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Journal articles on the topic 'Aladdin'

Author: Grafiati

Published: 4 June 2021

Last updated: 20 April 2024

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1

Shao, Yakun Sophia, Brandon Reagen, Gu-Yeon Wei, and David Brooks. "Aladdin." ACM SIGARCH Computer Architecture News 42, no. 3 (October 16, 2014): 97–108. http://dx.doi.org/10.1145/2678373.2665689.

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2

Kahambing, Jan Gresil De los Santos, and Anne Dominique Duque. "ALADDIN AS AN IMMORAL ETHICIST IN ALADDIN AND THE MAGIC LAMP." International Journal of Humanity Studies (IJHS) 3, no. 1 (August 29, 2019): 84–95. http://dx.doi.org/10.24071/ijhs.v3i1.1928.

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This study delves into the tale Aladdin and the Magic Lamp as the excerpt of the Middle Eastern folk tales collection One Thousand and One Nights rather than the popular Disney version. It problematizes the figure of Aladdin and rebrands him as an immoral ethicist as opposed to Disney hero who seeks strength within himself and the other text versions of him as a changed man. This problematizing essentially entails a critique of the Westernized moral figure and its basic universal lesson in the text to argue his being immoral. To do this, the methodology of the paper follows from a philosophical reading that subjectivizes the protagonist into the question of ethics. Specifically, it takes from ieks elaboration of the Nietzschean version of an immoral ethics that remains consistent with the fidelity to ones desire. The paper shows how the plot reveals Aladdins immoral ethics that is founded on strength and constant activity but presupposing the voluntary knowledge and cleverness of his existential choice. To back this, the study finds three distinct features, namely: 1) disregard to authority, 2) love beyond good and evil, and 3) negative will to power.DOI:10.24071/ijhs.2019.030108

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3

Drakeford, Richard, Mette Ejsing, Guido Paevatalu, and Rozhdestvensky. "Nielsen: Aladdin." Musical Times 135, no. 1811 (January 1994): 47. http://dx.doi.org/10.2307/1002847.

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4

Mueller, J. T., Y. Guo, U. I. von Mehlem, and A. F. Cheng. "Aladdin mission concept." Acta Astronautica 52, no. 2-6 (January 2003): 211–18. http://dx.doi.org/10.1016/s0094-5765(02)00159-5.

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Barillot, M., V. Coudé du Foresto, J. Surdej, O. Absil, C. Jamar, and E. Di Folco. "ALADDIN nulling instrument." EAS Publications Series 40 (December 24, 2009): 251–56. http://dx.doi.org/10.1051/eas/1040036.

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Guevara, Erick Blandón. "Symmetries/Aladdin Theater." Review: Literature and Arts of the Americas 51, no. 2 (July 3, 2018): 237–39. http://dx.doi.org/10.1080/08905762.2018.1540661.

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7

Hooikaas, Julian. "Lamp van Aladdin." TvV Tijdschrift voor Verzorgenden 56, no. 2 (February 26, 2024): 37–39. http://dx.doi.org/10.1007/s41183-024-1719-1.

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8

Khaerul Rangga Kentari and Ita Purnama. "ANALISIS PERBANDINGAN STRATEGI PEMASARAN DISTRO ESTIZY DAN DISTRO ALADDIN DI KOTA BIMA." JUIMA : JURNAL ILMU MANAJEMEN 11, no. 2 (September 30, 2021): 23–31. http://dx.doi.org/10.36733/juima.v11i2.4648.

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This study uses a comparative method that is carried out on consumers who have shopped at the Estizy and Aladin Distro. The purpose of this study is to determine whether there are differences in the marketing strategy of the Estizy and Aladin Distro. Samples were taken as many as 100 people using a sampling technique, namely Proportioned Stratified random sampling. Data collection was carried out by distributing questionnaires. The analysis technique used the Paraid Sample T Test. The results showed that the Estizy and Aladin distributions were -1,926 with profitability or sig. (2-tailed) 0.060. Thus the value of t count <t table (-1.926 <1.984) and the value of profitability or sig. (2-tailed) 0.060 <0.05, then H0 is rejected (there is no significant difference). So it can be concluded that the Estizy and Aladdin distributions have differences that are not much different.

