Relevant bibliographies by topics / Alain of Lille

Academic literature on the topic 'Alain of Lille'

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Published: 10 March 2023

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Journal articles on the topic "Alain of Lille"

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Castellani, Marie-Madeleine. "Alain de Lille." Nord' N°75, no. 1 (2020): 65. http://dx.doi.org/10.3917/nord.075.0065.

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Pejenaute Rubio, Francisco. "El Alain de Lille que conocemos sigue siendo Alain de Lille." Helmántica, no. 182 (January 1, 2009): 221–42. http://dx.doi.org/10.36576/summa.29422.

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SCATTERGOOD. "ALAIN DE LILLE AND THE PROLOGUE TO "PATIENCE"." Medium Ævum 61, no. 1 (1992): 87. http://dx.doi.org/10.2307/43632172.

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Ferreira Filho, Pedro Calixto, and Antonio Henrique Campolina Martins. "LA TRANSLATIO SEMANTICAE ET GRAMMAIRE CHEZ ALAIN DE LILLE." Revista Ética e Filosofia Política 2, no. 21 (January 10, 2019): 194–247. http://dx.doi.org/10.34019/2448-2137.2018.17866.

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Résumé : Dans le néoplatonisme grec, le fait d'avoir érigé un principe non-ontique rompt avec la supériorité de l'affirmation sur la négation lorsqu'il s'agit d'énoncer le divin. Cependant, à cause des thèses exprimées sur la transcendance radicale de l'Un, la réflexion sur le discours portant sur la divinité s'achève la plupart du temps par la dénonciation d'une inaptitude profonde du discours à signifier une quelconque réalité divine, et aboutit systématiquement à l'apologie du silence. L’apophase a comme objectif de dépouiller l’âme de toute détermination afin qu’elle puisse s’unir au Principe qui est au-delà de toute détermination. Au XIIème siècle la conscience de la supériorité de la négation sur l'affirmation in divinis, qui avait donné l’origine à la translatio nominis chez Denys et à une translatio categoriae chez Erigène, donne lieu à une théorie grammaticale que l'on a qualifiée de translatio semanticae. C'est cette question du tranfert sémantique des noms et de la proposition qui constituera l’objet d'analyse de ce chapitre. Nous nous proposons d’étudier les éléments de cette sémantique et de cette syntaxe néoplatoniciennes dans les maximes de grammaire contenues dans les Règles de Théologie d'Alain de Lille écrites au XIIème siècle.Mots-clef : Alain de Lille, grammaire, sémantique, translatio, kataphase, apophase.
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Calixto, Pedro. "La sémantique propositionnelle in divinis chez Alain de Lille." Revue des sciences philosophiques et théologiques TOME 91, no. 1 (2007): 23. http://dx.doi.org/10.3917/rspt.911.0023.

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Wahlgren-Smith, Lena. "Alain de Lille (?): Letters familières (1167-1170). Françoise Hudry." Speculum 81, no. 2 (April 2006): 536–37. http://dx.doi.org/10.1017/s0038713400003080.

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McCurdy, Harold. "Omnis Mundi Creatura (Alain of Lille, c. 1128–1202)." Theology Today 44, no. 3 (October 1987): 371. http://dx.doi.org/10.1177/004057368704400310.

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Benedict, Philip. "Lille: Citadelle de la Contre-Réforme? (1598-1668). Alain Lottin." Journal of Modern History 58, no. 3 (September 1986): 724–25. http://dx.doi.org/10.1086/243058.

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CAIRNS. "'ALAIN DE LILLE AND THE PROLOGUE TO "PATIENCE"': A BIBLIOGRAPHICAL CORRECTION." Medium Ævum 62, no. 2 (1993): 292. http://dx.doi.org/10.2307/43629562.

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Bain, Emmanuel. "Les hérétiques du prince : Alain de Lille et les hérétiques méridionaux." Cahiers de Fanjeaux 55, no. 1 (2020): 173–95. http://dx.doi.org/10.3406/cafan.2020.2431.

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Dissertations / Theses on the topic "Alain of Lille"

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Rouillé, Florent. "Alain de Lille, Anticlaudianus : présentation générale, étude introductive, traduction et annotation." Paris 4, 2007. http://www.theses.fr/2007PA040274.

