works of l. B. Alberti, written in latin and in "volgare". First, it looks at irony following the way of the "intertextualite". Moreover, the irony calls in question the omniscient certitudes of universal speechs (metaphysical speech and speech of the reason). Lastly, the irony, considered as dialogue, underlines the necessary and difficult confrontation of learnings, but it can also assume the dubious status, between dissimulation and cynicism, of a free speech that eludes social and political sanctions
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Swan, Alan. "Les Oeuvres en prose de Rafael Alberti." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376110015.

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Spaliviero, Camilla <1987&gt. "Rafael Alberti: poemas para recitar y cantar." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3451.

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Este trabajo estudia unos ejemplos de poesía políticamente comprometida de Rafael Alberti. Los poemas elegidos son “Galope”, “A las Brigadas Internacionales” y “Nocturno”, que pertenecen a Capital de la gloria, cuarta y última sección de De un momento a otro. Estos poemas estaban destinados a ser recitados ante las tropas en las trincheras con el fin de animarlas a seguir luchando contra los rebeldes franquistas. Los mismos textos tuvieron gran difusión durante la guerra y la posguerra española al punto que varios cantautores españoles, como Paco Ibáñez, los rescataron con sus interpretaciones dándoles nueva vida política, social y cultural. Después de colocar estos textos en su contexto histórico y hablar del rol político de su autor, este trabajo se centra en los poemas primero a partir de un análisis textual (en la línea de Lotman, Jakobson, Fónagy y Beccaria) y luego a través del análisis del elemento vocal en sus articulaciones como la lectura en voz alta y las adaptaciones en forma de canción. El marco analítico es de tipo fenomenológico e investiga la voz desde unas perspectivas bien filosófico-psicológicas, bien fisiológico-técnicas.
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Books on the topic "Alberti"

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1902-, Alberti Rafael, ed. Litoral Alberti. [Málaga, Spain?]: Litoral, 1993.

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1902-, Alberti Rafael, ed. Rafael Alberti. Barcelona: Anthropos Editorial del Hombre, 1989.

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Benesch, Kurt. Fabrizio Alberti. Graz: Styria, 1987.

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Pedro, Guerrero Ruiz, and Abril Villalba Manuel, eds. Rafael Alberti. Alicante [Spain]: Editorial Agua Clara, 2002.

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B, Del Guercio Andrea, and Casa del Mantegna, eds. Sergio Alberti. Mantova: Provincia di Mantova, 2001.

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Dezzi, Bardeschi M. et al. Leon Battista Alberti. Barcelona: Editorial Stylos, 1988.

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Leon Battista Alberti. Milano: Electa, 2012.

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1926-, Rykwert Joseph, Engel Anne, and Centro internazionale d'arte e di cultura di Palazzo Te., eds. Leon Battista Alberti. [Ivrea, Italy]: Olivetti, 1994.

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Françoise, Choay, and Paoli Michel, eds. Alberti: Humaniste, architecte. Paris: École nationale supérieure des Beaux-Arts, 2006.

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1902-, Alberti Rafael, García Quirós Rosa Ma, and Caja de Ahorros de Asturias. Obra Social y Cultural., eds. Rafael Alberti, pintor. [Oviedo]: Obra Social y Cultural, Caja de Ahorros de Asturias, 1991.

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Book chapters on the topic "Alberti"

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Wild, Gerhard. "Alberti, Rafael." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2283-1.

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Bauer, Friedrich L. "Alberti Encryption." In Encyclopedia of Cryptography and Security, 29–31. Boston, MA: Springer US, 2011. http://dx.doi.org/10.1007/978-1-4419-5906-5_159.

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Steinbeiss, Werner, Dieter Reichardt, and Alois Aschenbrenner. "Rafael Alberti." In Kindler Kompakt: Spanische Literatur, 20. Jahrhundert, 72–75. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05523-1_11.

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Marsh, David. "Poggio and Alberti Revisited." In Atti, 89–102. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-6453-968-3.08.

