Relevant bibliographies by topics / Agonistic democracy

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Agonistic democracy'

Author: Grafiati
Published: 4 June 2021
Last updated: 21 February 2023

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Journal articles on the topic "Agonistic democracy"

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Tambakaki, Paulina. "Agonism Reloaded: Potentia, Renewal and Radical Democracy." Political Studies Review 15, no. 4 (May 13, 2016): 577–88. http://dx.doi.org/10.1177/1478929916635882.

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This article focuses on the agonistic account of renewal and discusses its place within the broader horizon of radical democracy. It suggests that while the emphasis which agonistic theorists place on difference and popular struggles (particularly social movement politics) ensures some common ground with other theories of radical democracy, their account of renewal also displays some marked differences. The article explores these differences and discusses whether agonism is sufficient to address the limits of the current neoliberal order. Honig B (2013) Antigone, Interrupted. Cambridge: Cambridge University Press Wenman M (2013) Agonistic Democracy: Constituent Power in the Era of Globalisation. Cambridge: Cambridge University Press Nichols R and Singh J (eds) (2014) Freedom and Democracy in an Imperial Context – Dialogues with James Tully. Abingdon, New York: Routledge Mouffe C (2013) Agonistics. London: Verso. Tully J (ed.) (2014) On Global Citizenship: James Tully in Dialogue. London; New York: Bloomsbury Academics.
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Jehalut, Ferdi. "DEMOKRASI AGONISTIK DAN SPIRIT BARU PASCA-PILKADA." JAP UNWIRA 3, no. 2 (December 30, 2020): 95–106. http://dx.doi.org/10.30822/jap.v3i2.863.

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Abstract The simultaneous general election of district heads in 270 regencies, municipalities and provinces in Indonesia in 2020 has ended. The end of the simultaneous general elections does not mean the end of competition, debate and discourse in democracy. A living democracy needs constant contestation, debate and discourse. That is the essence of the idea of agonistic democracy. The idea of agonistic democracy will be discussed in a sharp and comprehensive manner in this paper. Thus, the aim of this paper is to explain the concept of agonistic democracy. Furthermore, starting from the idea of agonistic democracy, the writer will show what spirit needs to be nurtured after the simultaneous regional elections that have just been held. The approach used in this paper is a speculative-analysis approach.
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Djordjevic, Biljana. "Problems of normative strenght and critique within the concept of agonistic participation: Towards the complementarity of agonistic and participatory democracy." Filozofija i drustvo 25, no. 3 (2014): 77–105. http://dx.doi.org/10.2298/fid1403077d.

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In this article I argue that there are grounds for considering agonistic democracy and participatory democracy complementarity in order to institutionalize agonism which has thus far lacked an elaborate articulation of its institutional dimension. The two democratic theories share a commitment toward widening the scope of the political as a way of inclusion of citizens and their subsequent political subjectivation and empowerment. Furthermore, there are authors on both sides who think democracy does not need foundations. Agonistic participation and contestation, on the one hand, and the broadening and strengthening of various sectors of political participation, on the other, both open up new possibilities for critique and change, but also create new risks. Building on a redefinition of agonisitic participation, I aim to attenuate an objection that agonism is normatively weak in terms of lacking resources to motivate citizens and justify their critique of practices of domination and oppression. The article concludes that we need to embrace agonistic participation as a means towards the development of democratic political judgement, as there are no other guarantees, i.e. secure foundations, for our ability to distinguish between democratic and non-democratic agon.
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Bell, Duncan. "Agonistic Democracy and the Politics of Memory." Constellations 15, no. 1 (March 2008): 148–66. http://dx.doi.org/10.1111/j.1467-8675.2008.00478.x.

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Jang, Won-Seok. "Conflictual Consensus Politics : Chantal Mouffe' Agonistic Democracy." Journal of Peace Studies 16, no. 4 (September 30, 2015): 61–81. http://dx.doi.org/10.14363/kaps.2015.16.4.61.