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9

Nurhana, Eni, and Rr Festi Himatu Karima. "The Analysis Of Character Building Values Found In Aladdin 2019 Movie." Buana Pendidikan: Jurnal Fakultas Keguruan dan Ilmu Pendidikan 18, no. 1 (February 22, 2022): 106–23. http://dx.doi.org/10.36456/bp.vol18.no1.a5238.

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Learning media is a means of communication in conveying information, to facilitate the learning process, and improve the quality of education. movies can be used as learning media. Movies present various kinds of stories that contain values in life such as social values, educational values, and cultural values. One of the movies to choose from is Aladdin 2019 movie. Aladdin 2019 is a movie adaptation from the original animation version 1992. The Aladdin 2019 movie was directed by Guy Richie, written by John August and Guy Richie. The objective of this study is to find out the character building values in the Aladdin 2019 movie and describe the character building values represented in the movie. This study used the formulation of Kemendiknas (2010) and theory from Peterson and Seligman (2004), and perception theory by Mcelmeel (2002). The researchers used descriptive qualitative research. The subject of this study used the subtitle in the Aladdin 2019 movie. The researchers have found 9 character building values in the Aladdin 2019 movie include ,social care, responsible, creative, independent, patriotism, appreciation, communicative/friendly, love of peace, and reading interest. Based on the results of data analysis, it was found that love of peace is the most dominant character building value in the Aladdin 2019 movie.

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10

Yastanti, Unpris, Faridatul Hasanah, Anggraini Anggraini, and Lia Nurmalia. "Love in Aladdin Movie Directed by Guy Ritchie." Wanastra : Jurnal Bahasa dan Sastra 14, no. 1 (March 30, 2022): 62–71. http://dx.doi.org/10.31294/wanastra.v14i1.11749.

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Love is an emotion or positive feeling like affection, sacrifice, and trust contained in human beings aimed at other human or other objects that are around it. In other words, love is sharing affection, struggle, and complement each other. The purpose of this research are to identify characteristics of love, types of love, and moral message in Aladdin Movie directed by Guy Ritchie. This research used descriptive qualitative method to analyze the data. The data are the scenes and the dialogs of the main character that contains the characteristic of love, types of love. The result of this study reveal that: (1) There are 3 characteristics of love in Aladdin movie, they are trust, healing, and teamwork. (2) There 7 types of love in Aladdin movie, there are eros, philia, storge, agape, ludus, pragma, and philautia. (3) The moral message contained in the movie; the true love has their ways to find their soul. Aladdin falling in love with Princess Jasmine. Although, there are a lot of problems and in difficult condition, finally, Aladdin got the Princess Jasmine’s love.

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11

Morain, William D. "The Promise of Aladdin." Annals of Plastic Surgery 35, no. 5 (November 1995): 560. http://dx.doi.org/10.1097/00000637-199511000-00022.

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ar. "Aladdin ist Hauttyp vier." Der Deutsche Dermatologe 67, no. 5 (May 2019): 358. http://dx.doi.org/10.1007/s15011-019-2432-6.

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13

ZARÁNDY, ÁKOS, CSABA REKECZKY, PÉTER FÖLDESY, and ISTVÁN SZATMÁRI. "THE NEW FRAMEWORK OF APPLICATIONS: THE ALADDIN SYSTEM." Journal of Circuits, Systems and Computers 12, no. 06 (December 2003): 769–81. http://dx.doi.org/10.1142/s0218126603001148.

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The first CNN technology-based, high performance industrial visual computer called Aladdin is reported. The revolutionary device is the world premier of the ACE4k Cellular Visual Microprocessor (CVM) chip powering an industrial visual computer. One of the most important features of the Aladdin system is the image processing library. The library reduces algorithm development time, provides efficient codes, error free operation in binary, and accurate operation in grayscale nodes. Moreover the library provides an easy way to use the Aladdin system for those who are not familiar with the CNN technology.

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Rahayu, Mundi, Irwan Abdullah, and Wening Udasmoro. "PERGESERAN NILAI-NILAI ISLAM DALAM CERITA ALADDIN: PERBANDINGAN “ARABIAN NIGHTS” DAN FILM ANIMASI DISNEY." El-HARAKAH (TERAKREDITASI) 17, no. 1 (September 14, 2015): 52. http://dx.doi.org/10.18860/el.v17i1.3085.