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The careers of the Curial secretaries Poggio Bracciolini (1380-1459) and Leon Battista Alberti (1404-1472) reveal many parallels. In 1437-1438 the Este court of Ferrara, where Eugenius IV convoked a church council, provided a focal point for their friendship. It was to the Ferrarese canon Francesco Marescalchi that Poggio dedicated Book 1 of his Latin epistles (1436), and Alberti his Hundred Apologues (1437). Both men were inspired to critiques of contemporary society by the Greek satirist Lucian, and both indulged in composing brief witticisms that expose human vice: Poggio in his Facetiae (Jests) and Alberti in his Apologi (Fables) and Vita (Autobiography). From Lucian, they also learned to dramatize human foibles on the imagined stage of the theatrum mundi, or theater of the world: Poggio in his dialogues, and Alberti in both the Intercenales and Momus. Despite such literary affinities, their approach to ethical questions differed, especially concerning the validity of allegory, which Poggio rejected but Alberti embraced. As a tribute to his colleague, Alberti dedicated Book 4 of his Intercenales to Poggio; he prefaced the work with an ironic Aesopic fable that asserts the superiority of recondite scientific research over commonplace humanistic studies. Eventually, Alberti’s status as an outsider in Florence was reflected in the deterioration in his relations with Poggio. The rift was widened in 1441, when Alberti organized the Italian poetic competition called the Certame Coronario that was held in the Florence cathedral on October 22. Poggio was a member of the jury that, to Alberti’s chagrin, refused to declare a winner.
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Petry, Uwe. "Leon Battista Alberti." In Kindler Kompakt: Philosophie des Mittelalters, 197–200. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04327-6_61.

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Schiava, Fabio Della. "Alberti, Leon Battista." In Encyclopedia of Renaissance Philosophy, 1–6. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-02848-4_338-1.

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Schiava, Fabio Della. "Alberti, Leon Battista." In Encyclopedia of Renaissance Philosophy, 1–6. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-02848-4_338-2.

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Schiava, Fabio Della. "Alberti, Leon Battista." In Encyclopedia of Renaissance Philosophy, 77–82. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-319-14169-5_338.

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Rossi, Lucía. "Alberti, José León." In The Palgrave Biographical Encyclopedia of Psychology in Latin America, 1–3. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-38726-6_460-1.

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Azimova, Shakhnoza S., and Anna I. Glushenkova. "Rosa alberti Regel." In Lipids, Lipophilic Components and Essential Oils from Plant Sources, 753. London: Springer London, 2012. http://dx.doi.org/10.1007/978-0-85729-323-7_2484.

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Conference papers on the topic "Alberti"

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Byington, Elisa. "À sombra de Leon Battista Alberti: a critica de arte em meados do século XVI." In Encontro da História da Arte. Universidade Estadual de Campinas, 2008. http://dx.doi.org/10.20396/eha.4.2008.3789.

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Nas Vidas dos mais excelentes pintores, escultores e arquitetos de Giorgio Vasari há, em meio à biografia dos artistas, sempre um “auto-retrato embutido” do autor, além do retrato de uma época. Tal aspecto parece se acentuar na segunda edição de 1568, na qual Vasari aumenta o numero de Vidas, incluindo autores vivos e sua autobiografia. A nova configuração do livro desloca a atenção do narrador para o presente e aponta para a necessidade de colocar cada um dos artistas em relação a contemporaneidade. A presente comunicaçao analisa a Vida de Leon Battista Alberti a quem Vasari dedica poucas paginas - nao obstante o lugar por ele ocupado na construçao do mito toscano - nas quais um ou outro elogio superlativo se conjuga a sérias restrições à obra arquitetônica e pictórica do humanista. Alberti é acusado por Vasari de ser predominantemente homem de letras e de gozar de fama imerecida como arquiteto e artista. Ao longo de todo o texto, Vasari insiste na contraposição entre “ciência e teoria” versus “pratica e experiência”, travando uma espécie de corpo a corpo com seu biografado, visando promover um perfil que parece sob medida para si mesmo. Na cirrada disputa contra a fama do Alberti deixa entrever a extrema utilidade da figura do humanista para a discussão do próprio papel de arquiteto factotum e conselheiro do príncipe. De tal observação resulta claro que Alberti - tanto pela atualidade de seus escritos quanto pela ausência de publicações teóricas de análoga estatura, como se lamenta Vasari - não era uma figura com colocação histórica estável no Panteão do glorioso passado de Florença mas era ainda uma presença incômoda.
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Ramos, Fernando Guillermo Vázquez. "O desenho e a arquitetura el Leon Battista Alberti e Giorgio Vasari." In Encontro de História da Arte. Universidade Estadual de Campinas, 2011. http://dx.doi.org/10.20396/eha.7.2011.4082.