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Westphal, Manon. "Overcoming the Institutional Deficit of Agonistic Democracy." Res Publica 25, no. 2 (March 21, 2018): 187–210. http://dx.doi.org/10.1007/s11158-018-9397-2.

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Letnyakov, Denis. "Going Beyond "Electoralism": Agonistic Democracy Versus a Post-politics Perspective." Polylogos 6, no. 4 (22) (2022): 0. http://dx.doi.org/10.18254/s258770110023494-5.

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In the research literature of recent years, the problem of the degeneration of modern democracy into a technocratic "post-politics", has been actively discussed. The article analyzes one of the possible answers to this threat, proposed by the theorists of the so-called agonistic (competitive) model of democracy. Referring to the works of Ch. Mouffe, W. Connolly, J. Tully and D. Owen, the author shows what can be an agonistic alternative to the "electoralist" approach to democracy (linking the latter, first of all, with the holding of competitive elections). Further, considering the political practices of modern liberal polities (mainly the USA), the author comes to the conclusion that they already contain a certain agonistic element. This element, however, needs to be developed and strengthened in order to transform politics into an institutionalized space of conflict, which is a necessary condition for the existence of any living democracy.
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Dalaqua, Gustavo H. "DEMOCRACY AS COMPROMISE: AN ALTERNATIVE TO THE AGONISTIC VS. EPISTEMIC DIVIDE." Kriterion: Revista de Filosofia 60, no. 144 (September 2019): 587–607. http://dx.doi.org/10.1590/0100-512x2019n14405ghd.

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ABSTRACT The agonistic vs. epistemic dichotomy is fairly widespread in contemporary democratic theory and is endorsed by scholars as outstanding as Luis Felipe Miguel, Chantal Mouffe, and Nadia Urbinati. According to them, the idea that democratic deliberation can work as a rational exchange of arguments that aims at truth is incompatible with the recognition of conflict as a central feature of politics. In other words, the epistemic approach is bound to obliterate the agonistic and conflictive dimension of democracy. This article takes this dichotomized way of thinking to task by reconstructing the association between democracy and compromise made by John Stuart Mill, John Morley, and Hans Kelsen. It concludes that the conceptualization of democracy as compromise offers an alternative to the agonistic vs. epistemic divide that disconcerts a significant part of political philosophy today.
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Kayange, Grivas M. "African Traditional Deliberative and Agonistic Democracy: A Maravi Perspective." Utafiti 13, no. 2 (March 18, 2018): 23–44. http://dx.doi.org/10.1163/26836408-01302003.

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This essay traces elements of democracy in the history of African political thought, mainly in the Maravi Kingdom which once spanned the regions of present-day Malawi, Zambia and Mozambique. Based on the study of Maravi history, language, and some published philosophical reflections on democracy, elements of both deliberative and agonistic democracy are demonstrably present in these traditions. These elements include consensus-building, democratic legitimisation of leaders (such as kings) and the capacity to tame agonism in the community. While some of the main studies on African traditional theory of democracy build on an exotic and exceptional conception of African culture as communitarian, this paper argues for using the model of moderate communitarianism as representative of African societies through the ages. On this view the understanding is that indigenous African political cultures accommodate both communitarian and individualistic elements independently of Western influences. It is the accommodation of these cultural elements as indigenous to Africa that allows democracy to flourish in various African settings.
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Lowndes, Vivien, and Marie Paxton. "Can agonism be institutionalised? Can institutions be agonised? Prospects for democratic design." British Journal of Politics and International Relations 20, no. 3 (July 6, 2018): 693–710. http://dx.doi.org/10.1177/1369148118784756.