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<p class="Abstrak"><em>This study compares the folktale “The Story of Aladdin and the Wonderful Lamp” from the Arabian Nights, and the animated film produced by Walt Disney Feature Animation under the title “Aladdin” (1992). </em><em>The story of Disney’s animated film “</em><em>Aladdin</em><em>” is based on the </em><em>“The Story of Aladdin and the Wonderful Lamp.” </em><em> The comparison of the two is focused on the aspect of Islamic values, its shifts and changes in the animated film </em><em>Aladdin. The study applies Fairclough’s Critical Discourse Analysis, by applying the three stages of analysis. The first level is micro level, on the language practice. In </em><em>the </em><em>second level, mezo level, </em><em>discusses the </em><em>discourse practice </em><em>that </em><em>covers the intertextuality</em><em> that explore the production and consumption of text </em><em>as the reference in delivering the ideas. In </em><em>the </em><em>third level, macro level, it interprets the social </em><em>context of </em><em> particular </em><em>events.</em><em> </em><em>The finding shows that there is a change of discourse of Islamic value which is strongly expressed in the origiinal Aladdin story of </em><em>“Arabian Nights</em><em>” especiallly the important role of family. On the other hand, in the animated film Aladdin, remove the discourse of Islamic value and change it into the discourse of freedom. </em></p>

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15

Krasokhina, S. I. "ALADDIN–FROST-RESISTANT TABLE GRAPEVINE." Russian Vine 15 (March 2021): 11–18. http://dx.doi.org/10.32904/2712-8245-2021-15-11-18.

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The most promising way to reduce the need for fungicides in viticulture is the use of re-sistant cultivars. In this regard, an urgent task is the selection of table grape varieties with increased resistance to diseases and frost in combination with high marketability and taste. The article discusses the results of a fif-teen-year study of the promising table variety Aladdin. The variety is interspecific hybrid obtained from a saturating crossing Vostorg krasnyy × Vostorg muskatniy at All-Russian Research Institute for Viticulture and Wine-making– Branch of Federal State Budget Sci-entific Institution «FRARC». The Aladdin variety was compared with the regionalized table variety Vostorg, which is also the paren-tal form in the second generation. The viticul-ture is not irrigated, grafted, not covered, the training is fan type on trunk, the planting scheme is 3 × 1.5 m. In the variety study, the methods generally accepted in viticulture and the standard technology of cultivation of vineyards were used. The Aladdin variety is distinguished by an early ripening period, large berries, medium-sized bunches, firm pulp, attractive berry color, light muscat aro-ma. The variety has a proven genetic high re-sistance to powdery mildew and mildew, high frost resistance is confirmed by the data of agrobiological records. According to the total-ity of economically valuable traits, resistance to unfavorable biotic and abiotic environmen-tal factors, the Aladdin variety can be recom-mended for transfer to the State variety test-ing of the Russian Federation.

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16

Dotto, Jorge E., and Juan Rosai. "Aladdin and the Magic Lamp." International Journal of Surgical Pathology 14, no. 3 (July 2006): 225. http://dx.doi.org/10.1177/1066896906290170.

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17

Coyne, John D. "Aladdin in a Colonic Crypt." International Journal of Surgical Pathology 22, no. 5 (March 11, 2014): 420. http://dx.doi.org/10.1177/1066896914526780.

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18

Bisognano, J., M. Bissen, M. Green, K. Jacobs, C. Moore, E. Olson, M. Severson, and R. Wehlitz. "Aladdin: Transforming science at SRC." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 649, no. 1 (September 2011): 6–8. http://dx.doi.org/10.1016/j.nima.2010.11.065.

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19

Stott, John P., and David E. Eisert. "The new Aladdin control system." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 293, no. 1-2 (August 1990): 107–12. http://dx.doi.org/10.1016/0168-9002(90)91410-d.

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20

Eisert, David E., and John P. Stott. "Software diagnostic aids on Aladdin." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 293, no. 1-2 (August 1990): 113–18. http://dx.doi.org/10.1016/0168-9002(90)91411-4.

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21

Sri Intan Malina Putri and Ambalegin Ambalegin. "REFUSAL APPLIED IN "ALADDIN MOVIE"." ENGLISH JOURNAL OF INDRAGIRI 6, no. 2 (July 5, 2022): 174–84. http://dx.doi.org/10.32520/eji.v6i2.1950.

