Academic literature on the topic 'Albee'
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Journal articles on the topic "Albee"
Jacobi, Martin J., and Matthew C. Roudane. "Understanding Edward Albee." South Atlantic Review 53, no. 4 (November 1988): 169. http://dx.doi.org/10.2307/3200703.
Full textHornby, Richard. "Albee and Pinter." Hudson Review 47, no. 1 (1994): 109. http://dx.doi.org/10.2307/3852167.
Full textDuffy, Susan, and Matthew C. Roudane. "Understanding Edward Albee." Theatre Journal 40, no. 2 (May 1988): 288. http://dx.doi.org/10.2307/3207678.
Full textPuchner, Martin. "Beckett/Albee (review)." Theatre Journal 56, no. 2 (2004): 306–8. http://dx.doi.org/10.1353/tj.2004.0069.
Full textGoldston, Stephen E. "George Wilson Albee." Journal of Primary Prevention 28, no. 1 (January 9, 2007): 21–25. http://dx.doi.org/10.1007/s10935-006-0067-3.
Full textMuñoz, Ricardo F. "¡Viva George Albee!" Journal of Primary Prevention 28, no. 1 (January 4, 2007): 41–44. http://dx.doi.org/10.1007/s10935-006-0074-4.
Full textZaheer, Faiza, and Kamal ud Din. "American Dream or Avaratia: Critical Circumspectis of American Dream Through Ages." International Journal of English Linguistics 9, no. 3 (April 6, 2019): 57. http://dx.doi.org/10.5539/ijel.v9n3p57.
Full textRoudane, Matthew C., and Philip C. Kolin. "Conversations with Edward Albee." South Atlantic Review 54, no. 1 (January 1989): 160. http://dx.doi.org/10.2307/3200100.
Full textGrecco, Stephen, and Philip C. Kolin. "Conversations with Edward Albee." World Literature Today 63, no. 1 (1989): 108. http://dx.doi.org/10.2307/40145152.
Full textKalson, Albert E. "CONVERSATIONS WITH EDWARD ALBEE." Resources for American Literary Study 17, no. 1 (1990): 187–90. http://dx.doi.org/10.2307/26366721.
Full textDissertations / Theses on the topic "Albee"
Kucuk, Hale. "Edward Albee'." Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12610243/index.pdf.
Full texts traces in the dramatization of uncertainty, alienation and the question of freedom. Albee&rsquo
s characters do not have fixed identities, and they suffer from their identity problems. The notion of Other enhances this uncertainty. The ambiguity of existence, whether they really are or not, presents another problem for these characters. Their lives are based on illusions, and the line between the reality and fantasy is absent. Alienation of the human being from the self and the others is another existential theme that Albee deals with. Alienation is partly caused by lack of communication, and as a result, the isolated self is entrapped in his own condition. Freedom becomes a confusing question in his works as it makes the characters anxious while choosing one option among various others on his own, and as it renders the characters responsible for their free choices. So, the characters tend to be passive agents in life, which is in fact another choice. Albee extends Beckett&rsquo
s absurdist ideas and adopts the Absurd Drama to highlight his social concerns as he is also a social critic. The targets of his criticism are materialism, loss of values and broken human relationships. The playwright challenges the audience for a reform on these points.
Basdevant-Corbier, Patricia. "Edward Albee, dramaturge iconoclaste." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0399.
Full textA patrician key figure of the theatrical landscape, the worthy heir of Eugene O’Neill, Tennessee Williams and Arthur Miller, Edward Albee (1928-2017) has breathed new life into the American theatre. His iconoclastic body of work, which was met with sneering, dismay or enthusiasm, disproves the split between the real, its appearances and imagination. An imaginative, provocative playmaker, Albee aims at producing a “realistic” drama by tackling the problem of the links between appearances and reality in the Theatrum Mundi on various levels : social (role and human dimension), logical (meaning and absurdity), psychological (reason and madness), as well as on the level of performance (character and actor). Through the game metaphor, this study focuses on the playwright’s last plays, which are rife with philosophical interrogations and stage the Subject’s initiatory journey between representation and experience, imagination and reality. As a player, Albee’s protean character prepares backstage to audition for his role on the stage of the Theatrum Mundi. Imbued with mystery, poetry, wisdom, comicality and pathos, the playwright’s original playground, where an experience of truth is under way, brings forth an optimistic, humanistic vision that opens onto the aesthetic experience of catharsis
Eisenmann, Maria. "Das amerikabild im werk Edward Albees : eine imagologisch-didaktische analyse /." Heidelberg : Universitätsverlag Winter, 2004. http://catalogue.bnf.fr/ark:/12148/cb39274649c.
Full textLeite, André Luiz [UNESP]. "O zoológico existencialista de Edward Albee." Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/91594.