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Alain de Lille, auteur de la Somme Quoniam homines et des Regulae theologicae, fut l’un des théologiens les plus influents du XIIe siècle. Il s’illustra en poésie avec deux ouvrages singuliers, le De Planctu Naturae et l’Anticlaudianus, une épopée allégorique en latin dont le sujet principal est la fabrication par Nature d’un Homme Nouveau, exempt de toute imperfection. Le poète intègre à son récit l’ensemble de tous les savoirs de son temps, en particulier les arts libéraux et les secrets de la théologie. La traduction en français de l’Anticlaudianus est inédite et l’annotation explicative systématique. Une étude introductive précède cette traduction et vise à élucider les éléments propres à la poétique d’Alain, selon trois perspectives de lecture complémentaires : la rénovation de l’écriture poétique inspirée par Matthieu de Vendôme et Sidoine Apollinaire, la complexité labyrinthique d’une composition en palimpseste, recouvrant le poète Claudien et le théologien Claudien Mamert, l’herméneutique d’un langage miroitant analogue à l’expérience poétique de Raymond Roussel, telle qu’elle est étudiée par Michel Foucault
Alain of Lille was one of the most influential theologians of the XIIth century and the author of the Somme Quoniam homines and the Regulae theologicae. He published two major and singular poetic works, De Planctu Naturae and Anticlaudianus, an allegorical epic in Latin where Nature creates a new man, devoid of any flaws. In his narrative, the poet integrates all the knowledge of his time, particularly the liberal arts and theological secrets. This is the first French translation and explanatory annotations have been provided whenever required. The translation is preceded by an introductory study that aims at shedding light on Alain’s poetic art following three complementary interpretative axes: the modernising of poetic writing inspired by Matthieu of Vendôme and Sidoine Apollinaire, the labyrinthine complexity of the palimpsest-like composition covering poet Claudien and theologian Claudien Mamert, the hermeneutics of a self-reflexive language similar to Raymond Roussel’s poetic experience, as studied by Michel Foucault
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Huber, Christoph. "Die Aufnahme und Verarbeitung des Alanus ab Insulis in mittelhochdeutschen Dichtungen : Untersuchungen zu Thomasin von Zerklære, Gottfried von Straßburg, Frauenlob, Heinrich von Neustadt, Heinrich von St. Gallen, Heinrich von Mügeln und Johannes von Tepl /." Zürich ; München : Artemis Verlag, 1988. http://catalogue.bnf.fr/ark:/12148/cb373831773.

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Ferreira, Pedro Calixto. "Viae Negationis : la question de la négation dans le néoplatonisme latin : Jean Scots Erigene, Alain de Lille et Nicolas de Cues." Paris 4, 2004. http://www.theses.fr/2004PA040058.