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This descriptive qualitative research discovered to investigate the types of refusal in Aladdin movie. This movie was modified by the folklore Aladdin in the Walt Disney Pictures, the folklore was made by Terry Rossio. Then, there were the types of refusal, namely indirect refusal, direct refusal, and adjunct refusal. This study was applied the theory by Felix brasdefer, (2008) and Houck, (1999). The most common reason for using indirect refusal than direct and adjunct refusal because it can minimize the negative effect (FTA) of the hearer. This research was using an observational method and a non-participatory method by Sudaryanto's theory. Then, the data was analyzed using the pragmatics identity method. Meanwhile, the finding results of frequently of this research were found 21 data of indirect refusal, 13 data of direct refusal, and 9 data of adjunct refusal. Based on data source, the character of Aladdin mostly used indirect refusal statement.

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22

Jiang, Yiding, Xinyi Fan, and Xiaohan Xia. "Aladdin——The Live-Action Version: A Feminist Revolt Against Patriarchy." Journal of Education, Humanities and Social Sciences 24 (December 31, 2023): 745–50. http://dx.doi.org/10.54097/r8csre73.

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The live-action version of "Aladdin" (2019) is based on the 92nd edition of Disney's animated film of the same name, giving the audience a great visual treat. As a work in the Disney series, the image of the princess in the live-action version of "Aladdin" is one of the major attractions of the film. Disney's portrayal of princesses is varied. From a feminist perspective, the early images of the princesses embodied the patriarchal and husbandly expectations of women, which is a kind of expectation for women. With the public's understanding, Disney's character and image of the princess have become more diverse. With the advancement and development of feminist thought, the princesses of this period got rid of the constraints of a patriarchal society to achieve more individual autonomy. Aladdin" in the "Princess Jasmine" is the Disney company to change the image of a trend. Based on the text of the live-action film Aladdin, this paper uses deconstructionist theory as the main research method and feminism as the focus of inquiry to investigate the shortcomings of Disney's traditional dichotomous narrative in the modern viewing environment. The purpose of this paper is to explore the evolution of feminism over time and to summarize the development of feminism to date. It is concluded that the live-action version of Aladdin challenged the patriarchal status quo, deconstructed the male/female dichotomy in early princess films, and represented feminist values as a film that achieved mainstream success. The film showed how filmmakers struggled with stereotypical images of women in making the film and provided a strong role model for young women to understand that women should not be tied to the home but should find their own meaning. From a feminist perspective, the live-action version of "Aladdin" breaks the patriarchal mold of previous Disney princess films and provides audiences with a strong, self-reliant female figure.

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Tyulin, Dmitry A. "A LAD INSANE / ALADDIN SANE. DAVID BOWIE’S POETRY IN THE CONTEXT OF AMERICAN BUDDHISM." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 5 (2023): 129–37. http://dx.doi.org/10.28995/2686-7249-2023-5-129-137.

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Features of Buddhist philosophy as interpreted by the countercultural writer J. Kerouac play an important role in the artistic self-determination of the British poet and musician D. Bowie and the formation of his creative personality. The article suggests that Kerouac’s motif of the road has Buddhist philosophical overtones, which Bowie adopts to create the poetic “persona” of Aladdin Sane, functioning in a unique way in the album cycle of the same name. Aladdin’s “persona” is presented as schizophrenic, but at the same time embodying the concepts of “transience” and “absence of self”, close to Buddhist philosophy in Kerouac’s interpretation.

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Rahayu, Mundi, Irwan Abdullah, and Wening Udasmoro. "“ALADDIN” FROM ARABIAN NIGHTS TO DISNEY: THE CHANGE OF DISCOURSE AND IDEOLOGY." LiNGUA: Jurnal Ilmu Bahasa dan Sastra 10, no. 1 (August 13, 2015): 24. http://dx.doi.org/10.18860/ling.v10i1.3030.