Full textA obra de arte dramática, diferentemente de outras formas artístico-literárias, é a que de forma mais prática e imediata estabelece uma relação entre seu realizador e o público ao qual ela é destinada. Contudo, o drama moderno, produzido a partir do final do século XIX, passou por uma série de crises e adaptações quanto à forma e ao conteúdo, decorrentes de várias mudanças ocorridas nos mais diversos setores da sociedade. Edward Albee é um dos maiores dramaturgos norte-americanos da segunda metade do séc. XX. Seguindo uma tradição que produziria grandes talentos como Eugene O'Neill, Tennessee Williams e Arthur Miller, o novo autor surge em 1958 com seu texto, The Zoo Story, associado ao Teatro do Absurdo. A peça de forma minimalista põe em cena dois bancos de praça e duas personagens: Peter que é a própria personificação do self made man, já que está enjaulado aos ideais e aos valores burgueses de vida, e Jerry o outsider ou o transeunte permanente que não se insere nos padrões, no código moral e de valores socialmente estabelecidos. Entretanto, ou por isso mesmo, possui uma capacidade reflexiva extremamente aguçada. O objetivo é tratar de um aspecto da peça - a questão da absurvidade e da liberdade, como formas de transcender a angústia existencial e a vida sem significado em um contexto destituído de símbolos metafísicos. Analisar-se-ão os elementos relacionados a estes tópicos bem como o modo que servem de instrumento para o esvaziamento da ideologia burguesa, que culmina na crítica ácida que Edward Albee desfere ao American way of life.
Dramatic art, differently from other literacy-artistic forms, is the one that most practically and immediately establishes a relationship between its producer and the audience it is created for. However, modern drama, produced since the end of nineteenth century, has gone through many crises and adaptations in its form and content, originated from many changes occured in the various instances of society. Edward Albee is one of the major American playwrights of the second half of the twentieth century. Following a tradition which produced gifted authors such as Eugene O'Neill, Tennessee Williams and Arthur Miller, the new author appears with his play The Zoo Story in 1958, associated to the Theater of the Absurd. The play, in a minimalist way, stages two park benches and two characters: Peter, the personification of the self made man, encaged in the bourgeois ideals and values of life; and Jerry, the outsider or the permanent transient who does not fill in the patterns, in the moral code or the established social values. However, or because of this, he has a sharpened reflexive ability. The aim of our search is to treat one aspect of the play - absurdity and freedom - a means of transceding existential anguish and life without meaning in a context deprived of metaphysical symbols. We intend to analyze elements related to these topics, as well as the way they function as instruments for the emptying bourgeois ideology which, ends up the sour criticism Albee aims at the American way of life.
Leite, André Luiz. "O zoológico existencialista de Edward Albee /." Araraquara : [s.n.], 2006. http://hdl.handle.net/11449/91594.
Full textBanca: Iná Camargo Costa
Banca: Maria Clara Bonetti Paro
Resumo: A obra de arte dramática, diferentemente de outras formas artístico-literárias, é a que de forma mais prática e imediata estabelece uma relação entre seu realizador e o público ao qual ela é destinada. Contudo, o drama moderno, produzido a partir do final do século XIX, passou por uma série de crises e adaptações quanto à forma e ao conteúdo, decorrentes de várias mudanças ocorridas nos mais diversos setores da sociedade. Edward Albee é um dos maiores dramaturgos norte-americanos da segunda metade do séc. XX. Seguindo uma tradição que produziria grandes talentos como Eugene O'Neill, Tennessee Williams e Arthur Miller, o novo autor surge em 1958 com seu texto, The Zoo Story, associado ao Teatro do Absurdo. A peça de forma minimalista põe em cena dois bancos de praça e duas personagens: Peter que é a própria personificação do self made man, já que está enjaulado aos ideais e aos valores burgueses de vida, e Jerry o outsider ou o transeunte permanente que não se insere nos padrões, no código moral e de valores socialmente estabelecidos. Entretanto, ou por isso mesmo, possui uma capacidade reflexiva extremamente aguçada. O objetivo é tratar de um aspecto da peça - a questão da absurvidade e da liberdade, como formas de transcender a angústia existencial e a vida sem significado em um contexto destituído de símbolos metafísicos. Analisar-se-ão os elementos relacionados a estes tópicos bem como o modo que servem de instrumento para o esvaziamento da ideologia burguesa, que culmina na crítica ácida que Edward Albee desfere ao American way of life.