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Partant du constat que le néoplatonisme médiéval latin constitue un moment essentiel de l'histoire du concept de négation, cette recherche soulève l'hypothèse dd'une métamorphose progressive de la négation qui aboutit à un réel renversement de la position aristotélicienne en la matière. Ce bouleversement semble être une originalité du néoplatonisme latin, puisqu'il n'est encore pleinement accompli ni dans la mystique plotienne, ni dans le corpus dionysiacum. Ce dernier constitue pourtant la principale source du néoplatonisme latin médiéval. Cette entreprise de dépassement d'une approche de la négation comme dépouillement et effacement de la limite est inaugurée dans l'Occident médiéval latin par la pensée de Jean Scot, dont l'interprétation de Denys l'Aéropagite l'éloigne à la fois des conceptions aristotélicienne et dionysienne de la négation, et n'atteint son plein achèvement que dans la pensée de Nicolas de Cues, grâce à une confrontation directe avec les thèses métaphysiques d'Aristote, comme celles du principe de la non-contradiction et de la distinction entre acte et puissance, mais aussi grâce à l'interprétation cusaine de l'apophasis proclienne. Ce renversment est démontré à travers l'analyse des problématiques épistémologiques, ontologiques et théologiques sous-jacentes à la polysémie de la négation en prenant comme paradigme la pluralité du concept de néant. L'analyse met en lumière les deux versants principaux de l'approche néoplatonicienne latine de la négation, sa polysémie et sa fertilité : l'acte de nier se dit en plusieurs sens et ne nous laisse pas toujours dans l'indétermination, aussi bien sur le plan épistémologique qu'ontologique
On the basis that the Latin medieval neoplatonism constitutes one essential moment of the history of the concept of negation, this research raises the hypothesis of a progressive metamorphosis of a progressive metamorphosis of the negation that produces a real transgression of the aristotelician position on the matter. This upheaval seems to be an originality of the Latin neoplatonism, since it is not yet fully accomplished neither in the plotinian mystic, nor in the corpus dionysiacum. This last constitutes however the main source of the medieval Latin neoplatonism. This enterprise is going beyond of an approach of the negation understood like removal, erasure and suppression of the limit is inaugurated in the Latin medieval occident by John Scot Eriugena's thought, whose interpretation of corpus dionysiacum moves away at the same time from the aristotelician and Dionysian positions on the matter. This movement reaches its full achievement only in the thought of Nicholas of Cusa, owing to a direct confrontation with Aristotle's metaphysical thesis, like those o the principle of the contradiction and the distinction between actuality and potentiality, but also owing to a Nicholas of Cusa's interpretation of the proclian conception of apophasis. This transgression of the aristotelician position about negation is demonstrated through the analysis of the epistemological, ontological and theological problems subjacent the polysemia of the concept of negation which takes as paradigm the plurality of the concept of not being. The analysis makes clear the two principal slopes of the Latin neoplatonician approach of negation, i. E. Its polysemia and its fertility : negation has several senses and does not always leave us in the indetermination on the espistemological as well as ontological level
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Piemonte, Fabio. "Filosofia e teologia nelle opere di Alano di Lilla: pluralità delle forme letterarie e unitarietà del sapere." Doctoral thesis, Universita degli studi di Salerno, 2014. http://hdl.handle.net/10556/2132.

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2012 - 2013
This research is aimed at clarifying the relationship between philosophy and theology in the works of Alan of Lille, who is termed by his contemporaries Doctor Universalis also because of his figure of unfailing polygraph who experimented greatly successfully multifarious literary genres, from summa to philosophic poem, from the theological axiomatic to the apologetics, from the theological dictionary to the biblical exegesis. Every literary form adopted by the master of Lilla is not to consider only as a different stylistic formality, but it is rather important of a precise method of investigation of the natural and supernatural reality. The plurality of the literary forms corresponding to a plurality of epistemological methods, in it different knowledge are involved, from the liberal arts to theological scientia... [edited by author]
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Gorman, Sara Elizabeth. "Transformative Allegory: Imagination from Alan of Lille to Spenser." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10916.

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This dissertation traces the progress of the personified imagination from the twelfth-century De planctu Naturae to the sixteenth-century Faerie Queene, arguing that the transformability of the personified imagination becomes a locus for questioning personification allegory across the entire period. The dissertation demonstrates how, even while the imagination seems to progress from a position of subordination to a position of dominance, certain features of the imagination's unstable nature reappear repeatedly at every stage in this period's development of the figure. Deep suspicion of the faculty remains a regular part of the imagination's allegorical representation throughout these five centuries. Within the period, we witness the imagination trying to assert its allegorical position in the context of other, more established allegorical figures such as Reason and Nature. In this way, the history of the personification of the imagination is surprisingly continuous from the twelfth to the sixteenth centuries. This "continuity" is not absolute but functions as a consistent recombination of a standard set of features of and attitudes toward imagination that rematerializes regularly. In order to understand this phenomenon at any point in these five centuries, it is essential to examine imagination across the entire period. In particular, the dissertation discovers an alternative, more nuanced view of the personified imagination than has thus far been posited. The imagination is a thoroughly ambivalent character, always on the cusp of transformation, and nearly always locked in a power struggle with other allegorical figures. At the same time, as the allegorical imagination repeatedly attempts to establish itself, it becomes a locus for intense questioning of the meaning and process of personification. The imagination remains transformative, uncertain, and at times terrifying throughout this entire period.
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MARINO, Laura. "«Quisquis ergo a natura humana corpus alienare vult, desipit»: la rappresentazione del problema corpo-anima in alcuni poemi allegorici tra XII e XIV secolo." Doctoral thesis, Università degli studi di Cassino, 2023. https://hdl.handle.net/11580/95564.