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This study compares the folktale “The Story of Aladdin and the Wonderful Lamp” from the Arabian Nights, and the animated film produced by Walt Disney Feature Animation under the title “Aladdin” (1992). The differences of those two stories in two different medias shows the shifts of ideology and discourse. The study applies Fairclough’s Critical Discourse Analysis, by applying the three stages of analysis. The first level is micro level, on the language practice. In the second level, mezo level, discusses the discourse practice that covers the intertextuality of ideas, concept as the reference in delivering the ideas. In the third level, macro level, it interprets the social context of particular events, especially the social practice in exercising their power. The finding shows that the Disney’s Aladdin campaigns ideology that refers to the American values such as freedom and American heroism. Besides, the discourse of Arab barbarism is developed in line with the practice of stereotyping such as labeling the Arab people as barbaric, bad, silly and wicked as well as dangerous Arabs. These imply to the removals of the Islamic messages and values that exists in the original tales of Arabian Nights. The Disney’s Aladdin completely removes the Islamic messages and values, and changes them into ‘American values’.

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Susilawati, Susilawati. "The Role Of Social Status As Seen In Aladdin Movie." English Language, Linguistics, Literature, And Education Journal 3, no. 2 (January 10, 2023): 162–69. http://dx.doi.org/10.30631/ellture.v3i2.56.

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The main objectives of this research are (1) to find out what kinds of Social Status as seen in Aladdin Movie (2019). (2) to describe how the role of Social Status as seen Aladdin Movie (2019). The researcher uses Mayor Polak (1979) and Wuradji (2009) Theory. This research uses descriptive qualitative method. The finding of this research shows that the Social Status as seen in Aladdin movie: (1) there are three types of Social Status as seen Aladdin movie, they are Ascribed Status, Achieved Status and Assigned Status. Ascribed status was mostly dominant used in this movie because the background of this movie is based on a kingdom in which a monarchical government system, led by a king and throne of the kingdom will be inherited to his lineage. (2). The role of a leader is different from that of ordinary people because social status they have, the leader has an obligation to ensure the welfare and safety of the community, the leader also protects each member so that they are in accordance with the goals achieved. Different things with ordinary people they are obliged to follow the rules and respect a leader.

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Puspitasari, Nur Wahyu, Adip Arifin, and Ratri Harida. "The moral values in Aladdin (2019)." Concept : Community Concern for English Pedagogy and Teaching 7, no. 2 (January 2, 2022): 66–75. http://dx.doi.org/10.32534/jconcept.v7i2.2353.

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Moral values are values that relate to good and bad deeds which guide people's life in a positive wayy. In practice, moral values function to motivate society members to act well. This present study aimed at exploring the moral values in Aladdin movie; a musical fantasy movie released in 2019. The movie is directed by Guy Ritchie, an English film director, producer and also businessman. The researchers employed descriptive qualitative method and designed it as the research design. The source of the data in this study was the dialogue among the characters in Aladdin movie. Documentation was used as the technique to collect the data. Besides the researchers as the instrument, another instrument used was documentation sheet. To analyse the data, the researchers used descriptive analysis. The results of the study showed that there were a number of moral values found in Aladdin film, including courage, honesty, self-confidence and capability, being helpful, love and affection, respect, loyalty, fairness and humanity, and kindness. These findings also indicate that honesty is the most dominant moral value displayed throughout the film scene. Particularly, it appears three fourteen times in different dialogue and actions. Keywords: Moral Values; Aladdin Movie; Literary Study

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Souza, Paula Tainar de. "Representação do árabe: análise do filme “Aladdin” sob a ótica do orientalismo." Domínios da Imagem 14, no. 26 (July 31, 2020): 138. http://dx.doi.org/10.5433/2237-9126.2020v14n26p138.

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Este artigo tem por objetivo central tratar e refletir historicamente o filme Aladdin (2019), a fim de diagnosticar de que modo o orientalismo e o discurso feminista estão presentes em sua narrativa. A Walt Disney Pictures, muito popular na atualidade, possui inúmeras obras que, além de serem sucesso de bilheteria, contribuem com normatização de gênero, identidade e papéis sociais. Desse modo, propagam ideologias e absorvem discursos em voga no seu contexto com o interesse mercadológico, influenciando inclusive o público infanto-juvenil. Aladdin legitima relações de poder e, apesar de suas limitações, permite-nos analisar a representação exótica do Oriente Médio, bem como a luta da Princesa Jasmine em ser ouvida, problemática de uma personagem ocidentalizada. Assim, é o intento do presente artigo estabelecer a hipótese de que Aladdin, apesar de apresentar-se libertador, reforça estereótipos étnicos do árabe, representação e padronização da mulher oriental.