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Ainda que desmedido, eis aqui o questionamento inicial para este trabalho. Para evitar entendimentos equívocos sobre nossas intenções devemos advertir, imediatamente, que não pretendemos desenvolver um estudo ontológico, propriamente dito (filosófico, digamos). Não pretendemos entender ou explicar a essência da Arquitetura, como fonte da qual emana seu ser, entre outras coisas porque pensamos que essa essência não passa de uma construção cultural historicamente determinada. Contudo, nos interessa refletir sobre aquilo que permite que ela seja como ela é. Destarte, aceitar e assumir que a Arquitetura existe circunstancialmente é uma premissa fundamental para a construção deste trabalho. Entendemos também que estabelecer essa circunstância nos permitirá refletir mais claramente sobre o sentido da Arquitetura e definir, com melhor precisão, este objeto de estudo.
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Pelosi, Giuseppe, and Stefano Selleri. "Florence and a Leap in Cryptography: The Leon Battista Alberti Cypher Disk." In 2021 7th IEEE History of Electrotechnology Conference (HISTELCON). IEEE, 2021. http://dx.doi.org/10.1109/histelcon52394.2021.9787316.

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Pelosi, Giuseppe, and Stefano Selleri. "Florence and a Leap in Cryptography: The Leon Battista Alberti Cypher Disk." In 2021 7th IEEE History of Electrotechnology Conference (HISTELCON). IEEE, 2021. http://dx.doi.org/10.1109/histelcon52394.2021.9787316.

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Aversa, María, and Pablo Del Río. "PUESTA EN VALOR DEL ESPACIO RIBEREÑO EN LOCALIDADES RURALES: Proyectos de paisaje en el partido de Alberti, provincia de Buenos Aires, Argentina." In Seminario Internacional de Investigación en Urbanismo. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2024. http://dx.doi.org/10.5821/siiu.12637.

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The work presents a portfolio of landscape project ideas to value public river space in the Alberti district, Province of Buenos Aires. The territory of action is cut to rural localities linked to the Salado River and its tributaries contained by two main roads of national and provincial connectivity. As a result, a portfolio with fifteen project ideas was obtained that prefigures a comprehensive intervention strategy for the riverside space and nearby towns and, later, the evaluation carried out by the specialists in charge of the study and the municipal actors. With this input, four project ideas were defined according to weighting to prepare the preliminary projects at a later stage. Keywords: landscape, territorial planning, riverside, project ideas El trabajo presenta una cartera de ideas proyectos de paisaje para poner en valor el espacio público ribereño en el partido de Alberti, Provincia de Buenos Aires. El territorio de actuación se recorta a localidades rurales vinculadas al río Salado y sus afluentes contenidas por dos vías principales de conectividad nacional y provincial. Como resultado se obtuvo una cartera con quince ideas proyectos que prefigura una estrategia de intervención integral para el espacio ribereño y las localidades próximas y, posteriormente, la evaluación realizada por los especialistas a cargo del estudio y los actores municipales. Con este insumo se definieron cuatro ideas proyectos según ponderación para elaborar los anteproyectos en una etapa posterior. Palabras claves: paisaje, ordenamiento territorial, borde ribereño, ideas proyectos
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6

Modesitt, Adam, and Carrie Norman. "OPEN HOUSE: Large-Scale Architectural Drawing as a Medium for Engaging Public Space." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.41.

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There exists ample precedent for artists engaging architectural subject matter in public work, often at the scale of buildings. The artist Richard Haas, for example, executed a series of large-scale murals illustrating architectural facades and interiors. [1] It is far less common however, for architects to deploy drawing as a medium for engaging public space. Since the era of Leon Battista Alberti, in which architectural labor divorced from con¬struction labor, the dissemination of drawings by architects has been primarily restricted to private commissions or internal trade publications. As Robin Evans famously noted, architects’ drawings are not a direct medium, but instruments in service of another medium to be executed by others. [2] Despite renewed attention to drawing among architects recently, architectural drawing still rarely engages the public realm directly. [3, 4, 5]
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Erickson, Mark. "Drawing with Spheres in Two-Dimensions." In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.12.