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The thesis aims to analyze and place in comparison some allegorical-didactic poems, composed in the European area between the 12th and 14th centuries; the analysis focuses on the relation between body and soul within the human individual. The four poems examined (Architrenius by John of Hauville, Anticlaudianus by Alain of Lille, Dante's Commedia, and Petrarch's Triumphi) have in common the ascensional structure and the final reunion of man with the divine: the thesis is concerned with observing how this path develops within the four narratives, through which linguistic patterns it is defined, whether or not it admits the goodness of the bodily part along with the spiritual part, and in general whether the goodness of corporeality in the human individual's path to perfection is acknowledged or denied. This theoretical discussion moves through a constellation of intertextual echoes between the analyzed works, to show the existence of a common semantic substratum signifying a shared theological problem that medieval intellectuals attempt to solve.
La tesi si prefigge l'obiettivo di analizzare e porre in comparazione alcuni poemi allegorico-didascalici composti in area europea tra il XII e il XIV secolo riguardo il tema della relazione tra corpo e anima all'interno dell'individuo umano. I quattro poemi esaminati (Architrenius di Giovanni di Altavilla, Anticlaudianus di Alano di Lilla, la Commedia di Dante, i Triumphi di Petrarca) hanno in comune la struttura ascensiva e il finale ricongiungimento dell'uomo con il divino: la tesi si occupa di osservare come questo percorso avvenga all'interno delle quattro narrazioni, attraverso quali modelli linguistici è definito, se ammetta o no la bontà della parte corporea insieme a quella spirituale, in generale se venga ammessa o negata la bontà della corporeità nel percorso di perfezionamento dell'individuo umano. Questa discussione teoretica si muove attraverso una costellazione di rimandi intertestuali tra le opere, a mostrare l'esistenza di un sostrato semantico comune che significhi un problema teologico condiviso che l'intellettuale medievale tenta di risolvere.
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Addivinola, Gabriella. "The Apophatic tradition in Alan of Lille and Dante : logic, theology and poetry from the twelfth to the fourteenth centuries." Thesis, University of Warwick, 2013. http://wrap.warwick.ac.uk/60126/.

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This thesis explores, through a focused examination of the works of Alan of Lille and Dante Alighieri, the apophatic tradition or via negativa, with particular regard to the issues raised by naming God with human language. Thematic and stylistic reappropriations of Alan are highlighted, the aim is not, however, to establish textual dependency as such, but to explore the historical development of the via negativa, the problems it raises in medieval logic and theology, and the different approaches to the transcendence of the divine reality in the production, both prose and verse, of Alan and Dante. Since divine ineffability crosses a number of disciplinary domains – rhetoric, semantic, logic, metaphysics and theology – the thesis is attentive to all these topics and their interactions. Attention to these fields and to their development over time, both in the period before and after the entry of Aristotelian works at the end of the twelfth century, is employed in order to evaluate more closely the respective treatments of Alan and Dante. Chapter One reconstructs the interactions of Stoic, Augustinian and Aristotelian (by Boethian mediation) sources together with the Neoplatonism of Proclus and Pseudo-Dionysius the Areopagite (especially as transmitted by Eriugena) in order to provide a conceptual background for medieval discussion on the heuristic value of signs. In this chapter, attention is paid in particular to the contribution of the Pseudo-Dionysian tradition to medieval thought. Chapter Two provides an in-depth study to the medieval reception of the conceptual background delineated in Chapter One, particularly in relation to the issue of the transformations which human language undergoes when used in the theological field. This chapter assesses the impact of the new translations on the reconfiguration of the relationship between metaphysics and theology and related linguistic questions, illustrating shifts in the way that divine predication is handled and the richness and importance of the medieval understanding of the concept of analogy of being (analogia entis). Chapter Three deploys the historical context set out in the previous two chapters in order to compare Alan of Lille’s and Dante’s treatment of apophatic themes, by showing the different conceptual backgrounds for their reinterpretations of the theory of translatio and of the concept of analogia entis. The analysis thus departs from the extant scholarly concerns with Alan and Dante (namely, the use of figurative and allegorical devices) in order to provide a firmer historical and conceptual basis from which to understand their poetical choices in the De Planctu naturae and the Anticlaudianus and in the Comedy.
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Guillot, François Mansy Jean-Louis. "Géochronologie des socles alpins internes implications géodynamiques /." Villeneuve d'Ascq : Université des sciences et technologies de Lille, 2007. https://iris.univ-lille1.fr/dspace/handle/1908/998.