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Sembiring, Wulan Angelia, and Ambalegin Ambalegin. "ILLOCUTIONARY ACTS ON ALADDIN MOVIE 2019." JURNAL BASIS 6, no. 2 (November 2, 2019): 279. http://dx.doi.org/10.33884/basisupb.v6i2.1419.

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Illocutionary act is a part of pragmatics studies. Illocutionary acts are acts performed by speakers in saying something (with an appropriate intention and in an appropriate context), The aim of this research were to find out the types of illocutionary act in the Aladdin movie and also to find context underlying illocutionary act in the movie .This method was descriptive qualitative because the data were the utterances of the characters in the Aladdin movie. The research colleting the data with non-participatory methods .There were some steps in collecting the data: downloading the movie script, watching the movie several times, reading and observing the dialogue in the movie .The result of the research there are 30 utterances of directives illocutionary acts . Each of the utterances divided into a part of directive illocutionary act . The data were classified into five namely are , directives (10), assertives (5) declaratives (2), commissives (4), expressives (9).

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Lornell, Kip, and Michel Ruppli. "The Aladdin/Imperial Labels: A Discography." Notes 49, no. 3 (March 1993): 1077. http://dx.doi.org/10.2307/898988.

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30

Detsyna, A. A., V. I. Khatnyansky, I. V. Illarionova, Ya N. Demurin, and A. A. Pikhtyaryova. "Herbicide resistant confectionary sunflower variety Aladdin." Oil Crops 188, no. 4 (December 25, 2021): 96–98. http://dx.doi.org/10.25230/2412-608x-2021-4-188-96-98.

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The variety Aladdin is the new confectionary sunflower variety. It is developed in the laboratory of OP-sunflower breeding jointly with the laboratory of genetic at the V.S. Pustovoit AllRussian Research Institute of Oil Crops in 2014– 2020. It is developed by crossing plants of a line VK 1-imi (Imr Imr) used as a maternal form and a pollen mixture of an early maturing confectionary sunflower variety, with the further treatment by the herbicide Euro-Lightning. Later, there were conducted a multiple individual selection and estimation in progenies of families that were the best by their morphometric and economically valuable traits, tolerance to broomrape races E, F, and G and to downy mildew. The variety belongs to the middle maturity group, confectionary type. The major features of the cultivar Aladdin are its resistance to imi-herbicides, high productivity, tolerance to the main races of broomrape and downy mildew, increased level of autofertility. The variety is suitable for cultivation by Clearfield (BASF) technology. It is uniformed by plants height, flowering and maturing. A period emergence – physiological maturity is equal to 97–99 days. Weight of 1000 seeds at plant population of 25–30 thousand plants/ha exceeds 130 g.

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Grimley, Daniel. "Review: Aladdin eller Den forunderlige lampe." Music and Letters 85, no. 1 (February 1, 2004): 165–68. http://dx.doi.org/10.1093/ml/85.1.165.

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32

Schwarzschild, Bertram. "Aladdin, Fighting Back, Surpasses Performance Goals." Physics Today 39, no. 3 (March 1986): 19–20. http://dx.doi.org/10.1063/1.2814923.

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33

Bourenane, Abderrahmene. "Authenticity and discourses in Aladdin (1992)." Journal of Arab & Muslim Media Research 13, no. 2 (September 1, 2020): 235–50. http://dx.doi.org/10.1386/jammr_00021_1.

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Since the first encounters between the East and the West, many Western artistic productions have been produced to introduce the Orient to the Occident. Antoine Galland’s translation of the oriental folkloric tales, known as One Thousand and One Nights marked a cultural transfer through introducing an exotic, colourful and adventurous, yet unsafe, life-threatening and mysterious image of the Orient. Scholars question the authenticity of the translation, and reject the true belonging of the tale of Aladdin’s Wonderful Lamp to the oriental cultural heritage suggesting its Western construction. This fabrication suggests the existence of several discourses that are to be unfolded with the critical discourse analysis of the pictorial and textual discourse of the tale and its several filmic adaptations. The tale was fully or partially adapted in several cinematographic productions during the last century. For example, while Aladin (1906) faithfully adapted part of the original tale, the 1992 version directed by Clements and Musker is a loosely inspiration perceived through an orientalist filter. The aim of this article is to investigate the authenticity and disclose the discourses concealed in Galland’s translation and its 1992 filmic adaptation, the critical discourse analysis in addition to Edward Saïd’s Orientalism provide the theoretical framework to analyse the excerpts from the translation and scenes from the film, in order to disclose the colonial, orientalist and feminist discourses they encapsulate.