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Contemporary digital practice allows for an incredible facility in the both the generation and fabrication of objects. However, despite high degrees of numerical precision, geometric information is lost as is moves from the abstract (non-visual) world of geometry to the screen, paper or some other material form. The job of the architect, as described from Alberti onward, is to define the building through drawing so that it can be precisely constructed on site.2 A process of approximation and loss along the way is less than ideal, but it is a central part of the digital culture of which architecture is a part.3 It is also an intrinsic, but often times unmentioned, aspect of architectural method. 4 Even Henri Poincaré’s ideal circle is manifested as only a “round thing” once it translated into physical space—leaving the designer’s intent and the form of the object muddled with technologies of fabrication. This project questions ideas precision in architectural drawing through the study of approximation and loss as generative drawing strategies. The project is composed of a series of animations that and still images produced through the continuous approximation of both a simple and iconic geometry—the sphere.
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Simoncini, Chiara. "The Pentagon as the Constructed Form of the City." In FORTMED2024 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2024. http://dx.doi.org/10.4995/fortmed2024.2024.18056.

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The effectiveness of fortresses, until the fifteenth century, was tied to their height, as the most effective defensive actions involved the pouring of boiling objects and liquids from above. The subsequent development of heavy portable artillery systems questioned the traditional form of fortification, characterized by walls perpendicular to the ground. This recognition, found in the writings of Leon Battista Alberti in "Re Aedificatoria," emphasized that to increase effectiveness, defenses should be constructed along irregular lines, like the teeth of a saw. With Antonio and Giuliano da Sangallo, military architecture became a branch of geometry, and debates regarding the correct number of bastions to provide the best defensibility sparked numerous discussions in the transition between the fourteenth and fifteenth centuries. The radiocentric form, typical of the Renaissance city, was one of the reasons that led to the choice of the pentagon as a design solution for fortifications, as obtuse angles, unlike right angles, allowed for greater resistance to splaying.This very form became the generative element of the urban development of the city of Livorno, coinciding with the urban plan drafted by Bernardo Buontalenti. In the mid-1500s, Francesco I de' Medici decided to expand the town of Livorno, incorporating a new inhabited center within a system of powerful fortifications surrounded by a canal, giving the city a pentagonal shape, with the hypothetical center being the Cathedral. Thus, the pentagon, part of Buontalenti's design, now visible in the course of the canals surrounding the core in the water, built by Venetian craftsmen, became the city's form.
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Lancha, Joubert José. "O desenho e os cômodos na vila Foscari de Palladio." In Encontro da História da Arte. Universidade Estadual de Campinas, 2010. http://dx.doi.org/10.20396/eha.6.2010.3825.

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Neste artigo, apresentamos uma análise da sequência de modelos tridimensionais interpretativos que foram desenvolvidos com o intuito de discutir a forma e a solução geométrica dos cômodos propostos por Andrea Palladio para a vila Foscari - Malcontenta di Mira (1559). Elaborados de maneira a revelar simultaneamente a solução adotada para as quatro diferentes abóbadas utilizadas como teto dos cômodos da vila, esses modelos evidenciam a correspondência entre cada uma das partes e o todo do edifício. Os vínculos entre largura, comprimento e altura de cada cômodo, entre um cômodo e outro, e de cada um deles com a sala central, visíveis nos modelos, revelam uma estrutura compositiva orgânica para o inteiro volume edificado. Cotejamos, então, a solução específica para essa vila com as definições e recomendações ideais apresentadas no livro I de I Quattro Libri dell’Architettura, no qual Palladio, depois de demonstrar os três modos de determinação proporcional da altura dos cômodos, apresenta, no capítulo XXIV (“Delle maniere dei volti”), as sete possíveis formas de cobertura das salas. Elenco de formas, que não difere muito das indicações de seus predecessores: também Leon Battista Alberti e Sebastiano Serlio individuaram possibilidades similares para os ambientes internos. Estabelecemos esse confronto entre o edifício e o texto através da análise gráfica e geométrica para evidenciar que a forma escolhida e a proporção adotada para os cômodos e suas respectivas coberturas se organizam em um movimento circular na composição da planta da vila. Movimento que, partindo do menor cômodo, segue em direção à sala central. Essa revolução das partes em um movimento compositivo foi um esquema perseguido por Palladio em vários de seus projetos, e na vila Foscari assume uma clareza expressiva.
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Lacroix, Anne. "De pleurs et de sang : corps et désaccords de la guitare chez six poètes espagnols de 1927(R. Alberti, D. Alonso, L. Cernuda, G. Diego, F. G. Lorca et E. Prados)." In Figure(s) du musicien. Corps, gestes, instruments en texte. Fabula, 2016. http://dx.doi.org/10.58282/colloques.4036.