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One of the main criticisms of agonistic democracy (and of post-structuralism more generally) is that it fails to get beyond a purely negative assessment of alternative theories. The article takes up this challenge. First, it seeks to specify the core commitments of agonistic democracy, focusing on the concepts of contestation, contingency and interdependence. Second, it analyses how these commitments might be institutionalised through models of perfectionism, adversarialism and inclusivism. Third, it considers how agonistic principles can suffuse broader processes of democratic design, drawing on insights from critical institutionalism. The article argues that agonism can become more than a thought experiment or critique. An agonistic design process is possible. Such a process has five key characteristics: it is processual, collective, contextual, contestable and always provisional.
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Dissertations / Theses on the topic "Agonistic democracy"

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Kang, Kathryn Muriel. "Agonistic democracy : the decentred "I" of the 1990s." Thesis, The University of Sydney, 2005. http://hdl.handle.net/2123/667.

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The thesis concerns the dynamics during the 1990s of political action by many groups of people, in what came to be called the movement of movements. The activists, who held that corporations were overstepping some mark, worked on alternative arrangements for self-rule. The thesis views the movement as micropolitics, using concepts devised by Deleuze and Guattari. It sets out particulars of the rhizomic make -up of the movement. A key point is that the movement trains participants in decentred organisation, which entails the forming of subject-groups as opposed to subjugated groups. The thesis records how the movement was shaped by earlier events in political action and thinking, especially from the 1960s on. The movement had previously been read as a push for absolute democracy (Hardt and Negri). The thesis shows that reading to have been incomplete: the movement is, in part, a push for agonistic democracy. More a practice than a form of rule, agonistic democracy is found where state power is bent on not moulding peoples into any unified polity. It is found where state power fosters conflicted-self-rule, so that every citizen may engage in the polity as a decentred "I". The thesis throws light on relations between the movement and the constitutionalist state. Part of the movement, while cynical about the existing form of state rule, wears a mask of obedience to constituted authority. When one upholds the fiction of legitimate rule, one can use the fiction as a restraint on the cynics-in-power. The play creates a shadow social contract, producing detente within the polity and within the "I". The thesis also reports on a search in mainstream cinema for some expression of the movement's dynamics. The search leads to a cycle of thrillers, set in a nonfiction frame story about a coverup of gross abuse of state power.
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Schirmer, Davis. "Occupy Wall Street as radical democracy : Democracy Now! reportage of the foundation of a contemporary direct-democracy movement." Thesis, Stockholms universitet, Institutionen för mediestudier, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-93353.

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Democracy Now! is an independently syndicated hour long daily audio and video program that is broadcast on 1179 radio, television, and internet stations throughout the world, as well as being freely available on their website under a Creative-Commons License. They are a global news organization based in New York City, with the stated goal of providing “rarely heard” perspectives in their coverage. Democracy Now! was one of the early independent news organizations to provide continuous coverage of the Occupy Wall Street protest in New York's Zuccotti park. Their early coverage of the movement is relevant to the extent that it helps to obviate the demographics of the OWS movement as well as highlight the potential for a “radically-democratic agonistic pluralism,” as conceptualized by Ernesto Laclau and Chantal Mouffe. Through the dual frames of discourse and intersectionality theories, this qualitiative study examines the coverage of Occupy Wall Street by Democracy Now!, in an attempt to understand the interplay of the movement's demographic heterogeneity and the manner in which its public antagonism is characterized by this independent media outlet. The sociopolitical and historical context provided by Democracy Now! is used to understand where the outlet exists with in the media as well as if this coverage can be part of “radical democratic possibilities.”
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Paxton, Marie. "Agonistic democracy and the challenges of diversity : exploring practical applications of conflict mediation." Thesis, University of Nottingham, 2015. http://eprints.nottingham.ac.uk/28695/.