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Reproduction de : Habilitation à diriger des recherches : Sciences naturelles : Lille 1 : 2005.
N° d'ordre (Lille 1) : 456. Textes en français et en anglais. Résumé en français et en anglais. Titre provenant de la page de titre du document numérisé. Bibliogr. p. 207-210.
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Kihlman, Erika. "Expositiones sequentiarum : Medieval Sequence Commentaries and Prologues. Editions with Introductions." Doctoral thesis, Stockholm : Acta Universitatis Stockholmiensis : Almquist & Wiksell International [distributör], 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-921.

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Newman, Jonathan M. "Satire of Counsel, Counsel of Satire: Representing Advisory Relations in Later Medieval Literature." Thesis, 2008. http://hdl.handle.net/1807/16806.

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Satire and counsel recur together in the secular literature of the High and Late Middle Ages. I analyze their collocation in Latin, Old Occitan, and Middle English texts from the twelfth to the fifteenth century in works by Walter Map, Alan of Lille, John of Salisbury, Daniel of Beccles, John Gower, William of Poitiers, Thomas Hoccleve, and John Skelton. As types of discourse, satire and counsel resemble each other in the way they reproduce scenarios of social interaction. Authors combine satire and counsel to reproduce these scenarios according to the protocols of real-life social interaction. Informed by linguistic pragmatics, discourse analysis, sociolinguistics and cultural anthropology, I examine the relational rhetoric of these texts to uncover a sometimes complex and reflective ethical discourse on power which sometimes implicates itself in the practices it condemns. The dissertation draws throughout on sociolinguistic methods for examining verbal interaction between unequals, and assesses what this focus can contribute to recent scholarly debates on the interrelation of social and literary practices in the later Middle Ages. In the first chapter I introduce the concepts and methodologies that inform this dissertation through a detailed consideration of Distinction One of Walter Map’s De nugis curialium . While looking at how Walter Map combines discourses of satire and counsel to negotiate a new social role for the learned cleric at court, I advocate treating satire as a mode of expression more general than ‘literary’ genre and introduce the iii theories and methods that inform my treatment of literary texts as social interaction, considering also how these approaches can complement new historicist interpretation. Chapter two looks at how twelfth-century authors of didactic poetry appropriate relational discourses from school and household to claim the authoritative roles of teacher and father. In the third chapter, I focus on texts that depict relations between princes and courtiers, especially the Prologue of the Confessio Amantis which idealizes its author John Gower as an honest counselor and depicts King Richard II (in its first recension) as receptive to honest counsel. The fourth chapter turns to poets with the uncertain social identities of literate functionaries at court. Articulating their alienation and satirizing the ploys of courtiers—including even satire itself—Thomas Hoccleve in the Regement of Princes and John Skelton in The Bowge of Court undermine the satirist-counselor’s claim to authenticity. In concluding, I consider how this study revises understanding of the genre of satire in the Middle Ages and what such an approach might contribute to the study of Jean de Meun and Geoffrey Chaucer.
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Books on the topic "Alain of Lille"

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Solère, J. L., A. Vasiliu, and A. Galonnier, eds. Alain de Lille, le docteur universel. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.rpm-eb.6.09070802050003050200010505.

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-L, Solère J., Vasiliu Anca 1957-, Galonnier Alain, and International Society for the Study of Medieval Philosophy. International Colloquium, eds. Alain de Lille, le docteur universel: Philosophie, théologie et littérature au XIIe siècle. Turnhout: Brepols, 2005.