Abstract: Dramatic art, differently from other literacy-artistic forms, is the one that most practically and immediately establishes a relationship between its producer and the audience it is created for. However, modern drama, produced since the end of nineteenth century, has gone through many crises and adaptations in its form and content, originated from many changes occured in the various instances of society. Edward Albee is one of the major American playwrights of the second half of the twentieth century. Following a tradition which produced gifted authors such as Eugene O'Neill, Tennessee Williams and Arthur Miller, the new author appears with his play The Zoo Story in 1958, associated to the Theater of the Absurd. The play, in a minimalist way, stages two park benches and two characters: Peter, the personification of the self made man, encaged in the bourgeois ideals and values of life; and Jerry, the outsider or the permanent transient who does not fill in the patterns, in the moral code or the established social values. However, or because of this, he has a sharpened reflexive ability. The aim of our search is to treat one aspect of the play - absurdity and freedom - a means of transceding existential anguish and life without meaning in a context deprived of metaphysical symbols. We intend to analyze elements related to these topics, as well as the way they function as instruments for the emptying bourgeois ideology which, ends up the sour criticism Albee aims at the American way of life.
Mestre
Midence, Diaz Luis Fernando. "THE GOAT OR, WHO IS SYLVIA?: A PERFORMANCE AT MIAMI UNIVERSITY." Oxford, Ohio : Miami University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1179850855.
Full textZunker, Kimberly A. "Albee mortuary patterns : a reassessment of commissary site burial context." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1236380.
Full textDepartment of Anthropology
Torma, Frank. "Edward Albee's Tiny Alice : alienation and desire in the religious subject /." Connect to resource, 1987. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1261413372.
Full textMartel, François. "Une anatomie du sacrifice dans le théâtre d'Edward Albee et de Michel Marc Bouchard An anatomy of sacrifice in plays by Edward Albee and Michel Marc Bouchard /." [S.l. : s.n.], 2006.
Find full textSvensson, Dan. "Eskapism : En analys av Edward Albees Who's Afraid of Virginia Woolf?" Thesis, Växjö University, School of Humanities, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1945.
Full textBooks on the topic "Albee"
McCarthy, Gerry. Edward Albee. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18660-0.
Full textEdward Albee. London: Macmillan Education, 1987.
Find full textMcCarthy, Gerry. Edward Albee. New York: St. Martin's Press, 1987.
Find full textHarold, Bloom, ed. Edward Albee. New York: Chelsea House Publishers, 1987.
Find full textUnderstanding Edward Albee. Columbia, S.C: University of South Carolina Press, 1987.
Find full textAlbee in performance. Bloomington: Indiana University Press, 2010.
Find full textVeronika, Gspann. Edward Albee drámái. Budapest: Akadémiai Kiadó, 1992.
Find full textname, No. Edward Albee: A casebook. New York, NY: Routledge, 2002.
Find full textTyce, Richard. Edward Albee, a bibliography. Metuchen, N.J: Scarecrow Press, 1986.
Find full text1952-, Mann Bruce J., ed. Edward Albee: A casebook. New York: Routledge, 2003.
Find full textBook chapters on the topic "Albee"
Müller, Kurt. "Albee, Edward." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_4792-1.
Full textReinhart, Werner. "Albee, Edward." In Englischsprachige Autoren, 4–7. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02951-5_3.
Full textMcCarthy, Gerry. "Albee on Theatre." In Edward Albee, 13–28. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18660-0_2.
Full textMcCarthy, Gerry. "Hermetic Albee: ‘Listening’." In Edward Albee, 129–46. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18660-0_8.
Full textMcCarthy, Gerry. "Introduction." In Edward Albee, 1–12. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18660-0_1.
Full textMcCarthy, Gerry. "Albee in the Theatre: ‘Tiny Alice’; ‘Box’ and ‘Quotations from Chairman Mao’; Intimate Theatre." In Edward Albee, 29–58. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18660-0_3.
Full textMcCarthy, Gerry. "‘Who’s Afraid of Virginia Woolf?’." In Edward Albee, 59–78. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18660-0_4.
Full textMcCarthy, Gerry. "‘A Delicate Balance’." In Edward Albee, 79–97. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18660-0_5.
Full textMcCarthy, Gerry. "‘All Over’." In Edward Albee, 98–114. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18660-0_6.
Full textMcCarthy, Gerry. "’Seascape’." In Edward Albee, 115–28. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18660-0_7.
Full textConference papers on the topic "Albee"
Hillenbrand, Ian W., J. Dykstra Eusden, Paul B. O'Sullivan, and Dwight C. Bradley. "NEWLY DISCOVERED ALBEE FORMATION IN NORTHERN NH: DETRITAL ZIRCONS, STRUCTURE, AND TECTONICS." In Joint 52nd Northeastern Annual Section and 51st North-Central Annual GSA Section Meeting - 2017. Geological Society of America, 2017. http://dx.doi.org/10.1130/abs/2017ne-290861.