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Reports on the topic "Alberti"

1

Ramalhete, Filipa, José Castro Caldas, and Sérgio Silva. Alberto. CEACT/UAL, 2019. http://dx.doi.org/10.26619/ual-ceact/wp022019.

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Norris, D. K. Blairmore, Alberta. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1991. http://dx.doi.org/10.4095/132445.

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Albert, Michael. Αποσαφηνίζοντας τις «γωνίες» της Συμμετοχικής Οικονομίας. Mέta | Centre for Postcapitalist Civilisation, July 2022. http://dx.doi.org/10.55405/mwp15gr.

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Η σειρά μελετών mέta Working Papers «Μετακαπιταλισμός στην Πράξη | Οδηγός για Αρχαρίους» δημοσιεύει κείμενα πολιτικής που περιγράφουν πτυχές του πώς θα έ-μοιαζε ένας μη-δυστοπικός μετακαπιταλισμός. Η σειρά εστιάζει σε τρεις βασικούς πυλώνες: Παραγωγή | Κατανομή | Λήψη Αποφάσεων. Δηλαδή, το με τι θα έμοιαζε η μετακαπιταλιστική παραγωγή (και ποιος θα κατείχε τα μέσα παραγωγής), τι μορφή θα λάμβανε η κατανομή αγαθών (και ποιες εναλλακτικές πέρα από την οικονομία της αγοράς αξίζει να διερευνηθούν) και ποιες θα ήταν οι βασικές αρχές λήψης αποφάσε-ων και δημοκρατίας σε μια μετακαπιταλιστική κοινωνία. Σε αυτή τη μελέτη, ο Michael Albert επανεξετάζει πτυχές της συμμετοχικής οικονομί-ας ως ενός βιώσιμου μετακαπιταλιστικού μοντέλου. Ο Michael Albert είναι ιδρυτής και μέλος της συντακτικής επιτροπής του Z Magazine καθώς και του αντίστοιχου διαδικτυακού τόπου, ZCom. Η ριζο-σπαστικοποίηση του Albert έλαβε χώρα στη δεκαετία του 1960. Η πολιτι-κή του δραστηριοποίηση, από τότε και μέχρι σήμερα, κυμαίνεται από το-πικά, περιφερειακά και εθνικά εγχειρήματα και εκστρατείες οργάνωσης έως την από κοινού ίδρυση του South End Press, του ZMagazine, του ZMediaInstitute και του ZNet, μαζί με δημόσιες διαλέξεις, δημοσιεύσεις, κλπ. Ο Albert είναι συγγραφέας 21 βιβλίων. Αυτά περιλαμβάνουν τα No Bosses: A New Economy for a Better World (Zero Books, 2021), Fanfare for the Future (ZBooks), Remembering Tomorrow (Seven Stories Press), Realizing Hope (Zed Press) και Parecon: Life After Capitalism (Verso).
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Novichkova, Tatiana. Lake Albert. Edited by Nikolay Komedchikov. Entsiklopediya, January 2012. http://dx.doi.org/10.15356/dm2016-01-12-1.

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Lebel, D., and E. P. Williams. Geology, Cardston, Alberta. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1994. http://dx.doi.org/10.4095/194762.

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Lebel, D. Geology, Brocket, Alberta. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1996. http://dx.doi.org/10.4095/208496.

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Lebel, D. Geology, Raley, Alberta. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1996. http://dx.doi.org/10.4095/208501.

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McMechan, M. E., and F. M. Dawson. Geology, Wapiti Alberta. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1990. http://dx.doi.org/10.4095/131313.

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McMechan, M. Geology, Granum, Alberta. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1997. http://dx.doi.org/10.4095/211644.

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Mountjoy, E. W. Geology, Miette, Alberta. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2010. http://dx.doi.org/10.4095/287268.

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