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This research explores whether, and how, theoretical concepts from agonistic democracy could be operationalised in order to mediate conflict in multicultural, pluralist society. It highlights three central themes of agonistic democracy: political contestation, contingency and necessary interdependency. It subsequently demonstrates the various ways in which these themes are employed, delineating three distinct agonistic approaches: the ‘perfectionist’ (as encapsulated by David Owen), the ‘adversarial’ (as represented by Chantal Mouffe), and the ‘inclusive’ (as symbolised by William Connolly and James Tully). The research then considers possible tensions between agonistic assumptions and further institutional consideration, and draws on new institutionalist literature to identify which kinds of institution could be compatible with agonistic democracy. It explores these through an experiment, which employs three distinct discussion frameworks, each representing a different agonistic approach. The research combines insights from the experiment and agonistic literature to gain a deeper insight into agonistic concepts and the potential for their operationalisation. It suggests that perfectionism is valuable in encouraging unity, adversarialism is effective in reviving passions, and inclusivity is useful in enhancing interactions between conflicting citizens. Finally, the research proposes an ‘agonistic day’ and demonstrates how a synthesis of all three approaches could mediate multicultural, pluralist conflict.
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Kang, Kathryn Muriel. "Agnostic democracy : the decentred "I" of the 1990s." University of Sydney. Economics and Political Science, 2005. http://hdl.handle.net/2123/667.

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The thesis concerns the dynamics during the 1990s of political action by many groups of people, in what came to be called the movement of movements. The activists, who held that corporations were overstepping some mark, worked on alternative arrangements for self-rule. The thesis views the movement as micropolitics, using concepts devised by Deleuze and Guattari. It sets out particulars of the rhizomic make -up of the movement. A key point is that the movement trains participants in decentred organisation, which entails the forming of subject-groups as opposed to subjugated groups. The thesis records how the movement was shaped by earlier events in political action and thinking, especially from the 1960s on. The movement had previously been read as a push for absolute democracy (Hardt and Negri). The thesis shows that reading to have been incomplete: the movement is, in part, a push for agonistic democracy. More a practice than a form of rule, agonistic democracy is found where state power is bent on not moulding peoples into any unified polity. It is found where state power fosters conflicted-self-rule, so that every citizen may engage in the polity as a decentred "I". The thesis throws light on relations between the movement and the constitutionalist state. Part of the movement, while cynical about the existing form of state rule, wears a mask of obedience to constituted authority. When one upholds the fiction of legitimate rule, one can use the fiction as a restraint on the cynics-in-power. The play creates a shadow social contract, producing detente within the polity and within the �I.� The thesis also reports on a search in mainstream cinema for some expression of the movement's dynamics. The search leads to a cycle of thrillers, set in a nonfiction frame story about a coverup of gross abuse of state power.
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Martinsson, Joel. "Fighting For Consenus : An Agonistic Pluralism and Deliberative Analysis of how Youths in Urban Mwanza Envision a Deepened Democracy." Thesis, Linnéuniversitetet, Institutionen för statsvetenskap (ST), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-39402.

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This essay has two aims. The first is to provide a better understanding of how youths in urban Mwanza envision a deepening of the democratic system in regard to the deliberative democracy theory by Jürgen Habermas and the agonistic pluralism by Chantal Mouffe. The second aim is to connect the empirical material – the democratic deepening visions of youths in urban Mwanza – to a theoretical discussion, transforming the democratic models into democratization chains. The theoretical contribution in this essay is to apply these theoretical models to an emerging democracy such as Tanzania, and to to transform the agonistic pluralism and deliberative models into democratization chains. The empirical material in this essay has further been gathered through semi-structured interviews with 19 youths in urban Mwanza. The results presented in the first analytical chapter shows that youths in urban Mwanza leans towards a vision of a deliberative model of democracy rather then an agonistic pluralism, but that a social class dimension could be seen as affecting the lean. Particularly less-educated females raised concerns that a deliberative approach would segment an unsatisfying political status quo. The theoretical discussion showed that the implications visions of a deepened democracy from youths in urban Mwanza theoretically could have on the democratization process changes if the theories are seen as models or chains.
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Castillo, Jeanette. "Agonistic democracy and the narrative of distempered elites an analysis of citizen discourse on political message forums /." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3331358.