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Kleman, Kevin J. "Beam diagnostics and control at Aladdin." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 266, no. 1-3 (April 1988): 172–76. http://dx.doi.org/10.1016/0168-9002(88)90377-4.

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Wells, G. M., B. Lai, D. So, R. Redaelli, and F. Cerrina. "X-ray lithography beamlines at Aladdin." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 266, no. 1-3 (April 1988): 278–86. http://dx.doi.org/10.1016/0168-9002(88)90397-x.

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Younger, F. C., W. Jorge Pearce, and B. Ng. "Two new insertion devices for Aladdin." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 347, no. 1-3 (August 1994): 98–101. http://dx.doi.org/10.1016/0168-9002(94)91862-7.

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Hansen, Roger W. C., Eric L. Brodsky, Charles H. Pruett, Dan J. Wallace, Eric Korpela, Adriano Filipponi, Mark Bissen, John T. Welnak, Mike A. Green, and Walter S. Trzeciak. "Implementation of an undulator beamline on Aladdin." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 291, no. 1-2 (May 1990): 162–67. http://dx.doi.org/10.1016/0168-9002(90)90053-9.

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Cerrina, F., G. Margaritondo, J. H. Underwood, M. Hettrick, M. A. Green, L. J. Brillson, A. Franciosi, H. Höchst, P. M. Deluca, and M. N. Gould. "Maximum: A scanning photoelectron microscope at Aladdin." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 266, no. 1-3 (April 1988): 303–7. http://dx.doi.org/10.1016/0168-9002(88)90401-9.

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Pruett, C. H., E. L. Brodsky, R. K. Cole, S. L. Crossley, D. B. Crossley, R. W. C. Hansen, T. Nelson, et al. "New Synchrotron Radiation Center beamlines at Aladdin." Review of Scientific Instruments 60, no. 7 (July 1989): 1913–16. http://dx.doi.org/10.1063/1.1140887.

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ISLAM, MD MOHIUL, and Nilufa Akter. "Disney’s Aladdin (2019), the Old Rum in the New Bottle." Ultimacomm: Jurnal Ilmu Komunikasi 12, no. 1 (June 17, 2020): 72–87. http://dx.doi.org/10.31937/ultimacomm.v12i1.1466.

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Abstract:

Disney Corporation has recently released Aladdin (2019) as their official remake of their own animated Film Aladdin (1992). By making some significant changes in the storyline, Guy Ritchie, the director of the film, tried to create some newness through the actions of the film. But the gender role of the princess Jasmine and the casting of Genie have brought back the same old tendency of the corporation that is the stereotypical representation of the females and racial ethnicity. The princess becomes the victim, and the male rescues the female, and the black becomes the slave. This very study shows how Disney has been doing the stereotyped portrayal of the women and showing the racist attitude towards the dark-skinned people. Since this study is conducted through a textual analysis approach, initially, the dialogues and actions related to the objective of the study have been coded. Then by analyzing the two characters and their dialogues, contexts and related actions, this study explains how Guy Ritchie’s Aladdin (2019) contains the old philosophy of Disney, that is keeping the women inside the house and neglecting the dark-skinned people, which at the end made the film nothing but the old rum in the new bottle. Keywords: Females, Genie, patriarchy, portrayal, slavery.

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Kartika, Rina. "The Metaphorical Translation's Analysis in Soundtrack Lyrics "The Disney Aladdin 2019 Movie"." MEDIOVA: Journal of Islamic Media Studies 1, no. 2 (November 29, 2021): 167–80. http://dx.doi.org/10.32923/medio.v1i2.1913.