Full textNaji Hussein ITHAWI, Hind. "BETWEEN ALBEE’S DOG AND GOAT: IMAGES OF ANIMAL COMPANIONSHIP." In International Research Congress of Contemporary Studies in Social Sciences (Rimar Congress 2). Rimar Academy, 2021. http://dx.doi.org/10.47832/rimarcongress2-1.
Full textGramstad, Odin. "Modulational Instability in JONSWAP Sea States Using the Alber Equation." In ASME 2017 36th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/omae2017-61671.
Full textFONTANARI, JOSÉ F., and LEONID I. PERLOVSKY. "ALLEE EFFECT ON LANGUAGE EVOLUTION." In Proceedings of the 6th International Conference (EVOLANG6). WORLD SCIENTIFIC, 2006. http://dx.doi.org/10.1142/9789812774262_0060.
Full textAthanassoulis, Agissilaos G. "Characterization of the Emergence of Rogue Waves From Given Spectra Through a Wigner Equation Approach." In ASME 2018 37th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/omae2018-78292.
Full textHILKER, F. "EPIDEMIOLOGICAL MODELS WITH DEMOGRAPHIC ALLEE EFFECT." In International Symposium on Mathematical and Computational Biology. WORLD SCIENTIFIC, 2009. http://dx.doi.org/10.1142/9789814271820_0003.
Full textSTEPHENS, PHILIP A., and WILLIAM J. SUTHERLAND. "VERTEBRATE MATING SYSTEMS, ALLEE EFFECTS AND CONSERVATION." In Proceedings of the 14th Course of the International School of Ethology. WORLD SCIENTIFIC, 2000. http://dx.doi.org/10.1142/9789812793584_0009.
Full textCai, Yang, Yuewu Wang, Lingguang Lei, and Quan Zhou. "ALTEE: Constructing Trustworthy Execution Environment for Mobile App Dynamically." In 2019 IEEE Symposium on Computers and Communications (ISCC). IEEE, 2019. http://dx.doi.org/10.1109/iscc47284.2019.8969640.
Full textCrisan, M., and G. Erzse. "Anticipative chaos control in population models with the Allee effect." In Systems (ICCES). IEEE, 2008. http://dx.doi.org/10.1109/icces.2008.4772999.
Full textFilatova, Darya, and Charles El-Nouty. "Parametric estimation of a prey-predator model with Allee effect." In 2016 International Conference on Information and Digital Technologies (IDT). IEEE, 2016. http://dx.doi.org/10.1109/dt.2016.7557157.
Full textReports on the topic "Albee"
Rossiter, Colleen, Kathleen Delate, and Dennis Shannon. Allee Demonstration Garden. Ames: Iowa State University, Digital Repository, 2001. http://dx.doi.org/10.31274/farmprogressreports-180814-105.
Full textRossiter, Colleen, Kathleen Delate, and Dennis Shannon. Allee Demonstration Garden. Ames: Iowa State University, Digital Repository, 2002. http://dx.doi.org/10.31274/farmprogressreports-180814-2235.
Full textRossiter, Lyle T. Allee Demonstration Farm 2001 Report. Ames: Iowa State University, Digital Repository, 2002. http://dx.doi.org/10.31274/farmprogressreports-180814-1234.
Full textSievers, Joshua L., and Lyle T. Rossiter. Northwest and Allee Farms Summary. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/farmprogressreports-180814-1284.
Full textSievers, Josh, and Lyle Rossiter. Northwest and Allee Farm Summaries. Ames: Iowa State University, Digital Repository, 2015. http://dx.doi.org/10.31274/farmprogressreports-180814-1757.
Full textRusk, Ryan, and Lyle T. Rossiter. Northwest and Allee Farms Summary. Ames: Iowa State University, Digital Repository, 2011. http://dx.doi.org/10.31274/farmprogressreports-180814-2284.
Full textRusk, Ryan, and Lyle T. Rossiter. Northwest and Allee Farms Summary. Ames: Iowa State University, Digital Repository, 2012. http://dx.doi.org/10.31274/farmprogressreports-180814-2386.
Full textRusk, Ryan. Northwest and Allee Farms Summary. Ames: Iowa State University, Digital Repository, 2010. http://dx.doi.org/10.31274/farmprogressreports-180814-463.
Full textRossiter, Lyle T. Allee Demonstration Farm 2000 Report. Ames: Iowa State University, Digital Repository, 2001. http://dx.doi.org/10.31274/farmprogressreports-180814-665.
Full textKohl, Kris. Livestock Composting at the Allee Farm. Ames: Iowa State University, Digital Repository, 2003. http://dx.doi.org/10.31274/farmprogressreports-180814-228.
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