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Thesis (Ph.D.)--Indiana University, Dept. of Telecommunications, 2008.
Title from PDF t.p. (viewed on Jul 24, 2009). Source: Dissertation Abstracts International, Volume: 69-11, Section: A, page: 4171. Advisers: Erik Bucy; Robert Ivie.
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Jezierska, Katarzyna. "Radical democracy redux : politics and subjectivity beyond Habermas and Mouffe." Doctoral thesis, Örebro universitet, Akademin för humaniora, utbildning och samhällsvetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-15123.

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This thesis investigates two contemporary theories of radical democracy, Jürgen Habermas’s deliberative and Chantal Mouffe’s agonistic democracy. By bringing the two scholars together and constructing a debate between them, their respective strengths and weaknesses are highlighted and the similarities and differences are pointed out. Habermas and Mouffe are seldom dealt with simultaneously as they represent different theoretical traditions, critical theory and post-structuralism respectively. This thesis argues that we can learn from both of them. The aim of the thesis is to clarify and critically assess Chantal Mouffe’s and Jürgen Habermas’s versions of radical democracy, their disparate visions of democratic politics and subjectivity, in order to clear the ground for a third position that draws inspiration from both of them. The methodological inspiration comes from the deconstructive approach to interpretation, and thus the study aspires to a ‘just reading’ while being conscious of the elements of violence inherent to any instances of reading. The main bulk of the thesis is dedicated to an analysis of the two authors’ theories of democracy and subjectivity, which leads on to the third position situated beyond the two. From Habermas I take the stress on political communication and intersubjectivity, while both these concepts are extensively reformulated. The elements I reject from his position are the orientation to consensus and the strong requirements of coherence and transparency of the subject. From Mouffe I take the accent on the agonistic spirit of democracy, while setting aside the ontological status of antagonism. Her conception of split subjectivity is included, but supplemented with a more explicit theorization of the unity of the subject in the element of intersubjective meetings. The third position on radical democracy embraces the fundamental status of undecidability, which calls for an ethos of questioning.
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Kalkreuth, Caroline Maria [Verfasser], Dirk [Akademischer Betreuer] Nabers, and Paula [Gutachter] Diehl. "The agonistic model of democracy and the European Union / Caroline Maria Kalkreuth ; Gutachter: Paula Diehl ; Betreuer: Dirk Nabers." Kiel : Universitätsbibliothek Kiel, 2021. http://d-nb.info/1237685621/34.

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Toth, Mano Gabor. "Dealing with conflicting visions of the past : the case of European memory." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/266697.

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The aim of my dissertation is to understand and critically evaluate how the idea of European memory has been conceptualised by different actors at the European level and to develop a novel, pluralist conception. Attempting to ground European integration and the attachment to Europe in historical narratives has become increasingly important for the EU since the loss of its main ideological “Other,” the Soviet Union. The projects adopted in this vein often have the explicit goal to address the “legitimacy problem” and the “democratic deficit” by promoting European identity. In the EU politics-academia nexus, where most of the related debate takes place, the buzzword “European memory” has become very fashionable in the last decade. The idea has been conceptualised in a variety of ways, but most of these are characterised by teleological frameworks and problem-solving thinking. In my dissertation, I examine and critically evaluate how the idea of European memory has been conceptualised by different actors at the European level, and I develop a novel conception based on radical democratic theory. I analyse how the concept of European memory has been used in different European institutions and cultural projects (such as the European Parliament and the House of European History), and I critically reflect on these practices. In my pluralist vision of the European mythical space, conflicting visions of the past are not regarded as an anomaly that needs to be overcome by rational consensus or as an asset that can be harvested in order to bolster the legitimacy of certain political bodies. This vision takes difference to be an inevitable condition of social life and it argues that, instead of trying to resolve conflicting interpretations of the past, social difference should be embraced and the nature of conflict should be changed so that antagonistic relationships can become agonistic ones through dialogue and education. On the one hand, my dissertation contributes to the field of memory studies with a comprehensive pluralist approach to myth. On the other hand, I contribute to European studies, and more specifically to the academic discussion about European memory, when I contextualise this theory of myth in the contemporary European politics of the past.
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Jedrom, Malin. "Democracy in an era of liberalism : An analysis of the democratization process in Tunisia after the Jasmin Revolution." Thesis, Uppsala universitet, Teologiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-294981.