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Alanus. Alain de Lille, Die Klage der Natur: Lateinischer Text, Übersetzung und philologisch-philosophiegeschichtlischer Kommentar = Alani ab Insulis, De planctu naturae : textus, translatio una cum annotationibus. Münster: Aschendorff Verlag, 2013.

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Dupuis, Albert. Alain de Lille: Études de Philosophie Scholastique. Creative Media Partners, LLC, 2018.

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Solère, J. L., A. Vasiliu, and A. Galonnier. Alain de Lille, le Docteur Universel: Philosophie, Théologie et Littérature Au XIIe Siècle. Brepols Publishers, 2005.

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Waite, Arthur Edward. Alain Of Lisle - Pamphlet. Kessinger Publishing, LLC, 2006.

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Morton, Jonathan. Inconsistent Philosophy. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816669.003.0002.

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The chapter considers the philosophical implications of the Rose’s literary style, showing how it relates to the institutional context of the University of Paris in the 1270s. It examines figurative language’s potential for discussing the irrational subject of love or desire, analysing how Jean de Meun draws on the earlier poetry of Andreas Capellanus and Alain de Lille to produce a paradoxical style that plays definition against indefinition. The prologue of Bishop Etienne Tempier’s condemnation of 1277 is interpreted as an attempt to restrict philosophical utterances to definite propositions simpliciter and not allowing hypothetical statements secundum quid. The Rose signals its opposition to Tempier by reworking Andreas Capellanus’s De amore (condemned in 1277) and by parodying Tempier in the figure of Genius. The result is a mode of philosophical proceeding that is anti-authoritative even as it depends on the utterances of earlier authors.
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Morton, Jonathan. The Roman de la rose in its Philosophical Context. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198816669.001.0001.

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The Roman de la rose is one of the most erudite, complex works of poetry to have been produced in medieval Europe, rich with allusions to French and Latin literature and to Scholastic philosophy. Its second and more prominent author Jean de Meun wrote his lengthy continuation of the Rose in the 1260s and 1270s at a time of institutional and intellectual contestation at the University of Paris, which saw fierce polemic around the status of philosophy, provoked by controversies over the reception of Aristotle. This book reads the Roman de la rose against the philosophical traditions to which it makes reference, considering the possibilities of poetry as a vehicle for thought that is provisional, uncertain, and inescapably bound up with affective experience. It offers a re-evaluation of the entire work as an intellectually coherent text that does not offer philosophical solutions as much as it makes its readers reflect on three interwoven themes: art, nature, and ethics. Chapters consider the philosophical importance of paradox in the Rose, the relationship between art and nature, animality and human appetite, the myth of the Golden Age, the ethics of money and profit, and the intertwined themes of idolatry and psychology as they inform the Rose’s ethics of desire. Throughout, there is a sustained attention to the reception of philosophy, especially Aristotle and Boethius, and poetry, especially Alain de Lille and Ovid. Ultimately, it shows that all of the Rose’s theoretical games use particularly poetic ways to grapple with the text’s central focus: the intractable problem of human desire.
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Haynes, Justin A. The Medieval Classic. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190091361.001.0001.

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This book considers how ancient and medieval commentaries on the Aeneid by Servius, Fulgentius, Bernard Silvestris, and others can give us new insights into four twelfth-century Latin epics—the Ylias by Joseph of Exeter, the Alexandreis by Walter of Châtillon, the Anticlaudianus by Alan of Lille, and the Architrenius by John of Hauville. Virgil’s influence on twelfth-century Latin epic is generally thought to be limited to verbal echoes and occasional narrative episodes, but evidence is presented that more global influences have been overlooked because ancient and medieval interpretations of the Aeneid, as preserved by the commentaries, were often radically different from modern readings of the Aeneid. By explaining how to interpret the Aeneid, these commentaries directly influenced the way in which twelfth-century Latin epic imitated the Aeneid. At the same time, these Aeneid commentaries allow us a greater awareness of the generic expectations held by the original readers of twelfth-century Latin epic. Thus, this book provides a new way to look at the development of allegory and contributes to our understanding of ancient and medieval perceptions of the Aeneid while exploring the importance of commentaries in shaping poetic composition, imitation, and reading.
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Letenyei, László, ed. Településkutatás II. TeTT könyvek, 2006. http://dx.doi.org/10.14267/963-0606-25-9.