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This study discusses The Metaphorical Translation’s Analysis in Soundtracks Lyrics "The Disney Aladdin 2019 Movie". The purpose of this study is that to discover the types of metaphors and the strategies that are translators used in translating the metaphors. The metaphors found are classified based on Newmark theory, and the strategies used when translating metaphors from source Language to Target languages are classified using Larson theory. The data is collected by finding the metaphorical expressions in the lyrics of the soundtrack the Disney Aladdin 2019 Movie from English to Indonesian. This study uses qualitative descriptive methods. The results show that there are 5 of 6 types of metaphor found and the most used strategy is the metaphor can be kept if the receptor language permits

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Didit Wahyu Permadi, Tri Mulyati, and Nur Hasibin. "A DESCRIPTIVE STUDY ON POLITENESS STRATEGIES IN “ALADDIN” MOVIE." LUNAR 6, no. 1 (June 12, 2022): 332–41. http://dx.doi.org/10.36526/ln.v6i1.1974.

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This research is a descriptive study on the use of politeness strategy in movie. The researcher used a descriptive qualitative approach. This research focused on describing politeness strategies used by the main characters of Aladdin movie. The data were analyzed from conversation script in form of utterance. The researchers used analysis method by Miles and Huberman, namely data reduction, data display, and conclusion drawing/verification. The research results showed that the types of politeness strategies used by the four main characters in the film Aladdin are the bald-on record strategy, positive politeness strategies, negative politeness strategies, and off-record strategies. Bald on record is the most widely used. It appeared 11 times (37%). It is followed by positive politeness which are uttered 7 times (23%) and off record which are also uttered 7 times (23%). The forth is negative politeness that uttered 5 times (17%). The researcher suggest to the English teachers to use Aladdin movie as teaching resource for politeness strategy. The researcher also suggested to the students could apply the politeness strategy in their life especially with the teachers and mates during learning process. For the further researcher, there are many aspects which can be analyzed about Pragmatics including politeness strategy. The reseracher suggests to the other researchers to analyze other aspects of Pragmatics in different works.

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Addison, Erin. "Saving Other Women from Other Men: Disneys Aladdin." Camera Obscura: Feminism, Culture, and Media Studies 11, no. 1 (1993): 4–25. http://dx.doi.org/10.1215/02705346-11-1_31-4.

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Mandal, Priyanka, Emma J. Berrow, Shehzad A. Naroo, James S. Wolffsohn, Detlef Uthoff, Detlef Holland, and Sunil Shah. "Validity and repeatability of the Aladdin ocular biometer." British Journal of Ophthalmology 98, no. 2 (November 13, 2013): 256–58. http://dx.doi.org/10.1136/bjophthalmol-2013-304002.

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Emory-Maier, Ambre. "Aladdin Project: BalletMet's Collaboration with Columbus City Schools." Journal of Dance Education 11, no. 3 (July 2011): 100–102. http://dx.doi.org/10.1080/15290824.2011.594376.

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Hansen, R. W. C., M. Bissen, C. Pruett, E. Brodsky, E. Korpela, A. Filipponi, M. Green, et al. "User operation of the first undulator on Aladdin." Physica Scripta 41, no. 4 (April 1, 1990): 409–12. http://dx.doi.org/10.1088/0031-8949/41/4/006.

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du Foresto, Vincent Coudé, Olivier Absil, Marc Barillot, and Mark Swain. "ALADDIN: an optimized ground-based precursor for DARWIN." Proceedings of the International Astronomical Union 1, no. C200 (October 2005): 305–8. http://dx.doi.org/10.1017/s1743921306009501.

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Trzeciak, Walter S., Roger W. C. Hansen, Michael A. Green, Mark Bissen, and Dave Eisert. "Implementation and effects of undulator scanning at Aladdin." Nuclear Instruments and Methods in Physics Research Section A: Accelerators, Spectrometers, Detectors and Associated Equipment 291, no. 1-2 (May 1990): 413–18. http://dx.doi.org/10.1016/0168-9002(90)90096-o.

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Goto, Yasuhito, Asuka Inagaki, Atsushi Fujiwara, Keisuke Kanenaga, Mio Sakate, Juri Akita, and Fumio Shiraga. "Comparison of Optical Biometers OA-2000 and ALADDIN." JAPANESE ORTHOPTIC JOURNAL 47 (2018): 109–15. http://dx.doi.org/10.4263/jorthoptic.047f108.

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Gogiashvili, Elene. "The Tale of Aladdin in Georgian Oral Tradition." Folklore 129, no. 2 (April 3, 2018): 148–60. http://dx.doi.org/10.1080/0015587x.2017.1397392.

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