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The Jasmin Revolution in Tunisia began at the end of 2010. Mohamed Bouazizi set himself on fire in protest against the corrupt police officials that had forced him to pay bribes in order to run his business. His protest became the symbol for the revolution that followed. A combination of political instabilities along with an economic downturn that lead to unemployment created dissatisfaction among the people in Tunisia. The Protest grew into a revolution that demanded action against the widespread unemployment, lack of democracy and human rights. A democratization process started after the revolution because of the protests. The purpose of this thesis is to analyse how Tunisia developed a democratic system of governance, if the notion of human rights has changed since the democratization process started and to analyse the relationship between human rights and democracy within the case of Tunisia. Three democratization theories, are applied to this case on Tunisia in order to answer these questions. The theorists are Robert A. Dahl with a theory of constitutionalism and institutionalism, Chantal Mouffe with a theory of agonistic pluralism and Seyla Benhabib with a theory of deliberative democracy.  The three theorists have different opinions regarding democracy and democratization processes but they all agree that the modern notion of democracy is of liberal character and that inclusion and that equality is important for a democracy. This thesis shows that the democratization of Tunisia’s governance could arise because the process had a relatively liberal agenda, which is perceived through the theories as the modern concept of democracy. The three theories require inclusion and equality for a transition to be democratic. Tunisia has included the citizens in the work of establishing a better relationship between the state and citizens but also when drafting the new constitution after the revolution. The actions taken by Tunisia are compatible with the theories, and maybe an explanation to the democratization process. The relationship between democracy and human rights is important when discussing the democratization of Tunisia. The revolution demanded democracy and human rights, something that the state could not deny. In order to honour the revolution and its demands the government in Tunisia tried to incorporate human rights into the democratic work, linking the relationship between democracy and human rights. Therefore, it can be viewed as a liberal democratization process. This thesis proves that Tunisia is not a democracy, but the process after the revolution is still remarkable and one day I can only hope that the process will be complete.
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Books on the topic "Agonistic democracy"

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Gürsözlü, Fuat. Agonistic Democracy and Political Practice. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05999-5.

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Institutionalizing agonistic democracy: Post-foundationalism and political liberalism. Farnham, Surrey, England: Ashgate, 2011.

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interviewer, Wagner Elke 1975, and Mouffe Chantal, eds. Agonistics: Thinking the world politically. London: Verso, 2013.

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Agonistic Democracy. Taylor & Francis Group, 2019.

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Paxton, Marie. Agonistic Democracy. Taylor & Francis Group, 2021.

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Wenman, Mark. Agonistic Democracy. Cambridge University Press, 2013.

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Wingenbach, Ed. Institutionalizing Agonistic Democracy. Routledge, 2016. http://dx.doi.org/10.4324/9781315588872.

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Gürsözlü, Fuat. Agonistic Democracy and Political Practice. Springer International Publishing AG, 2022.

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Pernegger, Li. Agonistic City: State-Society Strife in Johannesburg. Zed Books, Limited, 2020.

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Paxton, Marie. Agonistic Democracy: Rethinking Political Institutions in Pluralist Times. Taylor & Francis Group, 2019.

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Book chapters on the topic "Agonistic democracy"

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Westphal, Manon. "Agonistic Compromise." In Compromises in Democracy, 95–120. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-40802-2_5.

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Budarick, John. "Agonistic Pluralism." In Ethnic Media and Democracy, 97–125. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-16492-8_5.