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Az Európa Tanács 1999. június 21-i 1260/1999/EK rendelete a strukturális alapokra vonatkozó általános rendelkezések megállapításáról 325 A településfejlesztési koncepció készítésének módszerei az EU-ban és Magyarországon (Futó Péter és Szeszler Zsuzsa) 241 A megérzéstől a megerősítésig: a terepmunka az antropológiában (Teresa San Román) 359 Kvantitatív és kvalitatív módszerek összekapcsolása (Alan Bryman) 371 Az antropológiai résztvevő megfigyelés története (Vörös Miklós és Frida Balázs) 395 A nyugat-csendes-óceáni térség argonautái (Bronislaw Malinowski) 417 A fókuszált interjú (Robert K. Merton, Marjorie Fiske és Patricia L. Kendall) 443 Bevezetés a fókuszcsoportos vizsgálatba (Jenny Kitzinger) 467 A fókuszcsoportos vizsgálat kimenetelét befolyásoló tényezők (Vicsek Lilla) 477 A mélyinterjú készítése – és az elkövethető hibák forrásai (Heltai Erzsébet és Tarjányi József) 501 A kérdőíves adatfelvétel újabb módszerei: telefonos, számítógéppel támogatott (CAPI, CATI) és internetes adatgyűjtés (Eranus Eliza, Láng Sarolta, Máth András és Rácz Attila) 545 Térképek az elmében – Gondolatok a kognitív térképezésről (Roger M. Downs és David Stea) 593 Hazai példák a mentális térképezés alkalmazására (Szathmári Milán) 615 A társadalmi kapcsolatháló-elemzés szociometriai gyökerei (Szántó Zoltán) 649 A társadalmi kapcsolatháló-elemzés módszertani alapjai (Kürtösi Zsófia) 663 A szignifikanciatesztek retorikája (Deirdre N. McCloskey) 687 Interdiszciplináris programok a vizuális kutatásban: A vizuális antropológia újragondolása (Sarah Pink) 703
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Book chapters on the topic "Alain of Lille"

1

Hudry, Françoise. "Alain de Lille, la Nature et Botticelli." In Instrumenta Patristica et Mediaevalia, 781–96. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.ipm-eb.5.111140.

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Lemoine, Michel. "Alain de Lille et l’école de Chartres." In Rencontres de Philosophie Médiévale, 47–58. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.rpm-eb.3.1089.

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Hudry, Françoise. "Mais qui était donc Alain de Lille?" In Rencontres de Philosophie Médiévale, 107–24. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.rpm-eb.3.1092.

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4

Amri-Kilani, Moufida. "Connaissance sensitive et rhétorique chez Alain de Lille." In Rencontres de Philosophie Médiévale, 191–215. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.rpm-eb.3.1096.

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Dahan, Gilbert. "Alain de Lille et l’exégèse de la Bible." In Rencontres de Philosophie Médiévale, 455–84. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.rpm-eb.3.1107.

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Poirel, Dominique. "Alain de Lille, héritier de l’école de Saint-Victor?" In Rencontres de Philosophie Médiévale, 59–82. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.rpm-eb.3.1090.

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Erismann, Christophe. "Alain de Lille, la métaphysique érigénienne et la pluralité des formes." In Rencontres de Philosophie Médiévale, 19–46. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.rpm-eb.3.1088.

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Porreca, David. "La réception d'Hermès Trismégiste par Alain de Lille et ses contemporains." In Hermetism from Late Antiquity to Humanism, 139–55. Turnhout: Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.ipm-eb.4.00093.

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9

Valente, Luisa. "Alain de Lille et Prévostin de Crémone sur l’equivocité du langage théologique." In Rencontres de Philosophie Médiévale, 369–400. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.rpm-eb.3.1103.

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Caiazzo, Irene. "Discussions sur les quatre éléments chez Alain de Lille et Raoul de Longchamp." In Rencontres de Philosophie Médiévale, 145–67. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.rpm-eb.3.1094.

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