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Gürsözlü, Fuat. "Democracy: Radical or Agonistic?" In Agonistic Democracy and Political Practice, 3–39. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05999-5_1.

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Cole, Juan. "Agonistic democracy in Iraq." In Iraq since the Invasion, 72–87. Abingdon, Oxon : New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429201936-4.

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Gürsözlü, Fuat. "Expanding Agonistic Engagement." In Agonistic Democracy and Political Practice, 73–116. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05999-5_3.

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Gürsözlü, Fuat. "What Should We Expect from Political Parties? An Agonistic Account of Political Party." In Agonistic Democracy and Political Practice, 161–97. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05999-5_5.

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Gürsözlü, Fuat. "For a More Democratic Agonistic Politics." In Agonistic Democracy and Political Practice, 41–70. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05999-5_2.

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Gürsözlü, Fuat. "Agonistic Spaces and the Value of Political Protests." In Agonistic Democracy and Political Practice, 117–60. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05999-5_4.

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Gürsözlü, Fuat. "Thinking Peace Agonistically." In Agonistic Democracy and Political Practice, 199–227. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05999-5_6.

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Hands, Joss. "Between Agonistic and Deliberative Politics: Towards a Radical E-Democracy." In Radical Democracy and the Internet, 89–107. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230592469_6.

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Conference papers on the topic "Agonistic democracy"

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González-García, Ricardo. "‘Arte agonista’ como dispositivo transformador del hegemónico orden simbólico." In IV Congreso Internacional Estética y Política: Poéticas del desacuerdo para una democracia plural. València: Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/cep4.2019.10512.

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Siguiendo las premisas de Chantal Mouffe, se plantea aquí la posibilidad de un arte crítico –denominado “agonista”–, que pueda ser útil para visibilizar los problemas sociales y concienciar a la población de estar en su derecho de ejercer una razón pública o democracia radical. Dentro de las patologías hiperexpresivas que acarrea el orden simbólico hegemónico que impone el sistema capitalista, el malestar que ante ello pueda haber en la cultura y sus espacios de representación, nos conduce a reflexionar sobre cómo este tipo de arte puede distinguirse de lo que Franco Berardi denomina como “ruido blanco”, para que su mensaje pueda ser recibido por el espectador. Si se analiza cómo funciona este “esquizofrénico” sistema de excesivos flujos semióticos, para muchos de los cuales no tenemos capacidad de interpretación, podemos comprobar que guarda una contradicción intrínseca que, según Deleuze, se halla íntimamente unida al psicoanálisis, lo cual establece una conjunción entre producción “deseante” y producción de enunciados como mecánica que acaba activando los flujos económicos que lo sostienen. Esta circunstancia de sobrecarga infocrática en la que el sistema basa su poder, afecta también a la producción cultural, sus códigos o los mensajes que lanza, extendiendo una red soportada en la mercantilización que también repercute en lo institucional o viceversa. Saber en qué medida somos cómplices de esta situación es un primer paso para luego distinguir cómo cierto tipo de arte escapa de esa red y, a través de lo emocional ya como única fisura por la que “colarse”, llega al espectador con otro tipo de consignas que puedan llegar a hacer que se conciencie de situaciones de desigualdad provocadas por el mismo sistema. Hacer hincapié en esta posibilidad es volver a la idea de “intelectualidad orgánica”, desarrollada por Gramsci, para aplicarla al territorio del arte y hacer ver cómo este espacio de representación es uno de los pocos que aún posee capacidad para vincularse orgánicamente con la comunidad y transformar el hegemónico orden simbólico impuesto por el sistema neoliberal, en función de devolver al pueblo su autonomía y poder de decisión sobre las cuestiones sociales que lo conciernen. Según esta razón, existe toda una línea artística, de Joseph Beuys a Alfredo Jaar por ejemplo, comprometida con este tipo de concienciación; practicas artísticas que, en su conjunto, se adecúan a la idea de este “arte agonista” que aquí se explica.
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